Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

A compositional design that combines nordic examples with new artistic languages, over the centuries

Beyond the harmony of proportions

The Bible carved in stone

The chapel of St. Benedict

Palermo: the happiest city

The towers and the western facade

Layers of different cultures decorate the external apses

The area of the Sanctuary

The lost chapel

The southern portico

From the main gate to the aisles: an invitation to a journey of faith

Ecclesia munita

Roger II of hauteville: a sovereign protected by God

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The construction of Monreale Cathedral: between myth and history

The king’s mark

From the Mosque to the Cathedral

Cefalù: settlement evidence through time

Two initially similar towers, varied over time

The chystro: a place between earth and sky

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The original design

The senses tell Context 1

Transformations over the centuries

The rediscovered chapel

A Northern population

The Chapel of St. Mary Magdalene

A controversial interpretation

The links between the hauteville family and the monastic orders in Sicily

The side aisles

The Kings’ Cathedrals

Porphyry sarcophagi: royalty and power

Artistic elements in Peter’s ship

The decorated facade

The balance between architecture and light

The chapel of the crucifix: an artistic casket based on a previous model

Squaring the circle

The chorus: beating heart of the cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The medieval city amidst monasticism and feudal aristocracy

The dialogue between the architectures of the monumental complex

Gardens and architecture as a backdrop to the city of Palermo

The transformations of the hall through the centuries

A palimpsest of history

The mosaics of the presbytery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Characteristics of religious architecture in the romanesque period

A remarkable ceiling

The Virgin Hodegetria

A polysemy of high-level artistic forms and content

The cultural substrate through time

The stone bible

The cemetery of kings

The chapel of san Castrense: an important renaissance work

The side Portico: a combination of elegance and lightness of form

The beginning of the construction site

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A space between the visible and the invisible

The towers facing the facade used as bell towers

Roger II’s strategic design

The liturgical spaces of the protesis and the diaconicon

The Great Restoration

Norman religious architecture with islamic influences in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The columns of the nave: the meticulous study of the overall order

Tempus fugit: a strategic project implemented in a short period of time

The Chapel of the Kings

The Gualtiero Cathedral

The mosaics of the apses

A tree full of life

A cloister of accentuated stylistic variety

Mosaic decoration

The Great Presbytery: a unique space for the cathedral

A new Cathedral

The Cathedral over the centuries

A mixture of styles pervades the floor decorations

Worship services

Survey of the royal tombs

A chapel by an unknown designer based on repeated symmetries

The longest aisle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Under the crosses of the Bema

Interior decorations