photo gallery

photo gallery

Worship services

Ecclesia munita

The senses tell Context 1

Decorations

Restorations

A polysemy of high-level artistic forms and content

Layers of different cultures decorate the external apses

The senses tell the architecture and decorations

The Kings’ Cathedrals

The liturgical spaces of the protesis and the diaconicon

The Genoard Park, the garden of pleasures and wonders

The mosaics of the transept and the apses

The southern portico

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Norman religious architecture with islamic influences in Sicily

The stone bible

Mosaic decoration

Characteristics of religious architecture in the romanesque period

A building constructed in a short space of time

The lost chapel

The dialogue between the architectures of the monumental complex

Two initially similar towers, varied over time

The medieval city amidst monasticism and feudal aristocracy

The senses tell the historical context

From the main gate to the aisles: an invitation to a journey of faith

The Gualtiero Cathedral

The chapel of the crucifix: an artistic casket based on a previous model

Saint Peter’s Chapel in the Royal Palace

The columns of the nave: the meticulous study of the overall order

Cefalù: settlement evidence through time

The architectural envelope: the Greek cross layout oriented towards the light

The interior of the church

A controversial interpretation

A compositional design that combines nordic examples with new artistic languages, over the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A chapel by an unknown designer based on repeated symmetries

The Chapel of St. Mary Magdalene

Interior decorations

The senses tell restorations

A space between the visible and the invisible

Tempus fugit: a strategic project implemented in a short period of time

The birth of the Norman kingdom

The side Portico: a combination of elegance and lightness of form

The loca solatiorum: dwellings for recreation, well-being and hunting

Roger II’s strategic design

The original design

The senses tell the flooring

Porphyry sarcophagi: royalty and power

The Chapel of the Kings

Survey of the royal tombs

Under the crosses of the Bema

From oblivion to the recovery of memory

The Bible carved in stone

Intertwining of knowledge in Norman Palermo

The senses tell the interior

Palermo: the happiest city

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaic cycle, an ascending path towards the light

The mosaics of the apses

The opus sectile floor of the Palatine Chapel

The architectural appearance and transformations over time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chapel of St. Benedict

Different styles and transformations of “one of the most beautiful monuments in the world”

The beginning of the construction site

The Admiral’s dedication

The architectural space

The rediscovered palace

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The construction of Monreale Cathedral: between myth and history

The towers facing the facade used as bell towers

The Virgin Hodegetria

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Squaring the circle

The decorations on the bell tower

The Cassaro

A Northern population

The senses tell the mosaic cycle

the Baroque exterior

The senses tell the external architecture and the original layout

the Baroque interior

A tree full of life

The king’s mark

The mosaics of the naves

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell baroque decoration

The cemetery of kings

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Artistic elements in Peter’s ship

The decorated facade

The return of water

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of san Castrense: an important renaissance work

Transformations over the centuries

The links between the hauteville family and the monastic orders in Sicily

The transformations of the hall through the centuries

From the Mosque to the Cathedral

The area of the Sanctuary

The side aisles

A cloister of accentuated stylistic variety

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Great Presbytery: a unique space for the cathedral

The senses tell the historical context

The chorus: beating heart of the cathedral

The senses tell the ceiling

A new Cathedral

The towers and the western facade

The cultural substrate through time

The flooring: shapes, motifs and iconography

Gardens and architecture as a backdrop to the city of Palermo

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the architecture

Beyond the harmony of proportions

Roger II of hauteville: a sovereign protected by God

The Palace of Kings

A remarkable ceiling

The Cathedral over the centuries

The Great Restoration

The mosaics of the presbytery

The Royal Throne

From earthquake to collapse

The senses tell the Zisa over the centuries

Shapes and colours of the wooden ceiling

An architectural crescendo

A mixture of styles pervades the floor decorations

The chystro: a place between earth and sky

The senses tell the historical context

The longest aisle

The rediscovered chapel

Gold and light: the splendour of the mosaics in the Royal Chapel

A palimpsest of history

the roof of Paradise: one of the most representative works of medieval art

The balance between architecture and light