photo gallery

photo gallery

Gardens and architecture as a backdrop to the city of Palermo

A space between the visible and the invisible

The transformations of the hall through the centuries

Tempus fugit: a strategic project implemented in a short period of time

The decorated facade

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Artistic elements in Peter’s ship

The chapel of the crucifix: an artistic casket based on a previous model

The area of the Sanctuary

Cefalù: settlement evidence through time

The Chapel of the Kings

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers facing the facade used as bell towers

The decorations on the bell tower

Ecclesia munita

Under the crosses of the Bema

The lost chapel

The Kings’ Cathedrals

Palermo: the happiest city

The chorus: beating heart of the cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Chapel of St. Mary Magdalene

The architectural space

The king’s mark

the roof of Paradise: one of the most representative works of medieval art

The mosaics of the apses

The senses tell the mosaic cycle

Roger II of hauteville: a sovereign protected by God

The mosaics of the naves

The rediscovered palace

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The ancient convent of the Martorana, a history of devotion and tradition

The Great Presbytery: a unique space for the cathedral

The medieval city amidst monasticism and feudal aristocracy

The links between the hauteville family and the monastic orders in Sicily

The towers and the western facade

The mosaics of the transept and the apses

The senses tell the ceiling

A building constructed in a short space of time

The senses tell the historical context

Shapes and colours of the wooden ceiling

The dialogue between the architectures of the monumental complex

The mosaic cycle, an ascending path towards the light

Roger II’s strategic design

The chapel of san Castrense: an important renaissance work

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The construction of Monreale Cathedral: between myth and history

Intertwining of knowledge in Norman Palermo

the Baroque interior

The birth of the Norman kingdom

A polysemy of high-level artistic forms and content

The opus sectile floor of the Palatine Chapel

The Royal Throne

Squaring the circle

The Admiral’s dedication

The senses tell restorations

The senses tell the architecture

The stone bible

The balance between architecture and light

A tree full of life

The architectural appearance and transformations over time

The mosaics of the presbytery

The Gualtiero Cathedral

Layers of different cultures decorate the external apses

From oblivion to the recovery of memory

Survey of the royal tombs

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Interior decorations

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A new Cathedral

The interior of the church

The liturgical spaces of the protesis and the diaconicon

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Characteristics of religious architecture in the romanesque period

The Bible carved in stone

The Virgin Hodegetria

A mixture of styles pervades the floor decorations

Beyond the harmony of proportions

The senses tell the external architecture and the original layout

Norman religious architecture with islamic influences in Sicily

A Northern population

The senses tell Context 1

The chystro: a place between earth and sky

A cloister of accentuated stylistic variety

A controversial interpretation

The senses tell the Zisa over the centuries

The longest aisle

Restorations

A remarkable ceiling

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the historical context

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cathedral over the centuries

The Palace of Kings

The Great Restoration

From the main gate to the aisles: an invitation to a journey of faith

Porphyry sarcophagi: royalty and power

The side Portico: a combination of elegance and lightness of form

The Cassaro

A chapel by an unknown designer based on repeated symmetries

From the Mosque to the Cathedral

Saint Peter’s Chapel in the Royal Palace

The southern portico

Two initially similar towers, varied over time

The columns of the nave: the meticulous study of the overall order

The senses tell baroque decoration

A palimpsest of history

The cultural substrate through time

The flooring: shapes, motifs and iconography

The Norman conquest of Sicily and the birth of a new Latin kingdom

The original design

Decorations

The senses tell the flooring

The senses tell the architecture and decorations

Mosaic decoration

The chapel of St. Benedict

Worship services

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the interior

An architectural crescendo

The return of water

The cemetery of kings

The Genoard Park, the garden of pleasures and wonders

The side aisles

The architectural envelope: the Greek cross layout oriented towards the light

The beginning of the construction site

Transformations over the centuries

The rediscovered chapel

The senses tell the historical context

From earthquake to collapse

the Baroque exterior