photo gallery

photo gallery

The transformations of the hall through the centuries

Beyond the harmony of proportions

Ecclesia munita

The Great Restoration

A building constructed in a short space of time

The medieval city amidst monasticism and feudal aristocracy

The links between the hauteville family and the monastic orders in Sicily

Squaring the circle

The senses tell the Zisa over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Palace of Kings

The senses tell the architecture

The Kings’ Cathedrals

The lost chapel

Interior decorations

Restorations

Gold and light: the splendour of the mosaics in the Royal Chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From earthquake to collapse

The senses tell the architecture and decorations

The mosaics of the apses

The Bible carved in stone

The architectural appearance and transformations over time

The chorus: beating heart of the cathedral

Shapes and colours of the wooden ceiling

Intertwining of knowledge in Norman Palermo

A remarkable ceiling

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The rediscovered palace

Palermo: the happiest city

The chapel of san Castrense: an important renaissance work

The area of the Sanctuary

The senses tell the historical context

The senses tell the mosaic cycle

A chapel by an unknown designer based on repeated symmetries

A mixture of styles pervades the floor decorations

A cloister of accentuated stylistic variety

Tempus fugit: a strategic project implemented in a short period of time

The construction of Monreale Cathedral: between myth and history

The Chapel of the Kings

Worship services

Two initially similar towers, varied over time

The flooring: shapes, motifs and iconography

The king’s mark

The senses tell the historical context

The senses tell baroque decoration

Cefalù: settlement evidence through time

The towers facing the facade used as bell towers

Artistic elements in Peter’s ship

Porphyry sarcophagi: royalty and power

The rediscovered chapel

The Great Presbytery: a unique space for the cathedral

Norman religious architecture with islamic influences in Sicily

The Virgin Hodegetria

The interior of the church

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A Northern population

The dialogue between the architectures of the monumental complex

A controversial interpretation

Gardens and architecture as a backdrop to the city of Palermo

Under the crosses of the Bema

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the presbytery

The opus sectile floor of the Palatine Chapel

The mosaic cycle, an ascending path towards the light

Layers of different cultures decorate the external apses

From oblivion to the recovery of memory

The senses tell the external architecture and the original layout

The Gualtiero Cathedral

The Genoard Park, the garden of pleasures and wonders

An architectural crescendo

A space between the visible and the invisible

The original design

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

the Baroque exterior

The return of water

The Cassaro

The towers and the western facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The architectural space

From the Mosque to the Cathedral

The columns of the nave: the meticulous study of the overall order

The balance between architecture and light

The birth of the Norman kingdom

The cultural substrate through time

The Norman conquest of Sicily and the birth of a new Latin kingdom

A polysemy of high-level artistic forms and content

The southern portico

The architectural envelope: the Greek cross layout oriented towards the light

The chapel of St. Benedict

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the flooring

The chystro: a place between earth and sky

A new Cathedral

The Chapel of St. Mary Magdalene

Characteristics of religious architecture in the romanesque period

The side aisles

the roof of Paradise: one of the most representative works of medieval art

The Admiral’s dedication

The stone bible

A tree full of life

Decorations

The beginning of the construction site

The senses tell the interior

The Cathedral over the centuries

Roger II’s strategic design

The longest aisle

The cemetery of kings

A compositional design that combines nordic examples with new artistic languages, over the centuries

The ancient convent of the Martorana, a history of devotion and tradition

Different styles and transformations of “one of the most beautiful monuments in the world”

Roger II of hauteville: a sovereign protected by God

Mosaic decoration

The senses tell Context 1

The mosaics of the transept and the apses

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the naves

A palimpsest of history

The liturgical spaces of the protesis and the diaconicon

Saint Peter’s Chapel in the Royal Palace

From the main gate to the aisles: an invitation to a journey of faith

The decorations on the bell tower

the Baroque interior

The Royal Throne

The senses tell restorations

The decorated facade

Survey of the royal tombs

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the ceiling

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Transformations over the centuries