photo gallery

photo gallery

The senses tell the flooring

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Cassaro

The senses tell the architecture

A Northern population

A remarkable ceiling

Worship services

A tree full of life

Interior decorations

the Baroque exterior

The senses tell baroque decoration

The senses tell restorations

The mosaic cycle, an ascending path towards the light

Decorations

The architectural space

The birth of the Norman kingdom

The chapel of the crucifix: an artistic casket based on a previous model

The medieval city amidst monasticism and feudal aristocracy

The stone bible

The Great Presbytery: a unique space for the cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the historical context

The longest aisle

Restorations

Cefalù: settlement evidence through time

Porphyry sarcophagi: royalty and power

the roof of Paradise: one of the most representative works of medieval art

The rediscovered palace

The rediscovered chapel

A space between the visible and the invisible

The area of the Sanctuary

The chapel of St. Benedict

A mixture of styles pervades the floor decorations

The opus sectile floor of the Palatine Chapel

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The cemetery of kings

The construction of Monreale Cathedral: between myth and history

The mosaics of the apses

Tempus fugit: a strategic project implemented in a short period of time

The beginning of the construction site

The balance between architecture and light

The senses tell Context 1

From the Mosque to the Cathedral

The Great Restoration

The original design

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A controversial interpretation

The cultural substrate through time

Intertwining of knowledge in Norman Palermo

The architectural appearance and transformations over time

Layers of different cultures decorate the external apses

Transformations over the centuries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A polysemy of high-level artistic forms and content

Roger II of hauteville: a sovereign protected by God

The Chapel of St. Mary Magdalene

Artistic elements in Peter’s ship

Two initially similar towers, varied over time

A new Cathedral

The return of water

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Beyond the harmony of proportions

The ancient convent of the Martorana, a history of devotion and tradition

The Royal Throne

Palermo: the happiest city

The mosaics of the transept and the apses

The dialogue between the architectures of the monumental complex

The architectural envelope: the Greek cross layout oriented towards the light

From oblivion to the recovery of memory

From earthquake to collapse

The links between the hauteville family and the monastic orders in Sicily

Gold and light: the splendour of the mosaics in the Royal Chapel

Characteristics of religious architecture in the romanesque period

The Bible carved in stone

The chapel of san Castrense: an important renaissance work

A building constructed in a short space of time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The decorated facade

Norman religious architecture with islamic influences in Sicily

Shapes and colours of the wooden ceiling

The senses tell the architecture and decorations

A chapel by an unknown designer based on repeated symmetries

the Baroque interior

The senses tell the interior

The decorations on the bell tower

Mosaic decoration

The senses tell the historical context

The side aisles

Squaring the circle

The chorus: beating heart of the cathedral

The senses tell the historical context

Roger II’s strategic design

The mosaics of the naves

The Admiral’s dedication

Survey of the royal tombs

The loca solatiorum: dwellings for recreation, well-being and hunting

The Norman conquest of Sicily and the birth of a new Latin kingdom

The towers and the western facade

The chystro: a place between earth and sky

The flooring: shapes, motifs and iconography

The senses tell the external architecture and the original layout

The Genoard Park, the garden of pleasures and wonders

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the Zisa over the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

The interior of the church

The Palace of Kings

The Kings’ Cathedrals

The lost chapel

Ecclesia munita

The columns of the nave: the meticulous study of the overall order

Saint Peter’s Chapel in the Royal Palace

The side Portico: a combination of elegance and lightness of form

The Chapel of the Kings

The senses tell the ceiling

Gardens and architecture as a backdrop to the city of Palermo

The Virgin Hodegetria

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Gualtiero Cathedral

The king’s mark

Different styles and transformations of “one of the most beautiful monuments in the world”

A palimpsest of history

An architectural crescendo

The mosaics of the presbytery

The transformations of the hall through the centuries

The Cathedral over the centuries

The southern portico

The senses tell the mosaic cycle

The towers facing the facade used as bell towers

Under the crosses of the Bema