photo gallery

photo gallery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Gardens and architecture as a backdrop to the city of Palermo

Shapes and colours of the wooden ceiling

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the historical context

The mosaics of the presbytery

From oblivion to the recovery of memory

The Cassaro

The Kings’ Cathedrals

Intertwining of knowledge in Norman Palermo

The decorated facade

The Bible carved in stone

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Royal Throne

The towers and the western facade

The return of water

The lost chapel

Transformations over the centuries

The architectural envelope: the Greek cross layout oriented towards the light

A tree full of life

The interior of the church

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the ceiling

Artistic elements in Peter’s ship

The Admiral’s dedication

The medieval city amidst monasticism and feudal aristocracy

The rediscovered palace

Tempus fugit: a strategic project implemented in a short period of time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

A space between the visible and the invisible

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A palimpsest of history

Survey of the royal tombs

The towers facing the facade used as bell towers

The side aisles

From the Mosque to the Cathedral

Ecclesia munita

Worship services

The senses tell the architecture

The beginning of the construction site

The loca solatiorum: dwellings for recreation, well-being and hunting

The architectural space

Two initially similar towers, varied over time

The decorations on the bell tower

Roger II of hauteville: a sovereign protected by God

The Chapel of the Kings

The columns of the nave: the meticulous study of the overall order

The longest aisle

The flooring: shapes, motifs and iconography

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the naves

From earthquake to collapse

A chapel by an unknown designer based on repeated symmetries

Norman religious architecture with islamic influences in Sicily

the Baroque exterior

Different styles and transformations of “one of the most beautiful monuments in the world”

A controversial interpretation

From the main gate to the aisles: an invitation to a journey of faith

The birth of the Norman kingdom

Beyond the harmony of proportions

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the interior

The senses tell the Zisa over the centuries

the Baroque interior

An architectural crescendo

The senses tell the architecture and decorations

The Chapel of St. Mary Magdalene

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the historical context

A mixture of styles pervades the floor decorations

A building constructed in a short space of time

A remarkable ceiling

Under the crosses of the Bema

Cefalù: settlement evidence through time

A new Cathedral

The chorus: beating heart of the cathedral

The area of the Sanctuary

Roger II’s strategic design

Characteristics of religious architecture in the romanesque period

The Cathedral over the centuries

The senses tell the mosaic cycle

The liturgical spaces of the protesis and the diaconicon

The Norman conquest of Sicily and the birth of a new Latin kingdom

Restorations

The chystro: a place between earth and sky

The Great Restoration

The senses tell the flooring

The Great Presbytery: a unique space for the cathedral

The balance between architecture and light

A cloister of accentuated stylistic variety

The stone bible

Saint Peter’s Chapel in the Royal Palace

The mosaic cycle, an ascending path towards the light

The cemetery of kings

The dialogue between the architectures of the monumental complex

The Genoard Park, the garden of pleasures and wonders

The southern portico

The construction of Monreale Cathedral: between myth and history

Porphyry sarcophagi: royalty and power

Squaring the circle

The Gualtiero Cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the external architecture and the original layout

the roof of Paradise: one of the most representative works of medieval art

The side Portico: a combination of elegance and lightness of form

Palermo: the happiest city

The senses tell restorations

Mosaic decoration

Gold and light: the splendour of the mosaics in the Royal Chapel

The Virgin Hodegetria

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Palace of Kings

The senses tell baroque decoration

The king’s mark

Decorations

The links between the hauteville family and the monastic orders in Sicily

A polysemy of high-level artistic forms and content

The chapel of St. Benedict

The mosaics of the apses

Layers of different cultures decorate the external apses

The architectural appearance and transformations over time

The original design

The rediscovered chapel

A Northern population

Interior decorations

The chapel of san Castrense: an important renaissance work

The senses tell Context 1

The transformations of the hall through the centuries

The mosaics of the transept and the apses

The ancient convent of the Martorana, a history of devotion and tradition