Monreale Cathedral
the Great Presbytery

The chapel of the crucifix: an artistic casket based on a previous model

A significant trace, still visible in the architecture of Monreale Cathedral, can be attributed to Archbishop Giovanni Ruano , who built the Chapel of the Crucifix, his main work inside the Temple. It was consecrated in 1692, after a short period of work between the date of its design in 1686 by the Capuchin Friar Giovanni da Monreale , whose work was continued by the Jesuit Angelo Italia , and its completion in 1690.The portal , decorated with sacred and profane themes ,  Is located at the side of the Chapel of the Sacrament, which is accessed from the left wing of the transept. The decoration already suggests the celebratory purpose of this space, which was dedicated to the veneration of the crucifix and at the same time to the burial of the archbishop himself and his successors.
From the architecture of this place, consisting of a lowered barrel vault , it is possible to trace the original connection between the Church and the Royal Palace , destroyed by Cardinal Giovanni Borgia in order to build a road and later restored through the adoption of a covered passageway distinguished by grey marble walls.
Even from this area, the reference to the family of its founder becomes inescapable, as can be seen from the coats of arms that reach the ribs visible on the vault.

The dialogue between the architectures of the monumental complex

The side Portico: a combination of elegance and lightness of form

Ecclesia munita

The chorus: beating heart of the cathedral

A cloister of accentuated stylistic variety

The links between the hauteville family and the monastic orders in Sicily

The medieval city amidst monasticism and feudal aristocracy

The chystro: a place between earth and sky

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

Under the crosses of the Bema

A compositional design that combines nordic examples with new artistic languages, over the centuries

The liturgical spaces of the protesis and the diaconicon

Norman religious architecture with islamic influences in Sicily

Squaring the circle

Mosaic decoration

A new Cathedral

The original design

Tempus fugit: a strategic project implemented in a short period of time

The balance between architecture and light

A remarkable ceiling

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side aisles

The columns of the nave: the meticulous study of the overall order

Gardens and architecture as a backdrop to the city of Palermo

Roger II of hauteville: a sovereign protected by God

The towers and the western facade

The construction of Monreale Cathedral: between myth and history

The southern portico

The towers facing the facade used as bell towers

The chapel of the crucifix: an artistic casket based on a previous model

Palermo: the happiest city

The decorated facade

A chapel by an unknown designer based on repeated symmetries

From the Mosque to the Cathedral

Transformations over the centuries

A palimpsest of history

The mosaics of the apses

Survey of the royal tombs

The Bible carved in stone

The Great Presbytery: a unique space for the cathedral

Two initially similar towers, varied over time

The mosaics of the presbytery

The lost chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A controversial interpretation

The transformations of the hall through the centuries

A tree full of life

The cultural substrate through time

A Northern population

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The king’s mark

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The longest aisle

The rediscovered chapel

The Chapel of St. Mary Magdalene

A space between the visible and the invisible

The Virgin Hodegetria

From the main gate to the aisles: an invitation to a journey of faith

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell Context 1

Artistic elements in Peter’s ship

The stone bible

The Cathedral over the centuries

A polysemy of high-level artistic forms and content

The Chapel of the Kings

The Kings’ Cathedrals

The cemetery of kings

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Cefalù: settlement evidence through time

Worship services

Porphyry sarcophagi: royalty and power

The chapel of St. Benedict

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of san Castrense: an important renaissance work

Layers of different cultures decorate the external apses

Interior decorations

The Great Restoration

The area of the Sanctuary

Roger II’s strategic design

The Gualtiero Cathedral

The beginning of the construction site

A mixture of styles pervades the floor decorations