photo gallery

photo gallery

The original design

The transformations of the hall through the centuries

The mosaics of the naves

The towers facing the facade used as bell towers

The Chapel of St. Mary Magdalene

Roger II of hauteville: a sovereign protected by God

The chapel of san Castrense: an important renaissance work

An architectural crescendo

The columns of the nave: the meticulous study of the overall order

Transformations over the centuries

Beyond the harmony of proportions

Squaring the circle

The senses tell Context 1

The construction of Monreale Cathedral: between myth and history

The interior of the church

The southern portico

The dialogue between the architectures of the monumental complex

The chapel of St. Benedict

The lost chapel

The Gualtiero Cathedral

Different styles and transformations of “one of the most beautiful monuments in the world”

Shapes and colours of the wooden ceiling

The senses tell the historical context

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The king’s mark

Palermo: the happiest city

The senses tell the architecture

The liturgical spaces of the protesis and the diaconicon

A Northern population

The Norman conquest of Sicily and the birth of a new Latin kingdom

Layers of different cultures decorate the external apses

The Palace of Kings

The senses tell the mosaic cycle

The senses tell the architecture and decorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The rediscovered palace

Restorations

The birth of the Norman kingdom

A new Cathedral

The chorus: beating heart of the cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

The balance between architecture and light

The Royal Throne

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Two initially similar towers, varied over time

A controversial interpretation

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural space

From the Mosque to the Cathedral

The links between the hauteville family and the monastic orders in Sicily

the Baroque interior

From earthquake to collapse

The decorations on the bell tower

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

The Great Restoration

A tree full of life

The stone bible

The side aisles

A chapel by an unknown designer based on repeated symmetries

The senses tell the Zisa over the centuries

Under the crosses of the Bema

The mosaic cycle, an ascending path towards the light

From the main gate to the aisles: an invitation to a journey of faith

The senses tell restorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The loca solatiorum: dwellings for recreation, well-being and hunting

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the apses

A remarkable ceiling

Gardens and architecture as a backdrop to the city of Palermo

Artistic elements in Peter’s ship

The return of water

The chystro: a place between earth and sky

Cefalù: settlement evidence through time

The rediscovered chapel

Porphyry sarcophagi: royalty and power

The architectural envelope: the Greek cross layout oriented towards the light

The Cathedral over the centuries

Characteristics of religious architecture in the romanesque period

A polysemy of high-level artistic forms and content

The area of the Sanctuary

The Admiral’s dedication

The Cassaro

The senses tell the historical context

A mixture of styles pervades the floor decorations

Interior decorations

Decorations

The chapel of the crucifix: an artistic casket based on a previous model

Intertwining of knowledge in Norman Palermo

The side Portico: a combination of elegance and lightness of form

Mosaic decoration

The senses tell the interior

A palimpsest of history

The longest aisle

Survey of the royal tombs

The Bible carved in stone

The mosaics of the transept and the apses

The cemetery of kings

The senses tell the flooring

The decorated facade

The Virgin Hodegetria

Norman religious architecture with islamic influences in Sicily

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the external architecture and the original layout

From oblivion to the recovery of memory

The opus sectile floor of the Palatine Chapel

the roof of Paradise: one of the most representative works of medieval art

The cultural substrate through time

A space between the visible and the invisible

Tempus fugit: a strategic project implemented in a short period of time

The Great Presbytery: a unique space for the cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A building constructed in a short space of time

A cloister of accentuated stylistic variety

Roger II’s strategic design

the Baroque exterior

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Gold and light: the splendour of the mosaics in the Royal Chapel

The towers and the western facade

The senses tell baroque decoration

The Chapel of the Kings

The flooring: shapes, motifs and iconography

The architectural appearance and transformations over time

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the presbytery

Worship services

Saint Peter’s Chapel in the Royal Palace

The Kings’ Cathedrals

The Genoard Park, the garden of pleasures and wonders

The beginning of the construction site

Ecclesia munita

The senses tell the ceiling