photo gallery

photo gallery

The loca solatiorum: dwellings for recreation, well-being and hunting

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A controversial interpretation

The ancient convent of the Martorana, a history of devotion and tradition

The columns of the nave: the meticulous study of the overall order

The architectural space

The senses tell the ceiling

Gold and light: the splendour of the mosaics in the Royal Chapel

The side aisles

Characteristics of religious architecture in the romanesque period

The towers and the western facade

The links between the hauteville family and the monastic orders in Sicily

The lost chapel

A cloister of accentuated stylistic variety

A compositional design that combines nordic examples with new artistic languages, over the centuries

Roger II of hauteville: a sovereign protected by God

The chystro: a place between earth and sky

The birth of the Norman kingdom

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

From earthquake to collapse

The senses tell the interior

The cultural substrate through time

The original design

The senses tell baroque decoration

The beginning of the construction site

Worship services

Palermo: the happiest city

The senses tell the external architecture and the original layout

The interior of the church

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The towers facing the facade used as bell towers

Artistic elements in Peter’s ship

Different styles and transformations of “one of the most beautiful monuments in the world”

A mixture of styles pervades the floor decorations

The Chapel of St. Mary Magdalene

Squaring the circle

From the main gate to the aisles: an invitation to a journey of faith

Two initially similar towers, varied over time

A building constructed in a short space of time

From the Mosque to the Cathedral

The mosaic cycle, an ascending path towards the light

The Cassaro

Layers of different cultures decorate the external apses

The senses tell the historical context

Norman religious architecture with islamic influences in Sicily

The stone bible

The mosaics of the transept and the apses

The chapel of St. Benedict

The side Portico: a combination of elegance and lightness of form

Saint Peter’s Chapel in the Royal Palace

A polysemy of high-level artistic forms and content

The area of the Sanctuary

Ecclesia munita

The Great Restoration

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A new Cathedral

Gardens and architecture as a backdrop to the city of Palermo

Roger II’s strategic design

The mosaics of the presbytery

the roof of Paradise: one of the most representative works of medieval art

A chapel by an unknown designer based on repeated symmetries

Porphyry sarcophagi: royalty and power

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A remarkable ceiling

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the apses

The senses tell Context 1

The Cathedral over the centuries

The mosaics of the naves

The return of water

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Genoard Park, the garden of pleasures and wonders

Tempus fugit: a strategic project implemented in a short period of time

The architectural appearance and transformations over time

The construction of Monreale Cathedral: between myth and history

The Chapel of the Kings

The Virgin Hodegetria

A space between the visible and the invisible

The chorus: beating heart of the cathedral

The opus sectile floor of the Palatine Chapel

the Baroque exterior

Restorations

Shapes and colours of the wooden ceiling

The architectural envelope: the Greek cross layout oriented towards the light

Beyond the harmony of proportions

The flooring: shapes, motifs and iconography

The Gualtiero Cathedral

The senses tell the architecture

The liturgical spaces of the protesis and the diaconicon

Transformations over the centuries

The decorated facade

An architectural crescendo

The Great Presbytery: a unique space for the cathedral

The longest aisle

the Baroque interior

The Bible carved in stone

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A palimpsest of history

The transformations of the hall through the centuries

The senses tell the mosaic cycle

Under the crosses of the Bema

A Northern population

The decorations on the bell tower

Survey of the royal tombs

The senses tell the historical context

The southern portico

The cemetery of kings

Cefalù: settlement evidence through time

The rediscovered chapel

A tree full of life

The senses tell the historical context

The senses tell restorations

Interior decorations

The rediscovered palace

The Kings’ Cathedrals

The king’s mark

The chapel of the crucifix: an artistic casket based on a previous model

Mosaic decoration

The balance between architecture and light

The dialogue between the architectures of the monumental complex

Decorations

The senses tell the Zisa over the centuries

The senses tell the architecture and decorations

From oblivion to the recovery of memory

The Palace of Kings

Intertwining of knowledge in Norman Palermo

The senses tell the flooring

The Royal Throne

The Norman conquest of Sicily and the birth of a new Latin kingdom

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of san Castrense: an important renaissance work

The Admiral’s dedication