photo gallery

photo gallery

Characteristics of religious architecture in the romanesque period

A controversial interpretation

Tempus fugit: a strategic project implemented in a short period of time

A palimpsest of history

Mosaic decoration

The chorus: beating heart of the cathedral

The senses tell the architecture

The senses tell the ceiling

The loca solatiorum: dwellings for recreation, well-being and hunting

The Palace of Kings

The Kings’ Cathedrals

The lost chapel

The senses tell the architecture and decorations

The Cathedral over the centuries

The mosaics of the naves

From earthquake to collapse

A mixture of styles pervades the floor decorations

The links between the hauteville family and the monastic orders in Sicily

The mosaics of the presbytery

A remarkable ceiling

The Gualtiero Cathedral

The stone bible

The mosaics of the transept and the apses

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

Cefalù: settlement evidence through time

A chapel by an unknown designer based on repeated symmetries

The Bible carved in stone

The towers and the western facade

The Genoard Park, the garden of pleasures and wonders

The Royal Throne

the Baroque exterior

The senses tell Context 1

Artistic elements in Peter’s ship

The Great Restoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The decorations on the bell tower

Roger II’s strategic design

A cloister of accentuated stylistic variety

A space between the visible and the invisible

Interior decorations

Layers of different cultures decorate the external apses

The interior of the church

The senses tell the historical context

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The area of the Sanctuary

The cultural substrate through time

The senses tell the mosaic cycle

A tree full of life

The senses tell the Zisa over the centuries

Transformations over the centuries

Norman religious architecture with islamic influences in Sicily

The construction of Monreale Cathedral: between myth and history

The architectural space

A polysemy of high-level artistic forms and content

An architectural crescendo

From the main gate to the aisles: an invitation to a journey of faith

Ecclesia munita

Shapes and colours of the wooden ceiling

The Norman conquest of Sicily and the birth of a new Latin kingdom

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Intertwining of knowledge in Norman Palermo

The towers facing the facade used as bell towers

The Great Presbytery: a unique space for the cathedral

The architectural appearance and transformations over time

The ancient convent of the Martorana, a history of devotion and tradition

The Chapel of the Kings

The flooring: shapes, motifs and iconography

Decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The chystro: a place between earth and sky

The Virgin Hodegetria

The chapel of the crucifix: an artistic casket based on a previous model

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The side aisles

Survey of the royal tombs

The transformations of the hall through the centuries

The Cassaro

The architectural envelope: the Greek cross layout oriented towards the light

Different styles and transformations of “one of the most beautiful monuments in the world”

The cemetery of kings

Restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

A Northern population

The senses tell restorations

The birth of the Norman kingdom

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The southern portico

The mosaics of the apses

The senses tell the external architecture and the original layout

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The columns of the nave: the meticulous study of the overall order

The medieval city amidst monasticism and feudal aristocracy

The longest aisle

The senses tell the historical context

Beyond the harmony of proportions

The chapel of St. Benedict

Under the crosses of the Bema

Palermo: the happiest city

The side Portico: a combination of elegance and lightness of form

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Worship services

The balance between architecture and light

The chapel of san Castrense: an important renaissance work

The Chapel of St. Mary Magdalene

Squaring the circle

The return of water

A building constructed in a short space of time

The beginning of the construction site

The rediscovered chapel

The dialogue between the architectures of the monumental complex

Roger II of hauteville: a sovereign protected by God

The senses tell baroque decoration

Saint Peter’s Chapel in the Royal Palace

The senses tell the flooring

From the Mosque to the Cathedral

The mosaic cycle, an ascending path towards the light

The decorated facade

From oblivion to the recovery of memory

The liturgical spaces of the protesis and the diaconicon

Two initially similar towers, varied over time

the roof of Paradise: one of the most representative works of medieval art

Porphyry sarcophagi: royalty and power

The rediscovered palace

the Baroque interior

The king’s mark

The original design

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A new Cathedral

The Admiral’s dedication

The senses tell the interior