photo gallery

photo gallery

The cemetery of kings

From oblivion to the recovery of memory

The mosaics of the naves

The longest aisle

Different styles and transformations of “one of the most beautiful monuments in the world”

Restorations

The Genoard Park, the garden of pleasures and wonders

The Norman conquest of Sicily and the birth of a new Latin kingdom

The side aisles

The king’s mark

A polysemy of high-level artistic forms and content

The southern portico

The dialogue between the architectures of the monumental complex

Mosaic decoration

A controversial interpretation

Transformations over the centuries

The senses tell the historical context

The stone bible

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side Portico: a combination of elegance and lightness of form

The senses tell the architecture

From earthquake to collapse

The ancient convent of the Martorana, a history of devotion and tradition

Survey of the royal tombs

The opus sectile floor of the Palatine Chapel

The medieval city amidst monasticism and feudal aristocracy

The Royal Throne

The architectural appearance and transformations over time

Cefalù: settlement evidence through time

Saint Peter’s Chapel in the Royal Palace

The chapel of the crucifix: an artistic casket based on a previous model

Squaring the circle

A cloister of accentuated stylistic variety

The mosaics of the presbytery

The rediscovered chapel

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

The liturgical spaces of the protesis and the diaconicon

Worship services

the Baroque interior

Tempus fugit: a strategic project implemented in a short period of time

The transformations of the hall through the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The decorations on the bell tower

Layers of different cultures decorate the external apses

The Chapel of St. Mary Magdalene

The Cassaro

The mosaics of the transept and the apses

The interior of the church

The decorated facade

The towers facing the facade used as bell towers

Two initially similar towers, varied over time

The architectural space

A chapel by an unknown designer based on repeated symmetries

Interior decorations

Under the crosses of the Bema

The Great Restoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A remarkable ceiling

The Kings’ Cathedrals

The lost chapel

The senses tell the flooring

The architectural envelope: the Greek cross layout oriented towards the light

The Great Presbytery: a unique space for the cathedral

The senses tell the historical context

The senses tell restorations

Beyond the harmony of proportions

The original design

The chapel of san Castrense: an important renaissance work

The towers and the western facade

Shapes and colours of the wooden ceiling

The Gualtiero Cathedral

The senses tell the architecture and decorations

The chapel of St. Benedict

Intertwining of knowledge in Norman Palermo

The mosaics of the apses

The beginning of the construction site

A new Cathedral

The Virgin Hodegetria

The rediscovered palace

Gold and light: the splendour of the mosaics in the Royal Chapel

The Bible carved in stone

Gardens and architecture as a backdrop to the city of Palermo

The senses tell Context 1

The senses tell the external architecture and the original layout

The birth of the Norman kingdom

A tree full of life

The Admiral’s dedication

The cultural substrate through time

The senses tell baroque decoration

A space between the visible and the invisible

Artistic elements in Peter’s ship

Roger II of hauteville: a sovereign protected by God

The Chapel of the Kings

The senses tell the interior

The senses tell the ceiling

Palermo: the happiest city

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A compositional design that combines nordic examples with new artistic languages, over the centuries

Decorations

Roger II’s strategic design

The loca solatiorum: dwellings for recreation, well-being and hunting

The columns of the nave: the meticulous study of the overall order

The chystro: a place between earth and sky

The mosaic cycle, an ascending path towards the light

The senses tell the mosaic cycle

The senses tell the Zisa over the centuries

The Cathedral over the centuries

Norman religious architecture with islamic influences in Sicily

Porphyry sarcophagi: royalty and power

the Baroque exterior

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The construction of Monreale Cathedral: between myth and history

The links between the hauteville family and the monastic orders in Sicily

From the main gate to the aisles: an invitation to a journey of faith

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

An architectural crescendo

A building constructed in a short space of time

The chorus: beating heart of the cathedral

The balance between architecture and light

The Palace of Kings

the roof of Paradise: one of the most representative works of medieval art

A Northern population

Ecclesia munita

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The return of water

From the Mosque to the Cathedral

A palimpsest of history

The flooring: shapes, motifs and iconography

A mixture of styles pervades the floor decorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The area of the Sanctuary