Monreale Cathedral
the Great Presbytery

The chapel of the crucifix: an artistic casket based on a previous model

A significant trace, still visible in the architecture of Monreale Cathedral, can be attributed to Archbishop Giovanni Ruano , who built the Chapel of the Crucifix, his main work inside the Temple. It was consecrated in 1692, after a short period of work between the date of its design in 1686 by the Capuchin Friar Giovanni da Monreale , whose work was continued by the Jesuit Angelo Italia , and its completion in 1690.The portal , decorated with sacred and profane themes ,  Is located at the side of the Chapel of the Sacrament, which is accessed from the left wing of the transept. The decoration already suggests the celebratory purpose of this space, which was dedicated to the veneration of the crucifix and at the same time to the burial of the archbishop himself and his successors.
From the architecture of this place, consisting of a lowered barrel vault , it is possible to trace the original connection between the Church and the Royal Palace , destroyed by Cardinal Giovanni Borgia in order to build a road and later restored through the adoption of a covered passageway distinguished by grey marble walls.
Even from this area, the reference to the family of its founder becomes inescapable, as can be seen from the coats of arms that reach the ribs visible on the vault.

A Northern population

Two initially similar towers, varied over time

The original design

The Cathedral over the centuries

A tree full of life

Mosaic decoration

Survey of the royal tombs

The chorus: beating heart of the cathedral

Palermo: the happiest city

Norman religious architecture with islamic influences in Sicily

The stone bible

The area of the Sanctuary

Characteristics of religious architecture in the romanesque period

A new Cathedral

A controversial interpretation

A chapel by an unknown designer based on repeated symmetries

Roger II’s strategic design

The dialogue between the architectures of the monumental complex

The Gualtiero Cathedral

The side aisles

The mosaics of the presbytery

A space between the visible and the invisible

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Artistic elements in Peter’s ship

A mixture of styles pervades the floor decorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The lost chapel

Gardens and architecture as a backdrop to the city of Palermo

The king’s mark

The liturgical spaces of the protesis and the diaconicon

The towers and the western facade

A polysemy of high-level artistic forms and content

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Cefalù: settlement evidence through time

The mosaics of the apses

The towers facing the facade used as bell towers

A cloister of accentuated stylistic variety

The Kings’ Cathedrals

Roger II of hauteville: a sovereign protected by God

From the Mosque to the Cathedral

The cemetery of kings

The construction of Monreale Cathedral: between myth and history

The columns of the nave: the meticulous study of the overall order

A compositional design that combines nordic examples with new artistic languages, over the centuries

The cultural substrate through time

The Chapel of the Kings

Layers of different cultures decorate the external apses

The side Portico: a combination of elegance and lightness of form

The balance between architecture and light

The Great Restoration

The Bible carved in stone

The chapel of St. Benedict

The transformations of the hall through the centuries

Porphyry sarcophagi: royalty and power

A remarkable ceiling

The Chapel of St. Mary Magdalene

The links between the hauteville family and the monastic orders in Sicily

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Beyond the harmony of proportions

The southern portico

The chapel of san Castrense: an important renaissance work

The senses tell Context 1

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Interior decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Squaring the circle

The Virgin Hodegetria

The decorated facade

The beginning of the construction site

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Under the crosses of the Bema

The longest aisle

From the main gate to the aisles: an invitation to a journey of faith

The rediscovered chapel

Ecclesia munita

Transformations over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

A palimpsest of history

Worship services

The medieval city amidst monasticism and feudal aristocracy

The chystro: a place between earth and sky

The Great Presbytery: a unique space for the cathedral

Tempus fugit: a strategic project implemented in a short period of time