Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

Layers of different cultures decorate the external apses

A Northern population

The chapel of san Castrense: an important renaissance work

The cemetery of kings

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Interior decorations

A polysemy of high-level artistic forms and content

The senses tell Context 1

A chapel by an unknown designer based on repeated symmetries

The medieval city amidst monasticism and feudal aristocracy

The side aisles

The Chapel of the Kings

Under the crosses of the Bema

The chorus: beating heart of the cathedral

Norman religious architecture with islamic influences in Sicily

The Gualtiero Cathedral

Mosaic decoration

The beginning of the construction site

The stone bible

Squaring the circle

The lost chapel

The chapel of St. Benedict

The Great Presbytery: a unique space for the cathedral

Beyond the harmony of proportions

The Virgin Hodegetria

The towers and the western facade

The original design

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The longest aisle

Gardens and architecture as a backdrop to the city of Palermo

The columns of the nave: the meticulous study of the overall order

A space between the visible and the invisible

The cultural substrate through time

From the main gate to the aisles: an invitation to a journey of faith

The king’s mark

The dialogue between the architectures of the monumental complex

Two initially similar towers, varied over time

Ecclesia munita

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The rediscovered chapel

The chapel of the crucifix: an artistic casket based on a previous model

Porphyry sarcophagi: royalty and power

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The links between the hauteville family and the monastic orders in Sicily

The Chapel of St. Mary Magdalene

The transformations of the hall through the centuries

Survey of the royal tombs

A mixture of styles pervades the floor decorations

Palermo: the happiest city

A new Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side Portico: a combination of elegance and lightness of form

Characteristics of religious architecture in the romanesque period

The Bible carved in stone

Roger II of hauteville: a sovereign protected by God

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A remarkable ceiling

A controversial interpretation

The decorated facade

The chystro: a place between earth and sky

A tree full of life

The area of the Sanctuary

Cefalù: settlement evidence through time

Transformations over the centuries

Worship services

The Great Restoration

The liturgical spaces of the protesis and the diaconicon

Tempus fugit: a strategic project implemented in a short period of time

The Cathedral over the centuries

A palimpsest of history

The southern portico

The balance between architecture and light

Artistic elements in Peter’s ship

The mosaics of the presbytery

A compositional design that combines nordic examples with new artistic languages, over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A cloister of accentuated stylistic variety

The towers facing the facade used as bell towers

The mosaics of the apses

Roger II’s strategic design

The construction of Monreale Cathedral: between myth and history

The Kings’ Cathedrals

From the Mosque to the Cathedral