photo gallery

photo gallery

The beginning of the construction site

The chorus: beating heart of the cathedral

Worship services

The Norman conquest of Sicily and the birth of a new Latin kingdom

The stone bible

The Bible carved in stone

Gold and light: the splendour of the mosaics in the Royal Chapel

A new Cathedral

Beyond the harmony of proportions

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Great Restoration

The mosaics of the apses

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The opus sectile floor of the Palatine Chapel

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the interior

Transformations over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

The flooring: shapes, motifs and iconography

Restorations

the Baroque interior

Artistic elements in Peter’s ship

A mixture of styles pervades the floor decorations

The medieval city amidst monasticism and feudal aristocracy

The chapel of san Castrense: an important renaissance work

Shapes and colours of the wooden ceiling

The return of water

Gardens and architecture as a backdrop to the city of Palermo

The Virgin Hodegetria

The Chapel of the Kings

The longest aisle

A controversial interpretation

Ecclesia munita

The chystro: a place between earth and sky

The Cassaro

From the Mosque to the Cathedral

the Baroque exterior

the roof of Paradise: one of the most representative works of medieval art

The balance between architecture and light

The southern portico

The Palace of Kings

The rediscovered palace

An architectural crescendo

The senses tell the historical context

The decorated facade

Squaring the circle

Saint Peter’s Chapel in the Royal Palace

The construction of Monreale Cathedral: between myth and history

The senses tell restorations

The senses tell the ceiling

A palimpsest of history

Survey of the royal tombs

The Chapel of St. Mary Magdalene

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Roger II of hauteville: a sovereign protected by God

Intertwining of knowledge in Norman Palermo

A tree full of life

The loca solatiorum: dwellings for recreation, well-being and hunting

From earthquake to collapse

The interior of the church

A chapel by an unknown designer based on repeated symmetries

The side Portico: a combination of elegance and lightness of form

The architectural envelope: the Greek cross layout oriented towards the light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Royal Throne

Palermo: the happiest city

A polysemy of high-level artistic forms and content

Under the crosses of the Bema

Interior decorations

The mosaic cycle, an ascending path towards the light

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Great Presbytery: a unique space for the cathedral

The king’s mark

The senses tell the historical context

The senses tell the external architecture and the original layout

Characteristics of religious architecture in the romanesque period

Different styles and transformations of “one of the most beautiful monuments in the world”

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The decorations on the bell tower

The links between the hauteville family and the monastic orders in Sicily

The cemetery of kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The transformations of the hall through the centuries

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the historical context

The rediscovered chapel

Norman religious architecture with islamic influences in Sicily

The Admiral’s dedication

The towers facing the facade used as bell towers

The columns of the nave: the meticulous study of the overall order

A Northern population

The cultural substrate through time

The mosaics of the naves

Porphyry sarcophagi: royalty and power

The senses tell the architecture

The side aisles

The Cathedral over the centuries

The senses tell the mosaic cycle

The mosaics of the presbytery

The Kings’ Cathedrals

Decorations

The mosaics of the transept and the apses

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the architecture and decorations

Roger II’s strategic design

The senses tell the flooring

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

The Gualtiero Cathedral

The architectural space

The architectural appearance and transformations over time

The senses tell Context 1

The Genoard Park, the garden of pleasures and wonders

Two initially similar towers, varied over time

A remarkable ceiling

A space between the visible and the invisible

Layers of different cultures decorate the external apses

Cefalù: settlement evidence through time

From the main gate to the aisles: an invitation to a journey of faith

The chapel of St. Benedict

The birth of the Norman kingdom

A building constructed in a short space of time

The senses tell baroque decoration

The senses tell the Zisa over the centuries

The original design

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The lost chapel

The area of the Sanctuary

The dialogue between the architectures of the monumental complex

Mosaic decoration

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The towers and the western facade

From oblivion to the recovery of memory