photo gallery

photo gallery

The towers and the western facade

The senses tell the mosaic cycle

The Cathedral over the centuries

Intertwining of knowledge in Norman Palermo

The liturgical spaces of the protesis and the diaconicon

The Great Presbytery: a unique space for the cathedral

The architectural space

A remarkable ceiling

The architectural appearance and transformations over time

The Royal Throne

Cefalù: settlement evidence through time

A Northern population

The mosaics of the transept and the apses

Survey of the royal tombs

The senses tell the architecture

The mosaics of the naves

A palimpsest of history

Gardens and architecture as a backdrop to the city of Palermo

Under the crosses of the Bema

Decorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A mixture of styles pervades the floor decorations

The senses tell the external architecture and the original layout

The senses tell the architecture and decorations

The senses tell the interior

Squaring the circle

From the Mosque to the Cathedral

The cultural substrate through time

Worship services

The interior of the church

From earthquake to collapse

The senses tell the historical context

An architectural crescendo

A space between the visible and the invisible

The birth of the Norman kingdom

The side Portico: a combination of elegance and lightness of form

The lost chapel

Characteristics of religious architecture in the romanesque period

The chapel of the crucifix: an artistic casket based on a previous model

From the main gate to the aisles: an invitation to a journey of faith

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Shapes and colours of the wooden ceiling

The mosaics of the apses

The king’s mark

A building constructed in a short space of time

the roof of Paradise: one of the most representative works of medieval art

Saint Peter’s Chapel in the Royal Palace

The loca solatiorum: dwellings for recreation, well-being and hunting

Roger II of hauteville: a sovereign protected by God

The area of the Sanctuary

Porphyry sarcophagi: royalty and power

The senses tell baroque decoration

The stone bible

Restorations

the Baroque exterior

Gold and light: the splendour of the mosaics in the Royal Chapel

The dialogue between the architectures of the monumental complex

The senses tell the Zisa over the centuries

The return of water

The senses tell the flooring

The senses tell the historical context

The construction of Monreale Cathedral: between myth and history

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Bible carved in stone

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Beyond the harmony of proportions

The chapel of san Castrense: an important renaissance work

A chapel by an unknown designer based on repeated symmetries

The rediscovered palace

The Norman conquest of Sicily and the birth of a new Latin kingdom

A new Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

The Chapel of the Kings

The chapel of St. Benedict

The chorus: beating heart of the cathedral

A tree full of life

The Virgin Hodegetria

The opus sectile floor of the Palatine Chapel

The senses tell the ceiling

The medieval city amidst monasticism and feudal aristocracy

Mosaic decoration

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The side aisles

The ancient convent of the Martorana, a history of devotion and tradition

Artistic elements in Peter’s ship

Interior decorations

The mosaic cycle, an ascending path towards the light

The transformations of the hall through the centuries

The beginning of the construction site

Palermo: the happiest city

The longest aisle

A compositional design that combines nordic examples with new artistic languages, over the centuries

Transformations over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the historical context

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The balance between architecture and light

Ecclesia munita

the Baroque interior

The rediscovered chapel

The columns of the nave: the meticulous study of the overall order

The flooring: shapes, motifs and iconography

A cloister of accentuated stylistic variety

The Genoard Park, the garden of pleasures and wonders

Tempus fugit: a strategic project implemented in a short period of time

The decorations on the bell tower

The southern portico

Norman religious architecture with islamic influences in Sicily

A polysemy of high-level artistic forms and content

The mosaics of the presbytery

The chystro: a place between earth and sky

The senses tell restorations

The decorated facade

The Chapel of St. Mary Magdalene

The senses tell Context 1

Two initially similar towers, varied over time

The towers facing the facade used as bell towers

The Admiral’s dedication

The links between the hauteville family and the monastic orders in Sicily

Layers of different cultures decorate the external apses

From oblivion to the recovery of memory

The Great Restoration

The cemetery of kings

The Cassaro

The Gualtiero Cathedral

A controversial interpretation

Roger II’s strategic design

The Palace of Kings

The original design

The Kings’ Cathedrals

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure