photo gallery

photo gallery

A building constructed in a short space of time

Gold and light: the splendour of the mosaics in the Royal Chapel

Shapes and colours of the wooden ceiling

Porphyry sarcophagi: royalty and power

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Admiral’s dedication

The chapel of san Castrense: an important renaissance work

The king’s mark

The chorus: beating heart of the cathedral

The architectural appearance and transformations over time

A polysemy of high-level artistic forms and content

From the Mosque to the Cathedral

The senses tell the Zisa over the centuries

The longest aisle

Artistic elements in Peter’s ship

The stone bible

The Cassaro

The Gualtiero Cathedral

A controversial interpretation

The birth of the Norman kingdom

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The flooring: shapes, motifs and iconography

The mosaics of the apses

The balance between architecture and light

Transformations over the centuries

The Palace of Kings

Layers of different cultures decorate the external apses

The senses tell the flooring

The side aisles

The architectural envelope: the Greek cross layout oriented towards the light

Different styles and transformations of “one of the most beautiful monuments in the world”

The side Portico: a combination of elegance and lightness of form

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Genoard Park, the garden of pleasures and wonders

the Baroque exterior

From earthquake to collapse

The original design

Cefalù: settlement evidence through time

The senses tell restorations

The construction of Monreale Cathedral: between myth and history

The area of the Sanctuary

Roger II of hauteville: a sovereign protected by God

The beginning of the construction site

The mosaics of the transept and the apses

The cultural substrate through time

Survey of the royal tombs

The senses tell the external architecture and the original layout

the Baroque interior

The cemetery of kings

The loca solatiorum: dwellings for recreation, well-being and hunting

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

From the main gate to the aisles: an invitation to a journey of faith

The chapel of the crucifix: an artistic casket based on a previous model

A remarkable ceiling

The senses tell the architecture and decorations

A palimpsest of history

The Bible carved in stone

The senses tell the architecture

the roof of Paradise: one of the most representative works of medieval art

The chystro: a place between earth and sky

The decorations on the bell tower

Ecclesia munita

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A chapel by an unknown designer based on repeated symmetries

Saint Peter’s Chapel in the Royal Palace

Mosaic decoration

Tempus fugit: a strategic project implemented in a short period of time

Interior decorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The liturgical spaces of the protesis and the diaconicon

The links between the hauteville family and the monastic orders in Sicily

The Royal Throne

The senses tell the historical context

The southern portico

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

The chapel of St. Benedict

A Northern population

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural space

The Great Presbytery: a unique space for the cathedral

Under the crosses of the Bema

The senses tell the historical context

The Cathedral over the centuries

The mosaics of the presbytery

The Chapel of St. Mary Magdalene

The interior of the church

The ancient convent of the Martorana, a history of devotion and tradition

The rediscovered chapel

The mosaics of the naves

The medieval city amidst monasticism and feudal aristocracy

Intertwining of knowledge in Norman Palermo

Squaring the circle

The dialogue between the architectures of the monumental complex

The lost chapel

Roger II’s strategic design

Restorations

Two initially similar towers, varied over time

The transformations of the hall through the centuries

The Chapel of the Kings

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Great Restoration

The senses tell Context 1

A tree full of life

Characteristics of religious architecture in the romanesque period

Decorations

Palermo: the happiest city

The rediscovered palace

The Norman conquest of Sicily and the birth of a new Latin kingdom

Beyond the harmony of proportions

The columns of the nave: the meticulous study of the overall order

Worship services

The mosaic cycle, an ascending path towards the light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Virgin Hodegetria

The senses tell the ceiling

The return of water

A space between the visible and the invisible

The decorated facade

A cloister of accentuated stylistic variety

From oblivion to the recovery of memory

A new Cathedral

Norman religious architecture with islamic influences in Sicily

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the mosaic cycle

A mixture of styles pervades the floor decorations

The senses tell baroque decoration

The towers and the western facade

An architectural crescendo

The Kings’ Cathedrals

The towers facing the facade used as bell towers

The senses tell the interior