Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The side aisles

The area of the Sanctuary

Porphyry sarcophagi: royalty and power

The Great Presbytery: a unique space for the cathedral

The columns of the nave: the meticulous study of the overall order

Ecclesia munita

Artistic elements in Peter’s ship

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A new Cathedral

A tree full of life

The chapel of the crucifix: an artistic casket based on a previous model

Transformations over the centuries

The balance between architecture and light

The cultural substrate through time

A chapel by an unknown designer based on repeated symmetries

The Kings’ Cathedrals

The king’s mark

A controversial interpretation

The Bible carved in stone

The decorated facade

Worship services

The longest aisle

The Cathedral over the centuries

The dialogue between the architectures of the monumental complex

A remarkable ceiling

The Gualtiero Cathedral

Tempus fugit: a strategic project implemented in a short period of time

A space between the visible and the invisible

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Survey of the royal tombs

Characteristics of religious architecture in the romanesque period

The original design

The Great Restoration

Beyond the harmony of proportions

A compositional design that combines nordic examples with new artistic languages, over the centuries

The lost chapel

The towers facing the facade used as bell towers

Palermo: the happiest city

The towers and the western facade

The senses tell Context 1

The medieval city amidst monasticism and feudal aristocracy

The rediscovered chapel

Under the crosses of the Bema

From the Mosque to the Cathedral

The side Portico: a combination of elegance and lightness of form

The stone bible

The chorus: beating heart of the cathedral

The Chapel of the Kings

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The transformations of the hall through the centuries

Cefalù: settlement evidence through time

The liturgical spaces of the protesis and the diaconicon

Roger II’s strategic design

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of san Castrense: an important renaissance work

A polysemy of high-level artistic forms and content

Interior decorations

Mosaic decoration

A mixture of styles pervades the floor decorations

The links between the hauteville family and the monastic orders in Sicily

Roger II of hauteville: a sovereign protected by God

Norman religious architecture with islamic influences in Sicily

The mosaics of the presbytery

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The construction of Monreale Cathedral: between myth and history

The southern portico

The chystro: a place between earth and sky

The mosaics of the apses

The chapel of St. Benedict

Layers of different cultures decorate the external apses

Squaring the circle

A cloister of accentuated stylistic variety

The Chapel of St. Mary Magdalene

The cemetery of kings

A Northern population

A palimpsest of history

Two initially similar towers, varied over time

Gardens and architecture as a backdrop to the city of Palermo

The beginning of the construction site

The Virgin Hodegetria

From the main gate to the aisles: an invitation to a journey of faith

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves