Palermo Cathedral
The central body: the aisles

The side aisles

The wings to the side of the hall were originally covered with a wooden roof; in the early eighteenth century they were profoundly transformed with the enlargement of some chapels  and the creation of new rooms for the clergy.
The wooden roof was dismantled and the roof was rebuilt in the terraced style with brickwork vaults across the entire area of the chapels and the smaller aisles. With the subsequent works for the “ great restoration “, carried out at the end of the 17th century, due to the advancement of the buildings on the external façade and the disappearance of the windows, a series of small domes were built in the area around the aisles to provide light to the inside of the cathedral. The side aisles, arranged according to the medieval layout, were lit by a continuous row of mullioned windows, richly decorated on the outside with bichromatic inlaid embroidery , according to the traditional decoration style, also used for the other parts of the building, in particular the apses , which can also be found in Monreale Cathedral .

The liturgical spaces of the protesis and the diaconicon

A controversial interpretation

The side Portico: a combination of elegance and lightness of form

The Chapel of the Kings

Tempus fugit: a strategic project implemented in a short period of time

Characteristics of religious architecture in the romanesque period

Survey of the royal tombs

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The cultural substrate through time

The balance between architecture and light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chystro: a place between earth and sky

The southern portico

Cefalù: settlement evidence through time

A tree full of life

A cloister of accentuated stylistic variety

A compositional design that combines nordic examples with new artistic languages, over the centuries

A polysemy of high-level artistic forms and content

The lost chapel

The Virgin Hodegetria

The senses tell Context 1

A chapel by an unknown designer based on repeated symmetries

The beginning of the construction site

The chapel of the crucifix: an artistic casket based on a previous model

The medieval city amidst monasticism and feudal aristocracy

A Northern population

The Cathedral over the centuries

Porphyry sarcophagi: royalty and power

The rediscovered chapel

Norman religious architecture with islamic influences in Sicily

The transformations of the hall through the centuries

Ecclesia munita

A mixture of styles pervades the floor decorations

The cemetery of kings

The longest aisle

The area of the Sanctuary

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Gardens and architecture as a backdrop to the city of Palermo

Beyond the harmony of proportions

Squaring the circle

The dialogue between the architectures of the monumental complex

From the Mosque to the Cathedral

The chapel of St. Benedict

The Bible carved in stone

The chorus: beating heart of the cathedral

The columns of the nave: the meticulous study of the overall order

From the main gate to the aisles: an invitation to a journey of faith

Artistic elements in Peter’s ship

A new Cathedral

The Kings’ Cathedrals

The original design

A remarkable ceiling

Transformations over the centuries

The towers and the western facade

Two initially similar towers, varied over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Gualtiero Cathedral

Roger II of hauteville: a sovereign protected by God

Palermo: the happiest city

The Great Restoration

A space between the visible and the invisible

The king’s mark

The towers facing the facade used as bell towers

Under the crosses of the Bema

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of san Castrense: an important renaissance work

The links between the hauteville family and the monastic orders in Sicily

Worship services

Mosaic decoration

A palimpsest of history

The side aisles

The construction of Monreale Cathedral: between myth and history

Interior decorations

The mosaics of the presbytery

The Great Presbytery: a unique space for the cathedral

The stone bible

Roger II’s strategic design

Layers of different cultures decorate the external apses

The decorated facade

The mosaics of the apses

The Chapel of St. Mary Magdalene

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister