photo gallery

photo gallery

The senses tell the ceiling

The chapel of St. Benedict

A cloister of accentuated stylistic variety

The architectural appearance and transformations over time

From the Mosque to the Cathedral

The Genoard Park, the garden of pleasures and wonders

The senses tell restorations

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the interior

The mosaics of the naves

The loca solatiorum: dwellings for recreation, well-being and hunting

The stone bible

The chapel of san Castrense: an important renaissance work

From earthquake to collapse

A tree full of life

A compositional design that combines nordic examples with new artistic languages, over the centuries

The architectural envelope: the Greek cross layout oriented towards the light

The Bible carved in stone

Two initially similar towers, varied over time

Ecclesia munita

The medieval city amidst monasticism and feudal aristocracy

The senses tell Context 1

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A space between the visible and the invisible

A polysemy of high-level artistic forms and content

The cultural substrate through time

Gardens and architecture as a backdrop to the city of Palermo

The columns of the nave: the meticulous study of the overall order

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From oblivion to the recovery of memory

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Interior decorations

The construction of Monreale Cathedral: between myth and history

The mosaics of the apses

The mosaics of the presbytery

Artistic elements in Peter’s ship

A chapel by an unknown designer based on repeated symmetries

The chystro: a place between earth and sky

The opus sectile floor of the Palatine Chapel

The Chapel of the Kings

The architectural space

The Great Restoration

The senses tell the historical context

The Cathedral over the centuries

A Northern population

Roger II of hauteville: a sovereign protected by God

The Palace of Kings

The decorations on the bell tower

Layers of different cultures decorate the external apses

A palimpsest of history

The links between the hauteville family and the monastic orders in Sicily

Transformations over the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

The rediscovered chapel

The mosaic cycle, an ascending path towards the light

The liturgical spaces of the protesis and the diaconicon

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The cemetery of kings

The senses tell the architecture

The lost chapel

The Great Presbytery: a unique space for the cathedral

The beginning of the construction site

Squaring the circle

The Cassaro

The side aisles

The interior of the church

The king’s mark

The Virgin Hodegetria

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the mosaic cycle

The senses tell the historical context

Beyond the harmony of proportions

The towers and the western facade

The balance between architecture and light

Norman religious architecture with islamic influences in Sicily

The senses tell the flooring

Gold and light: the splendour of the mosaics in the Royal Chapel

The flooring: shapes, motifs and iconography

Cefalù: settlement evidence through time

Under the crosses of the Bema

The original design

A remarkable ceiling

Worship services

A mixture of styles pervades the floor decorations

Survey of the royal tombs

The rediscovered palace

Saint Peter’s Chapel in the Royal Palace

The Gualtiero Cathedral

the Baroque interior

The birth of the Norman kingdom

Porphyry sarcophagi: royalty and power

A controversial interpretation

The senses tell the Zisa over the centuries

A new Cathedral

The Royal Throne

the Baroque exterior

Tempus fugit: a strategic project implemented in a short period of time

Mosaic decoration

The area of the Sanctuary

The mosaics of the transept and the apses

Roger II’s strategic design

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Restorations

The senses tell baroque decoration

Shapes and colours of the wooden ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Admiral’s dedication

Palermo: the happiest city

The senses tell the external architecture and the original layout

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the historical context

The southern portico

The senses tell the architecture and decorations

From the main gate to the aisles: an invitation to a journey of faith

Intertwining of knowledge in Norman Palermo

Characteristics of religious architecture in the romanesque period

The towers facing the facade used as bell towers

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A building constructed in a short space of time

The side Portico: a combination of elegance and lightness of form

The Chapel of St. Mary Magdalene

The decorated facade

An architectural crescendo

The chorus: beating heart of the cathedral

The transformations of the hall through the centuries

The dialogue between the architectures of the monumental complex

The longest aisle

The return of water

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Decorations

The ancient convent of the Martorana, a history of devotion and tradition

The Kings’ Cathedrals

the roof of Paradise: one of the most representative works of medieval art