photo gallery

photo gallery

Norman religious architecture with islamic influences in Sicily

The chystro: a place between earth and sky

Characteristics of religious architecture in the romanesque period

The flooring: shapes, motifs and iconography

Survey of the royal tombs

The architectural appearance and transformations over time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the historical context

The dialogue between the architectures of the monumental complex

The side Portico: a combination of elegance and lightness of form

From oblivion to the recovery of memory

Worship services

The chapel of St. Benedict

A tree full of life

The Kings’ Cathedrals

The Virgin Hodegetria

The original design

A polysemy of high-level artistic forms and content

The senses tell the architecture and decorations

The Royal Throne

The senses tell the Zisa over the centuries

Palermo: the happiest city

The mosaics of the presbytery

The opus sectile floor of the Palatine Chapel

The chapel of san Castrense: an important renaissance work

The Palace of Kings

The Norman conquest of Sicily and the birth of a new Latin kingdom

A palimpsest of history

Intertwining of knowledge in Norman Palermo

The Admiral’s dedication

Saint Peter’s Chapel in the Royal Palace

Gold and light: the splendour of the mosaics in the Royal Chapel

Shapes and colours of the wooden ceiling

Transformations over the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Mosaic decoration

Restorations

The senses tell restorations

The chapel of the crucifix: an artistic casket based on a previous model

The area of the Sanctuary

The mosaics of the naves

The rediscovered palace

An architectural crescendo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The cemetery of kings

A chapel by an unknown designer based on repeated symmetries

Roger II’s strategic design

From earthquake to collapse

The links between the hauteville family and the monastic orders in Sicily

The southern portico

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the ceiling

The side aisles

Porphyry sarcophagi: royalty and power

The senses tell the flooring

Decorations

Two initially similar towers, varied over time

The liturgical spaces of the protesis and the diaconicon

The decorated facade

the Baroque exterior

The columns of the nave: the meticulous study of the overall order

A remarkable ceiling

From the main gate to the aisles: an invitation to a journey of faith

A new Cathedral

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the interior

The cultural substrate through time

The stone bible

Under the crosses of the Bema

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the historical context

A mixture of styles pervades the floor decorations

the Baroque interior

Cefalù: settlement evidence through time

The birth of the Norman kingdom

The towers and the western facade

The Chapel of the Kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The longest aisle

Gardens and architecture as a backdrop to the city of Palermo

The rediscovered chapel

The mosaic cycle, an ascending path towards the light

Layers of different cultures decorate the external apses

The senses tell the historical context

The mosaics of the transept and the apses

the roof of Paradise: one of the most representative works of medieval art

The return of water

From the Mosque to the Cathedral

The Cathedral over the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

Ecclesia munita

The Great Restoration

The senses tell the mosaic cycle

Artistic elements in Peter’s ship

The senses tell the architecture

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Chapel of St. Mary Magdalene

The chorus: beating heart of the cathedral

The senses tell baroque decoration

The mosaics of the apses

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A space between the visible and the invisible

The king’s mark

Beyond the harmony of proportions

The transformations of the hall through the centuries

The Gualtiero Cathedral

A controversial interpretation

Roger II of hauteville: a sovereign protected by God

The senses tell the external architecture and the original layout

The towers facing the facade used as bell towers

The Great Presbytery: a unique space for the cathedral

The Genoard Park, the garden of pleasures and wonders

A cloister of accentuated stylistic variety

The construction of Monreale Cathedral: between myth and history

The senses tell Context 1

Interior decorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The interior of the church

The Bible carved in stone

The architectural space

The Cassaro

Tempus fugit: a strategic project implemented in a short period of time

The medieval city amidst monasticism and feudal aristocracy

The lost chapel

The balance between architecture and light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The beginning of the construction site

The decorations on the bell tower

Squaring the circle

A Northern population

A building constructed in a short space of time

The architectural envelope: the Greek cross layout oriented towards the light