photo gallery

photo gallery

The chapel of san Castrense: an important renaissance work

Different styles and transformations of “one of the most beautiful monuments in the world”

A cloister of accentuated stylistic variety

The king’s mark

The senses tell the historical context

The decorations on the bell tower

The cemetery of kings

Ecclesia munita

A compositional design that combines nordic examples with new artistic languages, over the centuries

The rediscovered chapel

The original design

Decorations

The side aisles

The Genoard Park, the garden of pleasures and wonders

Roger II’s strategic design

The chorus: beating heart of the cathedral

The construction of Monreale Cathedral: between myth and history

The Kings’ Cathedrals

The architectural space

Gold and light: the splendour of the mosaics in the Royal Chapel

The southern portico

From the Mosque to the Cathedral

Layers of different cultures decorate the external apses

The area of the Sanctuary

The flooring: shapes, motifs and iconography

A polysemy of high-level artistic forms and content

The Virgin Hodegetria

The medieval city amidst monasticism and feudal aristocracy

The Admiral’s dedication

The chapel of the crucifix: an artistic casket based on a previous model

Gardens and architecture as a backdrop to the city of Palermo

The links between the hauteville family and the monastic orders in Sicily

Under the crosses of the Bema

The rediscovered palace

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Shapes and colours of the wooden ceiling

The Cassaro

From oblivion to the recovery of memory

Mosaic decoration

The loca solatiorum: dwellings for recreation, well-being and hunting

The side Portico: a combination of elegance and lightness of form

The senses tell the interior

The return of water

The chystro: a place between earth and sky

The mosaics of the naves

the Baroque exterior

The senses tell the architecture

The stone bible

Survey of the royal tombs

Norman religious architecture with islamic influences in Sicily

Interior decorations

Two initially similar towers, varied over time

A chapel by an unknown designer based on repeated symmetries

The senses tell the historical context

The senses tell the ceiling

A controversial interpretation

Cefalù: settlement evidence through time

The Gualtiero Cathedral

A building constructed in a short space of time

The birth of the Norman kingdom

An architectural crescendo

The transformations of the hall through the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Bible carved in stone

The mosaics of the apses

Squaring the circle

The senses tell the historical context

The senses tell Context 1

The Royal Throne

The senses tell the flooring

The beginning of the construction site

A Northern population

The senses tell the external architecture and the original layout

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

The decorated facade

The lost chapel

A tree full of life

Saint Peter’s Chapel in the Royal Palace

Tempus fugit: a strategic project implemented in a short period of time

A remarkable ceiling

The liturgical spaces of the protesis and the diaconicon

Beyond the harmony of proportions

Transformations over the centuries

Restorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A palimpsest of history

The mosaic cycle, an ascending path towards the light

The senses tell restorations

From earthquake to collapse

The Chapel of St. Mary Magdalene

A new Cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Great Restoration

The ancient convent of the Martorana, a history of devotion and tradition

From the main gate to the aisles: an invitation to a journey of faith

The interior of the church

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

the Baroque interior

Intertwining of knowledge in Norman Palermo

Roger II of hauteville: a sovereign protected by God

The senses tell the architecture and decorations

Palermo: the happiest city

The senses tell baroque decoration

The longest aisle

The senses tell the Zisa over the centuries

The architectural envelope: the Greek cross layout oriented towards the light

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Great Presbytery: a unique space for the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the mosaic cycle

Artistic elements in Peter’s ship

The towers facing the facade used as bell towers

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The balance between architecture and light

the roof of Paradise: one of the most representative works of medieval art

Porphyry sarcophagi: royalty and power

A space between the visible and the invisible

The architectural appearance and transformations over time

The towers and the western facade

The opus sectile floor of the Palatine Chapel

Characteristics of religious architecture in the romanesque period

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Chapel of the Kings

The mosaics of the presbytery

The chapel of St. Benedict

The mosaics of the transept and the apses

A mixture of styles pervades the floor decorations

The dialogue between the architectures of the monumental complex

Worship services

The Cathedral over the centuries

The columns of the nave: the meticulous study of the overall order

The Palace of Kings