Monreale Cathedral
the internal areas

The senses tell the internal areas

smell
Spicy scent of incense

Entering the sacred building from the main west-facing portal, which William II of Hauteville dedicated to the Nativity of the Blessed Virgin Mary, is an invitation to participate in the most impenetrable expression of the infinite, through a pathway steeped in art that calls at the same time for profound veneration. The spicy scent of incense spreads from the sacred area of the Sanctuary, reaching the hall in a crescendo.

touch
The profile of the columns

Built in the shape of a Latin cross, the basilica develops longitudinally, starting from the three aisles that divide the central body with nine rows of columns. Closing your eyes, following the outline of the columns, rhythmically arranged on each side of the central aisle, and touching the cold marble, is a way to mystically connect with the antiquity. The eighteen columns support capitals, irregularly distributed according to the size of the shaft, which in turn are topped by pulvinos that establish the beginning of the mosaic ornamentation of the walls, in an increasingly intense decorative rhythm.

sight
The wonder of the mosaic cycle

Sparkling and precious, the entire mosaic mantle of the interior was created by Byzantine craftsmen and local artists over a rather long period of time, between about 1177 and 1183. It follows a precise theological-dogmatic logic, starting from the mosaics of the main aisle, in which scenes from the Creation to the Jacob cycle from the Old Testament stand out, to the episodes of the Life of Christ, visible in the side aisles and described in the New Testament. In this initial path, in which visitors are filled with an arcane and inexpressible feeling, one’s attention naturally focuses on the grandiose image of Christ Pantocrator in the apse, in eloquent harmony with the architecture as a whole.

The links between the hauteville family and the monastic orders in Sicily

The side Portico: a combination of elegance and lightness of form

A chapel by an unknown designer based on repeated symmetries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The rediscovered chapel

A polysemy of high-level artistic forms and content

Ecclesia munita

Worship services

Tempus fugit: a strategic project implemented in a short period of time

A tree full of life

Cefalù: settlement evidence through time

The medieval city amidst monasticism and feudal aristocracy

A mixture of styles pervades the floor decorations

The senses tell Context 1

The area of the Sanctuary

Roger II of hauteville: a sovereign protected by God

The mosaics of the apses

A cloister of accentuated stylistic variety

Interior decorations

The chystro: a place between earth and sky

The Great Presbytery: a unique space for the cathedral

The liturgical spaces of the protesis and the diaconicon

The original design

Gardens and architecture as a backdrop to the city of Palermo

The chorus: beating heart of the cathedral

Roger II’s strategic design

The mosaics of the presbytery

Survey of the royal tombs

The Great Restoration

The Chapel of the Kings

Palermo: the happiest city

Characteristics of religious architecture in the romanesque period

A Northern population

The towers facing the facade used as bell towers

A controversial interpretation

Squaring the circle

From the Mosque to the Cathedral

The side aisles

The longest aisle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A space between the visible and the invisible

The Virgin Hodegetria

The construction of Monreale Cathedral: between myth and history

The Bible carved in stone

The dialogue between the architectures of the monumental complex

Porphyry sarcophagi: royalty and power

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Cathedral over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

The southern portico

Two initially similar towers, varied over time

The Gualtiero Cathedral

Transformations over the centuries

The stone bible

A remarkable ceiling

The beginning of the construction site

Mosaic decoration

The transformations of the hall through the centuries

The decorated facade

A palimpsest of history

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A new Cathedral

From the main gate to the aisles: an invitation to a journey of faith

Beyond the harmony of proportions

Artistic elements in Peter’s ship

The Chapel of St. Mary Magdalene

The cemetery of kings

The balance between architecture and light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The king’s mark

The Kings’ Cathedrals

The lost chapel

The columns of the nave: the meticulous study of the overall order

The chapel of St. Benedict

Norman religious architecture with islamic influences in Sicily

Under the crosses of the Bema

The chapel of san Castrense: an important renaissance work

The towers and the western facade

A compositional design that combines nordic examples with new artistic languages, over the centuries

The cultural substrate through time

Layers of different cultures decorate the external apses