Monreale Cathedral
the Great Presbytery

The chapel of the crucifix: an artistic casket based on a previous model

A significant trace, still visible in the architecture of Monreale Cathedral, can be attributed to Archbishop Giovanni Ruano , who built the Chapel of the Crucifix, his main work inside the Temple. It was consecrated in 1692, after a short period of work between the date of its design in 1686 by the Capuchin Friar Giovanni da Monreale , whose work was continued by the Jesuit Angelo Italia , and its completion in 1690.The portal , decorated with sacred and profane themes ,  Is located at the side of the Chapel of the Sacrament, which is accessed from the left wing of the transept. The decoration already suggests the celebratory purpose of this space, which was dedicated to the veneration of the crucifix and at the same time to the burial of the archbishop himself and his successors.
From the architecture of this place, consisting of a lowered barrel vault , it is possible to trace the original connection between the Church and the Royal Palace , destroyed by Cardinal Giovanni Borgia in order to build a road and later restored through the adoption of a covered passageway distinguished by grey marble walls.
Even from this area, the reference to the family of its founder becomes inescapable, as can be seen from the coats of arms that reach the ribs visible on the vault.

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chorus: beating heart of the cathedral

A mixture of styles pervades the floor decorations

The Chapel of St. Mary Magdalene

The mosaics of the apses

A compositional design that combines nordic examples with new artistic languages, over the centuries

The cultural substrate through time

The links between the hauteville family and the monastic orders in Sicily

The transformations of the hall through the centuries

A polysemy of high-level artistic forms and content

A palimpsest of history

Porphyry sarcophagi: royalty and power

The Gualtiero Cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cemetery of kings

From the Mosque to the Cathedral

The side aisles

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of St. Benedict

The southern portico

The medieval city amidst monasticism and feudal aristocracy

From the main gate to the aisles: an invitation to a journey of faith

A cloister of accentuated stylistic variety

Beyond the harmony of proportions

A space between the visible and the invisible

Palermo: the happiest city

The balance between architecture and light

A remarkable ceiling

Tempus fugit: a strategic project implemented in a short period of time

Two initially similar towers, varied over time

The Chapel of the Kings

Interior decorations

The original design

Characteristics of religious architecture in the romanesque period

The mosaics of the presbytery

Transformations over the centuries

The rediscovered chapel

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The lost chapel

The decorated facade

The Virgin Hodegetria

The beginning of the construction site

The dialogue between the architectures of the monumental complex

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Survey of the royal tombs

The Great Restoration

A new Cathedral

The side Portico: a combination of elegance and lightness of form

The king’s mark

The chystro: a place between earth and sky

Norman religious architecture with islamic influences in Sicily

A controversial interpretation

The chapel of the crucifix: an artistic casket based on a previous model

The construction of Monreale Cathedral: between myth and history

Under the crosses of the Bema

The columns of the nave: the meticulous study of the overall order

Artistic elements in Peter’s ship

Roger II of hauteville: a sovereign protected by God

Ecclesia munita

The longest aisle

The senses tell Context 1

A Northern population

The stone bible

Gardens and architecture as a backdrop to the city of Palermo

Worship services

The Kings’ Cathedrals

The chapel of san Castrense: an important renaissance work

The towers and the western facade

Cefalù: settlement evidence through time

The area of the Sanctuary

Mosaic decoration

Squaring the circle

The Cathedral over the centuries

A chapel by an unknown designer based on repeated symmetries

Layers of different cultures decorate the external apses

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Bible carved in stone

The towers facing the facade used as bell towers

A tree full of life

The Great Presbytery: a unique space for the cathedral

Roger II’s strategic design

The liturgical spaces of the protesis and the diaconicon