Monreale Cathedral
the Great Presbytery

The Great Presbytery: a unique space for the cathedral

In the Cathedral of Monreale, there is a particular spatial composition of the presbyteral area , consisting of a double volume, in some cases also called double transept .
It is this typology, unique in Sicily for Norman churches, which also distinguished the Palermo Cathedral , in its original layout, now appreciable only from the view of the external volumes.
The space of the sacred area of the Sanctuary is divided into two large rooms, distinct from the church hall because of its higher position, connected to it by some steps.
The whole area is generically called the Great Chancel , and is effectively divided into three distinct parts: the larger central part, closer to the hall, is more properly called the Presbytery .This is delimited by two narrow transverse spaces: the Anti-Presbytery Floor , towards the hall, and the Post-Presbytery Floor , connecting the side apses with the Tribuna maggiore of the central apse . These spaces in Palermo Cathedral are identified with the ancient name of Titulus , corresponding to the presbytery of Monreale and Antititulus  with the space of the Post Presbytery. In Palermo Cathedral, the Titulus was the area designated for the Cathedral’s Canons Titular , who took their place in the choir . The bishop’s chair and the royal seat were located in this space. The cemetery area with the sarcophagi of the kings and bishops were located on either side of the Titulus. Similarly, and still visible today, in Monreale, the choir is located in the space of the presbytery and the adjoining side parts are dedicated to containing the royal sarcophagi.

The Kings’ Cathedrals

Worship services

The chapel of St. Benedict

The chystro: a place between earth and sky

The links between the hauteville family and the monastic orders in Sicily

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The columns of the nave: the meticulous study of the overall order

The senses tell Context 1

The king’s mark

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The southern portico

Cefalù: settlement evidence through time

Ecclesia munita

The original design

A remarkable ceiling

The transformations of the hall through the centuries

A mixture of styles pervades the floor decorations

Under the crosses of the Bema

The cemetery of kings

Two initially similar towers, varied over time

Palermo: the happiest city

Artistic elements in Peter’s ship

The mosaics of the presbytery

The decorated facade

Squaring the circle

The Cathedral over the centuries

The rediscovered chapel

The dialogue between the architectures of the monumental complex

Porphyry sarcophagi: royalty and power

Tempus fugit: a strategic project implemented in a short period of time

Survey of the royal tombs

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A cloister of accentuated stylistic variety

The medieval city amidst monasticism and feudal aristocracy

The chapel of the crucifix: an artistic casket based on a previous model

The Chapel of St. Mary Magdalene

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Chapel of the Kings

A polysemy of high-level artistic forms and content

A space between the visible and the invisible

The stone bible

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Roger II’s strategic design

The chorus: beating heart of the cathedral

Layers of different cultures decorate the external apses

The side Portico: a combination of elegance and lightness of form

The towers and the western facade

The area of the Sanctuary

The side aisles

A chapel by an unknown designer based on repeated symmetries

Transformations over the centuries

A controversial interpretation

The liturgical spaces of the protesis and the diaconicon

Interior decorations

From the Mosque to the Cathedral

The longest aisle

From the main gate to the aisles: an invitation to a journey of faith

Roger II of hauteville: a sovereign protected by God

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A Northern population

The chapel of san Castrense: an important renaissance work

The construction of Monreale Cathedral: between myth and history

Gardens and architecture as a backdrop to the city of Palermo

Mosaic decoration

A palimpsest of history

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Beyond the harmony of proportions

The balance between architecture and light

The mosaics of the apses

The cultural substrate through time

The Great Presbytery: a unique space for the cathedral

The Virgin Hodegetria

The Bible carved in stone

Norman religious architecture with islamic influences in Sicily

Characteristics of religious architecture in the romanesque period

A new Cathedral

The lost chapel

The beginning of the construction site

The Great Restoration

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers facing the facade used as bell towers

The Gualtiero Cathedral

A tree full of life