photo gallery

photo gallery

A new Cathedral

Tempus fugit: a strategic project implemented in a short period of time

the Baroque interior

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Gardens and architecture as a backdrop to the city of Palermo

Palermo: the happiest city

The senses tell the flooring

The return of water

Shapes and colours of the wooden ceiling

Porphyry sarcophagi: royalty and power

A chapel by an unknown designer based on repeated symmetries

From earthquake to collapse

The opus sectile floor of the Palatine Chapel

The senses tell restorations

Saint Peter’s Chapel in the Royal Palace

The medieval city amidst monasticism and feudal aristocracy

Different styles and transformations of “one of the most beautiful monuments in the world”

The balance between architecture and light

The Cassaro

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the historical context

The architectural space

The decorated facade

The towers facing the facade used as bell towers

Beyond the harmony of proportions

The beginning of the construction site

A compositional design that combines nordic examples with new artistic languages, over the centuries

Intertwining of knowledge in Norman Palermo

The Norman conquest of Sicily and the birth of a new Latin kingdom

The area of the Sanctuary

A space between the visible and the invisible

The chystro: a place between earth and sky

The Royal Throne

Two initially similar towers, varied over time

The Kings’ Cathedrals

The senses tell baroque decoration

The senses tell the interior

A remarkable ceiling

The construction of Monreale Cathedral: between myth and history

Survey of the royal tombs

The birth of the Norman kingdom

The Chapel of St. Mary Magdalene

The Bible carved in stone

The senses tell the mosaic cycle

The senses tell Context 1

The senses tell the ceiling

The chapel of the crucifix: an artistic casket based on a previous model

The chapel of St. Benedict

A Northern population

The Cathedral over the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

From the Mosque to the Cathedral

The towers and the western facade

The liturgical spaces of the protesis and the diaconicon

The architectural envelope: the Greek cross layout oriented towards the light

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Genoard Park, the garden of pleasures and wonders

the roof of Paradise: one of the most representative works of medieval art

A cloister of accentuated stylistic variety

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The cemetery of kings

Cefalù: settlement evidence through time

The Virgin Hodegetria

The rediscovered palace

A mixture of styles pervades the floor decorations

Artistic elements in Peter’s ship

An architectural crescendo

The links between the hauteville family and the monastic orders in Sicily

The dialogue between the architectures of the monumental complex

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The longest aisle

The senses tell the historical context

the Baroque exterior

The lost chapel

Worship services

The architectural appearance and transformations over time

The mosaics of the apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II of hauteville: a sovereign protected by God

The Gualtiero Cathedral

Decorations

The flooring: shapes, motifs and iconography

From the main gate to the aisles: an invitation to a journey of faith

The decorations on the bell tower

Mosaic decoration

The transformations of the hall through the centuries

The mosaic cycle, an ascending path towards the light

Squaring the circle

The mosaics of the transept and the apses

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Layers of different cultures decorate the external apses

The king’s mark

The mosaics of the naves

A controversial interpretation

Norman religious architecture with islamic influences in Sicily

The senses tell the external architecture and the original layout

Roger II’s strategic design

The senses tell the architecture

The southern portico

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the historical context

The senses tell the Zisa over the centuries

Interior decorations

A polysemy of high-level artistic forms and content

The ancient convent of the Martorana, a history of devotion and tradition

Transformations over the centuries

Restorations

The mosaics of the presbytery

The cultural substrate through time

Characteristics of religious architecture in the romanesque period

The chorus: beating heart of the cathedral

Ecclesia munita

The Great Restoration

The side aisles

The chapel of san Castrense: an important renaissance work

The Great Presbytery: a unique space for the cathedral

The rediscovered chapel

The senses tell the architecture and decorations

The Chapel of the Kings

Gold and light: the splendour of the mosaics in the Royal Chapel

The stone bible

The Admiral’s dedication

The interior of the church

A palimpsest of history

The columns of the nave: the meticulous study of the overall order

The original design

The Palace of Kings

A tree full of life

From oblivion to the recovery of memory

A building constructed in a short space of time

Under the crosses of the Bema

The side Portico: a combination of elegance and lightness of form