photo gallery

photo gallery

The lost chapel

From oblivion to the recovery of memory

The interior of the church

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A controversial interpretation

The stone bible

the Baroque interior

The mosaics of the transept and the apses

The cultural substrate through time

Roger II’s strategic design

The towers and the western facade

A cloister of accentuated stylistic variety

Gardens and architecture as a backdrop to the city of Palermo

The area of the Sanctuary

The senses tell the mosaic cycle

Transformations over the centuries

Two initially similar towers, varied over time

From the main gate to the aisles: an invitation to a journey of faith

the Baroque exterior

The senses tell the architecture

The architectural appearance and transformations over time

A Northern population

The mosaics of the apses

The senses tell the historical context

The rediscovered chapel

The medieval city amidst monasticism and feudal aristocracy

A mixture of styles pervades the floor decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The original design

Mosaic decoration

A building constructed in a short space of time

The cemetery of kings

The balance between architecture and light

Beyond the harmony of proportions

A chapel by an unknown designer based on repeated symmetries

Decorations

The Bible carved in stone

Different styles and transformations of “one of the most beautiful monuments in the world”

The Gualtiero Cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the flooring

From the Mosque to the Cathedral

The flooring: shapes, motifs and iconography

A tree full of life

The Genoard Park, the garden of pleasures and wonders

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the historical context

Survey of the royal tombs

Artistic elements in Peter’s ship

Shapes and colours of the wooden ceiling

The decorations on the bell tower

Interior decorations

Tempus fugit: a strategic project implemented in a short period of time

An architectural crescendo

The Cassaro

A new Cathedral

Porphyry sarcophagi: royalty and power

The Palace of Kings

The Kings’ Cathedrals

Ecclesia munita

The dialogue between the architectures of the monumental complex

Squaring the circle

Layers of different cultures decorate the external apses

The senses tell the interior

A palimpsest of history

The Chapel of the Kings

The decorated facade

The liturgical spaces of the protesis and the diaconicon

The return of water

A polysemy of high-level artistic forms and content

The construction of Monreale Cathedral: between myth and history

Saint Peter’s Chapel in the Royal Palace

The birth of the Norman kingdom

From earthquake to collapse

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The southern portico

The Admiral’s dedication

The king’s mark

The mosaics of the presbytery

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The ancient convent of the Martorana, a history of devotion and tradition

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The architectural envelope: the Greek cross layout oriented towards the light

A space between the visible and the invisible

The chystro: a place between earth and sky

Cefalù: settlement evidence through time

The opus sectile floor of the Palatine Chapel

The links between the hauteville family and the monastic orders in Sicily

The Cathedral over the centuries

Restorations

The Great Presbytery: a unique space for the cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the ceiling

the roof of Paradise: one of the most representative works of medieval art

Under the crosses of the Bema

The Norman conquest of Sicily and the birth of a new Latin kingdom

Worship services

The mosaics of the naves

The senses tell the Zisa over the centuries

Palermo: the happiest city

The chapel of the crucifix: an artistic casket based on a previous model

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell Context 1

The columns of the nave: the meticulous study of the overall order

The senses tell the external architecture and the original layout

The senses tell the historical context

A compositional design that combines nordic examples with new artistic languages, over the centuries

The side Portico: a combination of elegance and lightness of form

The towers facing the facade used as bell towers

Roger II of hauteville: a sovereign protected by God

The mosaic cycle, an ascending path towards the light

The chorus: beating heart of the cathedral

The transformations of the hall through the centuries

The chapel of St. Benedict

The Virgin Hodegetria

The chapel of san Castrense: an important renaissance work

The Great Restoration

The beginning of the construction site

Intertwining of knowledge in Norman Palermo

The loca solatiorum: dwellings for recreation, well-being and hunting

The rediscovered palace

A remarkable ceiling

The senses tell restorations

Characteristics of religious architecture in the romanesque period

The Chapel of St. Mary Magdalene

The side aisles

Norman religious architecture with islamic influences in Sicily

The senses tell baroque decoration

The architectural space

The senses tell the architecture and decorations

The Royal Throne

The longest aisle