photo gallery

photo gallery

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the ceiling

Mosaic decoration

The liturgical spaces of the protesis and the diaconicon

The dialogue between the architectures of the monumental complex

Tempus fugit: a strategic project implemented in a short period of time

An architectural crescendo

The construction of Monreale Cathedral: between myth and history

The cemetery of kings

The cultural substrate through time

The mosaics of the transept and the apses

The lost chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the naves

The chapel of St. Benedict

The senses tell baroque decoration

The mosaics of the apses

The chystro: a place between earth and sky

Artistic elements in Peter’s ship

The senses tell Context 1

The Great Restoration

the Baroque interior

The senses tell the architecture and decorations

Roger II’s strategic design

the roof of Paradise: one of the most representative works of medieval art

The senses tell the architecture

Layers of different cultures decorate the external apses

The decorated facade

The senses tell the Zisa over the centuries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The mosaics of the presbytery

From the Mosque to the Cathedral

Cefalù: settlement evidence through time

The beginning of the construction site

Ecclesia munita

The Great Presbytery: a unique space for the cathedral

The stone bible

The Royal Throne

Squaring the circle

Gardens and architecture as a backdrop to the city of Palermo

The Genoard Park, the garden of pleasures and wonders

The area of the Sanctuary

The Kings’ Cathedrals

The Bible carved in stone

The birth of the Norman kingdom

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the mosaic cycle

Beyond the harmony of proportions

A Northern population

From the main gate to the aisles: an invitation to a journey of faith

Under the crosses of the Bema

The balance between architecture and light

The senses tell the historical context

The chapel of san Castrense: an important renaissance work

A tree full of life

Shapes and colours of the wooden ceiling

Different styles and transformations of “one of the most beautiful monuments in the world”

The architectural appearance and transformations over time

A remarkable ceiling

Decorations

The Gualtiero Cathedral

A building constructed in a short space of time

The senses tell the external architecture and the original layout

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the historical context

The Admiral’s dedication

The senses tell restorations

The transformations of the hall through the centuries

A controversial interpretation

The return of water

A mixture of styles pervades the floor decorations

Worship services

A space between the visible and the invisible

The flooring: shapes, motifs and iconography

The Palace of Kings

Roger II of hauteville: a sovereign protected by God

The rediscovered palace

The chapel of the crucifix: an artistic casket based on a previous model

The mosaic cycle, an ascending path towards the light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Interior decorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A cloister of accentuated stylistic variety

Survey of the royal tombs

The opus sectile floor of the Palatine Chapel

A new Cathedral

Saint Peter’s Chapel in the Royal Palace

The Chapel of the Kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The original design

The towers facing the facade used as bell towers

the Baroque exterior

The links between the hauteville family and the monastic orders in Sicily

The Cassaro

The rediscovered chapel

Transformations over the centuries

A polysemy of high-level artistic forms and content

A compositional design that combines nordic examples with new artistic languages, over the centuries

Characteristics of religious architecture in the romanesque period

The medieval city amidst monasticism and feudal aristocracy

The Chapel of St. Mary Magdalene

The southern portico

The side aisles

The loca solatiorum: dwellings for recreation, well-being and hunting

The ancient convent of the Martorana, a history of devotion and tradition

The longest aisle

The columns of the nave: the meticulous study of the overall order

Restorations

The interior of the church

The architectural envelope: the Greek cross layout oriented towards the light

From oblivion to the recovery of memory

The side Portico: a combination of elegance and lightness of form

Porphyry sarcophagi: royalty and power

A palimpsest of history

The king’s mark

Palermo: the happiest city

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The decorations on the bell tower

From earthquake to collapse

The architectural space

The senses tell the historical context

The senses tell the interior

Two initially similar towers, varied over time

The senses tell the flooring

The Cathedral over the centuries

The Virgin Hodegetria

Intertwining of knowledge in Norman Palermo

The chorus: beating heart of the cathedral

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Norman religious architecture with islamic influences in Sicily

The Norman conquest of Sicily and the birth of a new Latin kingdom

A chapel by an unknown designer based on repeated symmetries

The towers and the western facade