photo gallery

photo gallery

Gardens and architecture as a backdrop to the city of Palermo

The stone bible

The senses tell the external architecture and the original layout

Survey of the royal tombs

Different styles and transformations of “one of the most beautiful monuments in the world”

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Kings’ Cathedrals

A remarkable ceiling

The decorated facade

The side Portico: a combination of elegance and lightness of form

An architectural crescendo

The senses tell the Zisa over the centuries

The southern portico

The mosaics of the presbytery

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The area of the Sanctuary

Cefalù: settlement evidence through time

Characteristics of religious architecture in the romanesque period

The senses tell the mosaic cycle

The cultural substrate through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Mosaic decoration

Squaring the circle

A chapel by an unknown designer based on repeated symmetries

A Northern population

The longest aisle

Roger II’s strategic design

The senses tell the historical context

The ancient convent of the Martorana, a history of devotion and tradition

The return of water

Porphyry sarcophagi: royalty and power

Saint Peter’s Chapel in the Royal Palace

The senses tell baroque decoration

The Palace of Kings

A building constructed in a short space of time

The Royal Throne

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side aisles

From oblivion to the recovery of memory

The senses tell the architecture

The architectural appearance and transformations over time

The cemetery of kings

The rediscovered chapel

Intertwining of knowledge in Norman Palermo

The senses tell the architecture and decorations

The rediscovered palace

Roger II of hauteville: a sovereign protected by God

The lost chapel

The transformations of the hall through the centuries

From the Mosque to the Cathedral

The senses tell the ceiling

The Bible carved in stone

A cloister of accentuated stylistic variety

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Layers of different cultures decorate the external apses

Palermo: the happiest city

The king’s mark

A polysemy of high-level artistic forms and content

Two initially similar towers, varied over time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The decorations on the bell tower

The columns of the nave: the meticulous study of the overall order

The Genoard Park, the garden of pleasures and wonders

The chapel of St. Benedict

The chapel of the crucifix: an artistic casket based on a previous model

The Great Restoration

The senses tell the interior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Cassaro

The dialogue between the architectures of the monumental complex

A controversial interpretation

The Chapel of the Kings

the Baroque exterior

The beginning of the construction site

The mosaics of the naves

The architectural envelope: the Greek cross layout oriented towards the light

The Gualtiero Cathedral

A palimpsest of history

From earthquake to collapse

The Great Presbytery: a unique space for the cathedral

The towers facing the facade used as bell towers

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell restorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Shapes and colours of the wooden ceiling

The medieval city amidst monasticism and feudal aristocracy

The interior of the church

the roof of Paradise: one of the most representative works of medieval art

The chapel of san Castrense: an important renaissance work

The mosaics of the transept and the apses

The mosaics of the apses

Beyond the harmony of proportions

Ecclesia munita

The senses tell Context 1

Under the crosses of the Bema

The birth of the Norman kingdom

Decorations

The mosaic cycle, an ascending path towards the light

Transformations over the centuries

The liturgical spaces of the protesis and the diaconicon

The Chapel of St. Mary Magdalene

the Baroque interior

Worship services

The chorus: beating heart of the cathedral

Restorations

The flooring: shapes, motifs and iconography

A new Cathedral

The architectural space

The opus sectile floor of the Palatine Chapel

The senses tell the flooring

The senses tell the historical context

Tempus fugit: a strategic project implemented in a short period of time

The Cathedral over the centuries

The links between the hauteville family and the monastic orders in Sicily

Norman religious architecture with islamic influences in Sicily

From the main gate to the aisles: an invitation to a journey of faith

The construction of Monreale Cathedral: between myth and history

A mixture of styles pervades the floor decorations

The senses tell the historical context

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Interior decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

A tree full of life

A space between the visible and the invisible

Artistic elements in Peter’s ship

The towers and the western facade

The chystro: a place between earth and sky

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Virgin Hodegetria

The original design

The balance between architecture and light

The Admiral’s dedication