photo gallery

photo gallery

Mosaic decoration

Two initially similar towers, varied over time

Beyond the harmony of proportions

Ecclesia munita

The original design

Shapes and colours of the wooden ceiling

The Kings’ Cathedrals

The Cathedral over the centuries

The Palace of Kings

From earthquake to collapse

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the Zisa over the centuries

Tempus fugit: a strategic project implemented in a short period of time

Interior decorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Under the crosses of the Bema

the roof of Paradise: one of the most representative works of medieval art

Squaring the circle

The Cassaro

The chapel of the crucifix: an artistic casket based on a previous model

The Great Presbytery: a unique space for the cathedral

A new Cathedral

Worship services

The senses tell the mosaic cycle

The birth of the Norman kingdom

Norman religious architecture with islamic influences in Sicily

Cefalù: settlement evidence through time

The senses tell the ceiling

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy

The senses tell the flooring

A building constructed in a short space of time

The stone bible

The senses tell restorations

A chapel by an unknown designer based on repeated symmetries

From the Mosque to the Cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Admiral’s dedication

The side aisles

The chystro: a place between earth and sky

The lost chapel

A controversial interpretation

The Virgin Hodegetria

The cultural substrate through time

Transformations over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chorus: beating heart of the cathedral

The senses tell the architecture and decorations

Roger II of hauteville: a sovereign protected by God

The longest aisle

The decorations on the bell tower

The links between the hauteville family and the monastic orders in Sicily

the Baroque exterior

The southern portico

The senses tell the historical context

The area of the Sanctuary

The mosaics of the transept and the apses

Porphyry sarcophagi: royalty and power

An architectural crescendo

The Gualtiero Cathedral

The mosaics of the naves

The architectural envelope: the Greek cross layout oriented towards the light

The liturgical spaces of the protesis and the diaconicon

The decorated facade

The rediscovered palace

The towers facing the facade used as bell towers

Roger II’s strategic design

The chapel of St. Benedict

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A Northern population

Gardens and architecture as a backdrop to the city of Palermo

The cemetery of kings

The Royal Throne

Palermo: the happiest city

A cloister of accentuated stylistic variety

The Bible carved in stone

The towers and the western facade

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Artistic elements in Peter’s ship

The transformations of the hall through the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell baroque decoration

The senses tell the architecture

Gold and light: the splendour of the mosaics in the Royal Chapel

The interior of the church

The side Portico: a combination of elegance and lightness of form

The architectural appearance and transformations over time

The senses tell the historical context

The Great Restoration

The Chapel of St. Mary Magdalene

The rediscovered chapel

The senses tell Context 1

The flooring: shapes, motifs and iconography

The mosaics of the presbytery

The ancient convent of the Martorana, a history of devotion and tradition

the Baroque interior

A compositional design that combines nordic examples with new artistic languages, over the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

Saint Peter’s Chapel in the Royal Palace

The opus sectile floor of the Palatine Chapel

The chapel of san Castrense: an important renaissance work

The mosaics of the apses

The Chapel of the Kings

A palimpsest of history

A polysemy of high-level artistic forms and content

From oblivion to the recovery of memory

The columns of the nave: the meticulous study of the overall order

A mixture of styles pervades the floor decorations

Decorations

A space between the visible and the invisible

The king’s mark

The senses tell the interior

The return of water

The construction of Monreale Cathedral: between myth and history

Intertwining of knowledge in Norman Palermo

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the external architecture and the original layout

Survey of the royal tombs

The Norman conquest of Sicily and the birth of a new Latin kingdom

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Layers of different cultures decorate the external apses

The Genoard Park, the garden of pleasures and wonders

A remarkable ceiling

The mosaic cycle, an ascending path towards the light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The balance between architecture and light

Restorations

A tree full of life

From the main gate to the aisles: an invitation to a journey of faith

The dialogue between the architectures of the monumental complex

The architectural space

The senses tell the historical context

Characteristics of religious architecture in the romanesque period