the historical context
the Zisa

The loca solatiorum: dwellings for recreation, well-being and hunting

Domus, castrum or palatium, buildings dedicated to leisure and hunting, located in parks, gardens and scenic spots, were called loca solatiorum. These buildings were located far from the urban centre, in areas of lush greenery, enriched by the presence of springs, fishponds, artificial lakes, gardens and water features. The Arab community, in fact, experts in various disciplines including hydraulic sciences, introduced a new system of underground water channelling to Sicily, the so-called quanāt , as well as irrigation systems, collection tanks, saie and surface pipelines.
Hunting was often practised within the parks, especially with the falcon which, in the Middle Ages, became the courtly ideal par excellence, an intellectual endeavour and a symbol of social status, as the falcon began to represent the warrior victorious in combat.
The Norman dynasty is inherited by Frederick II of Swabia , son of Constance of Hauteville and Henry IV. The stupor mundi, Emperor of the Holy Roman Empire and King of Sicily, as well as inheriting numerous residences from his predecessors such as the Zisa, Favara and Cuba, wrote a treatise on the art of falconry, De arte Venandi Cum Avibus, transcribed by his son Manfredi and preserved in the Vatican Library.

The interior of the church

Shapes and colours of the wooden ceiling

The senses tell the architecture and decorations

Decorations

The senses tell the Zisa over the centuries

The mosaic cycle, an ascending path towards the light

The Palace of Kings

The senses tell the mosaic cycle

The rediscovered palace

The senses tell the flooring

The Admiral’s dedication

the Baroque interior

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the ceiling

A building constructed in a short space of time

The senses tell the interior

The Norman conquest of Sicily and the birth of a new Latin kingdom

The ancient convent of the Martorana, a history of devotion and tradition

The return of water

Intertwining of knowledge in Norman Palermo

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

The senses tell restorations

The Cassaro

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

The flooring: shapes, motifs and iconography

An architectural crescendo

Restorations

The Royal Throne

The senses tell the architecture

The architectural appearance and transformations over time

The senses tell baroque decoration

The loca solatiorum: dwellings for recreation, well-being and hunting

the roof of Paradise: one of the most representative works of medieval art

The mosaics of the naves

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the historical context

Gold and light: the splendour of the mosaics in the Royal Chapel

The architectural space

the Baroque exterior

The architectural envelope: the Greek cross layout oriented towards the light

The birth of the Norman kingdom

Saint Peter’s Chapel in the Royal Palace

From earthquake to collapse

The senses tell the external architecture and the original layout

The decorations on the bell tower

From oblivion to the recovery of memory

The mosaics of the transept and the apses