Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The king’s mark

A tree full of life

Characteristics of religious architecture in the romanesque period

The rediscovered chapel

The dialogue between the architectures of the monumental complex

The original design

A polysemy of high-level artistic forms and content

A mixture of styles pervades the floor decorations

The southern portico

Cefalù: settlement evidence through time

The cultural substrate through time

Tempus fugit: a strategic project implemented in a short period of time

The decorated facade

A palimpsest of history

Layers of different cultures decorate the external apses

The Great Presbytery: a unique space for the cathedral

A cloister of accentuated stylistic variety

A remarkable ceiling

The Chapel of the Kings

Two initially similar towers, varied over time

Under the crosses of the Bema

The side Portico: a combination of elegance and lightness of form

Ecclesia munita

The side aisles

Transformations over the centuries

The Cathedral over the centuries

The Great Restoration

Mosaic decoration

Artistic elements in Peter’s ship

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chorus: beating heart of the cathedral

The Kings’ Cathedrals

The senses tell Context 1

The cemetery of kings

A controversial interpretation

Squaring the circle

The construction of Monreale Cathedral: between myth and history

From the main gate to the aisles: an invitation to a journey of faith

The columns of the nave: the meticulous study of the overall order

The chapel of St. Benedict

Palermo: the happiest city

The stone bible

The Virgin Hodegetria

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beginning of the construction site

The lost chapel

The chystro: a place between earth and sky

The mosaics of the apses

The balance between architecture and light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Interior decorations

Gardens and architecture as a backdrop to the city of Palermo

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A new Cathedral

The chapel of san Castrense: an important renaissance work

Roger II’s strategic design

The liturgical spaces of the protesis and the diaconicon

Survey of the royal tombs

From the Mosque to the Cathedral

The transformations of the hall through the centuries

A space between the visible and the invisible

The area of the Sanctuary

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The towers facing the facade used as bell towers

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Porphyry sarcophagi: royalty and power

The links between the hauteville family and the monastic orders in Sicily

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The medieval city amidst monasticism and feudal aristocracy

Norman religious architecture with islamic influences in Sicily

Worship services

A chapel by an unknown designer based on repeated symmetries

The Gualtiero Cathedral

The longest aisle

The chapel of the crucifix: an artistic casket based on a previous model

The Chapel of St. Mary Magdalene

Roger II of hauteville: a sovereign protected by God

The towers and the western facade

The mosaics of the presbytery

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Bible carved in stone

A Northern population

Beyond the harmony of proportions