photo gallery

photo gallery

Gardens and architecture as a backdrop to the city of Palermo

Restorations

The senses tell the historical context

The flooring: shapes, motifs and iconography

The senses tell the historical context

The Norman conquest of Sicily and the birth of a new Latin kingdom

From the main gate to the aisles: an invitation to a journey of faith

The Great Presbytery: a unique space for the cathedral

the Baroque exterior

The mosaics of the transept and the apses

The senses tell the interior

The rediscovered palace

Survey of the royal tombs

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of the crucifix: an artistic casket based on a previous model

Squaring the circle

The area of the Sanctuary

Palermo: the happiest city

The chystro: a place between earth and sky

The decorated facade

Decorations

The original design

The senses tell the architecture

The senses tell the external architecture and the original layout

The links between the hauteville family and the monastic orders in Sicily

Porphyry sarcophagi: royalty and power

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Palace of Kings

The transformations of the hall through the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the ceiling

The columns of the nave: the meticulous study of the overall order

The medieval city amidst monasticism and feudal aristocracy

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The return of water

The rediscovered chapel

The stone bible

The Great Restoration

The king’s mark

A cloister of accentuated stylistic variety

A tree full of life

A controversial interpretation

A mixture of styles pervades the floor decorations

Layers of different cultures decorate the external apses

A remarkable ceiling

Saint Peter’s Chapel in the Royal Palace

Interior decorations

The Cassaro

A compositional design that combines nordic examples with new artistic languages, over the centuries

The lost chapel

The mosaics of the apses

The Cathedral over the centuries

Mosaic decoration

A new Cathedral

The opus sectile floor of the Palatine Chapel

the roof of Paradise: one of the most representative works of medieval art

The decorations on the bell tower

The architectural appearance and transformations over time

An architectural crescendo

Shapes and colours of the wooden ceiling

Worship services

The balance between architecture and light

The Gualtiero Cathedral

A palimpsest of history

The Chapel of St. Mary Magdalene

The mosaics of the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A Northern population

Beyond the harmony of proportions

A polysemy of high-level artistic forms and content

The senses tell Context 1

The liturgical spaces of the protesis and the diaconicon

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

The construction of Monreale Cathedral: between myth and history

The towers and the western facade

Gold and light: the splendour of the mosaics in the Royal Chapel

The interior of the church

The senses tell the architecture and decorations

The Kings’ Cathedrals

The loca solatiorum: dwellings for recreation, well-being and hunting

The cemetery of kings

The cultural substrate through time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From oblivion to the recovery of memory

The senses tell the flooring

Norman religious architecture with islamic influences in Sicily

The chapel of St. Benedict

A chapel by an unknown designer based on repeated symmetries

Roger II’s strategic design

A space between the visible and the invisible

The towers facing the facade used as bell towers

Artistic elements in Peter’s ship

The senses tell restorations

Two initially similar towers, varied over time

The chorus: beating heart of the cathedral

The mosaic cycle, an ascending path towards the light

The architectural space

Cefalù: settlement evidence through time

The Admiral’s dedication

The beginning of the construction site

The longest aisle

The architectural envelope: the Greek cross layout oriented towards the light

Under the crosses of the Bema

The Chapel of the Kings

the Baroque interior

The chapel of san Castrense: an important renaissance work

The Virgin Hodegetria

The senses tell the mosaic cycle

The senses tell baroque decoration

The ancient convent of the Martorana, a history of devotion and tradition

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the presbytery

Ecclesia munita

The dialogue between the architectures of the monumental complex

Characteristics of religious architecture in the romanesque period

The birth of the Norman kingdom

Different styles and transformations of “one of the most beautiful monuments in the world”

Transformations over the centuries

The senses tell the Zisa over the centuries

Tempus fugit: a strategic project implemented in a short period of time

The Bible carved in stone

The southern portico

The Royal Throne

Intertwining of knowledge in Norman Palermo

From the Mosque to the Cathedral

Roger II of hauteville: a sovereign protected by God

The side aisles

The Genoard Park, the garden of pleasures and wonders

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A building constructed in a short space of time

From earthquake to collapse