Cefalù Cathedral
the chystro

Squaring the circle

Entering the cloister of Cefalù Cathedral not only means plunging into a path steeped in medieval art that seems to reawaken the different decorative motifs animating the capitals of the columns as we pass, but also being pervaded by an architecture of light.
In accordance with Christian symbolism, it is oriented so that each of its spaces is illuminated in a different way, following the orientation of the sun.
Following its itinerary, made up of the transcendence of the circle inserted in the immanence of the square, we are invited to embark on a spiritual journey of purification that begins where the light sets, symbolically linked to Adam and the Old Testament, and then reaches the New Testament dimension, pervaded by the radiance of the incarnation and the promise. Even the plants arranged in the garden have always represented an ascetic message, capable of enveloping those who walk through it in a sense of theophany that unfolds along the way.

The cultural substrate through time

The senses tell Context 1

The Chapel of St. Mary Magdalene

The decorated facade

The columns of the nave: the meticulous study of the overall order

The Great Presbytery: a unique space for the cathedral

Layers of different cultures decorate the external apses

The beginning of the construction site

The Bible carved in stone

Worship services

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A palimpsest of history

The southern portico

The king’s mark

Roger II of hauteville: a sovereign protected by God

The construction of Monreale Cathedral: between myth and history

A Northern population

The Gualtiero Cathedral

Transformations over the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Gardens and architecture as a backdrop to the city of Palermo

The transformations of the hall through the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

From the Mosque to the Cathedral

The mosaics of the apses

A tree full of life

A remarkable ceiling

The Chapel of the Kings

The stone bible

The lost chapel

The Kings’ Cathedrals

A chapel by an unknown designer based on repeated symmetries

A mixture of styles pervades the floor decorations

Beyond the harmony of proportions

From the main gate to the aisles: an invitation to a journey of faith

The Great Restoration

The side Portico: a combination of elegance and lightness of form

Palermo: the happiest city

A cloister of accentuated stylistic variety

The rediscovered chapel

The liturgical spaces of the protesis and the diaconicon

The chorus: beating heart of the cathedral

The medieval city amidst monasticism and feudal aristocracy

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Norman religious architecture with islamic influences in Sicily

Cefalù: settlement evidence through time

The chapel of san Castrense: an important renaissance work

The area of the Sanctuary

Squaring the circle

The Cathedral over the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

Two initially similar towers, varied over time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The balance between architecture and light

The chystro: a place between earth and sky

The original design

Under the crosses of the Bema

The links between the hauteville family and the monastic orders in Sicily

The towers and the western facade

Tempus fugit: a strategic project implemented in a short period of time

Roger II’s strategic design

Artistic elements in Peter’s ship

A polysemy of high-level artistic forms and content

The chapel of the crucifix: an artistic casket based on a previous model

Ecclesia munita

Survey of the royal tombs

The side aisles

The Virgin Hodegetria

A space between the visible and the invisible

The towers facing the facade used as bell towers

The chapel of St. Benedict

Characteristics of religious architecture in the romanesque period

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the presbytery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A controversial interpretation

The longest aisle

The cemetery of kings

A new Cathedral

The dialogue between the architectures of the monumental complex

Porphyry sarcophagi: royalty and power

Interior decorations

Mosaic decoration