Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The Kings’ Cathedrals

The Chapel of the Kings

The Chapel of St. Mary Magdalene

From the Mosque to the Cathedral

The chystro: a place between earth and sky

A polysemy of high-level artistic forms and content

The chapel of the crucifix: an artistic casket based on a previous model

The cemetery of kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Virgin Hodegetria

The senses tell Context 1

The mosaics of the presbytery

The Cathedral over the centuries

The cultural substrate through time

Ecclesia munita

The southern portico

Norman religious architecture with islamic influences in Sicily

The links between the hauteville family and the monastic orders in Sicily

A palimpsest of history

The balance between architecture and light

The towers facing the facade used as bell towers

The side aisles

From the main gate to the aisles: an invitation to a journey of faith

Cefalù: settlement evidence through time

Artistic elements in Peter’s ship

The beginning of the construction site

The original design

The chapel of san Castrense: an important renaissance work

Mosaic decoration

The side Portico: a combination of elegance and lightness of form

A remarkable ceiling

The area of the Sanctuary

The Great Restoration

The columns of the nave: the meticulous study of the overall order

A tree full of life

Interior decorations

The chapel of St. Benedict

The Great Presbytery: a unique space for the cathedral

The liturgical spaces of the protesis and the diaconicon

Palermo: the happiest city

A chapel by an unknown designer based on repeated symmetries

The dialogue between the architectures of the monumental complex

The longest aisle

Roger II’s strategic design

Survey of the royal tombs

Characteristics of religious architecture in the romanesque period

Roger II of hauteville: a sovereign protected by God

Layers of different cultures decorate the external apses

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The stone bible

Tempus fugit: a strategic project implemented in a short period of time

A space between the visible and the invisible

Porphyry sarcophagi: royalty and power

A compositional design that combines nordic examples with new artistic languages, over the centuries

The transformations of the hall through the centuries

A new Cathedral

Beyond the harmony of proportions

The Gualtiero Cathedral

A mixture of styles pervades the floor decorations

Gardens and architecture as a backdrop to the city of Palermo

Two initially similar towers, varied over time

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the apses

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The rediscovered chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The construction of Monreale Cathedral: between myth and history

The Bible carved in stone

A Northern population

The towers and the western facade

The king’s mark

Worship services

A controversial interpretation

Squaring the circle

The chorus: beating heart of the cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Transformations over the centuries

A cloister of accentuated stylistic variety

The lost chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Under the crosses of the Bema

The decorated facade