Monreale Cathedral
the Context 1

Gardens and architecture as a backdrop to the city of Palermo

For over two centuries, the Arab domination in Sicily gave the island a cultural climate and a level of civilisation still unknown in other regions of Italy. At the same time, in Europe, after the decline of the the Carolingian renaissance , European kingdoms began to fragment around the year 1000. The knowledge, embedded into Arab culture, starting with the development of science, mathematics and extending into the intangible world of philosophy and alchemy, also involved the reorganisation of the layout of the Palermo area. The region thus became an area where studies on water channelling systems, including underground systems, known as the quanāt , gave impetus to the construction of parks and suburban gardens, enriched by the presence of surface pipelines, known as saie, and water collection tanks.New fruit trees such as cedars, lemons and oranges were introduced into these endless expanses as part of a diverse cultivation system. In addition to the pleasant view enhanced by a rich palette of colours, there was no shortage of the spicy scents of cinnamon, cloves, ginger and jasmine, which permeated the air with a mixture of Middle Eastern aromas.
Architecture of undoubted geometric purity stood out in the regular proportions of the paradise gardens, echoing those of Persia and Samarkand. An example is the castle, probably of Islamic origin, which can be traced back to the Kalbite Emir Ja’farn in the district of Maredolce , at a time when Muslim power on the island was already in decline.

Palermo: the happiest city

Tempus fugit: a strategic project implemented in a short period of time

Layers of different cultures decorate the external apses

The Chapel of the Kings

The longest aisle

Under the crosses of the Bema

A palimpsest of history

The Great Restoration

The side Portico: a combination of elegance and lightness of form

Porphyry sarcophagi: royalty and power

The chorus: beating heart of the cathedral

The dialogue between the architectures of the monumental complex

A polysemy of high-level artistic forms and content

A cloister of accentuated stylistic variety

A compositional design that combines nordic examples with new artistic languages, over the centuries

The king’s mark

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Squaring the circle

The balance between architecture and light

The mosaics of the apses

The Virgin Hodegetria

Roger II’s strategic design

The area of the Sanctuary

The southern portico

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The original design

A new Cathedral

The construction of Monreale Cathedral: between myth and history

The rediscovered chapel

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A space between the visible and the invisible

The links between the hauteville family and the monastic orders in Sicily

The mosaics of the presbytery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The cemetery of kings

Roger II of hauteville: a sovereign protected by God

The senses tell Context 1

The Bible carved in stone

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Gardens and architecture as a backdrop to the city of Palermo

Characteristics of religious architecture in the romanesque period

Transformations over the centuries

A mixture of styles pervades the floor decorations

The chapel of san Castrense: an important renaissance work

From the main gate to the aisles: an invitation to a journey of faith

The cultural substrate through time

The Chapel of St. Mary Magdalene

The side aisles

The lost chapel

The stone bible

The medieval city amidst monasticism and feudal aristocracy

Cefalù: settlement evidence through time

The columns of the nave: the meticulous study of the overall order

The beginning of the construction site

A chapel by an unknown designer based on repeated symmetries

The chapel of St. Benedict

The chapel of the crucifix: an artistic casket based on a previous model

A Northern population

Worship services

Artistic elements in Peter’s ship

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Interior decorations

Two initially similar towers, varied over time

The transformations of the hall through the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A remarkable ceiling

The decorated facade

Mosaic decoration

Beyond the harmony of proportions

The Cathedral over the centuries

The Gualtiero Cathedral

A controversial interpretation

The Great Presbytery: a unique space for the cathedral

Norman religious architecture with islamic influences in Sicily

The towers and the western facade

The towers facing the facade used as bell towers

Ecclesia munita

Survey of the royal tombs

The Kings’ Cathedrals

The liturgical spaces of the protesis and the diaconicon

The chystro: a place between earth and sky

From the Mosque to the Cathedral

A tree full of life