Palermo Cathedral
The central body: the aisles

The Cathedral over the centuries

The common fate of most Romanesque churches was that they were transformed in the following centuries according to the style of the time. Some were profoundly modified and others were decorated with added compositions, without altering their original character.
A similar fate befell the Palermo Cathedral, which underwent numerous and varied transformations, restorations and embellishments from the 15th century until the early 18th century.These works did not change the structural characteristics of the building but simply added additional spaces for the clergy and for worship, sacristies and side chapels dedicated to the saints worshipped in the city. The interior walls were decorated with Baroque style frescoes and stucco work with garlands and wreaths, as well as other artistic works.
In the second half of the 18th century, the building was generally in poor condition and needed urgent work. Archbishop Filangeri and the Cathedral Chapter petitioned King Ferdinand IV of Bourbonto intervene “to restore decorum and dignity to the city’s mother church”.

A mixture of styles pervades the floor decorations

Interior decorations

Two initially similar towers, varied over time

The chystro: a place between earth and sky

A cloister of accentuated stylistic variety

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Bible carved in stone

The Cathedral over the centuries

Transformations over the centuries

Characteristics of religious architecture in the romanesque period

The original design

Cefalù: settlement evidence through time

Roger II of hauteville: a sovereign protected by God

The transformations of the hall through the centuries

Porphyry sarcophagi: royalty and power

The beginning of the construction site

The liturgical spaces of the protesis and the diaconicon

A polysemy of high-level artistic forms and content

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A palimpsest of history

From the Mosque to the Cathedral

Palermo: the happiest city

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Roger II’s strategic design

The area of the Sanctuary

A space between the visible and the invisible

The stone bible

The cultural substrate through time

The medieval city amidst monasticism and feudal aristocracy

The Chapel of St. Mary Magdalene

A compositional design that combines nordic examples with new artistic languages, over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The towers and the western facade

The mosaics of the presbytery

The Chapel of the Kings

The Gualtiero Cathedral

Norman religious architecture with islamic influences in Sicily

Beyond the harmony of proportions

Survey of the royal tombs

The Kings’ Cathedrals

The decorated facade

A new Cathedral

The rediscovered chapel

The chapel of san Castrense: an important renaissance work

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Worship services

A remarkable ceiling

Mosaic decoration

The senses tell Context 1

The cemetery of kings

The towers facing the facade used as bell towers

The chorus: beating heart of the cathedral

The king’s mark

The mosaics of the apses

The side aisles

A tree full of life

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Great Restoration

The chapel of the crucifix: an artistic casket based on a previous model

Ecclesia munita

A controversial interpretation

Under the crosses of the Bema

The dialogue between the architectures of the monumental complex

Squaring the circle

The Great Presbytery: a unique space for the cathedral

The southern portico

Artistic elements in Peter’s ship

The columns of the nave: the meticulous study of the overall order

A chapel by an unknown designer based on repeated symmetries

The Virgin Hodegetria

The chapel of St. Benedict

The links between the hauteville family and the monastic orders in Sicily

The lost chapel

The side Portico: a combination of elegance and lightness of form

A Northern population

Gardens and architecture as a backdrop to the city of Palermo

Tempus fugit: a strategic project implemented in a short period of time

The construction of Monreale Cathedral: between myth and history

From the main gate to the aisles: an invitation to a journey of faith

The balance between architecture and light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The longest aisle

Layers of different cultures decorate the external apses