photo gallery

photo gallery

Layers of different cultures decorate the external apses

From oblivion to the recovery of memory

The stone bible

The senses tell the architecture

The rediscovered palace

A cloister of accentuated stylistic variety

The rediscovered chapel

The return of water

The senses tell the mosaic cycle

The architectural envelope: the Greek cross layout oriented towards the light

The Bible carved in stone

A polysemy of high-level artistic forms and content

Intertwining of knowledge in Norman Palermo

The chapel of the crucifix: an artistic casket based on a previous model

Survey of the royal tombs

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Gualtiero Cathedral

From the main gate to the aisles: an invitation to a journey of faith

The Virgin Hodegetria

An architectural crescendo

A mixture of styles pervades the floor decorations

Roger II’s strategic design

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural space

The mosaics of the naves

The beginning of the construction site

Roger II of hauteville: a sovereign protected by God

The senses tell the architecture and decorations

The senses tell the flooring

The liturgical spaces of the protesis and the diaconicon

Mosaic decoration

The Admiral’s dedication

From the Mosque to the Cathedral

Artistic elements in Peter’s ship

From earthquake to collapse

The lost chapel

A building constructed in a short space of time

the roof of Paradise: one of the most representative works of medieval art

A tree full of life

the Baroque exterior

The Kings’ Cathedrals

A controversial interpretation

The cemetery of kings

The Great Restoration

The Palace of Kings

The Cathedral over the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers and the western facade

Characteristics of religious architecture in the romanesque period

The senses tell restorations

The links between the hauteville family and the monastic orders in Sicily

Gardens and architecture as a backdrop to the city of Palermo

Worship services

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Cefalù: settlement evidence through time

A Northern population

The balance between architecture and light

The king’s mark

The flooring: shapes, motifs and iconography

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the external architecture and the original layout

The side aisles

The senses tell baroque decoration

Tempus fugit: a strategic project implemented in a short period of time

Gold and light: the splendour of the mosaics in the Royal Chapel

The decorated facade

Two initially similar towers, varied over time

The medieval city amidst monasticism and feudal aristocracy

The transformations of the hall through the centuries

The senses tell the ceiling

The mosaics of the transept and the apses

Norman religious architecture with islamic influences in Sicily

The Genoard Park, the garden of pleasures and wonders

The dialogue between the architectures of the monumental complex

The senses tell Context 1

The cultural substrate through time

The senses tell the interior

Ecclesia munita

A remarkable ceiling

The loca solatiorum: dwellings for recreation, well-being and hunting

The interior of the church

The senses tell the historical context

The Chapel of the Kings

The senses tell the historical context

The chystro: a place between earth and sky

The opus sectile floor of the Palatine Chapel

The Great Presbytery: a unique space for the cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chorus: beating heart of the cathedral

The construction of Monreale Cathedral: between myth and history

A new Cathedral

The Royal Throne

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The longest aisle

The ancient convent of the Martorana, a history of devotion and tradition

Squaring the circle

Palermo: the happiest city

The area of the Sanctuary

The side Portico: a combination of elegance and lightness of form

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the historical context

the Baroque interior

The decorations on the bell tower

Interior decorations

Beyond the harmony of proportions

Under the crosses of the Bema

The original design

The Chapel of St. Mary Magdalene

Transformations over the centuries

The mosaics of the presbytery

Porphyry sarcophagi: royalty and power

The senses tell the Zisa over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

A space between the visible and the invisible

Different styles and transformations of “one of the most beautiful monuments in the world”

Saint Peter’s Chapel in the Royal Palace

The columns of the nave: the meticulous study of the overall order

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

The Cassaro

The mosaic cycle, an ascending path towards the light

Decorations

A palimpsest of history

A chapel by an unknown designer based on repeated symmetries

The mosaics of the apses

The architectural appearance and transformations over time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Shapes and colours of the wooden ceiling

The southern portico

The towers facing the facade used as bell towers

The birth of the Norman kingdom