Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

Under the crosses of the Bema

The Cathedral over the centuries

The rediscovered chapel

The chorus: beating heart of the cathedral

A remarkable ceiling

Interior decorations

The Gualtiero Cathedral

The Chapel of St. Mary Magdalene

The columns of the nave: the meticulous study of the overall order

The senses tell Context 1

The chapel of St. Benedict

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The southern portico

Characteristics of religious architecture in the romanesque period

The construction of Monreale Cathedral: between myth and history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The links between the hauteville family and the monastic orders in Sicily

The longest aisle

Ecclesia munita

Squaring the circle

A polysemy of high-level artistic forms and content

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Mosaic decoration

The dialogue between the architectures of the monumental complex

Gardens and architecture as a backdrop to the city of Palermo

The transformations of the hall through the centuries

A controversial interpretation

The mosaics of the presbytery

The Chapel of the Kings

The original design

A tree full of life

The towers and the western facade

A chapel by an unknown designer based on repeated symmetries

Worship services

The cemetery of kings

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A compositional design that combines nordic examples with new artistic languages, over the centuries

A palimpsest of history

Roger II’s strategic design

The Bible carved in stone

A cloister of accentuated stylistic variety

The medieval city amidst monasticism and feudal aristocracy

Beyond the harmony of proportions

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The towers facing the facade used as bell towers

The Virgin Hodegetria

The balance between architecture and light

Layers of different cultures decorate the external apses

Porphyry sarcophagi: royalty and power

The beginning of the construction site

The Great Presbytery: a unique space for the cathedral

The stone bible

Norman religious architecture with islamic influences in Sicily

The lost chapel

Transformations over the centuries

Artistic elements in Peter’s ship

The chystro: a place between earth and sky

Survey of the royal tombs

The chapel of san Castrense: an important renaissance work

The decorated facade

The area of the Sanctuary

Two initially similar towers, varied over time

The Great Restoration

The mosaics of the apses

The Kings’ Cathedrals

A Northern population

Palermo: the happiest city

From the main gate to the aisles: an invitation to a journey of faith

A mixture of styles pervades the floor decorations

A space between the visible and the invisible

Roger II of hauteville: a sovereign protected by God

The king’s mark

Tempus fugit: a strategic project implemented in a short period of time

From the Mosque to the Cathedral

The cultural substrate through time

The liturgical spaces of the protesis and the diaconicon

The chapel of the crucifix: an artistic casket based on a previous model

The side Portico: a combination of elegance and lightness of form

A new Cathedral

Cefalù: settlement evidence through time

The side aisles

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door