photo gallery

photo gallery

The senses tell the historical context

The loca solatiorum: dwellings for recreation, well-being and hunting

Under the crosses of the Bema

The senses tell restorations

A building constructed in a short space of time

The interior of the church

The senses tell the architecture and decorations

The side Portico: a combination of elegance and lightness of form

A remarkable ceiling

The Royal Throne

A new Cathedral

The beginning of the construction site

A compositional design that combines nordic examples with new artistic languages, over the centuries

Tempus fugit: a strategic project implemented in a short period of time

The Bible carved in stone

The Chapel of the Kings

The cultural substrate through time

From the Mosque to the Cathedral

The architectural appearance and transformations over time

A controversial interpretation

Survey of the royal tombs

The senses tell the mosaic cycle

The liturgical spaces of the protesis and the diaconicon

The transformations of the hall through the centuries

Two initially similar towers, varied over time

The Norman conquest of Sicily and the birth of a new Latin kingdom

A chapel by an unknown designer based on repeated symmetries

The Chapel of St. Mary Magdalene

The side aisles

Shapes and colours of the wooden ceiling

The rediscovered chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell baroque decoration

Gold and light: the splendour of the mosaics in the Royal Chapel

The Genoard Park, the garden of pleasures and wonders

A polysemy of high-level artistic forms and content

The decorations on the bell tower

The decorated facade

The Admiral’s dedication

The Great Restoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The construction of Monreale Cathedral: between myth and history

The mosaics of the apses

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the flooring

A palimpsest of history

Decorations

The medieval city amidst monasticism and feudal aristocracy

Ecclesia munita

The chystro: a place between earth and sky

From the main gate to the aisles: an invitation to a journey of faith

The opus sectile floor of the Palatine Chapel

A tree full of life

The Palace of Kings

Squaring the circle

The area of the Sanctuary

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The mosaic cycle, an ascending path towards the light

A mixture of styles pervades the floor decorations

Porphyry sarcophagi: royalty and power

Norman religious architecture with islamic influences in Sicily

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Cefalù: settlement evidence through time

Different styles and transformations of “one of the most beautiful monuments in the world”

From earthquake to collapse

The columns of the nave: the meticulous study of the overall order

The chapel of san Castrense: an important renaissance work

The longest aisle

The Cassaro

The mosaics of the naves

The southern portico

the Baroque exterior

The towers facing the facade used as bell towers

Worship services

The senses tell the historical context

The rediscovered palace

The original design

The architectural space

Roger II of hauteville: a sovereign protected by God

Layers of different cultures decorate the external apses

The king’s mark

From oblivion to the recovery of memory

Restorations

A space between the visible and the invisible

A cloister of accentuated stylistic variety

The dialogue between the architectures of the monumental complex

The stone bible

Saint Peter’s Chapel in the Royal Palace

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Palermo: the happiest city

The chorus: beating heart of the cathedral

The senses tell the Zisa over the centuries

The Kings’ Cathedrals

The senses tell the historical context

Mosaic decoration

The birth of the Norman kingdom

A Northern population

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The towers and the western facade

The senses tell the ceiling

The mosaics of the presbytery

the Baroque interior

Interior decorations

The cemetery of kings

The balance between architecture and light

The architectural envelope: the Greek cross layout oriented towards the light

The links between the hauteville family and the monastic orders in Sicily

The Gualtiero Cathedral

Roger II’s strategic design

The senses tell Context 1

Beyond the harmony of proportions

The Cathedral over the centuries

The Virgin Hodegetria

The Great Presbytery: a unique space for the cathedral

The mosaics of the transept and the apses

The senses tell the interior

The senses tell the architecture

The ancient convent of the Martorana, a history of devotion and tradition

Intertwining of knowledge in Norman Palermo

An architectural crescendo

The return of water

The chapel of St. Benedict

Gardens and architecture as a backdrop to the city of Palermo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

the roof of Paradise: one of the most representative works of medieval art

Transformations over the centuries

The lost chapel

The senses tell the external architecture and the original layout

Characteristics of religious architecture in the romanesque period

Artistic elements in Peter’s ship

The flooring: shapes, motifs and iconography