photo gallery

photo gallery

Worship services

A controversial interpretation

The senses tell baroque decoration

The birth of the Norman kingdom

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the mosaic cycle

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers facing the facade used as bell towers

The longest aisle

The Virgin Hodegetria

From the Mosque to the Cathedral

The stone bible

An architectural crescendo

Squaring the circle

The senses tell the architecture

The senses tell the architecture and decorations

A cloister of accentuated stylistic variety

The Kings’ Cathedrals

A chapel by an unknown designer based on repeated symmetries

The Admiral’s dedication

The Cathedral over the centuries

The senses tell the external architecture and the original layout

The side Portico: a combination of elegance and lightness of form

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Chapel of the Kings

A space between the visible and the invisible

The medieval city amidst monasticism and feudal aristocracy

A new Cathedral

The return of water

Saint Peter’s Chapel in the Royal Palace

The Bible carved in stone

The mosaic cycle, an ascending path towards the light

The mosaics of the naves

The chapel of san Castrense: an important renaissance work

A Northern population

The lost chapel

The Genoard Park, the garden of pleasures and wonders

Cefalù: settlement evidence through time

The chorus: beating heart of the cathedral

The liturgical spaces of the protesis and the diaconicon

The transformations of the hall through the centuries

The mosaics of the transept and the apses

The flooring: shapes, motifs and iconography

Under the crosses of the Bema

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Roger II of hauteville: a sovereign protected by God

The dialogue between the architectures of the monumental complex

Intertwining of knowledge in Norman Palermo

The decorations on the bell tower

The architectural envelope: the Greek cross layout oriented towards the light

Ecclesia munita

The balance between architecture and light

The southern portico

The king’s mark

A building constructed in a short space of time

Gold and light: the splendour of the mosaics in the Royal Chapel

A palimpsest of history

Shapes and colours of the wooden ceiling

A compositional design that combines nordic examples with new artistic languages, over the centuries

Decorations

The rediscovered palace

the roof of Paradise: one of the most representative works of medieval art

The side aisles

The towers and the western facade

The opus sectile floor of the Palatine Chapel

The Chapel of St. Mary Magdalene

A polysemy of high-level artistic forms and content

A mixture of styles pervades the floor decorations

Characteristics of religious architecture in the romanesque period

The senses tell the interior

Layers of different cultures decorate the external apses

The senses tell restorations

The Gualtiero Cathedral

The Royal Throne

The Palace of Kings

The senses tell Context 1

The architectural space

The senses tell the ceiling

Roger II’s strategic design

The mosaics of the apses

A tree full of life

Restorations

The construction of Monreale Cathedral: between myth and history

The interior of the church

The senses tell the historical context

From oblivion to the recovery of memory

Interior decorations

Porphyry sarcophagi: royalty and power

The Norman conquest of Sicily and the birth of a new Latin kingdom

Mosaic decoration

The chapel of the crucifix: an artistic casket based on a previous model

The cultural substrate through time

Gardens and architecture as a backdrop to the city of Palermo

The Cassaro

Artistic elements in Peter’s ship

The beginning of the construction site

A remarkable ceiling

The loca solatiorum: dwellings for recreation, well-being and hunting

the Baroque interior

The area of the Sanctuary

The architectural appearance and transformations over time

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the historical context

Transformations over the centuries

The senses tell the Zisa over the centuries

The original design

The Great Presbytery: a unique space for the cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The columns of the nave: the meticulous study of the overall order

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The ancient convent of the Martorana, a history of devotion and tradition

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of St. Benedict

The mosaics of the presbytery

The links between the hauteville family and the monastic orders in Sicily

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the flooring

the Baroque exterior

From earthquake to collapse

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Norman religious architecture with islamic influences in Sicily

The senses tell the historical context

The cemetery of kings

The decorated facade

The Great Restoration

The chystro: a place between earth and sky

The rediscovered chapel

Two initially similar towers, varied over time

Palermo: the happiest city

From the main gate to the aisles: an invitation to a journey of faith

Beyond the harmony of proportions

Survey of the royal tombs