Palermo Cathedral
The central body: the aisles

The Cathedral over the centuries

The common fate of most Romanesque churches was that they were transformed in the following centuries according to the style of the time. Some were profoundly modified and others were decorated with added compositions, without altering their original character.
A similar fate befell the Palermo Cathedral, which underwent numerous and varied transformations, restorations and embellishments from the 15th century until the early 18th century.These works did not change the structural characteristics of the building but simply added additional spaces for the clergy and for worship, sacristies and side chapels dedicated to the saints worshipped in the city. The interior walls were decorated with Baroque style frescoes and stucco work with garlands and wreaths, as well as other artistic works.
In the second half of the 18th century, the building was generally in poor condition and needed urgent work. Archbishop Filangeri and the Cathedral Chapter petitioned King Ferdinand IV of Bourbonto intervene “to restore decorum and dignity to the city’s mother church”.

The chorus: beating heart of the cathedral

A chapel by an unknown designer based on repeated symmetries

The chapel of St. Benedict

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A Northern population

The beginning of the construction site

The Chapel of St. Mary Magdalene

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The dialogue between the architectures of the monumental complex

The chapel of the crucifix: an artistic casket based on a previous model

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Cefalù: settlement evidence through time

Layers of different cultures decorate the external apses

Worship services

A polysemy of high-level artistic forms and content

The towers facing the facade used as bell towers

The Chapel of the Kings

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A space between the visible and the invisible

The towers and the western facade

Survey of the royal tombs

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell Context 1

The medieval city amidst monasticism and feudal aristocracy

The cemetery of kings

The Great Restoration

The cultural substrate through time

Beyond the harmony of proportions

The area of the Sanctuary

A palimpsest of history

The mosaics of the presbytery

The king’s mark

The Bible carved in stone

The columns of the nave: the meticulous study of the overall order

From the Mosque to the Cathedral

The side aisles

The liturgical spaces of the protesis and the diaconicon

Porphyry sarcophagi: royalty and power

Ecclesia munita

A remarkable ceiling

The stone bible

A cloister of accentuated stylistic variety

Characteristics of religious architecture in the romanesque period

The side Portico: a combination of elegance and lightness of form

Artistic elements in Peter’s ship

The construction of Monreale Cathedral: between myth and history

The chystro: a place between earth and sky

The southern portico

The Kings’ Cathedrals

The lost chapel

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The transformations of the hall through the centuries

The Great Presbytery: a unique space for the cathedral

The mosaics of the apses

From the main gate to the aisles: an invitation to a journey of faith

Norman religious architecture with islamic influences in Sicily

The balance between architecture and light

Roger II’s strategic design

The Virgin Hodegetria

Interior decorations

The Gualtiero Cathedral

Squaring the circle

Palermo: the happiest city

A tree full of life

Two initially similar towers, varied over time

Gardens and architecture as a backdrop to the city of Palermo

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The decorated facade

The rediscovered chapel

Tempus fugit: a strategic project implemented in a short period of time

The Cathedral over the centuries

The links between the hauteville family and the monastic orders in Sicily

Roger II of hauteville: a sovereign protected by God

The original design

Under the crosses of the Bema

The chapel of san Castrense: an important renaissance work

A new Cathedral

A controversial interpretation

Mosaic decoration

The longest aisle

Transformations over the centuries

A mixture of styles pervades the floor decorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory