Palermo Cathedral
St. Mary Magdalene

The senses tell St. Mary Magdalene

sight
The treasure of the Cathedral

The shrines that hold the Cathedral’s treasure shine. Visiting the rooms is like travelling back in time and reliving a never forgotten past. The crown, three gold rings with precious stones and a plaque found in the tomb of Frederick II’s first wife, Constance of Aragon, can still be admired today. There are also: an ivory shrine; two polygonal medallions; a silver and gilded bronze shrine; a silver chalice; a gilded bronze and pierced silver shrine from the Gothic period; the Carondolet antependium in silk, velvet and gold; the Peace of St. Luke; the chalice of Charles III of Spain; an embossed and chiselled silver shrine containing the wood of the Holy Cross; the Barbavara chalice and the Soledad chalice.

touch
Gold and precious stones

The crown of Constance of Aragon, dating back to approximately 1222, was made by the Tiraz of the Royal Palace. The crown, a symbol of luxury and royalty, has side pendants; the cloth cap is embellished with a fine vermicular gold filigree, raw gems collected in baskets and strings of beads elegantly surrounding the enamels. The materials are those worthy of a queen: gold, silver, silk, enamel, pearls, precious stones.

A Northern population

The dialogue between the architectures of the monumental complex

The cemetery of kings

The construction of Monreale Cathedral: between myth and history

A tree full of life

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Cefalù: settlement evidence through time

Beyond the harmony of proportions

The decorated facade

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Artistic elements in Peter’s ship

The links between the hauteville family and the monastic orders in Sicily

Roger II’s strategic design

A remarkable ceiling

A compositional design that combines nordic examples with new artistic languages, over the centuries

A cloister of accentuated stylistic variety

A polysemy of high-level artistic forms and content

The columns of the nave: the meticulous study of the overall order

The Cathedral over the centuries

The senses tell Context 1

Squaring the circle

The Virgin Hodegetria

Worship services

The Great Restoration

The balance between architecture and light

From the Mosque to the Cathedral

The beginning of the construction site

The rediscovered chapel

The original design

The cultural substrate through time

Characteristics of religious architecture in the romanesque period

Palermo: the happiest city

Porphyry sarcophagi: royalty and power

The southern portico

The mosaics of the presbytery

The Kings’ Cathedrals

The mosaics of the apses

The longest aisle

The Chapel of St. Mary Magdalene

The towers and the western facade

A controversial interpretation

From the main gate to the aisles: an invitation to a journey of faith

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Gualtiero Cathedral

The Bible carved in stone

The area of the Sanctuary

Under the crosses of the Bema

The medieval city amidst monasticism and feudal aristocracy

The chapel of the crucifix: an artistic casket based on a previous model

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Roger II of hauteville: a sovereign protected by God

Mosaic decoration

A mixture of styles pervades the floor decorations

A chapel by an unknown designer based on repeated symmetries

Interior decorations

Ecclesia munita

The Chapel of the Kings

The chystro: a place between earth and sky

The chorus: beating heart of the cathedral

Norman religious architecture with islamic influences in Sicily

Transformations over the centuries

The side aisles

Tempus fugit: a strategic project implemented in a short period of time

Layers of different cultures decorate the external apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The lost chapel

The liturgical spaces of the protesis and the diaconicon

The king’s mark

The towers facing the facade used as bell towers

The chapel of san Castrense: an important renaissance work

The side Portico: a combination of elegance and lightness of form

A palimpsest of history

A space between the visible and the invisible

The chapel of St. Benedict

The stone bible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A new Cathedral

Survey of the royal tombs

The transformations of the hall through the centuries

Two initially similar towers, varied over time

Gardens and architecture as a backdrop to the city of Palermo

The Great Presbytery: a unique space for the cathedral