Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

The area of the Sanctuary

The transformations of the hall through the centuries

The southern portico

The Great Presbytery: a unique space for the cathedral

From the Mosque to the Cathedral

A remarkable ceiling

A mixture of styles pervades the floor decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Kings’ Cathedrals

Ecclesia munita

The Virgin Hodegetria

Survey of the royal tombs

The Chapel of the Kings

The links between the hauteville family and the monastic orders in Sicily

From the main gate to the aisles: an invitation to a journey of faith

Roger II of hauteville: a sovereign protected by God

A Northern population

The senses tell Context 1

A controversial interpretation

A space between the visible and the invisible

A cloister of accentuated stylistic variety

Norman religious architecture with islamic influences in Sicily

Under the crosses of the Bema

Characteristics of religious architecture in the romanesque period

Interior decorations

The medieval city amidst monasticism and feudal aristocracy

The longest aisle

Gardens and architecture as a backdrop to the city of Palermo

Porphyry sarcophagi: royalty and power

Worship services

The chorus: beating heart of the cathedral

Mosaic decoration

Artistic elements in Peter’s ship

The mosaics of the presbytery

The balance between architecture and light

The Cathedral over the centuries

The columns of the nave: the meticulous study of the overall order

The dialogue between the architectures of the monumental complex

The chystro: a place between earth and sky

Two initially similar towers, varied over time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Layers of different cultures decorate the external apses

The chapel of the crucifix: an artistic casket based on a previous model

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The side Portico: a combination of elegance and lightness of form

Palermo: the happiest city

A new Cathedral

The Bible carved in stone

Transformations over the centuries

The Gualtiero Cathedral

A chapel by an unknown designer based on repeated symmetries

Cefalù: settlement evidence through time

The cemetery of kings

The original design

Roger II’s strategic design

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Squaring the circle

The rediscovered chapel

The stone bible

The lost chapel

The cultural substrate through time

The decorated facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A palimpsest of history

Tempus fugit: a strategic project implemented in a short period of time

The construction of Monreale Cathedral: between myth and history

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the apses

A compositional design that combines nordic examples with new artistic languages, over the centuries

The side aisles

The towers facing the facade used as bell towers

The beginning of the construction site

A tree full of life

The king’s mark

Beyond the harmony of proportions

A polysemy of high-level artistic forms and content

The Chapel of St. Mary Magdalene

The towers and the western facade

The Great Restoration

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

The liturgical spaces of the protesis and the diaconicon