photo gallery

photo gallery

A controversial interpretation

The ancient convent of the Martorana, a history of devotion and tradition

The Bible carved in stone

A mixture of styles pervades the floor decorations

Tempus fugit: a strategic project implemented in a short period of time

The Great Restoration

The lost chapel

The mosaics of the presbytery

The flooring: shapes, motifs and iconography

Worship services

the Baroque exterior

The senses tell the historical context

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The beginning of the construction site

Intertwining of knowledge in Norman Palermo

The chapel of St. Benedict

Ecclesia munita

The decorations on the bell tower

Porphyry sarcophagi: royalty and power

The Virgin Hodegetria

Interior decorations

Shapes and colours of the wooden ceiling

Squaring the circle

A space between the visible and the invisible

The mosaics of the apses

The Cathedral over the centuries

Gold and light: the splendour of the mosaics in the Royal Chapel

The towers facing the facade used as bell towers

The chystro: a place between earth and sky

Norman religious architecture with islamic influences in Sicily

The side aisles

The transformations of the hall through the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

The decorated facade

From earthquake to collapse

The mosaics of the transept and the apses

The cemetery of kings

From oblivion to the recovery of memory

The senses tell the architecture and decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chapel of san Castrense: an important renaissance work

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The rediscovered palace

The senses tell the flooring

The senses tell the interior

The balance between architecture and light

The rediscovered chapel

A polysemy of high-level artistic forms and content

The columns of the nave: the meticulous study of the overall order

Layers of different cultures decorate the external apses

A new Cathedral

Restorations

The senses tell the architecture

A remarkable ceiling

The architectural appearance and transformations over time

The senses tell restorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Saint Peter’s Chapel in the Royal Palace

A building constructed in a short space of time

The Palace of Kings

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the Zisa over the centuries

The Gualtiero Cathedral

A tree full of life

The return of water

The senses tell the ceiling

The senses tell the mosaic cycle

From the main gate to the aisles: an invitation to a journey of faith

The dialogue between the architectures of the monumental complex

The liturgical spaces of the protesis and the diaconicon

From the Mosque to the Cathedral

The stone bible

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The links between the hauteville family and the monastic orders in Sicily

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A cloister of accentuated stylistic variety

the roof of Paradise: one of the most representative works of medieval art

The Chapel of St. Mary Magdalene

The architectural space

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The southern portico

Two initially similar towers, varied over time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The opus sectile floor of the Palatine Chapel

The Royal Throne

An architectural crescendo

The Cassaro

Mosaic decoration

The interior of the church

The area of the Sanctuary

Beyond the harmony of proportions

Roger II’s strategic design

The senses tell the historical context

Roger II of hauteville: a sovereign protected by God

Survey of the royal tombs

Decorations

The architectural envelope: the Greek cross layout oriented towards the light

The towers and the western facade

Artistic elements in Peter’s ship

The senses tell the external architecture and the original layout

The Chapel of the Kings

The senses tell the historical context

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell Context 1

The cultural substrate through time

A Northern population

The longest aisle

Cefalù: settlement evidence through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Palermo: the happiest city

The side Portico: a combination of elegance and lightness of form

The Admiral’s dedication

The senses tell baroque decoration

The mosaic cycle, an ascending path towards the light

Transformations over the centuries

Gardens and architecture as a backdrop to the city of Palermo

A palimpsest of history

The loca solatiorum: dwellings for recreation, well-being and hunting

the Baroque interior

The Genoard Park, the garden of pleasures and wonders

Characteristics of religious architecture in the romanesque period

The chorus: beating heart of the cathedral

The construction of Monreale Cathedral: between myth and history

Under the crosses of the Bema

The original design

The birth of the Norman kingdom

The mosaics of the naves

The medieval city amidst monasticism and feudal aristocracy

A chapel by an unknown designer based on repeated symmetries

The Kings’ Cathedrals

The king’s mark

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Great Presbytery: a unique space for the cathedral