Monreale Cathedral
the Great Presbytery

The chapel of the crucifix: an artistic casket based on a previous model

A significant trace, still visible in the architecture of Monreale Cathedral, can be attributed to Archbishop Giovanni Ruano , who built the Chapel of the Crucifix, his main work inside the Temple. It was consecrated in 1692, after a short period of work between the date of its design in 1686 by the Capuchin Friar Giovanni da Monreale , whose work was continued by the Jesuit Angelo Italia , and its completion in 1690.The portal , decorated with sacred and profane themes ,  Is located at the side of the Chapel of the Sacrament, which is accessed from the left wing of the transept. The decoration already suggests the celebratory purpose of this space, which was dedicated to the veneration of the crucifix and at the same time to the burial of the archbishop himself and his successors.
From the architecture of this place, consisting of a lowered barrel vault , it is possible to trace the original connection between the Church and the Royal Palace , destroyed by Cardinal Giovanni Borgia in order to build a road and later restored through the adoption of a covered passageway distinguished by grey marble walls.
Even from this area, the reference to the family of its founder becomes inescapable, as can be seen from the coats of arms that reach the ribs visible on the vault.

Under the crosses of the Bema

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

A palimpsest of history

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From the Mosque to the Cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The construction of Monreale Cathedral: between myth and history

The mosaics of the presbytery

Beyond the harmony of proportions

Transformations over the centuries

The southern portico

The towers facing the facade used as bell towers

Layers of different cultures decorate the external apses

Characteristics of religious architecture in the romanesque period

A new Cathedral

The mosaics of the apses

Ecclesia munita

Interior decorations

The original design

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The links between the hauteville family and the monastic orders in Sicily

Artistic elements in Peter’s ship

Survey of the royal tombs

A space between the visible and the invisible

The decorated facade

The beginning of the construction site

The Virgin Hodegetria

Gardens and architecture as a backdrop to the city of Palermo

The chapel of St. Benedict

A mixture of styles pervades the floor decorations

Squaring the circle

The rediscovered chapel

Roger II of hauteville: a sovereign protected by God

The towers and the western facade

The stone bible

A tree full of life

A remarkable ceiling

A controversial interpretation

Palermo: the happiest city

The Chapel of St. Mary Magdalene

The dialogue between the architectures of the monumental complex

The columns of the nave: the meticulous study of the overall order

The transformations of the hall through the centuries

The balance between architecture and light

The cultural substrate through time

The Bible carved in stone

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The medieval city amidst monasticism and feudal aristocracy

A compositional design that combines nordic examples with new artistic languages, over the centuries

The lost chapel

The side aisles

The side Portico: a combination of elegance and lightness of form

Roger II’s strategic design

The Cathedral over the centuries

A cloister of accentuated stylistic variety

Worship services

The cemetery of kings

From the main gate to the aisles: an invitation to a journey of faith

Norman religious architecture with islamic influences in Sicily

The area of the Sanctuary

Cefalù: settlement evidence through time

The Great Presbytery: a unique space for the cathedral

The liturgical spaces of the protesis and the diaconicon

Porphyry sarcophagi: royalty and power

A Northern population

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The longest aisle

A polysemy of high-level artistic forms and content

Two initially similar towers, varied over time

The Great Restoration

The chapel of san Castrense: an important renaissance work

A chapel by an unknown designer based on repeated symmetries

The king’s mark

The senses tell Context 1

Mosaic decoration

The Chapel of the Kings

The chystro: a place between earth and sky

Tempus fugit: a strategic project implemented in a short period of time

The chapel of the crucifix: an artistic casket based on a previous model

The Kings’ Cathedrals

The chorus: beating heart of the cathedral