photo gallery

photo gallery

Artistic elements in Peter’s ship

Beyond the harmony of proportions

A Northern population

The Palace of Kings

The opus sectile floor of the Palatine Chapel

The senses tell the historical context

The medieval city amidst monasticism and feudal aristocracy

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the external architecture and the original layout

The Cassaro

Norman religious architecture with islamic influences in Sicily

The Admiral’s dedication

A chapel by an unknown designer based on repeated symmetries

Shapes and colours of the wooden ceiling

The senses tell Context 1

The Chapel of St. Mary Magdalene

The rediscovered palace

Intertwining of knowledge in Norman Palermo

The architectural envelope: the Greek cross layout oriented towards the light

The side aisles

The Great Restoration

Porphyry sarcophagi: royalty and power

The longest aisle

Ecclesia munita

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From earthquake to collapse

Mosaic decoration

Roger II of hauteville: a sovereign protected by God

the Baroque exterior

The senses tell the historical context

The lost chapel

The king’s mark

The senses tell the interior

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the architecture

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The decorated facade

The liturgical spaces of the protesis and the diaconicon

The architectural appearance and transformations over time

The Virgin Hodegetria

The Genoard Park, the garden of pleasures and wonders

The Kings’ Cathedrals

The Gualtiero Cathedral

Worship services

A controversial interpretation

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the Zisa over the centuries

The Bible carved in stone

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the transept and the apses

The balance between architecture and light

The construction of Monreale Cathedral: between myth and history

The chapel of St. Benedict

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Gold and light: the splendour of the mosaics in the Royal Chapel

From the main gate to the aisles: an invitation to a journey of faith

From oblivion to the recovery of memory

The ancient convent of the Martorana, a history of devotion and tradition

The loca solatiorum: dwellings for recreation, well-being and hunting

Two initially similar towers, varied over time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The interior of the church

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Cefalù: settlement evidence through time

From the Mosque to the Cathedral

The cultural substrate through time

The Royal Throne

The senses tell the flooring

the Baroque interior

The return of water

Gardens and architecture as a backdrop to the city of Palermo

A tree full of life

Saint Peter’s Chapel in the Royal Palace

Characteristics of religious architecture in the romanesque period

Under the crosses of the Bema

The rediscovered chapel

The dialogue between the architectures of the monumental complex

The mosaics of the naves

Decorations

The columns of the nave: the meticulous study of the overall order

The senses tell the historical context

The senses tell restorations

The senses tell the architecture and decorations

The mosaics of the presbytery

The chapel of san Castrense: an important renaissance work

Survey of the royal tombs

Different styles and transformations of “one of the most beautiful monuments in the world”

Roger II’s strategic design

A building constructed in a short space of time

The Cathedral over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

The towers facing the facade used as bell towers

A new Cathedral

The Chapel of the Kings

The chorus: beating heart of the cathedral

Palermo: the happiest city

The senses tell the ceiling

The transformations of the hall through the centuries

Restorations

The cemetery of kings

The decorations on the bell tower

The birth of the Norman kingdom

The flooring: shapes, motifs and iconography

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The beginning of the construction site

The mosaic cycle, an ascending path towards the light

The side Portico: a combination of elegance and lightness of form

The links between the hauteville family and the monastic orders in Sicily

Squaring the circle

The senses tell the mosaic cycle

A polysemy of high-level artistic forms and content

The senses tell baroque decoration

The chystro: a place between earth and sky

The southern portico

Interior decorations

A space between the visible and the invisible

The area of the Sanctuary

The original design

The stone bible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Layers of different cultures decorate the external apses

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Great Presbytery: a unique space for the cathedral

The architectural space

The towers and the western facade

An architectural crescendo

A palimpsest of history

A remarkable ceiling

A cloister of accentuated stylistic variety

A mixture of styles pervades the floor decorations

Transformations over the centuries

The mosaics of the apses

the roof of Paradise: one of the most representative works of medieval art