Cefalù Cathedral
the facade and the portico

The senses tell the facade and the portico

sight
A fortress church

The main façade, rising to the west, is enclosed between two imposing square towers with a pyramid-shaped apex. They are a reminder of its original function as Ecclesia Munita, a fortress church, with a series of multi-level walkways, now uncovered, built within the thickness of the walls, connecting the two towers to the transept, in defence of the Cathedral.

touch
Magister Ambrosius of Como

Hands feel the coldness of the stone as they graze the front elevation of the Cathedral. Restored at the end of the 15th century, it houses the protruding body of the tetra-style portico, made by the magister Ambrosius da Como. It is subdivided into three large arches, two lateral pointed arches and a central full-centre one, supported by four columns. The dynamism of the ribbed cross vaults permeating the roof of the portico is reminiscent of the decorations on the ancient gate. Dating back to the second half of the 12th century, the gate is still a fine example of architecture today, although time has compromised the sculptural work by master stone carvers from the Romanesque period.

hearing
The Path to Salvation Begins

After gathering in the square and sadly walking down the steps, the faithful pass through the royal gate, or Porta Regum, and enter the timeless and pathos-filled atmosphere of the Cefalù Cathedral. The chatter outside contrasts with the absolute and spiritual silence that reigns inside the building, before the religious services begin. People gather in emotional personal prayer as they turn, with joined hands, to the grandiose Christ Pantocrator.

The decorated facade

The Kings’ Cathedrals

Worship services

A space between the visible and the invisible

From the Mosque to the Cathedral

The beginning of the construction site

The dialogue between the architectures of the monumental complex

The Cathedral over the centuries

The chystro: a place between earth and sky

A new Cathedral

The lost chapel

The chapel of the crucifix: an artistic casket based on a previous model

The side Portico: a combination of elegance and lightness of form

A mixture of styles pervades the floor decorations

Transformations over the centuries

The Virgin Hodegetria

Interior decorations

The cemetery of kings

The Great Presbytery: a unique space for the cathedral

The Chapel of St. Mary Magdalene

The towers facing the facade used as bell towers

A remarkable ceiling

Roger II’s strategic design

The construction of Monreale Cathedral: between myth and history

Porphyry sarcophagi: royalty and power

The mosaics of the presbytery

The stone bible

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A cloister of accentuated stylistic variety

The liturgical spaces of the protesis and the diaconicon

The longest aisle

The transformations of the hall through the centuries

The senses tell Context 1

The chapel of St. Benedict

Mosaic decoration

Cefalù: settlement evidence through time

Characteristics of religious architecture in the romanesque period

The southern portico

Gardens and architecture as a backdrop to the city of Palermo

A chapel by an unknown designer based on repeated symmetries

A Northern population

From the main gate to the aisles: an invitation to a journey of faith

A palimpsest of history

Two initially similar towers, varied over time

Palermo: the happiest city

A compositional design that combines nordic examples with new artistic languages, over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Beyond the harmony of proportions

Layers of different cultures decorate the external apses

The area of the Sanctuary

A polysemy of high-level artistic forms and content

Tempus fugit: a strategic project implemented in a short period of time

The cultural substrate through time

The balance between architecture and light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The king’s mark

The side aisles

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Chapel of the Kings

Survey of the royal tombs

Artistic elements in Peter’s ship

The links between the hauteville family and the monastic orders in Sicily

Roger II of hauteville: a sovereign protected by God

A tree full of life

The columns of the nave: the meticulous study of the overall order

The towers and the western facade

Squaring the circle

The Bible carved in stone

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A controversial interpretation

The rediscovered chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Under the crosses of the Bema

The medieval city amidst monasticism and feudal aristocracy

The Great Restoration

The mosaics of the apses

The Gualtiero Cathedral

The original design

The chapel of san Castrense: an important renaissance work

Norman religious architecture with islamic influences in Sicily

Ecclesia munita

The chorus: beating heart of the cathedral