photo gallery

photo gallery

the Baroque interior

Under the crosses of the Bema

The senses tell the historical context

The mosaic cycle, an ascending path towards the light

The senses tell the mosaic cycle

The decorated facade

The medieval city amidst monasticism and feudal aristocracy

The area of the Sanctuary

Two initially similar towers, varied over time

The liturgical spaces of the protesis and the diaconicon

The opus sectile floor of the Palatine Chapel

The Bible carved in stone

The senses tell the interior

A controversial interpretation

From earthquake to collapse

The rediscovered palace

The chystro: a place between earth and sky

The architectural appearance and transformations over time

The Gualtiero Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

Transformations over the centuries

The Royal Throne

The original design

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A Northern population

A mixture of styles pervades the floor decorations

The senses tell the ceiling

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the architecture and decorations

Beyond the harmony of proportions

The senses tell the historical context

The Great Presbytery: a unique space for the cathedral

The chapel of san Castrense: an important renaissance work

The architectural space

The senses tell the historical context

A space between the visible and the invisible

The senses tell the flooring

From oblivion to the recovery of memory

The senses tell baroque decoration

The transformations of the hall through the centuries

Intertwining of knowledge in Norman Palermo

The Cathedral over the centuries

Squaring the circle

A compositional design that combines nordic examples with new artistic languages, over the centuries

The columns of the nave: the meticulous study of the overall order

The stone bible

The senses tell Context 1

A building constructed in a short space of time

The southern portico

The flooring: shapes, motifs and iconography

A new Cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The towers and the western facade

The senses tell the Zisa over the centuries

The Admiral’s dedication

The senses tell restorations

The senses tell the external architecture and the original layout

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Gold and light: the splendour of the mosaics in the Royal Chapel

Layers of different cultures decorate the external apses

The chorus: beating heart of the cathedral

A remarkable ceiling

Decorations

The construction of Monreale Cathedral: between myth and history

The links between the hauteville family and the monastic orders in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The side aisles

The king’s mark

The mosaics of the presbytery

Shapes and colours of the wooden ceiling

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Gardens and architecture as a backdrop to the city of Palermo

Porphyry sarcophagi: royalty and power

Roger II of hauteville: a sovereign protected by God

Survey of the royal tombs

The rediscovered chapel

The longest aisle

The interior of the church

The return of water

The cemetery of kings

Norman religious architecture with islamic influences in Sicily

The beginning of the construction site

The decorations on the bell tower

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Chapel of St. Mary Magdalene

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cultural substrate through time

The side Portico: a combination of elegance and lightness of form

The mosaics of the naves

A chapel by an unknown designer based on repeated symmetries

The Cassaro

The chapel of St. Benedict

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Great Restoration

Restorations

Different styles and transformations of “one of the most beautiful monuments in the world”

The balance between architecture and light

Mosaic decoration

The towers facing the facade used as bell towers

An architectural crescendo

Ecclesia munita

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the apses

A tree full of life

A palimpsest of history

the Baroque exterior

Saint Peter’s Chapel in the Royal Palace

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Virgin Hodegetria

Worship services

Artistic elements in Peter’s ship

The ancient convent of the Martorana, a history of devotion and tradition

The mosaics of the transept and the apses

Characteristics of religious architecture in the romanesque period

A cloister of accentuated stylistic variety

The birth of the Norman kingdom

The senses tell the architecture

Cefalù: settlement evidence through time

The Palace of Kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A polysemy of high-level artistic forms and content

The lost chapel

The chapel of the crucifix: an artistic casket based on a previous model

the roof of Paradise: one of the most representative works of medieval art

The Genoard Park, the garden of pleasures and wonders

Roger II’s strategic design

Palermo: the happiest city

The Kings’ Cathedrals

Interior decorations

The dialogue between the architectures of the monumental complex

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

From the Mosque to the Cathedral

The Chapel of the Kings