photo gallery

photo gallery

The beginning of the construction site

The chapel of san Castrense: an important renaissance work

Mosaic decoration

The mosaics of the transept and the apses

The senses tell the historical context

A polysemy of high-level artistic forms and content

The Kings’ Cathedrals

The transformations of the hall through the centuries

The Genoard Park, the garden of pleasures and wonders

The chorus: beating heart of the cathedral

The side aisles

Under the crosses of the Bema

The chapel of St. Benedict

The architectural space

Norman religious architecture with islamic influences in Sicily

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Bible carved in stone

The return of water

Gardens and architecture as a backdrop to the city of Palermo

An architectural crescendo

The towers facing the facade used as bell towers

The mosaics of the naves

A space between the visible and the invisible

The senses tell restorations

The Great Presbytery: a unique space for the cathedral

The columns of the nave: the meticulous study of the overall order

The original design

Squaring the circle

The mosaic cycle, an ascending path towards the light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Two initially similar towers, varied over time

The decorated facade

The senses tell the mosaic cycle

Tempus fugit: a strategic project implemented in a short period of time

Interior decorations

The longest aisle

The construction of Monreale Cathedral: between myth and history

The Gualtiero Cathedral

The senses tell the historical context

Cefalù: settlement evidence through time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The rediscovered chapel

the Baroque exterior

A mixture of styles pervades the floor decorations

Ecclesia munita

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Different styles and transformations of “one of the most beautiful monuments in the world”

The Palace of Kings

Saint Peter’s Chapel in the Royal Palace

The balance between architecture and light

The Virgin Hodegetria

The senses tell baroque decoration

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the presbytery

The king’s mark

Worship services

The cultural substrate through time

The Norman conquest of Sicily and the birth of a new Latin kingdom

Transformations over the centuries

the Baroque interior

The liturgical spaces of the protesis and the diaconicon

From oblivion to the recovery of memory

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The dialogue between the architectures of the monumental complex

The Chapel of the Kings

The area of the Sanctuary

The chystro: a place between earth and sky

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A Northern population

The links between the hauteville family and the monastic orders in Sicily

The rediscovered palace

The architectural appearance and transformations over time

From the main gate to the aisles: an invitation to a journey of faith

The stone bible

A new Cathedral

The Admiral’s dedication

The towers and the western facade

A cloister of accentuated stylistic variety

The opus sectile floor of the Palatine Chapel

The ancient convent of the Martorana, a history of devotion and tradition

A building constructed in a short space of time

The senses tell the ceiling

The chapel of the crucifix: an artistic casket based on a previous model

The flooring: shapes, motifs and iconography

the roof of Paradise: one of the most representative works of medieval art

From earthquake to collapse

The Cathedral over the centuries

Artistic elements in Peter’s ship

Roger II’s strategic design

The loca solatiorum: dwellings for recreation, well-being and hunting

Palermo: the happiest city

The senses tell the interior

The cemetery of kings

The senses tell the external architecture and the original layout

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The birth of the Norman kingdom

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The decorations on the bell tower

Survey of the royal tombs

Porphyry sarcophagi: royalty and power

The senses tell Context 1

The Chapel of St. Mary Magdalene

Decorations

The senses tell the architecture

The senses tell the historical context

The side Portico: a combination of elegance and lightness of form

A compositional design that combines nordic examples with new artistic languages, over the centuries

A tree full of life

Intertwining of knowledge in Norman Palermo

Characteristics of religious architecture in the romanesque period

The senses tell the architecture and decorations

Layers of different cultures decorate the external apses

From the Mosque to the Cathedral

Shapes and colours of the wooden ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A controversial interpretation

A remarkable ceiling

Restorations

The interior of the church

The Great Restoration

The mosaics of the apses

The Cassaro

A chapel by an unknown designer based on repeated symmetries

The senses tell the flooring

The lost chapel

Roger II of hauteville: a sovereign protected by God

The southern portico

The senses tell the Zisa over the centuries

Beyond the harmony of proportions

The Royal Throne

The architectural envelope: the Greek cross layout oriented towards the light

Gold and light: the splendour of the mosaics in the Royal Chapel

A palimpsest of history