photo gallery

photo gallery

The Cassaro

Beyond the harmony of proportions

A remarkable ceiling

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A Northern population

The side Portico: a combination of elegance and lightness of form

The southern portico

The cemetery of kings

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The columns of the nave: the meticulous study of the overall order

The construction of Monreale Cathedral: between myth and history

The senses tell the interior

A mixture of styles pervades the floor decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

Gardens and architecture as a backdrop to the city of Palermo

The Virgin Hodegetria

Survey of the royal tombs

A space between the visible and the invisible

The rediscovered chapel

Artistic elements in Peter’s ship

From the main gate to the aisles: an invitation to a journey of faith

The Genoard Park, the garden of pleasures and wonders

The beginning of the construction site

Shapes and colours of the wooden ceiling

The mosaics of the naves

A polysemy of high-level artistic forms and content

A tree full of life

The senses tell restorations

The loca solatiorum: dwellings for recreation, well-being and hunting

The flooring: shapes, motifs and iconography

the Baroque exterior

The mosaic cycle, an ascending path towards the light

The senses tell Context 1

A compositional design that combines nordic examples with new artistic languages, over the centuries

Roger II of hauteville: a sovereign protected by God

Under the crosses of the Bema

The senses tell the ceiling

Interior decorations

A controversial interpretation

The birth of the Norman kingdom

The senses tell the historical context

The mosaics of the transept and the apses

The stone bible

The Palace of Kings

From earthquake to collapse

Transformations over the centuries

A new Cathedral

Different styles and transformations of “one of the most beautiful monuments in the world”

the Baroque interior

From oblivion to the recovery of memory

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Decorations

The Royal Throne

The lost chapel

The senses tell the mosaic cycle

The return of water

Characteristics of religious architecture in the romanesque period

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From the Mosque to the Cathedral

The architectural space

Saint Peter’s Chapel in the Royal Palace

The Kings’ Cathedrals

The architectural appearance and transformations over time

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The chapel of san Castrense: an important renaissance work

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The balance between architecture and light

Restorations

The Admiral’s dedication

The senses tell baroque decoration

The chapel of St. Benedict

The dialogue between the architectures of the monumental complex

Palermo: the happiest city

The Bible carved in stone

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the Zisa over the centuries

The ancient convent of the Martorana, a history of devotion and tradition

The chorus: beating heart of the cathedral

The interior of the church

Ecclesia munita

Intertwining of knowledge in Norman Palermo

The mosaics of the presbytery

The rediscovered palace

Squaring the circle

The Great Presbytery: a unique space for the cathedral

The Cathedral over the centuries

The area of the Sanctuary

The decorated facade

Worship services

The longest aisle

The senses tell the flooring

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the historical context

Mosaic decoration

Norman religious architecture with islamic influences in Sicily

Layers of different cultures decorate the external apses

The transformations of the hall through the centuries

The Chapel of St. Mary Magdalene

The side aisles

A palimpsest of history

The towers and the western facade

Porphyry sarcophagi: royalty and power

An architectural crescendo

A cloister of accentuated stylistic variety

The mosaics of the apses

The medieval city amidst monasticism and feudal aristocracy

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

The towers facing the facade used as bell towers

The links between the hauteville family and the monastic orders in Sicily

The liturgical spaces of the protesis and the diaconicon

The cultural substrate through time

The Great Restoration

A building constructed in a short space of time

The chystro: a place between earth and sky

The senses tell the architecture and decorations

Cefalù: settlement evidence through time

Roger II’s strategic design

The decorations on the bell tower

the roof of Paradise: one of the most representative works of medieval art

The senses tell the architecture

A chapel by an unknown designer based on repeated symmetries

The senses tell the historical context

Tempus fugit: a strategic project implemented in a short period of time

The chapel of the crucifix: an artistic casket based on a previous model

The opus sectile floor of the Palatine Chapel

The original design

Two initially similar towers, varied over time

The king’s mark

The Chapel of the Kings

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the external architecture and the original layout

The Norman conquest of Sicily and the birth of a new Latin kingdom