photo gallery

photo gallery

The senses tell the interior

The senses tell restorations

The architectural appearance and transformations over time

The king’s mark

The birth of the Norman kingdom

the Baroque interior

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Ecclesia munita

The Genoard Park, the garden of pleasures and wonders

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The decorations on the bell tower

A palimpsest of history

The cultural substrate through time

The construction of Monreale Cathedral: between myth and history

Roger II’s strategic design

The senses tell the architecture

A chapel by an unknown designer based on repeated symmetries

The Admiral’s dedication

The chapel of san Castrense: an important renaissance work

The interior of the church

Beyond the harmony of proportions

The ancient convent of the Martorana, a history of devotion and tradition

The longest aisle

The Great Restoration

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the flooring

The original design

The columns of the nave: the meticulous study of the overall order

The chapel of St. Benedict

Tempus fugit: a strategic project implemented in a short period of time

The area of the Sanctuary

Shapes and colours of the wooden ceiling

The balance between architecture and light

The side Portico: a combination of elegance and lightness of form

Squaring the circle

From earthquake to collapse

The senses tell the historical context

The senses tell baroque decoration

The loca solatiorum: dwellings for recreation, well-being and hunting

The Great Presbytery: a unique space for the cathedral

The Cathedral over the centuries

From oblivion to the recovery of memory

Worship services

The Gualtiero Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

Decorations

The Cassaro

The mosaics of the naves

A remarkable ceiling

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The side aisles

Survey of the royal tombs

The mosaic cycle, an ascending path towards the light

The rediscovered palace

Different styles and transformations of “one of the most beautiful monuments in the world”

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell Context 1

The architectural space

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the mosaic cycle

Restorations

The flooring: shapes, motifs and iconography

From the Mosque to the Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

The links between the hauteville family and the monastic orders in Sicily

The Palace of Kings

The senses tell the historical context

The senses tell the architecture and decorations

Layers of different cultures decorate the external apses

Artistic elements in Peter’s ship

The return of water

Roger II of hauteville: a sovereign protected by God

The transformations of the hall through the centuries

The Chapel of the Kings

The senses tell the ceiling

Saint Peter’s Chapel in the Royal Palace

Cefalù: settlement evidence through time

A Northern population

The senses tell the external architecture and the original layout

The liturgical spaces of the protesis and the diaconicon

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chystro: a place between earth and sky

A building constructed in a short space of time

The southern portico

A cloister of accentuated stylistic variety

Porphyry sarcophagi: royalty and power

the roof of Paradise: one of the most representative works of medieval art

Palermo: the happiest city

The senses tell the historical context

Characteristics of religious architecture in the romanesque period

The Virgin Hodegetria

The mosaics of the presbytery

The dialogue between the architectures of the monumental complex

Mosaic decoration

The Bible carved in stone

The senses tell the Zisa over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The opus sectile floor of the Palatine Chapel

A polysemy of high-level artistic forms and content

Norman religious architecture with islamic influences in Sicily

The towers facing the facade used as bell towers

The decorated facade

A space between the visible and the invisible

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the apses

Two initially similar towers, varied over time

The Chapel of St. Mary Magdalene

A tree full of life

The Royal Throne

A mixture of styles pervades the floor decorations

An architectural crescendo

Interior decorations

A controversial interpretation

Transformations over the centuries

The lost chapel

Gardens and architecture as a backdrop to the city of Palermo

The beginning of the construction site

The rediscovered chapel

Gold and light: the splendour of the mosaics in the Royal Chapel

The towers and the western facade

The cemetery of kings

Under the crosses of the Bema

A new Cathedral

The chorus: beating heart of the cathedral

The stone bible

the Baroque exterior

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Kings’ Cathedrals

The chapel of the crucifix: an artistic casket based on a previous model

From the main gate to the aisles: an invitation to a journey of faith

Intertwining of knowledge in Norman Palermo

The mosaics of the transept and the apses