photo gallery

photo gallery

From oblivion to the recovery of memory

Interior decorations

The Great Presbytery: a unique space for the cathedral

The Bible carved in stone

The mosaics of the presbytery

The columns of the nave: the meticulous study of the overall order

The Virgin Hodegetria

From the Mosque to the Cathedral

Transformations over the centuries

A Northern population

Norman religious architecture with islamic influences in Sicily

The construction of Monreale Cathedral: between myth and history

A building constructed in a short space of time

The longest aisle

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Admiral’s dedication

From earthquake to collapse

Gold and light: the splendour of the mosaics in the Royal Chapel

Layers of different cultures decorate the external apses

The birth of the Norman kingdom

The liturgical spaces of the protesis and the diaconicon

The chorus: beating heart of the cathedral

The interior of the church

The senses tell Context 1

The Cathedral over the centuries

The senses tell the architecture

The senses tell the interior

The senses tell the architecture and decorations

Ecclesia munita

Under the crosses of the Bema

The flooring: shapes, motifs and iconography

Survey of the royal tombs

The senses tell the ceiling

The senses tell the flooring

The Gualtiero Cathedral

The towers facing the facade used as bell towers

The Genoard Park, the garden of pleasures and wonders

A tree full of life

The area of the Sanctuary

A palimpsest of history

The links between the hauteville family and the monastic orders in Sicily

the Baroque exterior

The Chapel of the Kings

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Royal Throne

The mosaics of the apses

Porphyry sarcophagi: royalty and power

Worship services

Gardens and architecture as a backdrop to the city of Palermo

Roger II of hauteville: a sovereign protected by God

A remarkable ceiling

A polysemy of high-level artistic forms and content

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Tempus fugit: a strategic project implemented in a short period of time

Squaring the circle

The decorations on the bell tower

The chapel of St. Benedict

The lost chapel

The return of water

the roof of Paradise: one of the most representative works of medieval art

Characteristics of religious architecture in the romanesque period

The senses tell the Zisa over the centuries

The king’s mark

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side aisles

The towers and the western facade

The mosaic cycle, an ascending path towards the light

Intertwining of knowledge in Norman Palermo

The rediscovered palace

Shapes and colours of the wooden ceiling

The opus sectile floor of the Palatine Chapel

An architectural crescendo

The architectural appearance and transformations over time

The decorated facade

A chapel by an unknown designer based on repeated symmetries

The mosaics of the transept and the apses

the Baroque interior

The original design

The ancient convent of the Martorana, a history of devotion and tradition

A cloister of accentuated stylistic variety

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Palermo: the happiest city

The rediscovered chapel

The side Portico: a combination of elegance and lightness of form

The mosaics of the naves

Decorations

The cultural substrate through time

The senses tell baroque decoration

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Different styles and transformations of “one of the most beautiful monuments in the world”

The architectural envelope: the Greek cross layout oriented towards the light

The loca solatiorum: dwellings for recreation, well-being and hunting

A space between the visible and the invisible

Mosaic decoration

A new Cathedral

The beginning of the construction site

The chystro: a place between earth and sky

Roger II’s strategic design

From the main gate to the aisles: an invitation to a journey of faith

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Beyond the harmony of proportions

The senses tell the external architecture and the original layout

Restorations

The transformations of the hall through the centuries

The senses tell the mosaic cycle

The chapel of the crucifix: an artistic casket based on a previous model

Artistic elements in Peter’s ship

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

The Great Restoration

The stone bible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A controversial interpretation

The balance between architecture and light

The Cassaro

The southern portico

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A compositional design that combines nordic examples with new artistic languages, over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Palace of Kings

The architectural space

The senses tell the historical context

The cemetery of kings

The senses tell the historical context

The Kings’ Cathedrals

Two initially similar towers, varied over time

A mixture of styles pervades the floor decorations

The Chapel of St. Mary Magdalene

The medieval city amidst monasticism and feudal aristocracy

The chapel of san Castrense: an important renaissance work

Cefalù: settlement evidence through time

The senses tell restorations

The dialogue between the architectures of the monumental complex