Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The longest aisle

The Cathedral over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The area of the Sanctuary

The stone bible

Palermo: the happiest city

The chapel of St. Benedict

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Mosaic decoration

The towers and the western facade

The Kings’ Cathedrals

The mosaics of the presbytery

The cemetery of kings

The beginning of the construction site

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Transformations over the centuries

A tree full of life

The rediscovered chapel

A new Cathedral

The links between the hauteville family and the monastic orders in Sicily

A Northern population

Squaring the circle

The towers facing the facade used as bell towers

Characteristics of religious architecture in the romanesque period

The liturgical spaces of the protesis and the diaconicon

Roger II of hauteville: a sovereign protected by God

The chystro: a place between earth and sky

A mixture of styles pervades the floor decorations

A space between the visible and the invisible

The Virgin Hodegetria

A controversial interpretation

The decorated facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Two initially similar towers, varied over time

The chapel of the crucifix: an artistic casket based on a previous model

The transformations of the hall through the centuries

A remarkable ceiling

The side Portico: a combination of elegance and lightness of form

The Great Presbytery: a unique space for the cathedral

Interior decorations

The balance between architecture and light

The construction of Monreale Cathedral: between myth and history

The chorus: beating heart of the cathedral

Gardens and architecture as a backdrop to the city of Palermo

A chapel by an unknown designer based on repeated symmetries

The Bible carved in stone

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Chapel of St. Mary Magdalene

The dialogue between the architectures of the monumental complex

The lost chapel

The side aisles

Tempus fugit: a strategic project implemented in a short period of time

From the Mosque to the Cathedral

Under the crosses of the Bema

Layers of different cultures decorate the external apses

The southern portico

The king’s mark

The mosaics of the apses

Beyond the harmony of proportions

The Great Restoration

Norman religious architecture with islamic influences in Sicily

A cloister of accentuated stylistic variety

The chapel of san Castrense: an important renaissance work

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

From the main gate to the aisles: an invitation to a journey of faith

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Gualtiero Cathedral

Roger II’s strategic design

Cefalù: settlement evidence through time

Porphyry sarcophagi: royalty and power

The medieval city amidst monasticism and feudal aristocracy

Worship services

A polysemy of high-level artistic forms and content

Ecclesia munita

A compositional design that combines nordic examples with new artistic languages, over the centuries

The cultural substrate through time

Artistic elements in Peter’s ship

The senses tell Context 1

Survey of the royal tombs

A palimpsest of history

The Chapel of the Kings

The original design

The columns of the nave: the meticulous study of the overall order