Cefalù Cathedral
the chystro

Squaring the circle

Entering the cloister of Cefalù Cathedral not only means plunging into a path steeped in medieval art that seems to reawaken the different decorative motifs animating the capitals of the columns as we pass, but also being pervaded by an architecture of light.
In accordance with Christian symbolism, it is oriented so that each of its spaces is illuminated in a different way, following the orientation of the sun.
Following its itinerary, made up of the transcendence of the circle inserted in the immanence of the square, we are invited to embark on a spiritual journey of purification that begins where the light sets, symbolically linked to Adam and the Old Testament, and then reaches the New Testament dimension, pervaded by the radiance of the incarnation and the promise. Even the plants arranged in the garden have always represented an ascetic message, capable of enveloping those who walk through it in a sense of theophany that unfolds along the way.

Interior decorations

Ecclesia munita

Cefalù: settlement evidence through time

A polysemy of high-level artistic forms and content

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The rediscovered chapel

Survey of the royal tombs

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chystro: a place between earth and sky

Porphyry sarcophagi: royalty and power

The southern portico

Artistic elements in Peter’s ship

The dialogue between the architectures of the monumental complex

The Great Presbytery: a unique space for the cathedral

A Northern population

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Under the crosses of the Bema

The mosaics of the apses

Characteristics of religious architecture in the romanesque period

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II’s strategic design

The lost chapel

A space between the visible and the invisible

The Kings’ Cathedrals

The senses tell Context 1

A chapel by an unknown designer based on repeated symmetries

The columns of the nave: the meticulous study of the overall order

The decorated facade

The towers facing the facade used as bell towers

The side Portico: a combination of elegance and lightness of form

The Great Restoration

The chapel of the crucifix: an artistic casket based on a previous model

The cemetery of kings

Gardens and architecture as a backdrop to the city of Palermo

The chapel of St. Benedict

The mosaics of the presbytery

A new Cathedral

Norman religious architecture with islamic influences in Sicily

Two initially similar towers, varied over time

A cloister of accentuated stylistic variety

The Cathedral over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of san Castrense: an important renaissance work

Tempus fugit: a strategic project implemented in a short period of time

Mosaic decoration

The towers and the western facade

The Virgin Hodegetria

The area of the Sanctuary

The Gualtiero Cathedral

The longest aisle

The liturgical spaces of the protesis and the diaconicon

Beyond the harmony of proportions

A remarkable ceiling

The transformations of the hall through the centuries

A controversial interpretation

A tree full of life

From the Mosque to the Cathedral

Worship services

Transformations over the centuries

The original design

The links between the hauteville family and the monastic orders in Sicily

The cultural substrate through time

Roger II of hauteville: a sovereign protected by God

The construction of Monreale Cathedral: between myth and history

The balance between architecture and light

The Bible carved in stone

From the main gate to the aisles: an invitation to a journey of faith

A palimpsest of history

The Chapel of St. Mary Magdalene

Squaring the circle

The Chapel of the Kings

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The king’s mark

The side aisles

Palermo: the happiest city

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy

Layers of different cultures decorate the external apses

A mixture of styles pervades the floor decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The stone bible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chorus: beating heart of the cathedral