photo gallery

photo gallery

The Royal Throne

The return of water

The towers facing the facade used as bell towers

The architectural envelope: the Greek cross layout oriented towards the light

The king’s mark

Transformations over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

A new Cathedral

The decorated facade

A tree full of life

Survey of the royal tombs

The Bible carved in stone

The Genoard Park, the garden of pleasures and wonders

A polysemy of high-level artistic forms and content

Different styles and transformations of “one of the most beautiful monuments in the world”

A compositional design that combines nordic examples with new artistic languages, over the centuries

the roof of Paradise: one of the most representative works of medieval art

Porphyry sarcophagi: royalty and power

The longest aisle

Cefalù: settlement evidence through time

The original design

Decorations

The architectural appearance and transformations over time

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Cassaro

A remarkable ceiling

An architectural crescendo

The mosaics of the naves

Beyond the harmony of proportions

The senses tell the ceiling

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The rediscovered palace

The senses tell Context 1

A Northern population

A building constructed in a short space of time

The loca solatiorum: dwellings for recreation, well-being and hunting

The birth of the Norman kingdom

From oblivion to the recovery of memory

The side aisles

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chystro: a place between earth and sky

A mixture of styles pervades the floor decorations

the Baroque exterior

The chorus: beating heart of the cathedral

The dialogue between the architectures of the monumental complex

Gardens and architecture as a backdrop to the city of Palermo

Restorations

The chapel of St. Benedict

The area of the Sanctuary

From the Mosque to the Cathedral

Saint Peter’s Chapel in the Royal Palace

The southern portico

The flooring: shapes, motifs and iconography

The senses tell the mosaic cycle

The links between the hauteville family and the monastic orders in Sicily

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The lost chapel

Palermo: the happiest city

A space between the visible and the invisible

The opus sectile floor of the Palatine Chapel

The senses tell the Zisa over the centuries

The Kings’ Cathedrals

Roger II’s strategic design

The senses tell the external architecture and the original layout

Artistic elements in Peter’s ship

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Roger II of hauteville: a sovereign protected by God

The senses tell the architecture

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cathedral over the centuries

The architectural space

A chapel by an unknown designer based on repeated symmetries

The chapel of san Castrense: an important renaissance work

Under the crosses of the Bema

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

the Baroque interior

The senses tell the architecture and decorations

The Virgin Hodegetria

Squaring the circle

The interior of the church

The liturgical spaces of the protesis and the diaconicon

The chapel of the crucifix: an artistic casket based on a previous model

Characteristics of religious architecture in the romanesque period

The balance between architecture and light

Layers of different cultures decorate the external apses

The Gualtiero Cathedral

The senses tell the flooring

The Admiral’s dedication

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the historical context

The mosaics of the presbytery

A palimpsest of history

The senses tell baroque decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side Portico: a combination of elegance and lightness of form

The columns of the nave: the meticulous study of the overall order

The rediscovered chapel

The senses tell the historical context

The senses tell restorations

Norman religious architecture with islamic influences in Sicily

From the main gate to the aisles: an invitation to a journey of faith

A cloister of accentuated stylistic variety

The Great Restoration

Intertwining of knowledge in Norman Palermo

The cemetery of kings

The ancient convent of the Martorana, a history of devotion and tradition

The Chapel of the Kings

The stone bible

The mosaic cycle, an ascending path towards the light

The senses tell the interior

The Chapel of St. Mary Magdalene

Gold and light: the splendour of the mosaics in the Royal Chapel

Interior decorations

The senses tell the historical context

From earthquake to collapse

The mosaics of the apses

The construction of Monreale Cathedral: between myth and history

Mosaic decoration

Shapes and colours of the wooden ceiling

The cultural substrate through time

The beginning of the construction site

The towers and the western facade

Ecclesia munita

The mosaics of the transept and the apses

The decorations on the bell tower

A controversial interpretation

The transformations of the hall through the centuries

The Great Presbytery: a unique space for the cathedral

The medieval city amidst monasticism and feudal aristocracy

Worship services

The Palace of Kings

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Two initially similar towers, varied over time