Palermo Cathedral
The central body: the aisles

The Cathedral over the centuries

The common fate of most Romanesque churches was that they were transformed in the following centuries according to the style of the time. Some were profoundly modified and others were decorated with added compositions, without altering their original character.
A similar fate befell the Palermo Cathedral, which underwent numerous and varied transformations, restorations and embellishments from the 15th century until the early 18th century.These works did not change the structural characteristics of the building but simply added additional spaces for the clergy and for worship, sacristies and side chapels dedicated to the saints worshipped in the city. The interior walls were decorated with Baroque style frescoes and stucco work with garlands and wreaths, as well as other artistic works.
In the second half of the 18th century, the building was generally in poor condition and needed urgent work. Archbishop Filangeri and the Cathedral Chapter petitioned King Ferdinand IV of Bourbonto intervene “to restore decorum and dignity to the city’s mother church”.

The liturgical spaces of the protesis and the diaconicon

The construction of Monreale Cathedral: between myth and history

The stone bible

The longest aisle

Transformations over the centuries

Survey of the royal tombs

Ecclesia munita

A Northern population

The Kings’ Cathedrals

The king’s mark

A new Cathedral

The towers and the western facade

Worship services

Two initially similar towers, varied over time

Roger II’s strategic design

The transformations of the hall through the centuries

Beyond the harmony of proportions

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Chapel of St. Mary Magdalene

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of san Castrense: an important renaissance work

The side Portico: a combination of elegance and lightness of form

Cefalù: settlement evidence through time

The links between the hauteville family and the monastic orders in Sicily

From the Mosque to the Cathedral

Roger II of hauteville: a sovereign protected by God

The chorus: beating heart of the cathedral

The beginning of the construction site

The Cathedral over the centuries

Layers of different cultures decorate the external apses

Gardens and architecture as a backdrop to the city of Palermo

The chapel of the crucifix: an artistic casket based on a previous model

The Great Presbytery: a unique space for the cathedral

Tempus fugit: a strategic project implemented in a short period of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The cultural substrate through time

The mosaics of the presbytery

The dialogue between the architectures of the monumental complex

The Chapel of the Kings

The Virgin Hodegetria

The balance between architecture and light

A controversial interpretation

Porphyry sarcophagi: royalty and power

The cemetery of kings

A palimpsest of history

Norman religious architecture with islamic influences in Sicily

A remarkable ceiling

The chapel of St. Benedict

The Bible carved in stone

The decorated facade

The side aisles

A cloister of accentuated stylistic variety

The mosaics of the apses

A mixture of styles pervades the floor decorations

A space between the visible and the invisible

The Great Restoration

Characteristics of religious architecture in the romanesque period

A polysemy of high-level artistic forms and content

A chapel by an unknown designer based on repeated symmetries

Squaring the circle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Palermo: the happiest city

The southern portico

Interior decorations

The lost chapel

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Gualtiero Cathedral

The rediscovered chapel

The area of the Sanctuary

The original design

Under the crosses of the Bema

The senses tell Context 1

A compositional design that combines nordic examples with new artistic languages, over the centuries

A tree full of life

The medieval city amidst monasticism and feudal aristocracy

From the main gate to the aisles: an invitation to a journey of faith

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Mosaic decoration

Artistic elements in Peter’s ship

The chystro: a place between earth and sky

The towers facing the facade used as bell towers

The columns of the nave: the meticulous study of the overall order