photo gallery

photo gallery

The dialogue between the architectures of the monumental complex

The senses tell the Zisa over the centuries

A new Cathedral

The side aisles

The Chapel of St. Mary Magdalene

Two initially similar towers, varied over time

The area of the Sanctuary

The medieval city amidst monasticism and feudal aristocracy

The cemetery of kings

The return of water

The Chapel of the Kings

Interior decorations

The architectural appearance and transformations over time

Tempus fugit: a strategic project implemented in a short period of time

The stone bible

The mosaic cycle, an ascending path towards the light

The construction of Monreale Cathedral: between myth and history

Palermo: the happiest city

A polysemy of high-level artistic forms and content

The senses tell Context 1

The architectural space

The architectural envelope: the Greek cross layout oriented towards the light

The longest aisle

The towers facing the facade used as bell towers

The balance between architecture and light

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of san Castrense: an important renaissance work

The links between the hauteville family and the monastic orders in Sicily

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the mosaic cycle

Shapes and colours of the wooden ceiling

The senses tell the historical context

The original design

the roof of Paradise: one of the most representative works of medieval art

The Royal Throne

Porphyry sarcophagi: royalty and power

Restorations

Artistic elements in Peter’s ship

The liturgical spaces of the protesis and the diaconicon

The opus sectile floor of the Palatine Chapel

A tree full of life

Norman religious architecture with islamic influences in Sicily

The senses tell the interior

A palimpsest of history

The senses tell the architecture and decorations

The mosaics of the presbytery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

The mosaics of the naves

The Palace of Kings

Beyond the harmony of proportions

Survey of the royal tombs

Mosaic decoration

A chapel by an unknown designer based on repeated symmetries

A cloister of accentuated stylistic variety

Cefalù: settlement evidence through time

The Kings’ Cathedrals

The Admiral’s dedication

The senses tell the ceiling

The flooring: shapes, motifs and iconography

The birth of the Norman kingdom

The chystro: a place between earth and sky

The Norman conquest of Sicily and the birth of a new Latin kingdom

A space between the visible and the invisible

Roger II’s strategic design

The chapel of St. Benedict

A mixture of styles pervades the floor decorations

The Cathedral over the centuries

A building constructed in a short space of time

The southern portico

Gold and light: the splendour of the mosaics in the Royal Chapel

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

the Baroque exterior

Intertwining of knowledge in Norman Palermo

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Worship services

The mosaics of the transept and the apses

Characteristics of religious architecture in the romanesque period

The rediscovered palace

The loca solatiorum: dwellings for recreation, well-being and hunting

The columns of the nave: the meticulous study of the overall order

The senses tell the architecture

The senses tell the flooring

The side Portico: a combination of elegance and lightness of form

A controversial interpretation

From earthquake to collapse

A Northern population

An architectural crescendo

The chapel of the crucifix: an artistic casket based on a previous model

Under the crosses of the Bema

The senses tell baroque decoration

Transformations over the centuries

The Great Restoration

The rediscovered chapel

The senses tell the external architecture and the original layout

The mosaics of the apses

Different styles and transformations of “one of the most beautiful monuments in the world”

The transformations of the hall through the centuries

The interior of the church

The towers and the western facade

A remarkable ceiling

The beginning of the construction site

the Baroque interior

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Gualtiero Cathedral

Saint Peter’s Chapel in the Royal Palace

Squaring the circle

The ancient convent of the Martorana, a history of devotion and tradition

Decorations

The Virgin Hodegetria

The senses tell the historical context

From the main gate to the aisles: an invitation to a journey of faith

The decorated facade

Layers of different cultures decorate the external apses

From the Mosque to the Cathedral

Ecclesia munita

The cultural substrate through time

The decorations on the bell tower

The Bible carved in stone

Roger II of hauteville: a sovereign protected by God

A compositional design that combines nordic examples with new artistic languages, over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Genoard Park, the garden of pleasures and wonders

The Great Presbytery: a unique space for the cathedral

The Cassaro

The lost chapel

The chorus: beating heart of the cathedral

The king’s mark

From oblivion to the recovery of memory

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell restorations