photo gallery

photo gallery

Interior decorations

The Cassaro

The senses tell baroque decoration

A space between the visible and the invisible

Beyond the harmony of proportions

Survey of the royal tombs

The Royal Throne

The balance between architecture and light

From the main gate to the aisles: an invitation to a journey of faith

A controversial interpretation

From the Mosque to the Cathedral

Cefalù: settlement evidence through time

Roger II of hauteville: a sovereign protected by God

The mosaic cycle, an ascending path towards the light

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaics of the presbytery

Different styles and transformations of “one of the most beautiful monuments in the world”

Norman religious architecture with islamic influences in Sicily

The columns of the nave: the meticulous study of the overall order

The birth of the Norman kingdom

The chapel of St. Benedict

The decorated facade

An architectural crescendo

The architectural space

The chorus: beating heart of the cathedral

The opus sectile floor of the Palatine Chapel

The Great Presbytery: a unique space for the cathedral

Layers of different cultures decorate the external apses

The mosaics of the naves

The longest aisle

The liturgical spaces of the protesis and the diaconicon

the roof of Paradise: one of the most representative works of medieval art

The southern portico

A cloister of accentuated stylistic variety

The dialogue between the architectures of the monumental complex

The rediscovered palace

From oblivion to the recovery of memory

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The stone bible

The senses tell the historical context

Palermo: the happiest city

Squaring the circle

The cemetery of kings

The interior of the church

The ancient convent of the Martorana, a history of devotion and tradition

A polysemy of high-level artistic forms and content

The senses tell the architecture and decorations

The area of the Sanctuary

Porphyry sarcophagi: royalty and power

A tree full of life

Mosaic decoration

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the ceiling

Roger II’s strategic design

The lost chapel

Under the crosses of the Bema

Decorations

The chapel of the crucifix: an artistic casket based on a previous model

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The side Portico: a combination of elegance and lightness of form

Shapes and colours of the wooden ceiling

A chapel by an unknown designer based on repeated symmetries

A new Cathedral

The senses tell restorations

the Baroque interior

A building constructed in a short space of time

Artistic elements in Peter’s ship

The architectural appearance and transformations over time

The senses tell the flooring

Characteristics of religious architecture in the romanesque period

The king’s mark

The flooring: shapes, motifs and iconography

The links between the hauteville family and the monastic orders in Sicily

The Gualtiero Cathedral

Restorations

The return of water

A palimpsest of history

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cultural substrate through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the historical context

The senses tell the interior

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Palace of Kings

The mosaics of the apses

The senses tell Context 1

The architectural envelope: the Greek cross layout oriented towards the light

The medieval city amidst monasticism and feudal aristocracy

The Genoard Park, the garden of pleasures and wonders

Transformations over the centuries

The Bible carved in stone

Ecclesia munita

the Baroque exterior

The Chapel of St. Mary Magdalene

The senses tell the external architecture and the original layout

The original design

The transformations of the hall through the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chystro: a place between earth and sky

The Virgin Hodegetria

The Great Restoration

The beginning of the construction site

Tempus fugit: a strategic project implemented in a short period of time

The Cathedral over the centuries

Intertwining of knowledge in Norman Palermo

A Northern population

The towers and the western facade

Gold and light: the splendour of the mosaics in the Royal Chapel

The towers facing the facade used as bell towers

Two initially similar towers, varied over time

The rediscovered chapel

The Admiral’s dedication

The decorations on the bell tower

A mixture of styles pervades the floor decorations

The Chapel of the Kings

The senses tell the architecture

From earthquake to collapse

The loca solatiorum: dwellings for recreation, well-being and hunting

Gardens and architecture as a backdrop to the city of Palermo

The Kings’ Cathedrals

The senses tell the Zisa over the centuries

The side aisles

The chapel of san Castrense: an important renaissance work

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The construction of Monreale Cathedral: between myth and history

The mosaics of the transept and the apses

Saint Peter’s Chapel in the Royal Palace

Worship services

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A remarkable ceiling

The senses tell the historical context

The senses tell the mosaic cycle