photo gallery

photo gallery

Transformations over the centuries

Ecclesia munita

Layers of different cultures decorate the external apses

Two initially similar towers, varied over time

The Chapel of the Kings

An architectural crescendo

The towers and the western facade

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the ceiling

A space between the visible and the invisible

The Gualtiero Cathedral

The medieval city amidst monasticism and feudal aristocracy

The chystro: a place between earth and sky

The senses tell the historical context

A chapel by an unknown designer based on repeated symmetries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Gold and light: the splendour of the mosaics in the Royal Chapel

The transformations of the hall through the centuries

Saint Peter’s Chapel in the Royal Palace

The beginning of the construction site

The original design

Different styles and transformations of “one of the most beautiful monuments in the world”

The chapel of san Castrense: an important renaissance work

Decorations

The towers facing the facade used as bell towers

The interior of the church

The senses tell the interior

The construction of Monreale Cathedral: between myth and history

Restorations

The longest aisle

Under the crosses of the Bema

The Chapel of St. Mary Magdalene

The Bible carved in stone

The mosaic cycle, an ascending path towards the light

A controversial interpretation

A cloister of accentuated stylistic variety

The decorations on the bell tower

the roof of Paradise: one of the most representative works of medieval art

The area of the Sanctuary

The links between the hauteville family and the monastic orders in Sicily

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Admiral’s dedication

The side Portico: a combination of elegance and lightness of form

Intertwining of knowledge in Norman Palermo

The senses tell the external architecture and the original layout

The return of water

The mosaics of the apses

From the Mosque to the Cathedral

The senses tell Context 1

The Genoard Park, the garden of pleasures and wonders

Norman religious architecture with islamic influences in Sicily

The Cathedral over the centuries

The senses tell the historical context

A mixture of styles pervades the floor decorations

Artistic elements in Peter’s ship

The Cassaro

The stone bible

The Great Presbytery: a unique space for the cathedral

The chorus: beating heart of the cathedral

The cultural substrate through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The birth of the Norman kingdom

The balance between architecture and light

Squaring the circle

The senses tell the mosaic cycle

The Kings’ Cathedrals

A palimpsest of history

The decorated facade

The flooring: shapes, motifs and iconography

The Virgin Hodegetria

Porphyry sarcophagi: royalty and power

Characteristics of religious architecture in the romanesque period

The columns of the nave: the meticulous study of the overall order

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

the Baroque exterior

Roger II’s strategic design

From oblivion to the recovery of memory

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

the Baroque interior

The rediscovered palace

The Norman conquest of Sicily and the birth of a new Latin kingdom

The dialogue between the architectures of the monumental complex

The Royal Throne

The ancient convent of the Martorana, a history of devotion and tradition

The architectural appearance and transformations over time

The opus sectile floor of the Palatine Chapel

Tempus fugit: a strategic project implemented in a short period of time

The rediscovered chapel

The Palace of Kings

The loca solatiorum: dwellings for recreation, well-being and hunting

A compositional design that combines nordic examples with new artistic languages, over the centuries

The lost chapel

Survey of the royal tombs

A new Cathedral

The senses tell the flooring

The side aisles

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the Zisa over the centuries

The senses tell restorations

A building constructed in a short space of time

The liturgical spaces of the protesis and the diaconicon

A tree full of life

The mosaics of the presbytery

Mosaic decoration

From earthquake to collapse

The mosaics of the naves

The chapel of St. Benedict

A polysemy of high-level artistic forms and content

The king’s mark

Worship services

The cemetery of kings

The southern portico

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Cefalù: settlement evidence through time

The mosaics of the transept and the apses

Palermo: the happiest city

From the main gate to the aisles: an invitation to a journey of faith

Shapes and colours of the wooden ceiling

A remarkable ceiling

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell baroque decoration

The senses tell the architecture and decorations

The chapel of the crucifix: an artistic casket based on a previous model

Roger II of hauteville: a sovereign protected by God

The senses tell the historical context

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Beyond the harmony of proportions

The architectural envelope: the Greek cross layout oriented towards the light

The Great Restoration

The senses tell the architecture

A Northern population

Interior decorations

The architectural space