Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The decorated facade

The Great Presbytery: a unique space for the cathedral

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the apses

Artistic elements in Peter’s ship

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Chapel of the Kings

Mosaic decoration

The Gualtiero Cathedral

The Cathedral over the centuries

The longest aisle

The construction of Monreale Cathedral: between myth and history

A chapel by an unknown designer based on repeated symmetries

The side aisles

The senses tell Context 1

A controversial interpretation

Under the crosses of the Bema

A palimpsest of history

The cultural substrate through time

A Northern population

The Bible carved in stone

The chapel of san Castrense: an important renaissance work

The area of the Sanctuary

Characteristics of religious architecture in the romanesque period

Cefalù: settlement evidence through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Great Restoration

The lost chapel

A space between the visible and the invisible

The towers facing the facade used as bell towers

The medieval city amidst monasticism and feudal aristocracy

Palermo: the happiest city

The chystro: a place between earth and sky

Ecclesia munita

Two initially similar towers, varied over time

The columns of the nave: the meticulous study of the overall order

Gardens and architecture as a backdrop to the city of Palermo

The transformations of the hall through the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of the crucifix: an artistic casket based on a previous model

The cemetery of kings

From the main gate to the aisles: an invitation to a journey of faith

Worship services

The balance between architecture and light

A polysemy of high-level artistic forms and content

The mosaics of the presbytery

The rediscovered chapel

A remarkable ceiling

The beginning of the construction site

The towers and the western facade

Porphyry sarcophagi: royalty and power

The liturgical spaces of the protesis and the diaconicon

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Beyond the harmony of proportions

The king’s mark

The southern portico

The chorus: beating heart of the cathedral

Norman religious architecture with islamic influences in Sicily

The links between the hauteville family and the monastic orders in Sicily

Roger II’s strategic design

The Virgin Hodegetria

The dialogue between the architectures of the monumental complex

Roger II of hauteville: a sovereign protected by God

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Interior decorations

From the Mosque to the Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

A tree full of life

Transformations over the centuries

The side Portico: a combination of elegance and lightness of form

The Kings’ Cathedrals

Layers of different cultures decorate the external apses

The Chapel of St. Mary Magdalene

The chapel of St. Benedict

Squaring the circle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A new Cathedral

A mixture of styles pervades the floor decorations

The stone bible

The original design

Survey of the royal tombs

A cloister of accentuated stylistic variety