photo gallery

photo gallery

Cefalù: settlement evidence through time

The architectural space

A controversial interpretation

Decorations

Under the crosses of the Bema

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Great Presbytery: a unique space for the cathedral

The senses tell the historical context

The mosaics of the presbytery

Characteristics of religious architecture in the romanesque period

Layers of different cultures decorate the external apses

The decorated facade

The senses tell Context 1

Tempus fugit: a strategic project implemented in a short period of time

The return of water

The longest aisle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Genoard Park, the garden of pleasures and wonders

The senses tell restorations

The senses tell the architecture and decorations

The mosaics of the apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Ecclesia munita

The stone bible

The chorus: beating heart of the cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Cassaro

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

An architectural crescendo

A Northern population

The senses tell the external architecture and the original layout

The Great Restoration

The senses tell the architecture

The architectural envelope: the Greek cross layout oriented towards the light

The loca solatiorum: dwellings for recreation, well-being and hunting

The king’s mark

Worship services

The senses tell the historical context

The flooring: shapes, motifs and iconography

The Virgin Hodegetria

Squaring the circle

Restorations

A polysemy of high-level artistic forms and content

Two initially similar towers, varied over time

Beyond the harmony of proportions

A building constructed in a short space of time

Mosaic decoration

The construction of Monreale Cathedral: between myth and history

The senses tell the flooring

The ancient convent of the Martorana, a history of devotion and tradition

A space between the visible and the invisible

The towers and the western facade

A tree full of life

The senses tell baroque decoration

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The transformations of the hall through the centuries

The interior of the church

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The area of the Sanctuary

The Admiral’s dedication

The columns of the nave: the meticulous study of the overall order

Different styles and transformations of “one of the most beautiful monuments in the world”

The birth of the Norman kingdom

Survey of the royal tombs

Porphyry sarcophagi: royalty and power

The mosaic cycle, an ascending path towards the light

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the Zisa over the centuries

The original design

The Palace of Kings

The Royal Throne

The side aisles

Saint Peter’s Chapel in the Royal Palace

The Chapel of St. Mary Magdalene

The dialogue between the architectures of the monumental complex

Transformations over the centuries

A mixture of styles pervades the floor decorations

Norman religious architecture with islamic influences in Sicily

the roof of Paradise: one of the most representative works of medieval art

From the Mosque to the Cathedral

The architectural appearance and transformations over time

The side Portico: a combination of elegance and lightness of form

Gardens and architecture as a backdrop to the city of Palermo

Interior decorations

The senses tell the interior

The Kings’ Cathedrals

The opus sectile floor of the Palatine Chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

Palermo: the happiest city

A remarkable ceiling

The Bible carved in stone

The lost chapel

The mosaics of the naves

The chapel of san Castrense: an important renaissance work

A new Cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

A cloister of accentuated stylistic variety

A palimpsest of history

The Chapel of the Kings

The cemetery of kings

Shapes and colours of the wooden ceiling

From oblivion to the recovery of memory

The links between the hauteville family and the monastic orders in Sicily

The beginning of the construction site

the Baroque exterior

Roger II’s strategic design

The balance between architecture and light

The chystro: a place between earth and sky

A chapel by an unknown designer based on repeated symmetries

The rediscovered palace

The Cathedral over the centuries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The rediscovered chapel

The decorations on the bell tower

The senses tell the historical context

The medieval city amidst monasticism and feudal aristocracy

The chapel of St. Benedict

Roger II of hauteville: a sovereign protected by God

The cultural substrate through time

The Gualtiero Cathedral

From earthquake to collapse

The southern portico

The chapel of the crucifix: an artistic casket based on a previous model

Artistic elements in Peter’s ship

The Norman conquest of Sicily and the birth of a new Latin kingdom

The towers facing the facade used as bell towers

the Baroque interior

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The liturgical spaces of the protesis and the diaconicon

The mosaics of the transept and the apses

The senses tell the ceiling

Intertwining of knowledge in Norman Palermo

The senses tell the mosaic cycle