photo gallery

photo gallery

the Baroque interior

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The transformations of the hall through the centuries

Palermo: the happiest city

The mosaics of the naves

The Great Presbytery: a unique space for the cathedral

The interior of the church

A mixture of styles pervades the floor decorations

Gardens and architecture as a backdrop to the city of Palermo

The ancient convent of the Martorana, a history of devotion and tradition

The chapel of the crucifix: an artistic casket based on a previous model

The Chapel of St. Mary Magdalene

The chapel of san Castrense: an important renaissance work

The Cathedral over the centuries

Saint Peter’s Chapel in the Royal Palace

The Great Restoration

The mosaic cycle, an ascending path towards the light

Artistic elements in Peter’s ship

The senses tell the mosaic cycle

Porphyry sarcophagi: royalty and power

The senses tell the architecture

A polysemy of high-level artistic forms and content

Survey of the royal tombs

The mosaics of the presbytery

Cefalù: settlement evidence through time

Under the crosses of the Bema

A chapel by an unknown designer based on repeated symmetries

The birth of the Norman kingdom

A building constructed in a short space of time

Roger II of hauteville: a sovereign protected by God

The medieval city amidst monasticism and feudal aristocracy

The decorated facade

A palimpsest of history

Interior decorations

The opus sectile floor of the Palatine Chapel

The Gualtiero Cathedral

The columns of the nave: the meticulous study of the overall order

A new Cathedral

A controversial interpretation

The longest aisle

The Admiral’s dedication

From earthquake to collapse

A tree full of life

Intertwining of knowledge in Norman Palermo

The Genoard Park, the garden of pleasures and wonders

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The original design

A space between the visible and the invisible

Characteristics of religious architecture in the romanesque period

The chystro: a place between earth and sky

The towers facing the facade used as bell towers

The senses tell the historical context

The cemetery of kings

The decorations on the bell tower

A remarkable ceiling

The rediscovered palace

The links between the hauteville family and the monastic orders in Sicily

The southern portico

The return of water

Ecclesia munita

The Norman conquest of Sicily and the birth of a new Latin kingdom

From the main gate to the aisles: an invitation to a journey of faith

The Cassaro

The construction of Monreale Cathedral: between myth and history

The senses tell Context 1

The side aisles

The side Portico: a combination of elegance and lightness of form

The dialogue between the architectures of the monumental complex

The flooring: shapes, motifs and iconography

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers and the western facade

Gold and light: the splendour of the mosaics in the Royal Chapel

A cloister of accentuated stylistic variety

The rediscovered chapel

The stone bible

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

the roof of Paradise: one of the most representative works of medieval art

Worship services

Different styles and transformations of “one of the most beautiful monuments in the world”

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Virgin Hodegetria

The senses tell the historical context

The area of the Sanctuary

The chapel of St. Benedict

The architectural envelope: the Greek cross layout oriented towards the light

Shapes and colours of the wooden ceiling

The Palace of Kings

the Baroque exterior

Norman religious architecture with islamic influences in Sicily

The liturgical spaces of the protesis and the diaconicon

The senses tell the historical context

Two initially similar towers, varied over time

From the Mosque to the Cathedral

The beginning of the construction site

Squaring the circle

The king’s mark

The balance between architecture and light

Decorations

The mosaics of the apses

The Kings’ Cathedrals

The senses tell the interior

The Bible carved in stone

The lost chapel

The cultural substrate through time

The senses tell baroque decoration

The Chapel of the Kings

Transformations over the centuries

The architectural space

Beyond the harmony of proportions

A compositional design that combines nordic examples with new artistic languages, over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell restorations

A Northern population

The Royal Throne

Restorations

An architectural crescendo

From oblivion to the recovery of memory

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaics of the transept and the apses

The chorus: beating heart of the cathedral

The senses tell the flooring

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Mosaic decoration

Layers of different cultures decorate the external apses

Roger II’s strategic design

The senses tell the ceiling

The senses tell the Zisa over the centuries

The senses tell the external architecture and the original layout

Tempus fugit: a strategic project implemented in a short period of time

The loca solatiorum: dwellings for recreation, well-being and hunting

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the architecture and decorations

The architectural appearance and transformations over time