Cefalù Cathedral
the chystro

Squaring the circle

Entering the cloister of Cefalù Cathedral not only means plunging into a path steeped in medieval art that seems to reawaken the different decorative motifs animating the capitals of the columns as we pass, but also being pervaded by an architecture of light.
In accordance with Christian symbolism, it is oriented so that each of its spaces is illuminated in a different way, following the orientation of the sun.
Following its itinerary, made up of the transcendence of the circle inserted in the immanence of the square, we are invited to embark on a spiritual journey of purification that begins where the light sets, symbolically linked to Adam and the Old Testament, and then reaches the New Testament dimension, pervaded by the radiance of the incarnation and the promise. Even the plants arranged in the garden have always represented an ascetic message, capable of enveloping those who walk through it in a sense of theophany that unfolds along the way.

The chystro: a place between earth and sky

Worship services

The Virgin Hodegetria

The Gualtiero Cathedral

A tree full of life

A remarkable ceiling

The balance between architecture and light

The original design

Cefalù: settlement evidence through time

The Kings’ Cathedrals

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Interior decorations

Survey of the royal tombs

Norman religious architecture with islamic influences in Sicily

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A cloister of accentuated stylistic variety

A polysemy of high-level artistic forms and content

The beginning of the construction site

The mosaics of the presbytery

The cultural substrate through time

Roger II of hauteville: a sovereign protected by God

Beyond the harmony of proportions

The Cathedral over the centuries

Transformations over the centuries

A controversial interpretation

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The transformations of the hall through the centuries

Two initially similar towers, varied over time

The side aisles

Palermo: the happiest city

The Chapel of St. Mary Magdalene

The chapel of St. Benedict

Gardens and architecture as a backdrop to the city of Palermo

The columns of the nave: the meticulous study of the overall order

A space between the visible and the invisible

The mosaics of the apses

The southern portico

Porphyry sarcophagi: royalty and power

The liturgical spaces of the protesis and the diaconicon

The decorated facade

The dialogue between the architectures of the monumental complex

Artistic elements in Peter’s ship

The links between the hauteville family and the monastic orders in Sicily

Layers of different cultures decorate the external apses

Characteristics of religious architecture in the romanesque period

The cemetery of kings

The Great Restoration

The construction of Monreale Cathedral: between myth and history

The lost chapel

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Squaring the circle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The stone bible

The rediscovered chapel

The towers facing the facade used as bell towers

The area of the Sanctuary

A Northern population

A chapel by an unknown designer based on repeated symmetries

The senses tell Context 1

A palimpsest of history

The Bible carved in stone

A new Cathedral

The chapel of the crucifix: an artistic casket based on a previous model

Mosaic decoration

The chapel of san Castrense: an important renaissance work

The king’s mark

Tempus fugit: a strategic project implemented in a short period of time

Under the crosses of the Bema

From the Mosque to the Cathedral

The Chapel of the Kings

Ecclesia munita

The towers and the western facade

The medieval city amidst monasticism and feudal aristocracy

The chorus: beating heart of the cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

The longest aisle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The side Portico: a combination of elegance and lightness of form

A mixture of styles pervades the floor decorations

The Great Presbytery: a unique space for the cathedral

From the main gate to the aisles: an invitation to a journey of faith

Roger II’s strategic design

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister