photo gallery

photo gallery

Layers of different cultures decorate the external apses

The area of the Sanctuary

Survey of the royal tombs

The Great Presbytery: a unique space for the cathedral

The stone bible

The Cassaro

The medieval city amidst monasticism and feudal aristocracy

The chapel of St. Benedict

Under the crosses of the Bema

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chorus: beating heart of the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A cloister of accentuated stylistic variety

The southern portico

The beginning of the construction site

A controversial interpretation

From oblivion to the recovery of memory

The senses tell the ceiling

The construction of Monreale Cathedral: between myth and history

Porphyry sarcophagi: royalty and power

From earthquake to collapse

The transformations of the hall through the centuries

The senses tell baroque decoration

The liturgical spaces of the protesis and the diaconicon

The original design

The senses tell Context 1

A palimpsest of history

Cefalù: settlement evidence through time

A building constructed in a short space of time

the roof of Paradise: one of the most representative works of medieval art

The ancient convent of the Martorana, a history of devotion and tradition

The mosaics of the naves

The rediscovered chapel

The senses tell the mosaic cycle

The Kings’ Cathedrals

The chapel of san Castrense: an important renaissance work

The dialogue between the architectures of the monumental complex

The senses tell the architecture

The chystro: a place between earth and sky

Tempus fugit: a strategic project implemented in a short period of time

The columns of the nave: the meticulous study of the overall order

The mosaics of the transept and the apses

Artistic elements in Peter’s ship

The cemetery of kings

The interior of the church

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Ecclesia munita

From the Mosque to the Cathedral

The senses tell the historical context

Shapes and colours of the wooden ceiling

The Norman conquest of Sicily and the birth of a new Latin kingdom

Gardens and architecture as a backdrop to the city of Palermo

Palermo: the happiest city

The senses tell the flooring

The decorated facade

Restorations

Decorations

Intertwining of knowledge in Norman Palermo

A space between the visible and the invisible

The architectural appearance and transformations over time

Different styles and transformations of “one of the most beautiful monuments in the world”

From the main gate to the aisles: an invitation to a journey of faith

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the Zisa over the centuries

Squaring the circle

Roger II’s strategic design

The side Portico: a combination of elegance and lightness of form

The Bible carved in stone

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

Roger II of hauteville: a sovereign protected by God

The Cathedral over the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Interior decorations

The mosaics of the apses

The Palace of Kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The towers and the western facade

The mosaic cycle, an ascending path towards the light

The king’s mark

Beyond the harmony of proportions

A Northern population

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

An architectural crescendo

The side aisles

The return of water

Saint Peter’s Chapel in the Royal Palace

The loca solatiorum: dwellings for recreation, well-being and hunting

The Gualtiero Cathedral

The senses tell the historical context

The links between the hauteville family and the monastic orders in Sicily

the Baroque interior

A mixture of styles pervades the floor decorations

The Virgin Hodegetria

The lost chapel

The senses tell the interior

The mosaics of the presbytery

The Royal Throne

The opus sectile floor of the Palatine Chapel

Worship services

The decorations on the bell tower

The cultural substrate through time

Mosaic decoration

The rediscovered palace

The longest aisle

A tree full of life

The Chapel of St. Mary Magdalene

Transformations over the centuries

Characteristics of religious architecture in the romanesque period

A polysemy of high-level artistic forms and content

A new Cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A compositional design that combines nordic examples with new artistic languages, over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the historical context

The birth of the Norman kingdom

The senses tell the external architecture and the original layout

The Genoard Park, the garden of pleasures and wonders

The architectural envelope: the Greek cross layout oriented towards the light

the Baroque exterior

A chapel by an unknown designer based on repeated symmetries

The Chapel of the Kings

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell restorations

The architectural space

The towers facing the facade used as bell towers

The Great Restoration

The Admiral’s dedication

The flooring: shapes, motifs and iconography

The senses tell the architecture and decorations

Norman religious architecture with islamic influences in Sicily

The balance between architecture and light

A remarkable ceiling