photo gallery

photo gallery

Palermo: the happiest city

Worship services

The architectural appearance and transformations over time

The beginning of the construction site

A Northern population

The Chapel of the Kings

A tree full of life

A palimpsest of history

Saint Peter’s Chapel in the Royal Palace

Different styles and transformations of “one of the most beautiful monuments in the world”

The cultural substrate through time

From oblivion to the recovery of memory

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

A mixture of styles pervades the floor decorations

The senses tell restorations

The senses tell the mosaic cycle

The return of water

Squaring the circle

The chorus: beating heart of the cathedral

The side Portico: a combination of elegance and lightness of form

Interior decorations

The dialogue between the architectures of the monumental complex

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell baroque decoration

A building constructed in a short space of time

The side aisles

Under the crosses of the Bema

The rediscovered palace

The birth of the Norman kingdom

The chystro: a place between earth and sky

A cloister of accentuated stylistic variety

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

From earthquake to collapse

Roger II’s strategic design

The Admiral’s dedication

The senses tell the external architecture and the original layout

Intertwining of knowledge in Norman Palermo

The medieval city amidst monasticism and feudal aristocracy

The decorated facade

The mosaic cycle, an ascending path towards the light

The opus sectile floor of the Palatine Chapel

The construction of Monreale Cathedral: between myth and history

An architectural crescendo

Cefalù: settlement evidence through time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Ecclesia munita

The cemetery of kings

The senses tell the flooring

The Genoard Park, the garden of pleasures and wonders

The Palace of Kings

The lost chapel

The mosaics of the presbytery

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The stone bible

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Cassaro

the roof of Paradise: one of the most representative works of medieval art

The Royal Throne

Tempus fugit: a strategic project implemented in a short period of time

A remarkable ceiling

The mosaics of the naves

The king’s mark

The senses tell the ceiling

the Baroque exterior

The decorations on the bell tower

The balance between architecture and light

Mosaic decoration

The Norman conquest of Sicily and the birth of a new Latin kingdom

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The liturgical spaces of the protesis and the diaconicon

The towers facing the facade used as bell towers

A space between the visible and the invisible

The loca solatiorum: dwellings for recreation, well-being and hunting

A chapel by an unknown designer based on repeated symmetries

The interior of the church

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Cathedral over the centuries

The links between the hauteville family and the monastic orders in Sicily

The rediscovered chapel

The towers and the western facade

From the main gate to the aisles: an invitation to a journey of faith

The columns of the nave: the meticulous study of the overall order

The mosaics of the transept and the apses

A new Cathedral

The senses tell the interior

The original design

The Bible carved in stone

The Kings’ Cathedrals

The architectural space

The chapel of the crucifix: an artistic casket based on a previous model

the Baroque interior

Beyond the harmony of proportions

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Great Restoration

The longest aisle

The senses tell the historical context

The senses tell the Zisa over the centuries

Roger II of hauteville: a sovereign protected by God

The transformations of the hall through the centuries

Norman religious architecture with islamic influences in Sicily

The Great Presbytery: a unique space for the cathedral

Shapes and colours of the wooden ceiling

A controversial interpretation

The Chapel of St. Mary Magdalene

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the architecture and decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Gualtiero Cathedral

Characteristics of religious architecture in the romanesque period

A polysemy of high-level artistic forms and content

Porphyry sarcophagi: royalty and power

The southern portico

The mosaics of the apses

The Virgin Hodegetria

The chapel of St. Benedict

The chapel of san Castrense: an important renaissance work

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the architecture

The senses tell Context 1

Survey of the royal tombs

Layers of different cultures decorate the external apses

The flooring: shapes, motifs and iconography

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the historical context

Two initially similar towers, varied over time

Artistic elements in Peter’s ship

Transformations over the centuries

From the Mosque to the Cathedral

Restorations

The area of the Sanctuary

Decorations