Palermo Cathedral
St. Mary Magdalene

The lost chapel

In 1130, Elvira , the wife of King Roger II , had a chapel dedicated to St Mary Magdalene built as a mausoleum for the royal family. Its construction came shortly after another chapel was built to the north on the opposite side, on 15 May 1129, at the behest of Roger II, dedicated to the Crowned Goddess. The Magdalene Chapel was built close to the Cathedral, on its southern front, corresponding to the presbytery area, “ in cornu epistolae “. We have information on this building because it is mentioned in the ancient chronicles and is clearly identified in the 1187 diploma, written by Archbishop Gualtiero as a petition to the King, requesting the use of the chapel following the transformation of the sacred temple. Palermo Cathedral had remained virtually unchanged in its layout since 1071, i.e. for almost 100 years, when the Normans entered the city and converted the great Gami Mosque , previously the city’s mother church during the Byzantine period, to a Christian place of worship. Over time, traces of this chapel were lost, and many documents that could provide evidence of its exact location were lost around the middle of the 19th century. This led to the belief that the chapel had been demolished during this construction work. Nor is there any evidence left of this in the book “De Principe Templo Panormitano” (1728), transcribed by priest Giovanni Maria Amato , when he quotes the text of the aforementioned diploma of Archbishop Gualtiero.

Transformations over the centuries

Mosaic decoration

A space between the visible and the invisible

The towers facing the facade used as bell towers

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Chapel of St. Mary Magdalene

A mixture of styles pervades the floor decorations

The Cathedral over the centuries

Worship services

A cloister of accentuated stylistic variety

The rediscovered chapel

The side Portico: a combination of elegance and lightness of form

A chapel by an unknown designer based on repeated symmetries

From the Mosque to the Cathedral

Cefalù: settlement evidence through time

The southern portico

The longest aisle

The mosaics of the presbytery

The chapel of St. Benedict

The liturgical spaces of the protesis and the diaconicon

The dialogue between the architectures of the monumental complex

A controversial interpretation

Layers of different cultures decorate the external apses

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The balance between architecture and light

The chorus: beating heart of the cathedral

The original design

Palermo: the happiest city

The Kings’ Cathedrals

Under the crosses of the Bema

Two initially similar towers, varied over time

A tree full of life

The cultural substrate through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers and the western facade

The medieval city amidst monasticism and feudal aristocracy

The Virgin Hodegetria

A new Cathedral

The lost chapel

The columns of the nave: the meticulous study of the overall order

A palimpsest of history

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Porphyry sarcophagi: royalty and power

The Great Presbytery: a unique space for the cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The king’s mark

Roger II’s strategic design

The mosaics of the apses

A polysemy of high-level artistic forms and content

The chapel of the crucifix: an artistic casket based on a previous model

Ecclesia munita

The Chapel of the Kings

The chapel of san Castrense: an important renaissance work

Norman religious architecture with islamic influences in Sicily

The links between the hauteville family and the monastic orders in Sicily

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell Context 1

The transformations of the hall through the centuries

The Gualtiero Cathedral

The construction of Monreale Cathedral: between myth and history

The cemetery of kings

A Northern population

The Bible carved in stone

The decorated facade

A remarkable ceiling

Gardens and architecture as a backdrop to the city of Palermo

The chystro: a place between earth and sky

The area of the Sanctuary

Interior decorations

The beginning of the construction site

Artistic elements in Peter’s ship

Squaring the circle

Tempus fugit: a strategic project implemented in a short period of time

Roger II of hauteville: a sovereign protected by God

From the main gate to the aisles: an invitation to a journey of faith

The side aisles

Survey of the royal tombs

Characteristics of religious architecture in the romanesque period

The stone bible

The Great Restoration

Beyond the harmony of proportions

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions