photo gallery

photo gallery

The chapel of St. Benedict

The senses tell the ceiling

the Baroque exterior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Decorations

A Northern population

The Great Presbytery: a unique space for the cathedral

The original design

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The loca solatiorum: dwellings for recreation, well-being and hunting

Porphyry sarcophagi: royalty and power

The Norman conquest of Sicily and the birth of a new Latin kingdom

Roger II of hauteville: a sovereign protected by God

The side aisles

The area of the Sanctuary

The mosaics of the transept and the apses

The rediscovered palace

Two initially similar towers, varied over time

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

The Bible carved in stone

The chapel of san Castrense: an important renaissance work

The interior of the church

Mosaic decoration

A cloister of accentuated stylistic variety

The Gualtiero Cathedral

The longest aisle

The senses tell restorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the apses

A new Cathedral

The senses tell the flooring

A remarkable ceiling

A chapel by an unknown designer based on repeated symmetries

Gardens and architecture as a backdrop to the city of Palermo

The rediscovered chapel

Characteristics of religious architecture in the romanesque period

Gold and light: the splendour of the mosaics in the Royal Chapel

The Chapel of St. Mary Magdalene

Transformations over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The ancient convent of the Martorana, a history of devotion and tradition

The stone bible

The senses tell the historical context

The senses tell the Zisa over the centuries

The senses tell Context 1

The flooring: shapes, motifs and iconography

Norman religious architecture with islamic influences in Sicily

The king’s mark

The southern portico

The senses tell the interior

Squaring the circle

The decorations on the bell tower

A palimpsest of history

the Baroque interior

The Palace of Kings

the roof of Paradise: one of the most representative works of medieval art

A space between the visible and the invisible

Ecclesia munita

Intertwining of knowledge in Norman Palermo

The Royal Throne

The senses tell the architecture

The Cassaro

The balance between architecture and light

Beyond the harmony of proportions

The Virgin Hodegetria

The decorated facade

The mosaics of the presbytery

The chapel of the crucifix: an artistic casket based on a previous model

Roger II’s strategic design

Palermo: the happiest city

Interior decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The architectural appearance and transformations over time

From the Mosque to the Cathedral

An architectural crescendo

From earthquake to collapse

Saint Peter’s Chapel in the Royal Palace

The towers facing the facade used as bell towers

The senses tell baroque decoration

The birth of the Norman kingdom

The side Portico: a combination of elegance and lightness of form

The opus sectile floor of the Palatine Chapel

The cultural substrate through time

From oblivion to the recovery of memory

The transformations of the hall through the centuries

A tree full of life

The Chapel of the Kings

The chystro: a place between earth and sky

The Great Restoration

Layers of different cultures decorate the external apses

The beginning of the construction site

Survey of the royal tombs

A mixture of styles pervades the floor decorations

The Cathedral over the centuries

The links between the hauteville family and the monastic orders in Sicily

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The columns of the nave: the meticulous study of the overall order

The return of water

The construction of Monreale Cathedral: between myth and history

The mosaics of the naves

The senses tell the external architecture and the original layout

Different styles and transformations of “one of the most beautiful monuments in the world”

The architectural space

The cemetery of kings

The mosaic cycle, an ascending path towards the light

The chorus: beating heart of the cathedral

The liturgical spaces of the protesis and the diaconicon

Tempus fugit: a strategic project implemented in a short period of time

A polysemy of high-level artistic forms and content

The senses tell the architecture and decorations

The Kings’ Cathedrals

The lost chapel

From the main gate to the aisles: an invitation to a journey of faith

Shapes and colours of the wooden ceiling

The dialogue between the architectures of the monumental complex

A controversial interpretation

Worship services

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Under the crosses of the Bema

The Admiral’s dedication

Cefalù: settlement evidence through time

The senses tell the historical context

The architectural envelope: the Greek cross layout oriented towards the light

A building constructed in a short space of time

The towers and the western facade

The medieval city amidst monasticism and feudal aristocracy

The senses tell the mosaic cycle

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Restorations

Artistic elements in Peter’s ship