Palermo Cathedral
St. Mary Magdalene

The Chapel of St. Mary Magdalene

The southern front of the Cathedral is the most articulated part of the sacred building. Its imposing bulk can be appreciated from the front floor, which includes the entire volume.The church underwent various modifications over the centuries and this part lent itself well to subsequent extensions, thanks to the open space in front of it, which allowed the addition of external volumes.
During the transformation works carried out at the end of the 18th century, a number of structures were built on this front, added to the right side aisle, enlarging and modifying the chapels that had previously existed with the creation of the Beneficiali Sacristy.These changes resulted in a new alignment of the outer walls, incorporating the western side of the former Sacristy of the Canons. As early as the 16th century, it was concealed on its eastern front, where a building was constructed to house the Cathedral's treasury . The Sacristy of the Canons features its southern elevation, the only one visible today, composed of two distinct parts. The basement area is attributable to a medieval architectural building, characterised by a cornice, which was the terminal cymatium of the original building, decorated with blind trefoil arches , interspersed with antefixes with anthropomorphic representations and hanging nail columns. The upper part comes from a 15th-century Gothic elevation , the facing of which is enlivened by a series of single-lancet windows with an alternating open-closed rhythm, with recessed pointed arches and rich floral decoration carved into the wall face. Historical reconstruction and architectural analysis can lead to this building being identified, in its basement part, with the ancient Chapel of St. Mary Magdalene.

Gardens and architecture as a backdrop to the city of Palermo

Cefalù: settlement evidence through time

The dialogue between the architectures of the monumental complex

The construction of Monreale Cathedral: between myth and history

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaics of the presbytery

From the Mosque to the Cathedral

A mixture of styles pervades the floor decorations

The beginning of the construction site

Roger II’s strategic design

A chapel by an unknown designer based on repeated symmetries

A remarkable ceiling

The king’s mark

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Worship services

Interior decorations

A tree full of life

Tempus fugit: a strategic project implemented in a short period of time

The Cathedral over the centuries

The longest aisle

The side Portico: a combination of elegance and lightness of form

The Virgin Hodegetria

The cultural substrate through time

The chystro: a place between earth and sky

The chapel of the crucifix: an artistic casket based on a previous model

The decorated facade

The stone bible

The towers and the western facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Roger II of hauteville: a sovereign protected by God

Survey of the royal tombs

The Kings’ Cathedrals

The medieval city amidst monasticism and feudal aristocracy

The transformations of the hall through the centuries

The columns of the nave: the meticulous study of the overall order

The balance between architecture and light

The chorus: beating heart of the cathedral

The cemetery of kings

A palimpsest of history

The rediscovered chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A space between the visible and the invisible

The senses tell Context 1

The Gualtiero Cathedral

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The lost chapel

The side aisles

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The liturgical spaces of the protesis and the diaconicon

Characteristics of religious architecture in the romanesque period

A polysemy of high-level artistic forms and content

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The Great Restoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of St. Benedict

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Transformations over the centuries

The original design

Ecclesia munita

A compositional design that combines nordic examples with new artistic languages, over the centuries

Norman religious architecture with islamic influences in Sicily

Layers of different cultures decorate the external apses

Two initially similar towers, varied over time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Under the crosses of the Bema

Artistic elements in Peter’s ship

The Bible carved in stone

The Chapel of St. Mary Magdalene

The Chapel of the Kings

Mosaic decoration

Squaring the circle

Beyond the harmony of proportions

A cloister of accentuated stylistic variety

A controversial interpretation

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of san Castrense: an important renaissance work

The area of the Sanctuary

The southern portico

The mosaics of the apses

The towers facing the facade used as bell towers

The Great Presbytery: a unique space for the cathedral