Palermo Cathedral
The Context 1

A Northern population

The Normans, a Viking population from Normandy, landed in Messina in 1061 and conquered Palermo in 1071 under the leadership of two great leaders of the Altavilla family: Robert Guiscard and his brother the Great Count Roger found a prosperous and rich city.From here they continued their quest to conquer the island, which lasted about 30 years, until 1091, when the city of Noto, the last Muslim stronghold in Sicily, was conquered.
The military operation was preceded by a pact, known as the Treaty of Melfi , in which Pope Nicholas II gave Robert Guiscard, of the Norman Altavilla family , the mandate to proceed to conquer the regions of southern Italy, giving him the title of Duke of Apulia, Count in Sicily and Duke of Calabria, even before the conquest of such territories.
The Norman presence in Sicily was not accidental, it was strongly backed by the Church, to somehow balance the Byzantine presence in Southern Italy and free Sicily from the Muslim occupation, which had lasted over 250 years, thus being able to bring Christianity back to the island.

A compositional design that combines nordic examples with new artistic languages, over the centuries

Porphyry sarcophagi: royalty and power

A controversial interpretation

The Kings’ Cathedrals

A cloister of accentuated stylistic variety

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Layers of different cultures decorate the external apses

A remarkable ceiling

The Virgin Hodegetria

The Great Presbytery: a unique space for the cathedral

The cultural substrate through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side aisles

The chapel of St. Benedict

Artistic elements in Peter’s ship

The balance between architecture and light

Roger II of hauteville: a sovereign protected by God

Under the crosses of the Bema

The towers and the western facade

The medieval city amidst monasticism and feudal aristocracy

The transformations of the hall through the centuries

The mosaics of the apses

The Cathedral over the centuries

Worship services

A new Cathedral

The chorus: beating heart of the cathedral

The decorated facade

The original design

A polysemy of high-level artistic forms and content

The liturgical spaces of the protesis and the diaconicon

Interior decorations

From the Mosque to the Cathedral

Tempus fugit: a strategic project implemented in a short period of time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chystro: a place between earth and sky

The Great Restoration

The beginning of the construction site

The longest aisle

Palermo: the happiest city

Cefalù: settlement evidence through time

The dialogue between the architectures of the monumental complex

The towers facing the facade used as bell towers

Survey of the royal tombs

The construction of Monreale Cathedral: between myth and history

The Chapel of the Kings

The cemetery of kings

The side Portico: a combination of elegance and lightness of form

Norman religious architecture with islamic influences in Sicily

The stone bible

The area of the Sanctuary

The Bible carved in stone

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

The chapel of the crucifix: an artistic casket based on a previous model

The Gualtiero Cathedral

The links between the hauteville family and the monastic orders in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the presbytery

A chapel by an unknown designer based on repeated symmetries

A mixture of styles pervades the floor decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The columns of the nave: the meticulous study of the overall order

Squaring the circle

The Chapel of St. Mary Magdalene

The southern portico

A tree full of life

A space between the visible and the invisible

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Ecclesia munita

The chapel of san Castrense: an important renaissance work

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From the main gate to the aisles: an invitation to a journey of faith

The lost chapel

Roger II’s strategic design

The senses tell Context 1

Mosaic decoration

The rediscovered chapel

The king’s mark

Two initially similar towers, varied over time

A palimpsest of history

Transformations over the centuries

A Northern population

Gardens and architecture as a backdrop to the city of Palermo