photo gallery

photo gallery

The birth of the Norman kingdom

Ecclesia munita

A chapel by an unknown designer based on repeated symmetries

The Cathedral over the centuries

The lost chapel

The decorations on the bell tower

Gold and light: the splendour of the mosaics in the Royal Chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

Restorations

Norman religious architecture with islamic influences in Sicily

The chapel of the crucifix: an artistic casket based on a previous model

A building constructed in a short space of time

the roof of Paradise: one of the most representative works of medieval art

The Admiral’s dedication

Palermo: the happiest city

The rediscovered chapel

Roger II of hauteville: a sovereign protected by God

The decorated facade

The king’s mark

From oblivion to the recovery of memory

An architectural crescendo

The longest aisle

Cefalù: settlement evidence through time

The side Portico: a combination of elegance and lightness of form

Beyond the harmony of proportions

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the architecture

Porphyry sarcophagi: royalty and power

The dialogue between the architectures of the monumental complex

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the historical context

The flooring: shapes, motifs and iconography

The Chapel of the Kings

The senses tell the architecture and decorations

The senses tell the flooring

The columns of the nave: the meticulous study of the overall order

The architectural envelope: the Greek cross layout oriented towards the light

The original design

The senses tell the Zisa over the centuries

Roger II’s strategic design

The Virgin Hodegetria

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the historical context

From earthquake to collapse

The chapel of san Castrense: an important renaissance work

Shapes and colours of the wooden ceiling

The Gualtiero Cathedral

The mosaics of the transept and the apses

Transformations over the centuries

From the Mosque to the Cathedral

The Chapel of St. Mary Magdalene

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the apses

Interior decorations

Decorations

The chorus: beating heart of the cathedral

The Great Restoration

The interior of the church

The cultural substrate through time

The side aisles

The mosaics of the naves

Intertwining of knowledge in Norman Palermo

Different styles and transformations of “one of the most beautiful monuments in the world”

the Baroque interior

The architectural appearance and transformations over time

The chapel of St. Benedict

The return of water

The senses tell the interior

The senses tell Context 1

The Great Presbytery: a unique space for the cathedral

The senses tell the external architecture and the original layout

The area of the Sanctuary

the Baroque exterior

The stone bible

The beginning of the construction site

The construction of Monreale Cathedral: between myth and history

A controversial interpretation

Survey of the royal tombs

The rediscovered palace

The cemetery of kings

The towers facing the facade used as bell towers

Mosaic decoration

A palimpsest of history

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Two initially similar towers, varied over time

The mosaics of the presbytery

Squaring the circle

The Bible carved in stone

The loca solatiorum: dwellings for recreation, well-being and hunting

The links between the hauteville family and the monastic orders in Sicily

Worship services

The Palace of Kings

A space between the visible and the invisible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A polysemy of high-level artistic forms and content

The Royal Throne

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the ceiling

The senses tell the mosaic cycle

Characteristics of religious architecture in the romanesque period

Saint Peter’s Chapel in the Royal Palace

The senses tell restorations

The Cassaro

The opus sectile floor of the Palatine Chapel

A Northern population

The transformations of the hall through the centuries

The Genoard Park, the garden of pleasures and wonders

The balance between architecture and light

A tree full of life

A cloister of accentuated stylistic variety

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Gardens and architecture as a backdrop to the city of Palermo

Under the crosses of the Bema

The liturgical spaces of the protesis and the diaconicon

A remarkable ceiling

From the main gate to the aisles: an invitation to a journey of faith

The senses tell baroque decoration

A new Cathedral

The mosaic cycle, an ascending path towards the light

Artistic elements in Peter’s ship

The southern portico

The towers and the western facade

The architectural space

The Kings’ Cathedrals

Layers of different cultures decorate the external apses

A mixture of styles pervades the floor decorations

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

The chystro: a place between earth and sky

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The medieval city amidst monasticism and feudal aristocracy