photo gallery

photo gallery

A space between the visible and the invisible

The southern portico

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

The decorated facade

An architectural crescendo

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The liturgical spaces of the protesis and the diaconicon

The chystro: a place between earth and sky

The Cathedral over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

The Norman conquest of Sicily and the birth of a new Latin kingdom

The cultural substrate through time

The mosaics of the naves

The chorus: beating heart of the cathedral

The senses tell the historical context

The Chapel of St. Mary Magdalene

The Kings’ Cathedrals

The senses tell the mosaic cycle

Different styles and transformations of “one of the most beautiful monuments in the world”

The side aisles

A polysemy of high-level artistic forms and content

Tempus fugit: a strategic project implemented in a short period of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A controversial interpretation

The mosaics of the transept and the apses

Ecclesia munita

The Palace of Kings

Under the crosses of the Bema

The area of the Sanctuary

A building constructed in a short space of time

The cemetery of kings

The senses tell the historical context

From the Mosque to the Cathedral

From earthquake to collapse

The columns of the nave: the meticulous study of the overall order

Gardens and architecture as a backdrop to the city of Palermo

A cloister of accentuated stylistic variety

The senses tell restorations

The Bible carved in stone

The towers facing the facade used as bell towers

Gold and light: the splendour of the mosaics in the Royal Chapel

The chapel of san Castrense: an important renaissance work

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Virgin Hodegetria

The king’s mark

The side Portico: a combination of elegance and lightness of form

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The beginning of the construction site

The Great Presbytery: a unique space for the cathedral

A chapel by an unknown designer based on repeated symmetries

Interior decorations

The links between the hauteville family and the monastic orders in Sicily

A remarkable ceiling

Intertwining of knowledge in Norman Palermo

The senses tell the external architecture and the original layout

Roger II of hauteville: a sovereign protected by God

The Royal Throne

The return of water

Palermo: the happiest city

The rediscovered palace

The rediscovered chapel

The Chapel of the Kings

A palimpsest of history

The birth of the Norman kingdom

Transformations over the centuries

Norman religious architecture with islamic influences in Sicily

The senses tell the architecture and decorations

The senses tell baroque decoration

A tree full of life

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The original design

Decorations

The flooring: shapes, motifs and iconography

The chapel of St. Benedict

The senses tell the Zisa over the centuries

Beyond the harmony of proportions

The senses tell the interior

Worship services

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The balance between architecture and light

Squaring the circle

Restorations

The Admiral’s dedication

Saint Peter’s Chapel in the Royal Palace

The decorations on the bell tower

The stone bible

A compositional design that combines nordic examples with new artistic languages, over the centuries

A new Cathedral

The opus sectile floor of the Palatine Chapel

The construction of Monreale Cathedral: between myth and history

Artistic elements in Peter’s ship

Cefalù: settlement evidence through time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A Northern population

The architectural appearance and transformations over time

The Genoard Park, the garden of pleasures and wonders

The Cassaro

The longest aisle

Characteristics of religious architecture in the romanesque period

The Great Restoration

The lost chapel

The loca solatiorum: dwellings for recreation, well-being and hunting

A mixture of styles pervades the floor decorations

The towers and the western facade

The interior of the church

Roger II’s strategic design

The senses tell Context 1

the roof of Paradise: one of the most representative works of medieval art

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the architecture

The Gualtiero Cathedral

The architectural space

The dialogue between the architectures of the monumental complex

From oblivion to the recovery of memory

the Baroque exterior

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The mosaics of the apses

Shapes and colours of the wooden ceiling

Layers of different cultures decorate the external apses

the Baroque interior

Porphyry sarcophagi: royalty and power

The mosaics of the presbytery

The senses tell the flooring

The senses tell the ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Survey of the royal tombs

The transformations of the hall through the centuries

Mosaic decoration

From the main gate to the aisles: an invitation to a journey of faith

The medieval city amidst monasticism and feudal aristocracy

Two initially similar towers, varied over time

The mosaic cycle, an ascending path towards the light