photo gallery

photo gallery

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Saint Peter’s Chapel in the Royal Palace

Gardens and architecture as a backdrop to the city of Palermo

The chapel of the crucifix: an artistic casket based on a previous model

The southern portico

The senses tell baroque decoration

The stone bible

Norman religious architecture with islamic influences in Sicily

The mosaics of the transept and the apses

A Northern population

The architectural appearance and transformations over time

A controversial interpretation

Transformations over the centuries

The birth of the Norman kingdom

Interior decorations

A tree full of life

The flooring: shapes, motifs and iconography

The Virgin Hodegetria

The chapel of san Castrense: an important renaissance work

Palermo: the happiest city

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chystro: a place between earth and sky

The Great Presbytery: a unique space for the cathedral

The interior of the church

Layers of different cultures decorate the external apses

The senses tell the mosaic cycle

The senses tell the historical context

The links between the hauteville family and the monastic orders in Sicily

A new Cathedral

Worship services

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the interior

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Cathedral over the centuries

The medieval city amidst monasticism and feudal aristocracy

From the main gate to the aisles: an invitation to a journey of faith

Squaring the circle

The cultural substrate through time

Cefalù: settlement evidence through time

The original design

Two initially similar towers, varied over time

The Gualtiero Cathedral

The cemetery of kings

The columns of the nave: the meticulous study of the overall order

The construction of Monreale Cathedral: between myth and history

Ecclesia munita

The chorus: beating heart of the cathedral

From earthquake to collapse

Survey of the royal tombs

The longest aisle

The transformations of the hall through the centuries

The Cassaro

The decorations on the bell tower

Roger II’s strategic design

The senses tell the architecture and decorations

The architectural space

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Gold and light: the splendour of the mosaics in the Royal Chapel

Porphyry sarcophagi: royalty and power

Artistic elements in Peter’s ship

An architectural crescendo

The towers facing the facade used as bell towers

Decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the historical context

The Chapel of the Kings

The mosaic cycle, an ascending path towards the light

The Admiral’s dedication

From the Mosque to the Cathedral

The towers and the western facade

The rediscovered palace

The return of water

The decorated facade

The Great Restoration

The mosaics of the presbytery

The senses tell the Zisa over the centuries

Shapes and colours of the wooden ceiling

The balance between architecture and light

The beginning of the construction site

The area of the Sanctuary

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

the Baroque exterior

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A cloister of accentuated stylistic variety

Beyond the harmony of proportions

The side aisles

The Norman conquest of Sicily and the birth of a new Latin kingdom

Intertwining of knowledge in Norman Palermo

The dialogue between the architectures of the monumental complex

Mosaic decoration

The ancient convent of the Martorana, a history of devotion and tradition

From oblivion to the recovery of memory

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A polysemy of high-level artistic forms and content

The senses tell restorations

The Palace of Kings

Restorations

The Bible carved in stone

The Royal Throne

The loca solatiorum: dwellings for recreation, well-being and hunting

The opus sectile floor of the Palatine Chapel

The mosaics of the naves

The Genoard Park, the garden of pleasures and wonders

The Chapel of St. Mary Magdalene

the roof of Paradise: one of the most representative works of medieval art

Different styles and transformations of “one of the most beautiful monuments in the world”

A space between the visible and the invisible

A chapel by an unknown designer based on repeated symmetries

The chapel of St. Benedict

The lost chapel

The king’s mark

The side Portico: a combination of elegance and lightness of form

Under the crosses of the Bema

The senses tell the ceiling

Characteristics of religious architecture in the romanesque period

The senses tell the architecture

The liturgical spaces of the protesis and the diaconicon

A mixture of styles pervades the floor decorations

The Kings’ Cathedrals

The rediscovered chapel

The senses tell Context 1

The senses tell the historical context

A remarkable ceiling

The mosaics of the apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Tempus fugit: a strategic project implemented in a short period of time

A building constructed in a short space of time

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the flooring

Roger II of hauteville: a sovereign protected by God

the Baroque interior

The senses tell the external architecture and the original layout

A palimpsest of history