photo gallery

photo gallery

The links between the hauteville family and the monastic orders in Sicily

The mosaics of the transept and the apses

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A tree full of life

A remarkable ceiling

Intertwining of knowledge in Norman Palermo

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Great Presbytery: a unique space for the cathedral

The Chapel of the Kings

The Kings’ Cathedrals

The architectural envelope: the Greek cross layout oriented towards the light

The towers facing the facade used as bell towers

The longest aisle

Cefalù: settlement evidence through time

The Bible carved in stone

The side Portico: a combination of elegance and lightness of form

The flooring: shapes, motifs and iconography

Roger II’s strategic design

The senses tell the flooring

The senses tell baroque decoration

A controversial interpretation

The ancient convent of the Martorana, a history of devotion and tradition

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell Context 1

Beyond the harmony of proportions

The architectural space

The senses tell the mosaic cycle

The beginning of the construction site

From oblivion to the recovery of memory

The decorated facade

Transformations over the centuries

An architectural crescendo

A mixture of styles pervades the floor decorations

The Cathedral over the centuries

The senses tell the historical context

The liturgical spaces of the protesis and the diaconicon

Porphyry sarcophagi: royalty and power

The mosaics of the apses

The birth of the Norman kingdom

The side aisles

Norman religious architecture with islamic influences in Sicily

A palimpsest of history

the Baroque interior

The Great Restoration

The Palace of Kings

The medieval city amidst monasticism and feudal aristocracy

From the Mosque to the Cathedral

The mosaic cycle, an ascending path towards the light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Worship services

The loca solatiorum: dwellings for recreation, well-being and hunting

Roger II of hauteville: a sovereign protected by God

The towers and the western facade

the Baroque exterior

Tempus fugit: a strategic project implemented in a short period of time

A chapel by an unknown designer based on repeated symmetries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Mosaic decoration

From earthquake to collapse

The chapel of St. Benedict

A polysemy of high-level artistic forms and content

The chapel of san Castrense: an important renaissance work

Decorations

The Royal Throne

The architectural appearance and transformations over time

Shapes and colours of the wooden ceiling

The decorations on the bell tower

The columns of the nave: the meticulous study of the overall order

The senses tell the architecture and decorations

The senses tell the ceiling

The stone bible

The opus sectile floor of the Palatine Chapel

A Northern population

The interior of the church

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Admiral’s dedication

The Chapel of St. Mary Magdalene

Palermo: the happiest city

A building constructed in a short space of time

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell restorations

Restorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

the roof of Paradise: one of the most representative works of medieval art

The Genoard Park, the garden of pleasures and wonders

The return of water

Layers of different cultures decorate the external apses

Gold and light: the splendour of the mosaics in the Royal Chapel

The transformations of the hall through the centuries

The dialogue between the architectures of the monumental complex

The lost chapel

The senses tell the external architecture and the original layout

The mosaics of the presbytery

The chystro: a place between earth and sky

The chorus: beating heart of the cathedral

Characteristics of religious architecture in the romanesque period

Survey of the royal tombs

The balance between architecture and light

The senses tell the architecture

The construction of Monreale Cathedral: between myth and history

From the main gate to the aisles: an invitation to a journey of faith

Two initially similar towers, varied over time

The cemetery of kings

Saint Peter’s Chapel in the Royal Palace

The Cassaro

The cultural substrate through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A new Cathedral

A space between the visible and the invisible

Under the crosses of the Bema

The senses tell the Zisa over the centuries

The rediscovered chapel

Ecclesia munita

The senses tell the interior

The Gualtiero Cathedral

The king’s mark

Interior decorations

Different styles and transformations of “one of the most beautiful monuments in the world”

The Virgin Hodegetria

A cloister of accentuated stylistic variety

A compositional design that combines nordic examples with new artistic languages, over the centuries

The rediscovered palace

The mosaics of the naves

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Squaring the circle

Artistic elements in Peter’s ship

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the historical context

The area of the Sanctuary

The original design

The senses tell the historical context

The southern portico

Gardens and architecture as a backdrop to the city of Palermo