sight
The craftsmen, probably from Byzantium, created a domus, in which the shining gold of the tiles becomes an allegory of the glorious reign of Roger. The representations, in an immobile and unnatural style, narrate timeless scenes from the Old and New Testaments in a burst of gold and bright colours. The King of Kings, Christ, the centrepiece of the entire mosaic cycle, can be admired several times: blessing and within a tone in the dome; stern and half-length in the central apse; in majesty between Saints Peter and Paul in the part above the royal throne and in the space in front of the apsidiole dedicated to Saint Paul. Even the Norman sovereigns could admire and enjoy the splendour of the mosaic cycle from the royal throne, aimed at glorifying Christ and the King.
touch
Become part of the scene depicted in the mosaic for a moment: you can touch the tiles that make up the royal throne, the symbol of the king’s magnificence and the place reserved for sovereigns. Touching the fruit of the skilful work of the mosaic artists from the East can give you an idea of the consistency of the materials used for this precious construction that manifests royal power.
smell
The smell of wax spreads through the sacred area of the apse. The candles occupy a place in the central apse, near and on the altar, and are a symbol of the Light of God. In the Palatine Chapel, the precious Easter candle, which represents Jesus Light of the World, is also lit during Easter time.
