photo gallery

photo gallery

Interior decorations

Layers of different cultures decorate the external apses

The senses tell the mosaic cycle

The senses tell the flooring

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the ceiling

The decorated facade

A Northern population

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Bible carved in stone

The architectural appearance and transformations over time

The interior of the church

Squaring the circle

The side Portico: a combination of elegance and lightness of form

Intertwining of knowledge in Norman Palermo

Two initially similar towers, varied over time

The king’s mark

The loca solatiorum: dwellings for recreation, well-being and hunting

The towers facing the facade used as bell towers

The senses tell the historical context

A cloister of accentuated stylistic variety

Roger II’s strategic design

Beyond the harmony of proportions

The chystro: a place between earth and sky

The Virgin Hodegetria

An architectural crescendo

The Palace of Kings

The area of the Sanctuary

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

From the Mosque to the Cathedral

The longest aisle

A tree full of life

The senses tell the interior

The architectural space

The senses tell the historical context

A compositional design that combines nordic examples with new artistic languages, over the centuries

Artistic elements in Peter’s ship

The senses tell restorations

Porphyry sarcophagi: royalty and power

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Admiral’s dedication

Roger II of hauteville: a sovereign protected by God

The chorus: beating heart of the cathedral

The beginning of the construction site

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Shapes and colours of the wooden ceiling

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Cathedral over the centuries

The chapel of san Castrense: an important renaissance work

Mosaic decoration

the Baroque exterior

The senses tell the architecture

The senses tell the Zisa over the centuries

A space between the visible and the invisible

The links between the hauteville family and the monastic orders in Sicily

The rediscovered chapel

The dialogue between the architectures of the monumental complex

The ancient convent of the Martorana, a history of devotion and tradition

The Genoard Park, the garden of pleasures and wonders

Under the crosses of the Bema

The Kings’ Cathedrals

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A controversial interpretation

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The balance between architecture and light

The birth of the Norman kingdom

The senses tell Context 1

The side aisles

Gold and light: the splendour of the mosaics in the Royal Chapel

Norman religious architecture with islamic influences in Sicily

The towers and the western facade

A mixture of styles pervades the floor decorations

The senses tell the architecture and decorations

The Gualtiero Cathedral

Survey of the royal tombs

The senses tell the external architecture and the original layout

Restorations

The Royal Throne

From the main gate to the aisles: an invitation to a journey of faith

The liturgical spaces of the protesis and the diaconicon

The construction of Monreale Cathedral: between myth and history

Gardens and architecture as a backdrop to the city of Palermo

From oblivion to the recovery of memory

The Chapel of St. Mary Magdalene

The columns of the nave: the meticulous study of the overall order

A chapel by an unknown designer based on repeated symmetries

Cefalù: settlement evidence through time

Worship services

From earthquake to collapse

The mosaics of the naves

The transformations of the hall through the centuries

A building constructed in a short space of time

The rediscovered palace

The senses tell baroque decoration

Saint Peter’s Chapel in the Royal Palace

the Baroque interior

The stone bible

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

The chapel of the crucifix: an artistic casket based on a previous model

The flooring: shapes, motifs and iconography

The medieval city amidst monasticism and feudal aristocracy

The chapel of St. Benedict

Ecclesia munita

The Great Restoration

Transformations over the centuries

A new Cathedral

A remarkable ceiling

The decorations on the bell tower

Tempus fugit: a strategic project implemented in a short period of time

The lost chapel

The mosaics of the transept and the apses

The original design

A polysemy of high-level artistic forms and content

The return of water

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

the roof of Paradise: one of the most representative works of medieval art

The Great Presbytery: a unique space for the cathedral

The mosaics of the apses

Palermo: the happiest city

A palimpsest of history

Characteristics of religious architecture in the romanesque period

The Cassaro

Decorations

The Chapel of the Kings

The mosaics of the presbytery

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural envelope: the Greek cross layout oriented towards the light

The cemetery of kings

The cultural substrate through time

The southern portico

The mosaic cycle, an ascending path towards the light