Monreale Cathedral
the Great Presbytery

The chapel of the crucifix: an artistic casket based on a previous model

A significant trace, still visible in the architecture of Monreale Cathedral, can be attributed to Archbishop Giovanni Ruano , who built the Chapel of the Crucifix, his main work inside the Temple. It was consecrated in 1692, after a short period of work between the date of its design in 1686 by the Capuchin Friar Giovanni da Monreale , whose work was continued by the Jesuit Angelo Italia , and its completion in 1690.The portal , decorated with sacred and profane themes ,  Is located at the side of the Chapel of the Sacrament, which is accessed from the left wing of the transept. The decoration already suggests the celebratory purpose of this space, which was dedicated to the veneration of the crucifix and at the same time to the burial of the archbishop himself and his successors.
From the architecture of this place, consisting of a lowered barrel vault , it is possible to trace the original connection between the Church and the Royal Palace , destroyed by Cardinal Giovanni Borgia in order to build a road and later restored through the adoption of a covered passageway distinguished by grey marble walls.
Even from this area, the reference to the family of its founder becomes inescapable, as can be seen from the coats of arms that reach the ribs visible on the vault.

Characteristics of religious architecture in the romanesque period

A remarkable ceiling

The Great Restoration

The mosaics of the presbytery

The Kings’ Cathedrals

From the main gate to the aisles: an invitation to a journey of faith

The balance between architecture and light

Cefalù: settlement evidence through time

The side Portico: a combination of elegance and lightness of form

A mixture of styles pervades the floor decorations

A palimpsest of history

Layers of different cultures decorate the external apses

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The cemetery of kings

The chapel of St. Benedict

The columns of the nave: the meticulous study of the overall order

The construction of Monreale Cathedral: between myth and history

From the Mosque to the Cathedral

The liturgical spaces of the protesis and the diaconicon

The longest aisle

The chorus: beating heart of the cathedral

The Cathedral over the centuries

The Chapel of the Kings

The stone bible

The original design

The Gualtiero Cathedral

The Bible carved in stone

Artistic elements in Peter’s ship

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Worship services

The chapel of the crucifix: an artistic casket based on a previous model

A new Cathedral

Mosaic decoration

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers and the western facade

A polysemy of high-level artistic forms and content

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Survey of the royal tombs

Roger II’s strategic design

A Northern population

Beyond the harmony of proportions

The Virgin Hodegetria

The rediscovered chapel

Squaring the circle

Palermo: the happiest city

The medieval city amidst monasticism and feudal aristocracy

A space between the visible and the invisible

The towers facing the facade used as bell towers

The decorated facade

Gardens and architecture as a backdrop to the city of Palermo

The side aisles

The Chapel of St. Mary Magdalene

A cloister of accentuated stylistic variety

The southern portico

Porphyry sarcophagi: royalty and power

The chapel of san Castrense: an important renaissance work

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Norman religious architecture with islamic influences in Sicily

The beginning of the construction site

The Great Presbytery: a unique space for the cathedral

Tempus fugit: a strategic project implemented in a short period of time

The links between the hauteville family and the monastic orders in Sicily

A chapel by an unknown designer based on repeated symmetries

The king’s mark

The cultural substrate through time

The area of the Sanctuary

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chystro: a place between earth and sky

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Under the crosses of the Bema

The transformations of the hall through the centuries

Ecclesia munita

Two initially similar towers, varied over time

A tree full of life

Roger II of hauteville: a sovereign protected by God

Transformations over the centuries

The lost chapel

The dialogue between the architectures of the monumental complex

The senses tell Context 1

The mosaics of the apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A controversial interpretation

Interior decorations