photo gallery

photo gallery

The senses tell the historical context

The medieval city amidst monasticism and feudal aristocracy

Ecclesia munita

The Chapel of the Kings

The mosaic cycle, an ascending path towards the light

The mosaics of the presbytery

A chapel by an unknown designer based on repeated symmetries

The return of water

The longest aisle

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From oblivion to the recovery of memory

Under the crosses of the Bema

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell baroque decoration

The balance between architecture and light

The rediscovered chapel

Gardens and architecture as a backdrop to the city of Palermo

The Cathedral over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

The decorated facade

The architectural space

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the flooring

The senses tell restorations

The original design

The king’s mark

Characteristics of religious architecture in the romanesque period

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Beyond the harmony of proportions

the roof of Paradise: one of the most representative works of medieval art

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

the Baroque exterior

From earthquake to collapse

The Bible carved in stone

The mosaics of the naves

The Chapel of St. Mary Magdalene

A remarkable ceiling

The Great Presbytery: a unique space for the cathedral

The chapel of St. Benedict

Tempus fugit: a strategic project implemented in a short period of time

A mixture of styles pervades the floor decorations

Mosaic decoration

The senses tell the ceiling

The flooring: shapes, motifs and iconography

The towers and the western facade

The interior of the church

The chorus: beating heart of the cathedral

The Palace of Kings

Palermo: the happiest city

The mosaics of the transept and the apses

The senses tell the Zisa over the centuries

Shapes and colours of the wooden ceiling

The senses tell the mosaic cycle

The lost chapel

The birth of the Norman kingdom

Norman religious architecture with islamic influences in Sicily

Porphyry sarcophagi: royalty and power

Layers of different cultures decorate the external apses

Two initially similar towers, varied over time

The architectural envelope: the Greek cross layout oriented towards the light

the Baroque interior

A space between the visible and the invisible

The ancient convent of the Martorana, a history of devotion and tradition

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chystro: a place between earth and sky

The stone bible

A controversial interpretation

Interior decorations

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cassaro

The senses tell the historical context

A new Cathedral

Transformations over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The southern portico

A compositional design that combines nordic examples with new artistic languages, over the centuries

The decorations on the bell tower

A tree full of life

The senses tell the architecture and decorations

From the Mosque to the Cathedral

An architectural crescendo

Different styles and transformations of “one of the most beautiful monuments in the world”

The Admiral’s dedication

From the main gate to the aisles: an invitation to a journey of faith

The side Portico: a combination of elegance and lightness of form

The senses tell the interior

The links between the hauteville family and the monastic orders in Sicily

The beginning of the construction site

The senses tell the external architecture and the original layout

The Gualtiero Cathedral

The opus sectile floor of the Palatine Chapel

The chapel of san Castrense: an important renaissance work

A palimpsest of history

The cultural substrate through time

The senses tell Context 1

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A Northern population

The area of the Sanctuary

The liturgical spaces of the protesis and the diaconicon

Roger II’s strategic design

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural appearance and transformations over time

The senses tell the historical context

The Great Restoration

Artistic elements in Peter’s ship

The Genoard Park, the garden of pleasures and wonders

The cemetery of kings

The chapel of the crucifix: an artistic casket based on a previous model

The transformations of the hall through the centuries

A cloister of accentuated stylistic variety

The Royal Throne

Saint Peter’s Chapel in the Royal Palace

The senses tell the architecture

A polysemy of high-level artistic forms and content

The dialogue between the architectures of the monumental complex

The side aisles

Survey of the royal tombs

Intertwining of knowledge in Norman Palermo

The Kings’ Cathedrals

Decorations

The construction of Monreale Cathedral: between myth and history

Squaring the circle

The columns of the nave: the meticulous study of the overall order

Cefalù: settlement evidence through time

The mosaics of the apses

The Virgin Hodegetria

Roger II of hauteville: a sovereign protected by God

Restorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Worship services

A building constructed in a short space of time

The towers facing the facade used as bell towers

The rediscovered palace