Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The Bible carved in stone

A compositional design that combines nordic examples with new artistic languages, over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A remarkable ceiling

The chapel of the crucifix: an artistic casket based on a previous model

A space between the visible and the invisible

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Gualtiero Cathedral

A controversial interpretation

From the Mosque to the Cathedral

Tempus fugit: a strategic project implemented in a short period of time

The beginning of the construction site

A palimpsest of history

The links between the hauteville family and the monastic orders in Sicily

A mixture of styles pervades the floor decorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Two initially similar towers, varied over time

Squaring the circle

A polysemy of high-level artistic forms and content

The dialogue between the architectures of the monumental complex

Characteristics of religious architecture in the romanesque period

A tree full of life

Worship services

Porphyry sarcophagi: royalty and power

Cefalù: settlement evidence through time

The liturgical spaces of the protesis and the diaconicon

The decorated facade

Ecclesia munita

The cemetery of kings

Interior decorations

The side aisles

The Great Restoration

The cultural substrate through time

Palermo: the happiest city

The construction of Monreale Cathedral: between myth and history

The balance between architecture and light

A chapel by an unknown designer based on repeated symmetries

The chystro: a place between earth and sky

The king’s mark

Gardens and architecture as a backdrop to the city of Palermo

A new Cathedral

The southern portico

Roger II of hauteville: a sovereign protected by God

The chorus: beating heart of the cathedral

The Chapel of the Kings

The Chapel of St. Mary Magdalene

The chapel of san Castrense: an important renaissance work

The Cathedral over the centuries

Survey of the royal tombs

Beyond the harmony of proportions

The longest aisle

The area of the Sanctuary

Mosaic decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers facing the facade used as bell towers

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side Portico: a combination of elegance and lightness of form

The chapel of St. Benedict

Norman religious architecture with islamic influences in Sicily

The stone bible

The mosaics of the apses

The towers and the western facade

A Northern population

Layers of different cultures decorate the external apses

The transformations of the hall through the centuries

The Great Presbytery: a unique space for the cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The columns of the nave: the meticulous study of the overall order

A cloister of accentuated stylistic variety

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The original design

The mosaics of the presbytery

The Kings’ Cathedrals

Roger II’s strategic design

The Virgin Hodegetria

Artistic elements in Peter’s ship

The senses tell Context 1

Under the crosses of the Bema

Transformations over the centuries

From the main gate to the aisles: an invitation to a journey of faith

The lost chapel

The medieval city amidst monasticism and feudal aristocracy

The rediscovered chapel