photo gallery

photo gallery

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Great Presbytery: a unique space for the cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

Mosaic decoration

Tempus fugit: a strategic project implemented in a short period of time

The Gualtiero Cathedral

A chapel by an unknown designer based on repeated symmetries

The side Portico: a combination of elegance and lightness of form

Beyond the harmony of proportions

An architectural crescendo

The senses tell the mosaic cycle

A new Cathedral

The chystro: a place between earth and sky

Under the crosses of the Bema

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The columns of the nave: the meticulous study of the overall order

From the main gate to the aisles: an invitation to a journey of faith

Layers of different cultures decorate the external apses

A polysemy of high-level artistic forms and content

The longest aisle

The interior of the church

The Cassaro

The senses tell the flooring

The towers facing the facade used as bell towers

The stone bible

Gold and light: the splendour of the mosaics in the Royal Chapel

Roger II of hauteville: a sovereign protected by God

The mosaic cycle, an ascending path towards the light

The mosaics of the transept and the apses

Ecclesia munita

The side aisles

Palermo: the happiest city

Different styles and transformations of “one of the most beautiful monuments in the world”

The transformations of the hall through the centuries

Transformations over the centuries

The senses tell the historical context

The architectural appearance and transformations over time

A controversial interpretation

The senses tell restorations

Gardens and architecture as a backdrop to the city of Palermo

the Baroque interior

Norman religious architecture with islamic influences in Sicily

Characteristics of religious architecture in the romanesque period

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The return of water

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Bible carved in stone

The decorated facade

The Palace of Kings

The cultural substrate through time

The senses tell baroque decoration

Saint Peter’s Chapel in the Royal Palace

Squaring the circle

The southern portico

The mosaics of the naves

The chapel of St. Benedict

A Northern population

Interior decorations

The architectural envelope: the Greek cross layout oriented towards the light

A building constructed in a short space of time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the interior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A space between the visible and the invisible

The Admiral’s dedication

The liturgical spaces of the protesis and the diaconicon

The original design

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Norman conquest of Sicily and the birth of a new Latin kingdom

A tree full of life

The balance between architecture and light

The decorations on the bell tower

The architectural space

The dialogue between the architectures of the monumental complex

The mosaics of the apses

The Chapel of the Kings

The opus sectile floor of the Palatine Chapel

The chorus: beating heart of the cathedral

The flooring: shapes, motifs and iconography

The Royal Throne

A cloister of accentuated stylistic variety

The Kings’ Cathedrals

The senses tell Context 1

The towers and the western facade

Roger II’s strategic design

the roof of Paradise: one of the most representative works of medieval art

Intertwining of knowledge in Norman Palermo

Two initially similar towers, varied over time

The mosaics of the presbytery

The senses tell the historical context

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Shapes and colours of the wooden ceiling

The senses tell the external architecture and the original layout

Worship services

A remarkable ceiling

From oblivion to the recovery of memory

From the Mosque to the Cathedral

A mixture of styles pervades the floor decorations

Survey of the royal tombs

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the historical context

The king’s mark

The rediscovered palace

The birth of the Norman kingdom

The area of the Sanctuary

The Chapel of St. Mary Magdalene

the Baroque exterior

The Great Restoration

From earthquake to collapse

The chapel of san Castrense: an important renaissance work

The Virgin Hodegetria

The senses tell the Zisa over the centuries

Restorations

The construction of Monreale Cathedral: between myth and history

Artistic elements in Peter’s ship

The lost chapel

The cemetery of kings

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Decorations

The senses tell the architecture

The senses tell the ceiling

A palimpsest of history

The ancient convent of the Martorana, a history of devotion and tradition

The Cathedral over the centuries

The senses tell the architecture and decorations

The beginning of the construction site

Porphyry sarcophagi: royalty and power

The rediscovered chapel

The Genoard Park, the garden of pleasures and wonders

The links between the hauteville family and the monastic orders in Sicily

Cefalù: settlement evidence through time

The medieval city amidst monasticism and feudal aristocracy