Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

Characteristics of religious architecture in the romanesque period

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A chapel by an unknown designer based on repeated symmetries

The southern portico

The dialogue between the architectures of the monumental complex

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Bible carved in stone

The stone bible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A controversial interpretation

From the main gate to the aisles: an invitation to a journey of faith

A mixture of styles pervades the floor decorations

Layers of different cultures decorate the external apses

Two initially similar towers, varied over time

The decorated facade

The original design

The cemetery of kings

The construction of Monreale Cathedral: between myth and history

The mosaics of the presbytery

The Chapel of the Kings

The Kings’ Cathedrals

The longest aisle

Mosaic decoration

A tree full of life

A remarkable ceiling

Under the crosses of the Bema

The towers facing the facade used as bell towers

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of the crucifix: an artistic casket based on a previous model

Worship services

Roger II of hauteville: a sovereign protected by God

Roger II’s strategic design

A palimpsest of history

Beyond the harmony of proportions

The Virgin Hodegetria

Ecclesia munita

A Northern population

Artistic elements in Peter’s ship

The side aisles

A cloister of accentuated stylistic variety

The medieval city amidst monasticism and feudal aristocracy

Norman religious architecture with islamic influences in Sicily

The columns of the nave: the meticulous study of the overall order

The king’s mark

A polysemy of high-level artistic forms and content

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

The Chapel of St. Mary Magdalene

Interior decorations

The Gualtiero Cathedral

Tempus fugit: a strategic project implemented in a short period of time

The Cathedral over the centuries

The balance between architecture and light

The links between the hauteville family and the monastic orders in Sicily

The chystro: a place between earth and sky

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the apses

The towers and the western facade

The lost chapel

The Great Restoration

Survey of the royal tombs

The senses tell Context 1

The side Portico: a combination of elegance and lightness of form

The liturgical spaces of the protesis and the diaconicon

The transformations of the hall through the centuries

From the Mosque to the Cathedral

Palermo: the happiest city

The beginning of the construction site

A space between the visible and the invisible

A new Cathedral

Porphyry sarcophagi: royalty and power

The Great Presbytery: a unique space for the cathedral

The rediscovered chapel

The cultural substrate through time

Squaring the circle

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chorus: beating heart of the cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

Transformations over the centuries

Cefalù: settlement evidence through time

Gardens and architecture as a backdrop to the city of Palermo

The area of the Sanctuary