Cefalù Cathedral
the facade and the portico

The senses tell the facade and the portico

sight
A fortress church

The main façade, rising to the west, is enclosed between two imposing square towers with a pyramid-shaped apex. They are a reminder of its original function as Ecclesia Munita, a fortress church, with a series of multi-level walkways, now uncovered, built within the thickness of the walls, connecting the two towers to the transept, in defence of the Cathedral.

touch
Magister Ambrosius of Como

Hands feel the coldness of the stone as they graze the front elevation of the Cathedral. Restored at the end of the 15th century, it houses the protruding body of the tetra-style portico, made by the magister Ambrosius da Como. It is subdivided into three large arches, two lateral pointed arches and a central full-centre one, supported by four columns. The dynamism of the ribbed cross vaults permeating the roof of the portico is reminiscent of the decorations on the ancient gate. Dating back to the second half of the 12th century, the gate is still a fine example of architecture today, although time has compromised the sculptural work by master stone carvers from the Romanesque period.

hearing
The Path to Salvation Begins

After gathering in the square and sadly walking down the steps, the faithful pass through the royal gate, or Porta Regum, and enter the timeless and pathos-filled atmosphere of the Cefalù Cathedral. The chatter outside contrasts with the absolute and spiritual silence that reigns inside the building, before the religious services begin. People gather in emotional personal prayer as they turn, with joined hands, to the grandiose Christ Pantocrator.

A palimpsest of history

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The king’s mark

The dialogue between the architectures of the monumental complex

Survey of the royal tombs

Roger II’s strategic design

The Great Presbytery: a unique space for the cathedral

The senses tell Context 1

A polysemy of high-level artistic forms and content

The liturgical spaces of the protesis and the diaconicon

The area of the Sanctuary

A remarkable ceiling

The stone bible

The links between the hauteville family and the monastic orders in Sicily

Worship services

The side Portico: a combination of elegance and lightness of form

The chystro: a place between earth and sky

The mosaics of the apses

The cemetery of kings

The Gualtiero Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side aisles

The lost chapel

The chapel of san Castrense: an important renaissance work

The towers and the western facade

The Bible carved in stone

The Great Restoration

Interior decorations

Norman religious architecture with islamic influences in Sicily

The southern portico

From the Mosque to the Cathedral

A space between the visible and the invisible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Gardens and architecture as a backdrop to the city of Palermo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chorus: beating heart of the cathedral

The chapel of St. Benedict

A new Cathedral

The chapel of the crucifix: an artistic casket based on a previous model

A chapel by an unknown designer based on repeated symmetries

The cultural substrate through time

Tempus fugit: a strategic project implemented in a short period of time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The columns of the nave: the meticulous study of the overall order

The mosaics of the presbytery

Porphyry sarcophagi: royalty and power

A mixture of styles pervades the floor decorations

Squaring the circle

Roger II of hauteville: a sovereign protected by God

A Northern population

The construction of Monreale Cathedral: between myth and history

Under the crosses of the Bema

The longest aisle

From the main gate to the aisles: an invitation to a journey of faith

The Cathedral over the centuries

Artistic elements in Peter’s ship

A controversial interpretation

Two initially similar towers, varied over time

Cefalù: settlement evidence through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Transformations over the centuries

A tree full of life

The original design

Beyond the harmony of proportions

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Chapel of the Kings

Ecclesia munita

The Chapel of St. Mary Magdalene

The medieval city amidst monasticism and feudal aristocracy

Palermo: the happiest city

The decorated facade

The rediscovered chapel

A cloister of accentuated stylistic variety

The towers facing the facade used as bell towers

The balance between architecture and light

The Kings’ Cathedrals

Characteristics of religious architecture in the romanesque period

The Virgin Hodegetria

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beginning of the construction site

Mosaic decoration

The transformations of the hall through the centuries

Layers of different cultures decorate the external apses