photo gallery

photo gallery

The Royal Throne

The architectural appearance and transformations over time

A remarkable ceiling

Worship services

Interior decorations

The senses tell the flooring

A Northern population

Mosaic decoration

The Gualtiero Cathedral

The senses tell the architecture

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the apses

The Admiral’s dedication

The area of the Sanctuary

A cloister of accentuated stylistic variety

Artistic elements in Peter’s ship

The loca solatiorum: dwellings for recreation, well-being and hunting

The Genoard Park, the garden of pleasures and wonders

The Kings’ Cathedrals

The Palace of Kings

The birth of the Norman kingdom

The cemetery of kings

The Bible carved in stone

The senses tell baroque decoration

The beginning of the construction site

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the historical context

Restorations

From the main gate to the aisles: an invitation to a journey of faith

An architectural crescendo

Saint Peter’s Chapel in the Royal Palace

The architectural envelope: the Greek cross layout oriented towards the light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell Context 1

Porphyry sarcophagi: royalty and power

The Great Presbytery: a unique space for the cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

the Baroque interior

Under the crosses of the Bema

The columns of the nave: the meticulous study of the overall order

A polysemy of high-level artistic forms and content

From the Mosque to the Cathedral

A palimpsest of history

the Baroque exterior

The towers facing the facade used as bell towers

The mosaics of the transept and the apses

The Cassaro

The interior of the church

Transformations over the centuries

A mixture of styles pervades the floor decorations

The stone bible

The chystro: a place between earth and sky

The side Portico: a combination of elegance and lightness of form

Tempus fugit: a strategic project implemented in a short period of time

The Chapel of St. Mary Magdalene

The southern portico

From earthquake to collapse

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II’s strategic design

The links between the hauteville family and the monastic orders in Sicily

A space between the visible and the invisible

The senses tell the architecture and decorations

Palermo: the happiest city

The Chapel of the Kings

The longest aisle

The senses tell restorations

The senses tell the historical context

The senses tell the interior

The chapel of the crucifix: an artistic casket based on a previous model

A chapel by an unknown designer based on repeated symmetries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The chapel of St. Benedict

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

the roof of Paradise: one of the most representative works of medieval art

The Great Restoration

The construction of Monreale Cathedral: between myth and history

Norman religious architecture with islamic influences in Sicily

The lost chapel

The decorations on the bell tower

The return of water

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Cefalù: settlement evidence through time

Roger II of hauteville: a sovereign protected by God

The Cathedral over the centuries

The flooring: shapes, motifs and iconography

The mosaics of the naves

The mosaics of the presbytery

The side aisles

Shapes and colours of the wooden ceiling

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The decorated facade

Ecclesia munita

The mosaic cycle, an ascending path towards the light

The architectural space

The senses tell the historical context

Decorations

Beyond the harmony of proportions

The chapel of san Castrense: an important renaissance work

The senses tell the Zisa over the centuries

A building constructed in a short space of time

The liturgical spaces of the protesis and the diaconicon

The senses tell the external architecture and the original layout

The towers and the western facade

Two initially similar towers, varied over time

A new Cathedral

Survey of the royal tombs

The Virgin Hodegetria

The rediscovered palace

The Norman conquest of Sicily and the birth of a new Latin kingdom

A controversial interpretation

The original design

The transformations of the hall through the centuries

Layers of different cultures decorate the external apses

The king’s mark

Gardens and architecture as a backdrop to the city of Palermo

The ancient convent of the Martorana, a history of devotion and tradition

From oblivion to the recovery of memory

The senses tell the ceiling

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A tree full of life

The rediscovered chapel

The opus sectile floor of the Palatine Chapel

The medieval city amidst monasticism and feudal aristocracy

The dialogue between the architectures of the monumental complex

Squaring the circle

Characteristics of religious architecture in the romanesque period

The balance between architecture and light

Intertwining of knowledge in Norman Palermo

The chorus: beating heart of the cathedral

The senses tell the mosaic cycle

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions