photo gallery

photo gallery

The rediscovered chapel

The architectural space

The chystro: a place between earth and sky

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Roger II’s strategic design

The flooring: shapes, motifs and iconography

The Royal Throne

The chapel of St. Benedict

A chapel by an unknown designer based on repeated symmetries

The original design

The Admiral’s dedication

The cemetery of kings

The birth of the Norman kingdom

Under the crosses of the Bema

The senses tell restorations

Decorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the apses

The Palace of Kings

Worship services

The transformations of the hall through the centuries

From the Mosque to the Cathedral

The senses tell the architecture and decorations

The return of water

Characteristics of religious architecture in the romanesque period

Artistic elements in Peter’s ship

A mixture of styles pervades the floor decorations

A remarkable ceiling

The opus sectile floor of the Palatine Chapel

Intertwining of knowledge in Norman Palermo

The senses tell the interior

Shapes and colours of the wooden ceiling

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Chapel of St. Mary Magdalene

The Kings’ Cathedrals

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the transept and the apses

The Cathedral over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The construction of Monreale Cathedral: between myth and history

The stone bible

Squaring the circle

The senses tell the flooring

The interior of the church

The senses tell the ceiling

Beyond the harmony of proportions

The mosaics of the naves

A controversial interpretation

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The links between the hauteville family and the monastic orders in Sicily

The king’s mark

The medieval city amidst monasticism and feudal aristocracy

The southern portico

The side Portico: a combination of elegance and lightness of form

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

the Baroque interior

Palermo: the happiest city

The Gualtiero Cathedral

The senses tell Context 1

The senses tell the external architecture and the original layout

The loca solatiorum: dwellings for recreation, well-being and hunting

The dialogue between the architectures of the monumental complex

The decorated facade

The mosaics of the presbytery

The Great Restoration

The side aisles

A space between the visible and the invisible

A polysemy of high-level artistic forms and content

The senses tell the historical context

Two initially similar towers, varied over time

The Norman conquest of Sicily and the birth of a new Latin kingdom

The lost chapel

Interior decorations

A new Cathedral

Survey of the royal tombs

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Cefalù: settlement evidence through time

The chapel of the crucifix: an artistic casket based on a previous model

Different styles and transformations of “one of the most beautiful monuments in the world”

The mosaic cycle, an ascending path towards the light

The senses tell the historical context

The balance between architecture and light

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Saint Peter’s Chapel in the Royal Palace

The senses tell baroque decoration

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chorus: beating heart of the cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers facing the facade used as bell towers

The senses tell the mosaic cycle

A Northern population

From oblivion to the recovery of memory

The decorations on the bell tower

Norman religious architecture with islamic influences in Sicily

Porphyry sarcophagi: royalty and power

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the historical context

The beginning of the construction site

Layers of different cultures decorate the external apses

The towers and the western facade

The architectural envelope: the Greek cross layout oriented towards the light

Ecclesia munita

The Chapel of the Kings

The Great Presbytery: a unique space for the cathedral

The Bible carved in stone

A palimpsest of history

The Genoard Park, the garden of pleasures and wonders

The Virgin Hodegetria

The ancient convent of the Martorana, a history of devotion and tradition

From the main gate to the aisles: an invitation to a journey of faith

The longest aisle

The area of the Sanctuary

The columns of the nave: the meticulous study of the overall order

The architectural appearance and transformations over time

A tree full of life

A building constructed in a short space of time

The rediscovered palace

Transformations over the centuries

the roof of Paradise: one of the most representative works of medieval art

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

The cultural substrate through time

Tempus fugit: a strategic project implemented in a short period of time

The Cassaro

An architectural crescendo

Mosaic decoration

The senses tell the Zisa over the centuries

Roger II of hauteville: a sovereign protected by God

Restorations

the Baroque exterior

The senses tell the architecture

The chapel of san Castrense: an important renaissance work

From earthquake to collapse