Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The side Portico: a combination of elegance and lightness of form

Transformations over the centuries

A new Cathedral

Artistic elements in Peter’s ship

The beginning of the construction site

The liturgical spaces of the protesis and the diaconicon

The links between the hauteville family and the monastic orders in Sicily

The Gualtiero Cathedral

From the Mosque to the Cathedral

The Virgin Hodegetria

The cemetery of kings

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Palermo: the happiest city

Ecclesia munita

The Great Presbytery: a unique space for the cathedral

Roger II’s strategic design

A palimpsest of history

A controversial interpretation

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The towers and the western facade

Interior decorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Beyond the harmony of proportions

From the main gate to the aisles: an invitation to a journey of faith

Two initially similar towers, varied over time

A polysemy of high-level artistic forms and content

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A cloister of accentuated stylistic variety

The chorus: beating heart of the cathedral

Under the crosses of the Bema

A compositional design that combines nordic examples with new artistic languages, over the centuries

The balance between architecture and light

Squaring the circle

The longest aisle

The king’s mark

The transformations of the hall through the centuries

Mosaic decoration

Tempus fugit: a strategic project implemented in a short period of time

A remarkable ceiling

A tree full of life

The medieval city amidst monasticism and feudal aristocracy

The chapel of san Castrense: an important renaissance work

The rediscovered chapel

The mosaics of the apses

Survey of the royal tombs

Porphyry sarcophagi: royalty and power

A chapel by an unknown designer based on repeated symmetries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The cultural substrate through time

Roger II of hauteville: a sovereign protected by God

The stone bible

The side aisles

Gardens and architecture as a backdrop to the city of Palermo

The southern portico

A mixture of styles pervades the floor decorations

The Chapel of the Kings

The Bible carved in stone

Worship services

A space between the visible and the invisible

The chapel of St. Benedict

The mosaics of the presbytery

Cefalù: settlement evidence through time

The lost chapel

The dialogue between the architectures of the monumental complex

The towers facing the facade used as bell towers

Norman religious architecture with islamic influences in Sicily

The Great Restoration

The original design

The construction of Monreale Cathedral: between myth and history

The chystro: a place between earth and sky

The Kings’ Cathedrals

The decorated facade

A Northern population

The Cathedral over the centuries

The columns of the nave: the meticulous study of the overall order

The area of the Sanctuary

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell Context 1

Characteristics of religious architecture in the romanesque period

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Layers of different cultures decorate the external apses

The Chapel of St. Mary Magdalene