Salina

The ancient production of salt

At the natural lake of Lingua there are the remains of an ancient salt production plant, which is where the island of Salina takes its name (sale is Italian for salt).
The most significant testimonies date back to the first Roman imperial age, i.e. to the 1st-2nd century AD, of which the lower part of the partition walls, built with the opus reticulatum technique , and the floor, made of poor lime and gravel, remain.
The ancient salt mine exploited this natural inlet created in the south-eastern part of the island. There was a connection with the surrounding sea, which filled the pools, which were then isolated and dried until the salt was deposited. Around 31 grams of pure sea salt is obtained from every litre of sea water.
This technique has not been used since the 18th century with the advent of the Industrial Revolution, when it was replaced by much less laborious and expensive techniques and technologies. The lake has therefore gradually filled up with water to its current state, where it is exactly at sea level. However, it is still perfectly isolated, acquiring the characteristics of a marshland, a protected and important site for bird life.

The salt lake of Lingua

Lipari at the centre of Mediterranean history

The 2002-03 eruption

Panarea, where sea and volcanoes become sculptors

The hidden part of the Aeolian Islands

The senses tell The Pumice Quarries of Lipari

The senses tell The Sciara del Fuoco

The Thermal Baths of Saint Calogerus

The Village of Capo Graziano

The pure white of the pumice quarries

The Aeolian Islands, where volcanology was born

The senses tell The Stacks of Panarea

The ancient production of salt

The prehistoric village of Cala Junco

The summit craters

The stacks of Panarea

The senses tell The Village of Capo Graziano

Stories of the sea and shipwrecks. The wrecks of the Aeolian Islands

How pumice is formed

Where do Vulcano’s gases come from?

Between brush strokes of sulphur and clouds of steam: the fumaroles of the port of Vulcano

Volcanoes as a natural art form

Filicudi, a submerged paradise

“Strombolian” activity in the place where its definition was born

The Sciara del Fuoco

The Cathedral of Lipari and the Norman Cloister of the Benedictine Monastery

Filicudi: small island, big history

Alicudi, where time has stood still

Pollara, between poetry and beauty

Malvasia delle Lipari DOC

Tsunamis: a not uncommon phenomenon in Stromboli

At the heart of trade in history

Stromboli, the volcano that breathes

Panarea and its history

Lipari, where history intertwines with volcanoes to create archaeology

The underwater fumarolic activity of Lisca Bianca

The senses tell The summit craters

The malleability of Vulcano’s mud

The underwater morphological elements of the Aeolian Islands

Salina, the green island with twin mountains

“Vulcanian” eruptions

The Gran Cratere of the Fossa: when the volcano becomes a sculptor

Myths and legends about volcanoes

Lipari Castle, “fused” with the lava

The senses tell The salt lake of Lingua

The polis of the living and the necropolis of the dead

Seven islands, dozens of volcanoes

Vulcano, the youngest of the Aeolian works of art