photo gallery

photo gallery

The southern portico

Artistic elements in Peter’s ship

The senses tell the ceiling

Survey of the royal tombs

The lost chapel

A mixture of styles pervades the floor decorations

Cefalù: settlement evidence through time

Saint Peter’s Chapel in the Royal Palace

The Norman conquest of Sicily and the birth of a new Latin kingdom

A cloister of accentuated stylistic variety

The king’s mark

The construction of Monreale Cathedral: between myth and history

The chapel of san Castrense: an important renaissance work

The senses tell restorations

The transformations of the hall through the centuries

The mosaic cycle, an ascending path towards the light

Layers of different cultures decorate the external apses

The senses tell the external architecture and the original layout

The Great Presbytery: a unique space for the cathedral

Norman religious architecture with islamic influences in Sicily

The mosaics of the transept and the apses

The senses tell the historical context

Two initially similar towers, varied over time

The Gualtiero Cathedral

The flooring: shapes, motifs and iconography

The senses tell the mosaic cycle

A Northern population

The senses tell the Zisa over the centuries

Shapes and colours of the wooden ceiling

A space between the visible and the invisible

The senses tell Context 1

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Interior decorations

The Bible carved in stone

The Chapel of St. Mary Magdalene

The opus sectile floor of the Palatine Chapel

Squaring the circle

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell baroque decoration

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

the roof of Paradise: one of the most representative works of medieval art

From the Mosque to the Cathedral

The mosaics of the presbytery

Ecclesia munita

The Chapel of the Kings

The side Portico: a combination of elegance and lightness of form

The chapel of the crucifix: an artistic casket based on a previous model

A tree full of life

The towers facing the facade used as bell towers

A new Cathedral

A polysemy of high-level artistic forms and content

The side aisles

Tempus fugit: a strategic project implemented in a short period of time

Characteristics of religious architecture in the romanesque period

The area of the Sanctuary

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The architectural space

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chorus: beating heart of the cathedral

The Cathedral over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cassaro

Beyond the harmony of proportions

The architectural envelope: the Greek cross layout oriented towards the light

the Baroque interior

The cemetery of kings

From oblivion to the recovery of memory

The Great Restoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Decorations

Roger II of hauteville: a sovereign protected by God

The dialogue between the architectures of the monumental complex

Porphyry sarcophagi: royalty and power

Gardens and architecture as a backdrop to the city of Palermo

The towers and the western facade

Different styles and transformations of “one of the most beautiful monuments in the world”

The chapel of St. Benedict

Intertwining of knowledge in Norman Palermo

The rediscovered palace

The rediscovered chapel

The decorated facade

The senses tell the flooring

The architectural appearance and transformations over time

Roger II’s strategic design

The senses tell the architecture

From earthquake to collapse

The senses tell the historical context

The decorations on the bell tower

The loca solatiorum: dwellings for recreation, well-being and hunting

The longest aisle

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Mosaic decoration

A remarkable ceiling

The cultural substrate through time

Restorations

The birth of the Norman kingdom

Under the crosses of the Bema

The senses tell the interior

The mosaics of the naves

Worship services

Palermo: the happiest city

The Kings’ Cathedrals

The stone bible

A chapel by an unknown designer based on repeated symmetries

The ancient convent of the Martorana, a history of devotion and tradition

The Admiral’s dedication

The Virgin Hodegetria

The interior of the church

A controversial interpretation

A building constructed in a short space of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the historical context

The return of water

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy

A palimpsest of history

The original design

The chystro: a place between earth and sky

the Baroque exterior

The senses tell the architecture and decorations

Transformations over the centuries

The Palace of Kings

The Royal Throne

The columns of the nave: the meticulous study of the overall order

The balance between architecture and light

The links between the hauteville family and the monastic orders in Sicily

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the apses

Gold and light: the splendour of the mosaics in the Royal Chapel

The liturgical spaces of the protesis and the diaconicon

An architectural crescendo

The Genoard Park, the garden of pleasures and wonders