photo gallery

photo gallery

The Bible carved in stone

Worship services

The cemetery of kings

Artistic elements in Peter’s ship

The Virgin Hodegetria

The mosaics of the apses

Different styles and transformations of “one of the most beautiful monuments in the world”

the roof of Paradise: one of the most representative works of medieval art

The Genoard Park, the garden of pleasures and wonders

Saint Peter’s Chapel in the Royal Palace

The senses tell the architecture and decorations

A palimpsest of history

A space between the visible and the invisible

The lost chapel

The king’s mark

Roger II’s strategic design

The links between the hauteville family and the monastic orders in Sicily

The Kings’ Cathedrals

A new Cathedral

An architectural crescendo

Roger II of hauteville: a sovereign protected by God

Two initially similar towers, varied over time

A remarkable ceiling

Mosaic decoration

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

Shapes and colours of the wooden ceiling

The senses tell the external architecture and the original layout

The original design

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The interior of the church

The ancient convent of the Martorana, a history of devotion and tradition

The beginning of the construction site

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the presbytery

The senses tell the architecture

The Cassaro

The Chapel of the Kings

Gold and light: the splendour of the mosaics in the Royal Chapel

The chapel of san Castrense: an important renaissance work

A controversial interpretation

The balance between architecture and light

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chapel of St. Benedict

Tempus fugit: a strategic project implemented in a short period of time

The side aisles

The decorated facade

Cefalù: settlement evidence through time

The senses tell the historical context

Survey of the royal tombs

The senses tell restorations

The rediscovered palace

A cloister of accentuated stylistic variety

Palermo: the happiest city

The southern portico

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The return of water

A Northern population

The mosaic cycle, an ascending path towards the light

The transformations of the hall through the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The columns of the nave: the meticulous study of the overall order

The decorations on the bell tower

The medieval city amidst monasticism and feudal aristocracy

Restorations

The senses tell the ceiling

The mosaics of the transept and the apses

The longest aisle

The side Portico: a combination of elegance and lightness of form

The architectural appearance and transformations over time

A building constructed in a short space of time

The towers facing the facade used as bell towers

The Palace of Kings

Layers of different cultures decorate the external apses

A chapel by an unknown designer based on repeated symmetries

The opus sectile floor of the Palatine Chapel

Interior decorations

The Royal Throne

The towers and the western facade

The construction of Monreale Cathedral: between myth and history

A mixture of styles pervades the floor decorations

The Admiral’s dedication

The chorus: beating heart of the cathedral

Beyond the harmony of proportions

The Norman conquest of Sicily and the birth of a new Latin kingdom

From the Mosque to the Cathedral

From oblivion to the recovery of memory

The chystro: a place between earth and sky

The flooring: shapes, motifs and iconography

The Great Restoration

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell baroque decoration

Norman religious architecture with islamic influences in Sicily

The senses tell the flooring

The Great Presbytery: a unique space for the cathedral

From earthquake to collapse

The senses tell Context 1

Porphyry sarcophagi: royalty and power

The dialogue between the architectures of the monumental complex

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the mosaic cycle

The rediscovered chapel

The mosaics of the naves

The architectural envelope: the Greek cross layout oriented towards the light

Gardens and architecture as a backdrop to the city of Palermo

The Cathedral over the centuries

A tree full of life

The senses tell the historical context

A polysemy of high-level artistic forms and content

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the interior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The liturgical spaces of the protesis and the diaconicon

the Baroque exterior

Squaring the circle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The stone bible

The birth of the Norman kingdom

The cultural substrate through time

Intertwining of knowledge in Norman Palermo

The Chapel of St. Mary Magdalene

The senses tell the Zisa over the centuries

The architectural space

Under the crosses of the Bema

Transformations over the centuries

From the main gate to the aisles: an invitation to a journey of faith

the Baroque interior

Decorations

The area of the Sanctuary

The Gualtiero Cathedral

Ecclesia munita

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time