photo gallery

photo gallery

The Great Restoration

The Cathedral over the centuries

The southern portico

A chapel by an unknown designer based on repeated symmetries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the interior

The decorated facade

The senses tell restorations

The beginning of the construction site

A remarkable ceiling

The rediscovered chapel

the Baroque interior

The senses tell the architecture

From earthquake to collapse

The Royal Throne

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Decorations

Artistic elements in Peter’s ship

A cloister of accentuated stylistic variety

The chapel of san Castrense: an important renaissance work

From the Mosque to the Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

Restorations

The Gualtiero Cathedral

The Chapel of St. Mary Magdalene

Palermo: the happiest city

The mosaics of the naves

The dialogue between the architectures of the monumental complex

A mixture of styles pervades the floor decorations

Squaring the circle

The Admiral’s dedication

The construction of Monreale Cathedral: between myth and history

The loca solatiorum: dwellings for recreation, well-being and hunting

Intertwining of knowledge in Norman Palermo

A building constructed in a short space of time

The original design

The opus sectile floor of the Palatine Chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The architectural appearance and transformations over time

The transformations of the hall through the centuries

The chorus: beating heart of the cathedral

Mosaic decoration

Beyond the harmony of proportions

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the architecture and decorations

The senses tell the mosaic cycle

The Chapel of the Kings

From oblivion to the recovery of memory

An architectural crescendo

Gold and light: the splendour of the mosaics in the Royal Chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Cefalù: settlement evidence through time

the roof of Paradise: one of the most representative works of medieval art

The side aisles

The decorations on the bell tower

The senses tell the historical context

The Cassaro

Two initially similar towers, varied over time

The senses tell the external architecture and the original layout

Worship services

The architectural space

A polysemy of high-level artistic forms and content

The area of the Sanctuary

A palimpsest of history

A controversial interpretation

The king’s mark

A tree full of life

the Baroque exterior

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell Context 1

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

The mosaics of the apses

Under the crosses of the Bema

Survey of the royal tombs

Shapes and colours of the wooden ceiling

The cemetery of kings

The longest aisle

The Norman conquest of Sicily and the birth of a new Latin kingdom

From the main gate to the aisles: an invitation to a journey of faith

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Ecclesia munita

Roger II’s strategic design

Transformations over the centuries

The stone bible

The rediscovered palace

The Bible carved in stone

Gardens and architecture as a backdrop to the city of Palermo

The Genoard Park, the garden of pleasures and wonders

The chystro: a place between earth and sky

The side Portico: a combination of elegance and lightness of form

The senses tell the flooring

Porphyry sarcophagi: royalty and power

The towers and the western facade

The senses tell the historical context

Roger II of hauteville: a sovereign protected by God

The senses tell baroque decoration

The Great Presbytery: a unique space for the cathedral

The birth of the Norman kingdom

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Virgin Hodegetria

The return of water

The architectural envelope: the Greek cross layout oriented towards the light

Tempus fugit: a strategic project implemented in a short period of time

The liturgical spaces of the protesis and the diaconicon

Norman religious architecture with islamic influences in Sicily

The interior of the church

The senses tell the Zisa over the centuries

The chapel of St. Benedict

The mosaics of the presbytery

Different styles and transformations of “one of the most beautiful monuments in the world”

Interior decorations

The cultural substrate through time

A space between the visible and the invisible

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaic cycle, an ascending path towards the light

The mosaics of the transept and the apses

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The towers facing the facade used as bell towers

The Kings’ Cathedrals

The lost chapel

The medieval city amidst monasticism and feudal aristocracy

Layers of different cultures decorate the external apses

The senses tell the ceiling

The flooring: shapes, motifs and iconography

The links between the hauteville family and the monastic orders in Sicily

The balance between architecture and light

A new Cathedral

A Northern population

The Palace of Kings

The columns of the nave: the meticulous study of the overall order

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door