photo gallery

photo gallery

The Palace of Kings

The medieval city amidst monasticism and feudal aristocracy

the Baroque interior

the roof of Paradise: one of the most representative works of medieval art

The towers facing the facade used as bell towers

The senses tell the interior

The dialogue between the architectures of the monumental complex

The architectural envelope: the Greek cross layout oriented towards the light

The chapel of san Castrense: an important renaissance work

The decorated facade

The rediscovered palace

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The decorations on the bell tower

Beyond the harmony of proportions

A new Cathedral

The Admiral’s dedication

The lost chapel

Roger II’s strategic design

A space between the visible and the invisible

The Royal Throne

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Palermo: the happiest city

From oblivion to the recovery of memory

The mosaic cycle, an ascending path towards the light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Cassaro

The senses tell the mosaic cycle

Decorations

The ancient convent of the Martorana, a history of devotion and tradition

The opus sectile floor of the Palatine Chapel

The senses tell the architecture

The side aisles

The Great Restoration

The side Portico: a combination of elegance and lightness of form

The interior of the church

Norman religious architecture with islamic influences in Sicily

The mosaics of the transept and the apses

Saint Peter’s Chapel in the Royal Palace

The stone bible

The Great Presbytery: a unique space for the cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The mosaics of the apses

The cultural substrate through time

The transformations of the hall through the centuries

the Baroque exterior

A Northern population

The columns of the nave: the meticulous study of the overall order

The Virgin Hodegetria

The southern portico

An architectural crescendo

Intertwining of knowledge in Norman Palermo

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

The cemetery of kings

The senses tell the historical context

Interior decorations

From earthquake to collapse

The architectural space

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chorus: beating heart of the cathedral

The Genoard Park, the garden of pleasures and wonders

Survey of the royal tombs

A controversial interpretation

The longest aisle

Characteristics of religious architecture in the romanesque period

The Bible carved in stone

The Gualtiero Cathedral

The senses tell restorations

Artistic elements in Peter’s ship

The Chapel of St. Mary Magdalene

The links between the hauteville family and the monastic orders in Sicily

From the main gate to the aisles: an invitation to a journey of faith

The liturgical spaces of the protesis and the diaconicon

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell baroque decoration

The senses tell Context 1

The construction of Monreale Cathedral: between myth and history

Two initially similar towers, varied over time

Porphyry sarcophagi: royalty and power

The original design

From the Mosque to the Cathedral

The Chapel of the Kings

A mixture of styles pervades the floor decorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A chapel by an unknown designer based on repeated symmetries

The return of water

The senses tell the ceiling

Worship services

Transformations over the centuries

Ecclesia munita

The senses tell the Zisa over the centuries

Shapes and colours of the wooden ceiling

Layers of different cultures decorate the external apses

A remarkable ceiling

Gardens and architecture as a backdrop to the city of Palermo

Roger II of hauteville: a sovereign protected by God

The mosaics of the presbytery

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the historical context

The Cathedral over the centuries

The architectural appearance and transformations over time

Tempus fugit: a strategic project implemented in a short period of time

A tree full of life

The senses tell the flooring

The senses tell the historical context

A palimpsest of history

The mosaics of the naves

The balance between architecture and light

Mosaic decoration

The chapel of St. Benedict

Cefalù: settlement evidence through time

The beginning of the construction site

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chystro: a place between earth and sky

The senses tell the external architecture and the original layout

Under the crosses of the Bema

The flooring: shapes, motifs and iconography

Restorations

Squaring the circle

A cloister of accentuated stylistic variety

The loca solatiorum: dwellings for recreation, well-being and hunting

The king’s mark

A polysemy of high-level artistic forms and content

The Kings’ Cathedrals

Gold and light: the splendour of the mosaics in the Royal Chapel

The area of the Sanctuary

The towers and the western facade

The rediscovered chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A building constructed in a short space of time

The birth of the Norman kingdom

The senses tell the architecture and decorations