photo gallery

photo gallery

The chapel of san Castrense: an important renaissance work

The Chapel of St. Mary Magdalene

The decorations on the bell tower

The towers and the western facade

The opus sectile floor of the Palatine Chapel

The Kings’ Cathedrals

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The beginning of the construction site

From earthquake to collapse

Worship services

The side Portico: a combination of elegance and lightness of form

the Baroque exterior

The medieval city amidst monasticism and feudal aristocracy

Artistic elements in Peter’s ship

The Great Presbytery: a unique space for the cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Squaring the circle

Gardens and architecture as a backdrop to the city of Palermo

The rediscovered chapel

The area of the Sanctuary

Different styles and transformations of “one of the most beautiful monuments in the world”

The transformations of the hall through the centuries

The ancient convent of the Martorana, a history of devotion and tradition

The southern portico

The dialogue between the architectures of the monumental complex

A tree full of life

A remarkable ceiling

The towers facing the facade used as bell towers

Ecclesia munita

The original design

The interior of the church

The senses tell the Zisa over the centuries

Transformations over the centuries

A palimpsest of history

the Baroque interior

A space between the visible and the invisible

A cloister of accentuated stylistic variety

A mixture of styles pervades the floor decorations

Intertwining of knowledge in Norman Palermo

The mosaics of the apses

Survey of the royal tombs

The construction of Monreale Cathedral: between myth and history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural envelope: the Greek cross layout oriented towards the light

A chapel by an unknown designer based on repeated symmetries

From oblivion to the recovery of memory

The liturgical spaces of the protesis and the diaconicon

The mosaics of the transept and the apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A Northern population

A building constructed in a short space of time

A compositional design that combines nordic examples with new artistic languages, over the centuries

Roger II’s strategic design

The longest aisle

The chystro: a place between earth and sky

The chapel of St. Benedict

Decorations

Layers of different cultures decorate the external apses

A polysemy of high-level artistic forms and content

Roger II of hauteville: a sovereign protected by God

A controversial interpretation

The lost chapel

Restorations

The senses tell the historical context

The side aisles

the roof of Paradise: one of the most representative works of medieval art

Beyond the harmony of proportions

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The architectural appearance and transformations over time

An architectural crescendo

Two initially similar towers, varied over time

The Great Restoration

The return of water

Mosaic decoration

Palermo: the happiest city

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

The senses tell the flooring

The senses tell the historical context

Interior decorations

Tempus fugit: a strategic project implemented in a short period of time

Porphyry sarcophagi: royalty and power

The chorus: beating heart of the cathedral

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the ceiling

The architectural space

Shapes and colours of the wooden ceiling

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Gualtiero Cathedral

The senses tell the architecture

From the main gate to the aisles: an invitation to a journey of faith

From the Mosque to the Cathedral

The decorated facade

A new Cathedral

The mosaics of the presbytery

The birth of the Norman kingdom

The cemetery of kings

The senses tell the architecture and decorations

The Chapel of the Kings

The stone bible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Norman conquest of Sicily and the birth of a new Latin kingdom

The loca solatiorum: dwellings for recreation, well-being and hunting

The links between the hauteville family and the monastic orders in Sicily

The Virgin Hodegetria

The Cassaro

Saint Peter’s Chapel in the Royal Palace

The Palace of Kings

Norman religious architecture with islamic influences in Sicily

The Royal Throne

The Bible carved in stone

The columns of the nave: the meticulous study of the overall order

The senses tell baroque decoration

The senses tell the mosaic cycle

The Admiral’s dedication

The Genoard Park, the garden of pleasures and wonders

The senses tell restorations

The mosaics of the naves

Under the crosses of the Bema

The mosaic cycle, an ascending path towards the light

The king’s mark

The senses tell the interior

The senses tell the external architecture and the original layout

The cultural substrate through time

Cefalù: settlement evidence through time

Gold and light: the splendour of the mosaics in the Royal Chapel

The balance between architecture and light

The senses tell Context 1

The rediscovered palace

The flooring: shapes, motifs and iconography

The Cathedral over the centuries