Apses and transept
Cefalù Cathedral

Layers of different cultures decorate the external apses

EXTERNAL APSES
The external architectural decoration of the three apses features twin columns dividing the semi-spherical surface, ending in the central apse with a fringe of elegant single-light blind arches, arranged in an alternating rhythm of evident Romanesque origin. The oculi were inserted in the space dividing the columns, in the middle position. The side apses, on the other hand, are influenced by Islamic architecture with their typical intertwining arches. The presence of large oculi, both in the central apse and in the transept, is reminiscent of Burgundian architecture, confirming the activity of workers of different origins on the site.

The decoration of the external architectural part of the three apses has the common feature of paired columns, which divide the semi-spherical surface, ending, in the central apse, with a fringe of elegant blind single-lancet arches , arranged in an alternating rhythm of evident Romanesque origin. The oculi were inserted in the space between the columns, in the middle position, according to a plan that was abandoned after a few years because the internal mosaic decoration concealed their presence. The side apses, on the other hand, are influenced by Islamic architecture with their typical intertwining arches .
The presence of large oculi , both in the central apse and in the transept, is reminiscent of Burgundian architecture , confirming the activity of workers of different origins on the site.
The distinctive feature at the end of the outer transept is the lively decoration, with small columns and blind arches corresponding to the internal walkway and loggia.
The roofs of these areas of the complex are different in relation to the rooms because of the many disruptions in construction affecting some parts of the Cathedral. The most evident defect, probably the result of a fire in the 16th century, concerns the southern arm of the transept, because of the presence of a high barrel vault , made of bricks and featuring with false ribs on the inside.

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Norman religious architecture with islamic influences in Sicily

The mosaics of the apses

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The construction of Monreale Cathedral: between myth and history

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The Bible carved in stone

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A mixture of styles pervades the floor decorations

The links between the hauteville family and the monastic orders in Sicily

The cultural substrate through time

Two initially similar towers, varied over time

The side aisles

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A remarkable ceiling

The beginning of the construction site

The Great Restoration

The towers and the western facade

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Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

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Mosaic decoration

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The southern portico

Layers of different cultures decorate the external apses

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The decorated facade

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Interior decorations

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The columns of the nave: the meticulous study of the overall order

The stone bible

The liturgical spaces of the protesis and the diaconicon

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

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The towers facing the facade used as bell towers

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The area of the Sanctuary

The chapel of St. Benedict