photo gallery

photo gallery

A palimpsest of history

Cefalù: settlement evidence through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell baroque decoration

The return of water

The columns of the nave: the meticulous study of the overall order

Survey of the royal tombs

The side aisles

The cultural substrate through time

The senses tell the mosaic cycle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Transformations over the centuries

Under the crosses of the Bema

The Palace of Kings

The Gualtiero Cathedral

The senses tell the historical context

The flooring: shapes, motifs and iconography

A controversial interpretation

Roger II’s strategic design

Tempus fugit: a strategic project implemented in a short period of time

A remarkable ceiling

The Royal Throne

Decorations

The architectural envelope: the Greek cross layout oriented towards the light

Gardens and architecture as a backdrop to the city of Palermo

The Admiral’s dedication

A building constructed in a short space of time

The chorus: beating heart of the cathedral

Palermo: the happiest city

The senses tell the architecture and decorations

The Great Presbytery: a unique space for the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A new Cathedral

The longest aisle

the Baroque interior

The beginning of the construction site

The Chapel of St. Mary Magdalene

The Chapel of the Kings

The Cassaro

The original design

The Virgin Hodegetria

Two initially similar towers, varied over time

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the transept and the apses

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of san Castrense: an important renaissance work

The lost chapel

Ecclesia munita

The chystro: a place between earth and sky

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the external architecture and the original layout

Saint Peter’s Chapel in the Royal Palace

The towers facing the facade used as bell towers

The mosaics of the apses

Norman religious architecture with islamic influences in Sicily

The senses tell the interior

The chapel of St. Benedict

A mixture of styles pervades the floor decorations

Roger II of hauteville: a sovereign protected by God

Squaring the circle

The dialogue between the architectures of the monumental complex

The cemetery of kings

The decorated facade

Interior decorations

The senses tell the ceiling

Intertwining of knowledge in Norman Palermo

Worship services

The construction of Monreale Cathedral: between myth and history

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The stone bible

The decorations on the bell tower

A chapel by an unknown designer based on repeated symmetries

The mosaic cycle, an ascending path towards the light

Porphyry sarcophagi: royalty and power

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side Portico: a combination of elegance and lightness of form

Restorations

The southern portico

The senses tell restorations

The mosaics of the presbytery

The Kings’ Cathedrals

From the Mosque to the Cathedral

The Cathedral over the centuries

The balance between architecture and light

A cloister of accentuated stylistic variety

The Great Restoration

The senses tell the flooring

The liturgical spaces of the protesis and the diaconicon

A space between the visible and the invisible

The area of the Sanctuary

Shapes and colours of the wooden ceiling

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the Zisa over the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The king’s mark

The opus sectile floor of the Palatine Chapel

The architectural appearance and transformations over time

The senses tell the architecture

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell Context 1

The Bible carved in stone

Mosaic decoration

The transformations of the hall through the centuries

The rediscovered palace

The towers and the western facade

The mosaics of the naves

The architectural space

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

the roof of Paradise: one of the most representative works of medieval art

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

An architectural crescendo

The medieval city amidst monasticism and feudal aristocracy

A tree full of life

The interior of the church

Artistic elements in Peter’s ship

From oblivion to the recovery of memory

The Genoard Park, the garden of pleasures and wonders

The birth of the Norman kingdom

The Norman conquest of Sicily and the birth of a new Latin kingdom

The rediscovered chapel

The links between the hauteville family and the monastic orders in Sicily

The senses tell the historical context

Different styles and transformations of “one of the most beautiful monuments in the world”

A Northern population

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Layers of different cultures decorate the external apses

The senses tell the historical context

A polysemy of high-level artistic forms and content

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

the Baroque exterior

Gold and light: the splendour of the mosaics in the Royal Chapel

From earthquake to collapse