Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The area of the Sanctuary

The cemetery of kings

Two initially similar towers, varied over time

The towers and the western facade

Artistic elements in Peter’s ship

The Great Presbytery: a unique space for the cathedral

The southern portico

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chystro: a place between earth and sky

A mixture of styles pervades the floor decorations

The side aisles

The rediscovered chapel

The Gualtiero Cathedral

From the Mosque to the Cathedral

The towers facing the facade used as bell towers

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Beyond the harmony of proportions

The liturgical spaces of the protesis and the diaconicon

A controversial interpretation

Norman religious architecture with islamic influences in Sicily

The Kings’ Cathedrals

From the main gate to the aisles: an invitation to a journey of faith

Cefalù: settlement evidence through time

A palimpsest of history

Ecclesia munita

Roger II’s strategic design

The Virgin Hodegetria

The construction of Monreale Cathedral: between myth and history

A tree full of life

The balance between architecture and light

A polysemy of high-level artistic forms and content

The decorated facade

The stone bible

A remarkable ceiling

Mosaic decoration

The king’s mark

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A compositional design that combines nordic examples with new artistic languages, over the centuries

Gardens and architecture as a backdrop to the city of Palermo

Survey of the royal tombs

The lost chapel

The Cathedral over the centuries

The Bible carved in stone

A space between the visible and the invisible

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chapel of St. Benedict

The cultural substrate through time

Transformations over the centuries

The chorus: beating heart of the cathedral

The longest aisle

The mosaics of the presbytery

The medieval city amidst monasticism and feudal aristocracy

A new Cathedral

The beginning of the construction site

Layers of different cultures decorate the external apses

The side Portico: a combination of elegance and lightness of form

Squaring the circle

The original design

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of san Castrense: an important renaissance work

Worship services

A Northern population

The Chapel of St. Mary Magdalene

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Roger II of hauteville: a sovereign protected by God

The dialogue between the architectures of the monumental complex

The senses tell Context 1

Interior decorations

The Great Restoration

The links between the hauteville family and the monastic orders in Sicily

Under the crosses of the Bema

The chapel of the crucifix: an artistic casket based on a previous model

The Chapel of the Kings

Characteristics of religious architecture in the romanesque period

A chapel by an unknown designer based on repeated symmetries

The mosaics of the apses

Porphyry sarcophagi: royalty and power

Palermo: the happiest city

The transformations of the hall through the centuries

A cloister of accentuated stylistic variety

Tempus fugit: a strategic project implemented in a short period of time

The columns of the nave: the meticulous study of the overall order