photo gallery

photo gallery

The decorations on the bell tower

The architectural appearance and transformations over time

The rediscovered palace

The cemetery of kings

The transformations of the hall through the centuries

The mosaics of the presbytery

The mosaics of the transept and the apses

Characteristics of religious architecture in the romanesque period

Palermo: the happiest city

The Cassaro

The chapel of san Castrense: an important renaissance work

Beyond the harmony of proportions

The lost chapel

Under the crosses of the Bema

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A new Cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Saint Peter’s Chapel in the Royal Palace

Transformations over the centuries

The mosaics of the apses

The Great Restoration

The Chapel of the Kings

The balance between architecture and light

The side Portico: a combination of elegance and lightness of form

Two initially similar towers, varied over time

Intertwining of knowledge in Norman Palermo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural space

The senses tell the historical context

The ancient convent of the Martorana, a history of devotion and tradition

The opus sectile floor of the Palatine Chapel

the Baroque interior

Squaring the circle

Layers of different cultures decorate the external apses

A chapel by an unknown designer based on repeated symmetries

Ecclesia munita

The senses tell the Zisa over the centuries

An architectural crescendo

The king’s mark

The senses tell Context 1

The Palace of Kings

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Genoard Park, the garden of pleasures and wonders

A Northern population

A building constructed in a short space of time

Shapes and colours of the wooden ceiling

The senses tell the mosaic cycle

The senses tell the historical context

The senses tell the external architecture and the original layout

Artistic elements in Peter’s ship

Decorations

The columns of the nave: the meticulous study of the overall order

Restorations

The chystro: a place between earth and sky

The chorus: beating heart of the cathedral

Mosaic decoration

The area of the Sanctuary

The chapel of the crucifix: an artistic casket based on a previous model

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Virgin Hodegetria

Tempus fugit: a strategic project implemented in a short period of time

The dialogue between the architectures of the monumental complex

The rediscovered chapel

The Gualtiero Cathedral

The senses tell the flooring

The Chapel of St. Mary Magdalene

The southern portico

The senses tell the ceiling

Norman religious architecture with islamic influences in Sicily

The interior of the church

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The original design

A palimpsest of history

The construction of Monreale Cathedral: between myth and history

From the Mosque to the Cathedral

The mosaics of the naves

From the main gate to the aisles: an invitation to a journey of faith

The stone bible

Cefalù: settlement evidence through time

The senses tell the architecture and decorations

The links between the hauteville family and the monastic orders in Sicily

the roof of Paradise: one of the most representative works of medieval art

A cloister of accentuated stylistic variety

Gold and light: the splendour of the mosaics in the Royal Chapel

The towers facing the facade used as bell towers

The senses tell baroque decoration

The senses tell the architecture

From earthquake to collapse

The senses tell restorations

Gardens and architecture as a backdrop to the city of Palermo

Roger II of hauteville: a sovereign protected by God

The beginning of the construction site

The Kings’ Cathedrals

the Baroque exterior

A tree full of life

The Royal Throne

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaic cycle, an ascending path towards the light

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A polysemy of high-level artistic forms and content

Interior decorations

A controversial interpretation

Different styles and transformations of “one of the most beautiful monuments in the world”

The side aisles

The senses tell the interior

The Bible carved in stone

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Porphyry sarcophagi: royalty and power

The birth of the Norman kingdom

Worship services

The cultural substrate through time

A remarkable ceiling

The liturgical spaces of the protesis and the diaconicon

The architectural envelope: the Greek cross layout oriented towards the light

The Admiral’s dedication

The loca solatiorum: dwellings for recreation, well-being and hunting

A mixture of styles pervades the floor decorations

The flooring: shapes, motifs and iconography

The medieval city amidst monasticism and feudal aristocracy

The senses tell the historical context

The towers and the western facade

The chapel of St. Benedict

Roger II’s strategic design

From oblivion to the recovery of memory

The decorated facade

The longest aisle

The return of water

The Great Presbytery: a unique space for the cathedral

The Cathedral over the centuries

A space between the visible and the invisible

Survey of the royal tombs

The Norman conquest of Sicily and the birth of a new Latin kingdom