Monreale Cathedral
the Context 1

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The crown of mountains that surrounds Palermo and resembles the shape of a necklace was already found, in ancient times, in the Greek - Phoenician language of the city’s ancient inhabitants, although the Greek and then Latin origins of the name, Panormos/Panormus, also include the meaning of a port with a deep anchorage, although this was not specifically attributable as it was also used for other sites.
As early as the 12th century, the flourishing vegetation of this vast plain’s landscape, coloured by the pink hues of the lemon plants , the bright tones of the oranges and pomegranates, similar to the blazing streaks of timeless sunsets, was described in detail by Ugo Falcando .
The combination of the term “ conca ” with the fertile plain, as well as a Baroque definition by the Jesuit Giuseppe Mazara , could refer to its iconographic representation in modern times in the shell in the Genius of Palermo sculpture group in Palazzo Pretorio.Going back in time, even the Arabic term dāra can be traced back to the ring of mountains that rises around the lush plain of Palermo, as if to protect it. Even from the adjectives in the local erudite locution “Panormus, Urbsfelix, Concha aurea”, the city seems to express both a link to the flourishing natural resources that surrounded it and a reference to the presumed gold sands of the Oreto river, whose very etymology derives from the presence of gold. The colour of this noble metal, associated with the royal purple-red, echoes the heraldic tradition already present in the Roman-Byzantine era and the colour scheme of the city of Palermo in the Islamic Middle Ages.

Gardens and architecture as a backdrop to the city of Palermo

A Northern population

A remarkable ceiling

Cefalù: settlement evidence through time

The beginning of the construction site

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The towers facing the facade used as bell towers

The original design

The king’s mark

The Chapel of the Kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cultural substrate through time

The Bible carved in stone

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Beyond the harmony of proportions

The Virgin Hodegetria

A polysemy of high-level artistic forms and content

From the Mosque to the Cathedral

Palermo: the happiest city

Mosaic decoration

The columns of the nave: the meticulous study of the overall order

The cemetery of kings

The Kings’ Cathedrals

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the apses

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The towers and the western facade

The longest aisle

Roger II’s strategic design

The southern portico

The side Portico: a combination of elegance and lightness of form

The construction of Monreale Cathedral: between myth and history

The area of the Sanctuary

Roger II of hauteville: a sovereign protected by God

Tempus fugit: a strategic project implemented in a short period of time

Porphyry sarcophagi: royalty and power

A controversial interpretation

The stone bible

The mosaics of the presbytery

A space between the visible and the invisible

The chapel of St. Benedict

The balance between architecture and light

The Gualtiero Cathedral

A new Cathedral

The medieval city amidst monasticism and feudal aristocracy

Under the crosses of the Bema

Artistic elements in Peter’s ship

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Interior decorations

Survey of the royal tombs

Norman religious architecture with islamic influences in Sicily

A compositional design that combines nordic examples with new artistic languages, over the centuries

Characteristics of religious architecture in the romanesque period

The Great Restoration

A mixture of styles pervades the floor decorations

Layers of different cultures decorate the external apses

The rediscovered chapel

A chapel by an unknown designer based on repeated symmetries

The chystro: a place between earth and sky

A tree full of life

The chapel of the crucifix: an artistic casket based on a previous model

From the main gate to the aisles: an invitation to a journey of faith

The Chapel of St. Mary Magdalene

A palimpsest of history

The transformations of the hall through the centuries

The senses tell Context 1

Two initially similar towers, varied over time

The liturgical spaces of the protesis and the diaconicon

The Great Presbytery: a unique space for the cathedral

The side aisles

The decorated facade

Ecclesia munita

Transformations over the centuries

Worship services

The chapel of san Castrense: an important renaissance work

The dialogue between the architectures of the monumental complex

The chorus: beating heart of the cathedral

The Cathedral over the centuries

Squaring the circle

A cloister of accentuated stylistic variety

The lost chapel

The links between the hauteville family and the monastic orders in Sicily