Monreale Cathedral
the internal areas

The senses tell the internal areas

smell
Spicy scent of incense

Entering the sacred building from the main west-facing portal, which William II of Hauteville dedicated to the Nativity of the Blessed Virgin Mary, is an invitation to participate in the most impenetrable expression of the infinite, through a pathway steeped in art that calls at the same time for profound veneration. The spicy scent of incense spreads from the sacred area of the Sanctuary, reaching the hall in a crescendo.

touch
The profile of the columns

Built in the shape of a Latin cross, the basilica develops longitudinally, starting from the three aisles that divide the central body with nine rows of columns. Closing your eyes, following the outline of the columns, rhythmically arranged on each side of the central aisle, and touching the cold marble, is a way to mystically connect with the antiquity. The eighteen columns support capitals, irregularly distributed according to the size of the shaft, which in turn are topped by pulvinos that establish the beginning of the mosaic ornamentation of the walls, in an increasingly intense decorative rhythm.

sight
The wonder of the mosaic cycle

Sparkling and precious, the entire mosaic mantle of the interior was created by Byzantine craftsmen and local artists over a rather long period of time, between about 1177 and 1183. It follows a precise theological-dogmatic logic, starting from the mosaics of the main aisle, in which scenes from the Creation to the Jacob cycle from the Old Testament stand out, to the episodes of the Life of Christ, visible in the side aisles and described in the New Testament. In this initial path, in which visitors are filled with an arcane and inexpressible feeling, one’s attention naturally focuses on the grandiose image of Christ Pantocrator in the apse, in eloquent harmony with the architecture as a whole.

Tempus fugit: a strategic project implemented in a short period of time

The original design

A controversial interpretation

The decorated facade

Beyond the harmony of proportions

The construction of Monreale Cathedral: between myth and history

A space between the visible and the invisible

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The towers and the western facade

The chorus: beating heart of the cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Kings’ Cathedrals

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chystro: a place between earth and sky

The Gualtiero Cathedral

A tree full of life

Worship services

The southern portico

Roger II’s strategic design

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The liturgical spaces of the protesis and the diaconicon

The side aisles

The chapel of St. Benedict

A remarkable ceiling

The Virgin Hodegetria

The medieval city amidst monasticism and feudal aristocracy

A chapel by an unknown designer based on repeated symmetries

Two initially similar towers, varied over time

Gardens and architecture as a backdrop to the city of Palermo

Roger II of hauteville: a sovereign protected by God

Mosaic decoration

From the Mosque to the Cathedral

The Great Restoration

The longest aisle

Survey of the royal tombs

Cefalù: settlement evidence through time

The balance between architecture and light

Under the crosses of the Bema

A Northern population

Porphyry sarcophagi: royalty and power

The mosaics of the apses

The side Portico: a combination of elegance and lightness of form

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The cultural substrate through time

Artistic elements in Peter’s ship

The lost chapel

The Chapel of the Kings

Layers of different cultures decorate the external apses

The Chapel of St. Mary Magdalene

The stone bible

Palermo: the happiest city

Squaring the circle

The chapel of the crucifix: an artistic casket based on a previous model

Ecclesia munita

A cloister of accentuated stylistic variety

The Great Presbytery: a unique space for the cathedral

Norman religious architecture with islamic influences in Sicily

A polysemy of high-level artistic forms and content

Interior decorations

The transformations of the hall through the centuries

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the presbytery

The Bible carved in stone

The dialogue between the architectures of the monumental complex

The towers facing the facade used as bell towers

The columns of the nave: the meticulous study of the overall order

The senses tell Context 1

The beginning of the construction site

The cemetery of kings

A mixture of styles pervades the floor decorations

Characteristics of religious architecture in the romanesque period

The rediscovered chapel

The Cathedral over the centuries

The king’s mark

A palimpsest of history

The chapel of san Castrense: an important renaissance work

The area of the Sanctuary

The links between the hauteville family and the monastic orders in Sicily

Transformations over the centuries

A new Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries