photo gallery

photo gallery

The Palace of Kings

The dialogue between the architectures of the monumental complex

Layers of different cultures decorate the external apses

The stone bible

The senses tell the Zisa over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

Saint Peter’s Chapel in the Royal Palace

Transformations over the centuries

The columns of the nave: the meticulous study of the overall order

The flooring: shapes, motifs and iconography

The towers facing the facade used as bell towers

The Chapel of St. Mary Magdalene

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side aisles

The senses tell the mosaic cycle

Cefalù: settlement evidence through time

The Great Restoration

The loca solatiorum: dwellings for recreation, well-being and hunting

A remarkable ceiling

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Tempus fugit: a strategic project implemented in a short period of time

A space between the visible and the invisible

The transformations of the hall through the centuries

A polysemy of high-level artistic forms and content

A chapel by an unknown designer based on repeated symmetries

The decorated facade

Survey of the royal tombs

The chapel of St. Benedict

The senses tell Context 1

Ecclesia munita

The chapel of the crucifix: an artistic casket based on a previous model

The Cathedral over the centuries

The ancient convent of the Martorana, a history of devotion and tradition

The construction of Monreale Cathedral: between myth and history

An architectural crescendo

the roof of Paradise: one of the most representative works of medieval art

Worship services

The liturgical spaces of the protesis and the diaconicon

The senses tell the historical context

Intertwining of knowledge in Norman Palermo

The senses tell baroque decoration

The senses tell the historical context

Norman religious architecture with islamic influences in Sicily

A building constructed in a short space of time

The mosaics of the presbytery

Decorations

The decorations on the bell tower

The rediscovered palace

the Baroque interior

The mosaics of the transept and the apses

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell restorations

Roger II of hauteville: a sovereign protected by God

The links between the hauteville family and the monastic orders in Sicily

Gardens and architecture as a backdrop to the city of Palermo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The opus sectile floor of the Palatine Chapel

Artistic elements in Peter’s ship

The Great Presbytery: a unique space for the cathedral

The beginning of the construction site

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the historical context

The Bible carved in stone

The towers and the western facade

A tree full of life

The area of the Sanctuary

The senses tell the ceiling

Under the crosses of the Bema

A palimpsest of history

The Virgin Hodegetria

The senses tell the architecture and decorations

The architectural space

The lost chapel

Porphyry sarcophagi: royalty and power

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Chapel of the Kings

Roger II’s strategic design

Palermo: the happiest city

the Baroque exterior

The Kings’ Cathedrals

The southern portico

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The mosaic cycle, an ascending path towards the light

The senses tell the flooring

The birth of the Norman kingdom

Gold and light: the splendour of the mosaics in the Royal Chapel

The king’s mark

The architectural envelope: the Greek cross layout oriented towards the light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Different styles and transformations of “one of the most beautiful monuments in the world”

The balance between architecture and light

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

From the Mosque to the Cathedral

The senses tell the architecture

The longest aisle

From oblivion to the recovery of memory

The interior of the church

The Gualtiero Cathedral

The original design

The rediscovered chapel

Shapes and colours of the wooden ceiling

The senses tell the interior

Beyond the harmony of proportions

The mosaics of the apses

The Cassaro

The chapel of san Castrense: an important renaissance work

A Northern population

Two initially similar towers, varied over time

Characteristics of religious architecture in the romanesque period

From earthquake to collapse

A cloister of accentuated stylistic variety

The medieval city amidst monasticism and feudal aristocracy

The senses tell the external architecture and the original layout

The Genoard Park, the garden of pleasures and wonders

The chorus: beating heart of the cathedral

The Admiral’s dedication

The mosaics of the naves

Interior decorations

Squaring the circle

The return of water

A mixture of styles pervades the floor decorations

A new Cathedral

The chystro: a place between earth and sky

The side Portico: a combination of elegance and lightness of form

The architectural appearance and transformations over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Mosaic decoration

Restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

A controversial interpretation

The Royal Throne

The cemetery of kings