photo gallery

photo gallery

The side aisles

The return of water

Norman religious architecture with islamic influences in Sicily

From earthquake to collapse

Artistic elements in Peter’s ship

The area of the Sanctuary

Shapes and colours of the wooden ceiling

the Baroque exterior

The Royal Throne

A space between the visible and the invisible

Roger II of hauteville: a sovereign protected by God

The senses tell the ceiling

The king’s mark

Survey of the royal tombs

A Northern population

Palermo: the happiest city

The architectural space

A building constructed in a short space of time

A palimpsest of history

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The rediscovered palace

The senses tell the architecture

A cloister of accentuated stylistic variety

The southern portico

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A controversial interpretation

Squaring the circle

An architectural crescendo

The chapel of St. Benedict

The towers and the western facade

the roof of Paradise: one of the most representative works of medieval art

The flooring: shapes, motifs and iconography

The Gualtiero Cathedral

The Admiral’s dedication

The Genoard Park, the garden of pleasures and wonders

The transformations of the hall through the centuries

The Cassaro

Worship services

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the presbytery

The senses tell the mosaic cycle

The dialogue between the architectures of the monumental complex

The chapel of san Castrense: an important renaissance work

Mosaic decoration

The original design

Porphyry sarcophagi: royalty and power

From the Mosque to the Cathedral

The columns of the nave: the meticulous study of the overall order

The cemetery of kings

The mosaics of the apses

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the Zisa over the centuries

Interior decorations

The mosaic cycle, an ascending path towards the light

Different styles and transformations of “one of the most beautiful monuments in the world”

Tempus fugit: a strategic project implemented in a short period of time

Cefalù: settlement evidence through time

The cultural substrate through time

Gardens and architecture as a backdrop to the city of Palermo

The Cathedral over the centuries

A remarkable ceiling

The mosaics of the transept and the apses

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell restorations

The architectural appearance and transformations over time

From oblivion to the recovery of memory

The Kings’ Cathedrals

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Ecclesia munita

A tree full of life

A new Cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Gold and light: the splendour of the mosaics in the Royal Chapel

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell baroque decoration

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Great Restoration

The lost chapel

The senses tell the interior

The medieval city amidst monasticism and feudal aristocracy

The liturgical spaces of the protesis and the diaconicon

The interior of the church

Decorations

Under the crosses of the Bema

The architectural envelope: the Greek cross layout oriented towards the light

The stone bible

The Virgin Hodegetria

Restorations

The chystro: a place between earth and sky

Transformations over the centuries

The Chapel of St. Mary Magdalene

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Layers of different cultures decorate the external apses

The mosaics of the naves

The decorated facade

Intertwining of knowledge in Norman Palermo

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

Beyond the harmony of proportions

The Bible carved in stone

The Chapel of the Kings

The towers facing the facade used as bell towers

The birth of the Norman kingdom

The senses tell the flooring

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The rediscovered chapel

The senses tell the architecture and decorations

The beginning of the construction site

The senses tell the external architecture and the original layout

The ancient convent of the Martorana, a history of devotion and tradition

From the main gate to the aisles: an invitation to a journey of faith

A polysemy of high-level artistic forms and content

The chorus: beating heart of the cathedral

The links between the hauteville family and the monastic orders in Sicily

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

The loca solatiorum: dwellings for recreation, well-being and hunting

A chapel by an unknown designer based on repeated symmetries

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

The longest aisle

The decorations on the bell tower

The senses tell Context 1

The opus sectile floor of the Palatine Chapel

The construction of Monreale Cathedral: between myth and history

the Baroque interior

The Great Presbytery: a unique space for the cathedral

Two initially similar towers, varied over time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The balance between architecture and light

Roger II’s strategic design

A mixture of styles pervades the floor decorations

The Palace of Kings