Palermo Cathedral
St. Mary Magdalene

A controversial interpretation

This document, written by Gualtiero, was mistranslated in the past, leading to errors made by later historiographers and scholars who interpreted the chapel as having been demolished, failing to identify its exact location. A careful reading and translation of the above-mentioned petition shows that Gualtiero was not asking the King for permission to demolish the Chapel, but to grant it to the Clerics of the Cathedral and their liturgical services. At the same time, he wanted to be able to move the mortal remains of the nobles of the royal family which were kept there to another place, by building a new chapel dedicated to Mary Magdalene. It should also be noted that the document is dated 1187, the 21st year of William II's reign , when the work of transforming the church had already been completed. It was reopened for worship on 6 April 1185, with a solemn consecration ceremony dedicated to the Blessed Virgin of the Assumption . The thesis that supported the belief in the chapel’s demolition was also based on a presumed rebuilding ab fundamentis of the Gualtierina Cathedral, shifting it a few metres from its former location as a former mosque and Byzantine basilica to the southern front.

The Virgin Hodegetria

The chorus: beating heart of the cathedral

The senses tell Context 1

A mixture of styles pervades the floor decorations

The chapel of St. Benedict

A remarkable ceiling

The longest aisle

A tree full of life

The southern portico

The chapel of the crucifix: an artistic casket based on a previous model

The columns of the nave: the meticulous study of the overall order

The side aisles

A palimpsest of history

Characteristics of religious architecture in the romanesque period

The dialogue between the architectures of the monumental complex

The original design

A new Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Gualtiero Cathedral

The Great Restoration

The Great Presbytery: a unique space for the cathedral

A controversial interpretation

The towers facing the facade used as bell towers

From the Mosque to the Cathedral

The Cathedral over the centuries

Survey of the royal tombs

A Northern population

The mosaics of the apses

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Worship services

The construction of Monreale Cathedral: between myth and history

The mosaics of the presbytery

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The balance between architecture and light

The beginning of the construction site

The Bible carved in stone

Two initially similar towers, varied over time

A cloister of accentuated stylistic variety

The transformations of the hall through the centuries

The liturgical spaces of the protesis and the diaconicon

The rediscovered chapel

A polysemy of high-level artistic forms and content

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Transformations over the centuries

Squaring the circle

The medieval city amidst monasticism and feudal aristocracy

Interior decorations

From the main gate to the aisles: an invitation to a journey of faith

The area of the Sanctuary

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Kings’ Cathedrals

Norman religious architecture with islamic influences in Sicily

The towers and the western facade

Layers of different cultures decorate the external apses

The lost chapel

The stone bible

Palermo: the happiest city

Artistic elements in Peter’s ship

The chapel of san Castrense: an important renaissance work

A chapel by an unknown designer based on repeated symmetries

The king’s mark

The decorated facade

The cemetery of kings

The side Portico: a combination of elegance and lightness of form

The chystro: a place between earth and sky

Cefalù: settlement evidence through time

A space between the visible and the invisible

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Mosaic decoration

The Chapel of St. Mary Magdalene

The Chapel of the Kings

Ecclesia munita

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The cultural substrate through time

Roger II of hauteville: a sovereign protected by God

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Porphyry sarcophagi: royalty and power

Gardens and architecture as a backdrop to the city of Palermo

Beyond the harmony of proportions

The links between the hauteville family and the monastic orders in Sicily

Under the crosses of the Bema

Tempus fugit: a strategic project implemented in a short period of time

Roger II’s strategic design