photo gallery

photo gallery

Intertwining of knowledge in Norman Palermo

The decorations on the bell tower

A compositional design that combines nordic examples with new artistic languages, over the centuries

Transformations over the centuries

The chystro: a place between earth and sky

Palermo: the happiest city

A polysemy of high-level artistic forms and content

The Chapel of St. Mary Magdalene

An architectural crescendo

The Cathedral over the centuries

The towers and the western facade

The senses tell the historical context

The area of the Sanctuary

The side Portico: a combination of elegance and lightness of form

The senses tell baroque decoration

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the transept and the apses

The loca solatiorum: dwellings for recreation, well-being and hunting

The dialogue between the architectures of the monumental complex

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The interior of the church

The stone bible

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

From oblivion to the recovery of memory

The senses tell Context 1

The links between the hauteville family and the monastic orders in Sicily

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Beyond the harmony of proportions

The southern portico

The architectural space

From earthquake to collapse

The rediscovered chapel

A controversial interpretation

The senses tell the flooring

A building constructed in a short space of time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the Zisa over the centuries

The Genoard Park, the garden of pleasures and wonders

The lost chapel

Norman religious architecture with islamic influences in Sicily

The longest aisle

The architectural envelope: the Greek cross layout oriented towards the light

The cemetery of kings

The towers facing the facade used as bell towers

Under the crosses of the Bema

The beginning of the construction site

The Virgin Hodegetria

A space between the visible and the invisible

The return of water

The transformations of the hall through the centuries

The columns of the nave: the meticulous study of the overall order

The opus sectile floor of the Palatine Chapel

Saint Peter’s Chapel in the Royal Palace

The mosaics of the naves

The senses tell restorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A remarkable ceiling

Cefalù: settlement evidence through time

A mixture of styles pervades the floor decorations

Roger II of hauteville: a sovereign protected by God

The Chapel of the Kings

Restorations

Different styles and transformations of “one of the most beautiful monuments in the world”

Worship services

The senses tell the architecture

The liturgical spaces of the protesis and the diaconicon

The senses tell the ceiling

The Palace of Kings

The Great Presbytery: a unique space for the cathedral

Decorations

Characteristics of religious architecture in the romanesque period

The architectural appearance and transformations over time

A tree full of life

The chorus: beating heart of the cathedral

The Gualtiero Cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Shapes and colours of the wooden ceiling

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Survey of the royal tombs

The senses tell the mosaic cycle

The senses tell the architecture and decorations

The original design

The flooring: shapes, motifs and iconography

Interior decorations

The side aisles

The cultural substrate through time

Gold and light: the splendour of the mosaics in the Royal Chapel

A new Cathedral

The chapel of san Castrense: an important renaissance work

The medieval city amidst monasticism and feudal aristocracy

The ancient convent of the Martorana, a history of devotion and tradition

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the historical context

The mosaics of the presbytery

The mosaics of the apses

The Bible carved in stone

the Baroque exterior

From the Mosque to the Cathedral

the Baroque interior

Layers of different cultures decorate the external apses

The king’s mark

The rediscovered palace

The decorated facade

the roof of Paradise: one of the most representative works of medieval art

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Royal Throne

The Great Restoration

The construction of Monreale Cathedral: between myth and history

A Northern population

Ecclesia munita

A palimpsest of history

The Kings’ Cathedrals

A cloister of accentuated stylistic variety

Porphyry sarcophagi: royalty and power

The senses tell the interior

The Cassaro

Two initially similar towers, varied over time

The mosaic cycle, an ascending path towards the light

The birth of the Norman kingdom

From the main gate to the aisles: an invitation to a journey of faith

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Artistic elements in Peter’s ship

The chapel of St. Benedict

Tempus fugit: a strategic project implemented in a short period of time

The chapel of the crucifix: an artistic casket based on a previous model

Squaring the circle

A chapel by an unknown designer based on repeated symmetries

The senses tell the historical context

The balance between architecture and light

The senses tell the external architecture and the original layout

Mosaic decoration

Roger II’s strategic design

The Admiral’s dedication