photo gallery

photo gallery

The chapel of St. Benedict

The senses tell the Zisa over the centuries

The architectural space

The links between the hauteville family and the monastic orders in Sicily

The southern portico

The towers and the western facade

The Norman conquest of Sicily and the birth of a new Latin kingdom

Mosaic decoration

The chystro: a place between earth and sky

Artistic elements in Peter’s ship

Restorations

Worship services

Gardens and architecture as a backdrop to the city of Palermo

Roger II of hauteville: a sovereign protected by God

The birth of the Norman kingdom

The mosaics of the apses

The rediscovered palace

The Great Presbytery: a unique space for the cathedral

The balance between architecture and light

Palermo: the happiest city

the Baroque interior

The medieval city amidst monasticism and feudal aristocracy

The side Portico: a combination of elegance and lightness of form

Transformations over the centuries

The Cassaro

Under the crosses of the Bema

The chapel of san Castrense: an important renaissance work

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A space between the visible and the invisible

The mosaics of the presbytery

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The interior of the church

the Baroque exterior

The rediscovered chapel

The senses tell the architecture

The liturgical spaces of the protesis and the diaconicon

A palimpsest of history

The architectural appearance and transformations over time

The mosaic cycle, an ascending path towards the light

The return of water

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the historical context

The Virgin Hodegetria

The senses tell the ceiling

The stone bible

A tree full of life

Layers of different cultures decorate the external apses

The senses tell the interior

The area of the Sanctuary

The Royal Throne

The beginning of the construction site

The senses tell the historical context

The decorated facade

the roof of Paradise: one of the most representative works of medieval art

The mosaics of the transept and the apses

The senses tell Context 1

Norman religious architecture with islamic influences in Sicily

The columns of the nave: the meticulous study of the overall order

Shapes and colours of the wooden ceiling

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the external architecture and the original layout

The lost chapel

Porphyry sarcophagi: royalty and power

Tempus fugit: a strategic project implemented in a short period of time

The Palace of Kings

An architectural crescendo

The dialogue between the architectures of the monumental complex

From oblivion to the recovery of memory

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell restorations

The mosaics of the naves

Survey of the royal tombs

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of the crucifix: an artistic casket based on a previous model

Saint Peter’s Chapel in the Royal Palace

The senses tell baroque decoration

A remarkable ceiling

A Northern population

The cultural substrate through time

Two initially similar towers, varied over time

Ecclesia munita

The Kings’ Cathedrals

The Cathedral over the centuries

The cemetery of kings

The Genoard Park, the garden of pleasures and wonders

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The construction of Monreale Cathedral: between myth and history

The king’s mark

A controversial interpretation

A compositional design that combines nordic examples with new artistic languages, over the centuries

The original design

Cefalù: settlement evidence through time

From the main gate to the aisles: an invitation to a journey of faith

The towers facing the facade used as bell towers

The senses tell the historical context

The Chapel of St. Mary Magdalene

From earthquake to collapse

The Chapel of the Kings

The transformations of the hall through the centuries

The Great Restoration

Interior decorations

The Gualtiero Cathedral

A cloister of accentuated stylistic variety

Beyond the harmony of proportions

Intertwining of knowledge in Norman Palermo

A new Cathedral

Squaring the circle

The Admiral’s dedication

Different styles and transformations of “one of the most beautiful monuments in the world”

The flooring: shapes, motifs and iconography

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The longest aisle

The senses tell the mosaic cycle

From the Mosque to the Cathedral

The opus sectile floor of the Palatine Chapel

The senses tell the architecture and decorations

The ancient convent of the Martorana, a history of devotion and tradition

A mixture of styles pervades the floor decorations

Roger II’s strategic design

A building constructed in a short space of time

Characteristics of religious architecture in the romanesque period

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Bible carved in stone

The side aisles

The senses tell the flooring

A polysemy of high-level artistic forms and content

A chapel by an unknown designer based on repeated symmetries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The decorations on the bell tower

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Decorations

The chorus: beating heart of the cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions