photo gallery

photo gallery

Palermo: the happiest city

A space between the visible and the invisible

The Norman conquest of Sicily and the birth of a new Latin kingdom

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the historical context

Restorations

The transformations of the hall through the centuries

Worship services

The chapel of san Castrense: an important renaissance work

The mosaics of the presbytery

Beyond the harmony of proportions

The chapel of St. Benedict

The Chapel of the Kings

A remarkable ceiling

The senses tell the Zisa over the centuries

A new Cathedral

A tree full of life

From the main gate to the aisles: an invitation to a journey of faith

The side Portico: a combination of elegance and lightness of form

The liturgical spaces of the protesis and the diaconicon

Layers of different cultures decorate the external apses

The loca solatiorum: dwellings for recreation, well-being and hunting

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the interior

Gold and light: the splendour of the mosaics in the Royal Chapel

The longest aisle

The senses tell the architecture and decorations

The balance between architecture and light

Roger II of hauteville: a sovereign protected by God

The links between the hauteville family and the monastic orders in Sicily

Saint Peter’s Chapel in the Royal Palace

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The beginning of the construction site

A controversial interpretation

Artistic elements in Peter’s ship

the Baroque interior

The senses tell baroque decoration

Interior decorations

The decorated facade

The senses tell the ceiling

Roger II’s strategic design

An architectural crescendo

Norman religious architecture with islamic influences in Sicily

The senses tell the historical context

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The original design

A Northern population

The decorations on the bell tower

The rediscovered palace

The senses tell the mosaic cycle

The Cathedral over the centuries

The chystro: a place between earth and sky

The rediscovered chapel

The mosaics of the transept and the apses

The opus sectile floor of the Palatine Chapel

The senses tell the architecture

The construction of Monreale Cathedral: between myth and history

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Palace of Kings

The cemetery of kings

Squaring the circle

A compositional design that combines nordic examples with new artistic languages, over the centuries

Mosaic decoration

The senses tell Context 1

The Chapel of St. Mary Magdalene

The architectural envelope: the Greek cross layout oriented towards the light

Characteristics of religious architecture in the romanesque period

The Royal Throne

The Bible carved in stone

Intertwining of knowledge in Norman Palermo

A chapel by an unknown designer based on repeated symmetries

The birth of the Norman kingdom

The cultural substrate through time

The architectural appearance and transformations over time

Two initially similar towers, varied over time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A mixture of styles pervades the floor decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The towers and the western facade

The Virgin Hodegetria

The flooring: shapes, motifs and iconography

A cloister of accentuated stylistic variety

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The towers facing the facade used as bell towers

A palimpsest of history

The interior of the church

A building constructed in a short space of time

The chapel of the crucifix: an artistic casket based on a previous model

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the naves

Survey of the royal tombs

The medieval city amidst monasticism and feudal aristocracy

The Great Restoration

Cefalù: settlement evidence through time

The Kings’ Cathedrals

The Genoard Park, the garden of pleasures and wonders

the Baroque exterior

The stone bible

The side aisles

Transformations over the centuries

From the Mosque to the Cathedral

The senses tell the historical context

Shapes and colours of the wooden ceiling

The chorus: beating heart of the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

The Admiral’s dedication

The Great Presbytery: a unique space for the cathedral

The southern portico

The senses tell restorations

The Cassaro

The columns of the nave: the meticulous study of the overall order

The senses tell the external architecture and the original layout

The ancient convent of the Martorana, a history of devotion and tradition

The mosaic cycle, an ascending path towards the light

The dialogue between the architectures of the monumental complex

The king’s mark

From oblivion to the recovery of memory

Decorations

The architectural space

The area of the Sanctuary

Porphyry sarcophagi: royalty and power

the roof of Paradise: one of the most representative works of medieval art

A polysemy of high-level artistic forms and content

The senses tell the flooring

The mosaics of the apses

Gardens and architecture as a backdrop to the city of Palermo

From earthquake to collapse

The return of water

The lost chapel

Ecclesia munita

Under the crosses of the Bema