photo gallery

photo gallery

Shapes and colours of the wooden ceiling

From the Mosque to the Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

A new Cathedral

The columns of the nave: the meticulous study of the overall order

Two initially similar towers, varied over time

The loca solatiorum: dwellings for recreation, well-being and hunting

A controversial interpretation

Palermo: the happiest city

A polysemy of high-level artistic forms and content

Artistic elements in Peter’s ship

Saint Peter’s Chapel in the Royal Palace

The mosaic cycle, an ascending path towards the light

The Genoard Park, the garden of pleasures and wonders

The mosaics of the presbytery

A mixture of styles pervades the floor decorations

The rediscovered chapel

the Baroque exterior

The decorations on the bell tower

The mosaics of the transept and the apses

The senses tell restorations

The opus sectile floor of the Palatine Chapel

Mosaic decoration

The chapel of san Castrense: an important renaissance work

Characteristics of religious architecture in the romanesque period

The Great Presbytery: a unique space for the cathedral

The king’s mark

The southern portico

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the Zisa over the centuries

The side aisles

Survey of the royal tombs

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Roger II of hauteville: a sovereign protected by God

The Bible carved in stone

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chorus: beating heart of the cathedral

The side Portico: a combination of elegance and lightness of form

The chapel of the crucifix: an artistic casket based on a previous model

The Norman conquest of Sicily and the birth of a new Latin kingdom

The towers and the western facade

The architectural appearance and transformations over time

The senses tell the architecture

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Tempus fugit: a strategic project implemented in a short period of time

The birth of the Norman kingdom

The architectural space

the Baroque interior

The Great Restoration

Cefalù: settlement evidence through time

The senses tell the historical context

Beyond the harmony of proportions

A space between the visible and the invisible

The Virgin Hodegetria

The ancient convent of the Martorana, a history of devotion and tradition

Intertwining of knowledge in Norman Palermo

The longest aisle

Norman religious architecture with islamic influences in Sicily

A building constructed in a short space of time

A cloister of accentuated stylistic variety

Ecclesia munita

Interior decorations

The transformations of the hall through the centuries

An architectural crescendo

The Royal Throne

The Admiral’s dedication

The mosaics of the apses

The interior of the church

The lost chapel

The Kings’ Cathedrals

Transformations over the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the flooring

The beginning of the construction site

The senses tell Context 1

The Cassaro

The senses tell the ceiling

The area of the Sanctuary

A palimpsest of history

Roger II’s strategic design

The Palace of Kings

The Cathedral over the centuries

The stone bible

The senses tell the mosaic cycle

The chystro: a place between earth and sky

Worship services

Different styles and transformations of “one of the most beautiful monuments in the world”

The construction of Monreale Cathedral: between myth and history

Gardens and architecture as a backdrop to the city of Palermo

A remarkable ceiling

The original design

The return of water

A Northern population

The senses tell the interior

From oblivion to the recovery of memory

The balance between architecture and light

The links between the hauteville family and the monastic orders in Sicily

The Chapel of St. Mary Magdalene

The senses tell the historical context

The medieval city amidst monasticism and feudal aristocracy

From earthquake to collapse

Porphyry sarcophagi: royalty and power

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The decorated facade

A chapel by an unknown designer based on repeated symmetries

The mosaics of the naves

The towers facing the facade used as bell towers

The Chapel of the Kings

The rediscovered palace

Restorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The liturgical spaces of the protesis and the diaconicon

The dialogue between the architectures of the monumental complex

Gold and light: the splendour of the mosaics in the Royal Chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the external architecture and the original layout

The chapel of St. Benedict

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the architecture and decorations

the roof of Paradise: one of the most representative works of medieval art

The flooring: shapes, motifs and iconography

The senses tell the historical context

The Gualtiero Cathedral

From the main gate to the aisles: an invitation to a journey of faith

Decorations

Layers of different cultures decorate the external apses

Squaring the circle

Under the crosses of the Bema

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The cultural substrate through time

A tree full of life

The cemetery of kings

The senses tell baroque decoration