photo gallery

photo gallery

The interior of the church

The Bible carved in stone

Palermo: the happiest city

The liturgical spaces of the protesis and the diaconicon

The decorated facade

The links between the hauteville family and the monastic orders in Sicily

Ecclesia munita

The senses tell the historical context

The transformations of the hall through the centuries

Beyond the harmony of proportions

The rediscovered palace

The senses tell the external architecture and the original layout

Survey of the royal tombs

Layers of different cultures decorate the external apses

The towers facing the facade used as bell towers

The senses tell Context 1

A new Cathedral

The southern portico

Two initially similar towers, varied over time

Under the crosses of the Bema

The birth of the Norman kingdom

The lost chapel

From earthquake to collapse

Roger II of hauteville: a sovereign protected by God

The Cassaro

Norman religious architecture with islamic influences in Sicily

A compositional design that combines nordic examples with new artistic languages, over the centuries

the Baroque exterior

A mixture of styles pervades the floor decorations

Interior decorations

The side aisles

The chorus: beating heart of the cathedral

A remarkable ceiling

The mosaics of the naves

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Gardens and architecture as a backdrop to the city of Palermo

The Gualtiero Cathedral

The chapel of san Castrense: an important renaissance work

The senses tell the flooring

Intertwining of knowledge in Norman Palermo

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The ancient convent of the Martorana, a history of devotion and tradition

The Great Restoration

The senses tell restorations

The columns of the nave: the meticulous study of the overall order

The balance between architecture and light

The Chapel of St. Mary Magdalene

The architectural envelope: the Greek cross layout oriented towards the light

The opus sectile floor of the Palatine Chapel

The chystro: a place between earth and sky

Saint Peter’s Chapel in the Royal Palace

A palimpsest of history

Artistic elements in Peter’s ship

Gold and light: the splendour of the mosaics in the Royal Chapel

The Palace of Kings

A tree full of life

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Great Presbytery: a unique space for the cathedral

The decorations on the bell tower

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the presbytery

From oblivion to the recovery of memory

Different styles and transformations of “one of the most beautiful monuments in the world”

A Northern population

The dialogue between the architectures of the monumental complex

Tempus fugit: a strategic project implemented in a short period of time

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the architecture

the roof of Paradise: one of the most representative works of medieval art

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Restorations

Decorations

The architectural space

The Cathedral over the centuries

The senses tell the historical context

Mosaic decoration

The cultural substrate through time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The medieval city amidst monasticism and feudal aristocracy

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell baroque decoration

The stone bible

A space between the visible and the invisible

The construction of Monreale Cathedral: between myth and history

The Kings’ Cathedrals

Characteristics of religious architecture in the romanesque period

A chapel by an unknown designer based on repeated symmetries

From the Mosque to the Cathedral

The king’s mark

The side Portico: a combination of elegance and lightness of form

The longest aisle

Cefalù: settlement evidence through time

The rediscovered chapel

The mosaics of the apses

The Royal Throne

The Admiral’s dedication

Porphyry sarcophagi: royalty and power

the Baroque interior

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Transformations over the centuries

The senses tell the historical context

The chapel of the crucifix: an artistic casket based on a previous model

The original design

The mosaic cycle, an ascending path towards the light

The senses tell the interior

Shapes and colours of the wooden ceiling

The return of water

The flooring: shapes, motifs and iconography

The Chapel of the Kings

The Genoard Park, the garden of pleasures and wonders

The cemetery of kings

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the architecture and decorations

A cloister of accentuated stylistic variety

An architectural crescendo

Squaring the circle

The senses tell the ceiling

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the transept and the apses

The Virgin Hodegetria

A polysemy of high-level artistic forms and content

A building constructed in a short space of time

The chapel of St. Benedict

Roger II’s strategic design

The senses tell the mosaic cycle

The towers and the western facade

The beginning of the construction site

Worship services

The senses tell the Zisa over the centuries

A controversial interpretation

The area of the Sanctuary

The architectural appearance and transformations over time

The loca solatiorum: dwellings for recreation, well-being and hunting