Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The Great Presbytery: a unique space for the cathedral

A remarkable ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the apses

The chapel of St. Benedict

Beyond the harmony of proportions

Porphyry sarcophagi: royalty and power

Palermo: the happiest city

The towers and the western facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Under the crosses of the Bema

The chystro: a place between earth and sky

A mixture of styles pervades the floor decorations

The balance between architecture and light

The dialogue between the architectures of the monumental complex

Interior decorations

The links between the hauteville family and the monastic orders in Sicily

The Great Restoration

From the Mosque to the Cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Gardens and architecture as a backdrop to the city of Palermo

A tree full of life

The decorated facade

A space between the visible and the invisible

Worship services

The columns of the nave: the meticulous study of the overall order

A controversial interpretation

The lost chapel

Characteristics of religious architecture in the romanesque period

The longest aisle

The side Portico: a combination of elegance and lightness of form

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

The side aisles

The medieval city amidst monasticism and feudal aristocracy

The area of the Sanctuary

A polysemy of high-level artistic forms and content

The cultural substrate through time

The chapel of san Castrense: an important renaissance work

The senses tell Context 1

Layers of different cultures decorate the external apses

The southern portico

Transformations over the centuries

Cefalù: settlement evidence through time

The original design

Ecclesia munita

The Bible carved in stone

The Gualtiero Cathedral

The Cathedral over the centuries

A Northern population

The beginning of the construction site

Squaring the circle

The construction of Monreale Cathedral: between myth and history

A new Cathedral

The rediscovered chapel

From the main gate to the aisles: an invitation to a journey of faith

A chapel by an unknown designer based on repeated symmetries

The Virgin Hodegetria

The Chapel of St. Mary Magdalene

Roger II of hauteville: a sovereign protected by God

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chorus: beating heart of the cathedral

Artistic elements in Peter’s ship

Mosaic decoration

The Chapel of the Kings

Tempus fugit: a strategic project implemented in a short period of time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The king’s mark

The mosaics of the presbytery

Roger II’s strategic design

The cemetery of kings

Norman religious architecture with islamic influences in Sicily

Survey of the royal tombs

The stone bible

The towers facing the facade used as bell towers

A palimpsest of history

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The transformations of the hall through the centuries

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

The Kings’ Cathedrals

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves