Cefalù Cathedral
the chystro

Squaring the circle

Entering the cloister of Cefalù Cathedral not only means plunging into a path steeped in medieval art that seems to reawaken the different decorative motifs animating the capitals of the columns as we pass, but also being pervaded by an architecture of light.
In accordance with Christian symbolism, it is oriented so that each of its spaces is illuminated in a different way, following the orientation of the sun.
Following its itinerary, made up of the transcendence of the circle inserted in the immanence of the square, we are invited to embark on a spiritual journey of purification that begins where the light sets, symbolically linked to Adam and the Old Testament, and then reaches the New Testament dimension, pervaded by the radiance of the incarnation and the promise. Even the plants arranged in the garden have always represented an ascetic message, capable of enveloping those who walk through it in a sense of theophany that unfolds along the way.

The transformations of the hall through the centuries

The side aisles

The mosaics of the presbytery

From the Mosque to the Cathedral

The construction of Monreale Cathedral: between myth and history

The southern portico

Roger II of hauteville: a sovereign protected by God

Mosaic decoration

Ecclesia munita

The Chapel of the Kings

A palimpsest of history

The links between the hauteville family and the monastic orders in Sicily

A new Cathedral

The side Portico: a combination of elegance and lightness of form

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Great Restoration

Cefalù: settlement evidence through time

The Kings’ Cathedrals

The liturgical spaces of the protesis and the diaconicon

Gardens and architecture as a backdrop to the city of Palermo

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Beyond the harmony of proportions

The chapel of St. Benedict

A controversial interpretation

The Gualtiero Cathedral

The towers and the western facade

The medieval city amidst monasticism and feudal aristocracy

A mixture of styles pervades the floor decorations

The balance between architecture and light

Two initially similar towers, varied over time

Artistic elements in Peter’s ship

Worship services

The beginning of the construction site

The chorus: beating heart of the cathedral

Palermo: the happiest city

The chystro: a place between earth and sky

The columns of the nave: the meticulous study of the overall order

Under the crosses of the Bema

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Norman religious architecture with islamic influences in Sicily

The cemetery of kings

The chapel of the crucifix: an artistic casket based on a previous model

The lost chapel

A chapel by an unknown designer based on repeated symmetries

A space between the visible and the invisible

The original design

The cultural substrate through time

A Northern population

The Chapel of St. Mary Magdalene

A remarkable ceiling

The longest aisle

The king’s mark

Characteristics of religious architecture in the romanesque period

The Bible carved in stone

A cloister of accentuated stylistic variety

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The stone bible

The dialogue between the architectures of the monumental complex

Transformations over the centuries

The rediscovered chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Great Presbytery: a unique space for the cathedral

Squaring the circle

Roger II’s strategic design

Tempus fugit: a strategic project implemented in a short period of time

A polysemy of high-level artistic forms and content

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Survey of the royal tombs

The senses tell Context 1

Porphyry sarcophagi: royalty and power

The decorated facade

The chapel of san Castrense: an important renaissance work

Layers of different cultures decorate the external apses

Interior decorations

The towers facing the facade used as bell towers

The Virgin Hodegetria

The Cathedral over the centuries

The area of the Sanctuary

A tree full of life

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time