photo gallery

photo gallery

The beginning of the construction site

Porphyry sarcophagi: royalty and power

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chystro: a place between earth and sky

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The lost chapel

The flooring: shapes, motifs and iconography

The king’s mark

The Admiral’s dedication

A mixture of styles pervades the floor decorations

The original design

From the main gate to the aisles: an invitation to a journey of faith

The cultural substrate through time

Restorations

The opus sectile floor of the Palatine Chapel

The senses tell the Zisa over the centuries

The senses tell the historical context

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From earthquake to collapse

The architectural appearance and transformations over time

The chapel of St. Benedict

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the ceiling

The chapel of the crucifix: an artistic casket based on a previous model

The Chapel of St. Mary Magdalene

The Palace of Kings

The loca solatiorum: dwellings for recreation, well-being and hunting

Interior decorations

The links between the hauteville family and the monastic orders in Sicily

The senses tell baroque decoration

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chorus: beating heart of the cathedral

The southern portico

Beyond the harmony of proportions

The senses tell the flooring

The Royal Throne

The decorated facade

The birth of the Norman kingdom

Gold and light: the splendour of the mosaics in the Royal Chapel

The balance between architecture and light

A building constructed in a short space of time

The Chapel of the Kings

Survey of the royal tombs

Worship services

The senses tell the architecture

The mosaics of the presbytery

The senses tell the interior

The stone bible

The Genoard Park, the garden of pleasures and wonders

Norman religious architecture with islamic influences in Sicily

The senses tell the mosaic cycle

The cemetery of kings

The Gualtiero Cathedral

The transformations of the hall through the centuries

The Cassaro

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Under the crosses of the Bema

Cefalù: settlement evidence through time

A chapel by an unknown designer based on repeated symmetries

A remarkable ceiling

Palermo: the happiest city

A polysemy of high-level artistic forms and content

The Bible carved in stone

Gardens and architecture as a backdrop to the city of Palermo

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The columns of the nave: the meticulous study of the overall order

The dialogue between the architectures of the monumental complex

Characteristics of religious architecture in the romanesque period

The liturgical spaces of the protesis and the diaconicon

The Cathedral over the centuries

The senses tell the historical context

The Virgin Hodegetria

The longest aisle

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaic cycle, an ascending path towards the light

Artistic elements in Peter’s ship

The senses tell the external architecture and the original layout

The construction of Monreale Cathedral: between myth and history

The return of water

The medieval city amidst monasticism and feudal aristocracy

The rediscovered chapel

The towers and the western facade

A new Cathedral

The ancient convent of the Martorana, a history of devotion and tradition

the Baroque interior

Roger II of hauteville: a sovereign protected by God

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Layers of different cultures decorate the external apses

The senses tell Context 1

The Great Restoration

The mosaics of the apses

The towers facing the facade used as bell towers

Tempus fugit: a strategic project implemented in a short period of time

Transformations over the centuries

A tree full of life

Decorations

The Kings’ Cathedrals

The side Portico: a combination of elegance and lightness of form

The decorations on the bell tower

Mosaic decoration

An architectural crescendo

A cloister of accentuated stylistic variety

Saint Peter’s Chapel in the Royal Palace

Shapes and colours of the wooden ceiling

From the Mosque to the Cathedral

The mosaics of the transept and the apses

Ecclesia munita

Two initially similar towers, varied over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Roger II’s strategic design

The area of the Sanctuary

Different styles and transformations of “one of the most beautiful monuments in the world”

The side aisles

A controversial interpretation

The mosaics of the naves

the roof of Paradise: one of the most representative works of medieval art

The senses tell the historical context

the Baroque exterior

Squaring the circle

The chapel of san Castrense: an important renaissance work

A Northern population

A space between the visible and the invisible

The architectural space

The senses tell the architecture and decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

Intertwining of knowledge in Norman Palermo

A palimpsest of history

The interior of the church

From oblivion to the recovery of memory

The senses tell restorations

The Great Presbytery: a unique space for the cathedral

The rediscovered palace