photo gallery

photo gallery

The decorations on the bell tower

Palermo: the happiest city

A polysemy of high-level artistic forms and content

Two initially similar towers, varied over time

Roger II’s strategic design

The mosaics of the naves

From oblivion to the recovery of memory

The Chapel of the Kings

Transformations over the centuries

Norman religious architecture with islamic influences in Sicily

A building constructed in a short space of time

The towers facing the facade used as bell towers

The Admiral’s dedication

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Survey of the royal tombs

The original design

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The links between the hauteville family and the monastic orders in Sicily

Roger II of hauteville: a sovereign protected by God

the roof of Paradise: one of the most representative works of medieval art

The decorated facade

The balance between architecture and light

The chapel of san Castrense: an important renaissance work

The area of the Sanctuary

A compositional design that combines nordic examples with new artistic languages, over the centuries

The stone bible

The king’s mark

The towers and the western facade

Characteristics of religious architecture in the romanesque period

The Cathedral over the centuries

The Kings’ Cathedrals

The Gualtiero Cathedral

A palimpsest of history

Gold and light: the splendour of the mosaics in the Royal Chapel

The Great Restoration

The architectural space

The senses tell baroque decoration

The senses tell the interior

Ecclesia munita

Decorations

From earthquake to collapse

the Baroque exterior

Intertwining of knowledge in Norman Palermo

Restorations

Under the crosses of the Bema

The longest aisle

The Cassaro

The senses tell the architecture

The mosaics of the transept and the apses

The chorus: beating heart of the cathedral

The chapel of St. Benedict

The Great Presbytery: a unique space for the cathedral

The side aisles

The senses tell the historical context

A controversial interpretation

From the main gate to the aisles: an invitation to a journey of faith

Artistic elements in Peter’s ship

The mosaics of the presbytery

The beginning of the construction site

The transformations of the hall through the centuries

The cultural substrate through time

A remarkable ceiling

Different styles and transformations of “one of the most beautiful monuments in the world”

The Chapel of St. Mary Magdalene

The chystro: a place between earth and sky

The architectural envelope: the Greek cross layout oriented towards the light

Interior decorations

A Northern population

The Genoard Park, the garden of pleasures and wonders

Layers of different cultures decorate the external apses

An architectural crescendo

The southern portico

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Beyond the harmony of proportions

The senses tell the historical context

A mixture of styles pervades the floor decorations

A space between the visible and the invisible

the Baroque interior

The interior of the church

The senses tell the flooring

The liturgical spaces of the protesis and the diaconicon

The lost chapel

The construction of Monreale Cathedral: between myth and history

A new Cathedral

The birth of the Norman kingdom

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The rediscovered chapel

The Royal Throne

Squaring the circle

Shapes and colours of the wooden ceiling

From the Mosque to the Cathedral

The dialogue between the architectures of the monumental complex

The Bible carved in stone

The columns of the nave: the meticulous study of the overall order

The senses tell the ceiling

Tempus fugit: a strategic project implemented in a short period of time

The cemetery of kings

The senses tell the external architecture and the original layout

Porphyry sarcophagi: royalty and power

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the historical context

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Gardens and architecture as a backdrop to the city of Palermo

Saint Peter’s Chapel in the Royal Palace

A tree full of life

The rediscovered palace

The Virgin Hodegetria

Cefalù: settlement evidence through time

The chapel of the crucifix: an artistic casket based on a previous model

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell Context 1

A chapel by an unknown designer based on repeated symmetries

The senses tell restorations

The medieval city amidst monasticism and feudal aristocracy

The Palace of Kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The flooring: shapes, motifs and iconography

The loca solatiorum: dwellings for recreation, well-being and hunting

The return of water

The senses tell the mosaic cycle

Mosaic decoration

The senses tell the architecture and decorations

The senses tell the Zisa over the centuries

Worship services

A cloister of accentuated stylistic variety

The mosaic cycle, an ascending path towards the light

The ancient convent of the Martorana, a history of devotion and tradition

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The side Portico: a combination of elegance and lightness of form

The mosaics of the apses

The opus sectile floor of the Palatine Chapel

The architectural appearance and transformations over time