photo gallery

photo gallery

Roger II’s strategic design

The Chapel of the Kings

The senses tell the flooring

From the main gate to the aisles: an invitation to a journey of faith

The original design

The king’s mark

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Artistic elements in Peter’s ship

Saint Peter’s Chapel in the Royal Palace

The chapel of the crucifix: an artistic casket based on a previous model

The longest aisle

The columns of the nave: the meticulous study of the overall order

A remarkable ceiling

The senses tell restorations

A new Cathedral

Mosaic decoration

The senses tell Context 1

The cultural substrate through time

Transformations over the centuries

The senses tell the architecture and decorations

The mosaic cycle, an ascending path towards the light

A chapel by an unknown designer based on repeated symmetries

Layers of different cultures decorate the external apses

The ancient convent of the Martorana, a history of devotion and tradition

A cloister of accentuated stylistic variety

The side aisles

Gardens and architecture as a backdrop to the city of Palermo

The dialogue between the architectures of the monumental complex

Intertwining of knowledge in Norman Palermo

Palermo: the happiest city

A controversial interpretation

Interior decorations

Decorations

The Great Restoration

The flooring: shapes, motifs and iconography

The architectural envelope: the Greek cross layout oriented towards the light

A mixture of styles pervades the floor decorations

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the transept and the apses

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A space between the visible and the invisible

The area of the Sanctuary

Survey of the royal tombs

The birth of the Norman kingdom

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Kings’ Cathedrals

The mosaics of the apses

The medieval city amidst monasticism and feudal aristocracy

The senses tell the Zisa over the centuries

The stone bible

The rediscovered palace

The towers and the western facade

The mosaics of the naves

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the external architecture and the original layout

Gold and light: the splendour of the mosaics in the Royal Chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the mosaic cycle

Characteristics of religious architecture in the romanesque period

The Cathedral over the centuries

The balance between architecture and light

The chorus: beating heart of the cathedral

Ecclesia munita

The Great Presbytery: a unique space for the cathedral

The decorations on the bell tower

The senses tell the historical context

The lost chapel

the Baroque exterior

A polysemy of high-level artistic forms and content

Squaring the circle

The interior of the church

The Royal Throne

Restorations

The side Portico: a combination of elegance and lightness of form

The senses tell the architecture

Roger II of hauteville: a sovereign protected by God

The Chapel of St. Mary Magdalene

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Two initially similar towers, varied over time

The Genoard Park, the garden of pleasures and wonders

The chapel of san Castrense: an important renaissance work

The beginning of the construction site

The liturgical spaces of the protesis and the diaconicon

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the historical context

Norman religious architecture with islamic influences in Sicily

The chapel of St. Benedict

The architectural appearance and transformations over time

From the Mosque to the Cathedral

The Palace of Kings

A tree full of life

The construction of Monreale Cathedral: between myth and history

Worship services

The opus sectile floor of the Palatine Chapel

The rediscovered chapel

The mosaics of the presbytery

The senses tell baroque decoration

The senses tell the interior

the roof of Paradise: one of the most representative works of medieval art

From earthquake to collapse

From oblivion to the recovery of memory

The Gualtiero Cathedral

The cemetery of kings

The links between the hauteville family and the monastic orders in Sicily

The Virgin Hodegetria

The decorated facade

Shapes and colours of the wooden ceiling

A Northern population

The architectural space

A palimpsest of history

An architectural crescendo

The southern portico

the Baroque interior

The Bible carved in stone

Porphyry sarcophagi: royalty and power

The Norman conquest of Sicily and the birth of a new Latin kingdom

Cefalù: settlement evidence through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the historical context

The Cassaro

The chystro: a place between earth and sky

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The towers facing the facade used as bell towers

A compositional design that combines nordic examples with new artistic languages, over the centuries

Beyond the harmony of proportions

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the ceiling

The Admiral’s dedication

The transformations of the hall through the centuries

Under the crosses of the Bema

A building constructed in a short space of time

The return of water