photo gallery

photo gallery

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A chapel by an unknown designer based on repeated symmetries

The towers and the western facade

A building constructed in a short space of time

Roger II’s strategic design

The mosaics of the naves

From the Mosque to the Cathedral

The king’s mark

The longest aisle

A polysemy of high-level artistic forms and content

The Gualtiero Cathedral

The chapel of san Castrense: an important renaissance work

The links between the hauteville family and the monastic orders in Sicily

The Cassaro

The balance between architecture and light

A controversial interpretation

The chystro: a place between earth and sky

The area of the Sanctuary

Artistic elements in Peter’s ship

The Admiral’s dedication

Intertwining of knowledge in Norman Palermo

The Norman conquest of Sicily and the birth of a new Latin kingdom

Two initially similar towers, varied over time

The mosaics of the apses

Ecclesia munita

The cultural substrate through time

Transformations over the centuries

From earthquake to collapse

The cemetery of kings

The senses tell the flooring

The Bible carved in stone

The birth of the Norman kingdom

From the main gate to the aisles: an invitation to a journey of faith

Squaring the circle

the Baroque interior

The medieval city amidst monasticism and feudal aristocracy

A palimpsest of history

the roof of Paradise: one of the most representative works of medieval art

The senses tell the historical context

Survey of the royal tombs

The chorus: beating heart of the cathedral

The rediscovered chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

A remarkable ceiling

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell Context 1

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Gold and light: the splendour of the mosaics in the Royal Chapel

Gardens and architecture as a backdrop to the city of Palermo

The dialogue between the architectures of the monumental complex

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the presbytery

The original design

Worship services

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Decorations

The senses tell the external architecture and the original layout

The towers facing the facade used as bell towers

The southern portico

From oblivion to the recovery of memory

An architectural crescendo

The senses tell baroque decoration

A tree full of life

The Great Presbytery: a unique space for the cathedral

Layers of different cultures decorate the external apses

The transformations of the hall through the centuries

The opus sectile floor of the Palatine Chapel

The senses tell the mosaic cycle

The Chapel of the Kings

A Northern population

The senses tell the interior

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the historical context

The interior of the church

The lost chapel

Roger II of hauteville: a sovereign protected by God

The chapel of St. Benedict

The loca solatiorum: dwellings for recreation, well-being and hunting

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Cefalù: settlement evidence through time

Under the crosses of the Bema

The mosaics of the transept and the apses

The Palace of Kings

Saint Peter’s Chapel in the Royal Palace

Shapes and colours of the wooden ceiling

The columns of the nave: the meticulous study of the overall order

The flooring: shapes, motifs and iconography

The senses tell the architecture

The rediscovered palace

Interior decorations

The mosaic cycle, an ascending path towards the light

The construction of Monreale Cathedral: between myth and history

Tempus fugit: a strategic project implemented in a short period of time

A new Cathedral

The stone bible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

the Baroque exterior

Palermo: the happiest city

The return of water

Characteristics of religious architecture in the romanesque period

The liturgical spaces of the protesis and the diaconicon

The architectural appearance and transformations over time

The architectural envelope: the Greek cross layout oriented towards the light

The decorations on the bell tower

Porphyry sarcophagi: royalty and power

The Royal Throne

The senses tell the ceiling

A space between the visible and the invisible

A cloister of accentuated stylistic variety

The side Portico: a combination of elegance and lightness of form

The Genoard Park, the garden of pleasures and wonders

A compositional design that combines nordic examples with new artistic languages, over the centuries

The beginning of the construction site

The senses tell the historical context

The Great Restoration

The Virgin Hodegetria

The Chapel of St. Mary Magdalene

Beyond the harmony of proportions

Norman religious architecture with islamic influences in Sicily

Restorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The decorated facade

The senses tell the architecture and decorations

The architectural space

The Kings’ Cathedrals

The Cathedral over the centuries

The senses tell restorations

The senses tell the Zisa over the centuries

The side aisles

A mixture of styles pervades the floor decorations

Mosaic decoration