The thermal baths

A dialogue between mythological and realistic scenes

The thermal bath areas that can be accessed from the passage area of the biapsidal hall start from the frigidarium, a space dedicated to cold baths, with an octagonal plan around which is arranged a Corinthian order colonnade that would have supported the trabeation and a dome, probably with an opening in the centre, which let in rainwater. All the walls of the frigidarium were lined with marble crustae , which also denoted its public use.
The healing and invigorating baths took place in the two swimming pools to the north and south used for swimming and immersion respectively.The elegance of the thermal bath environment is shown not only in the rich architectural structure and coverings, but also in the mosaics that adorn the floor of the octagon, enlivened by a brightly coloured marine thiasos with mermen, nereids and fisherman erotes.The fantastic mythological scene is enclosed by six apsidal niches with realistic themed depictions of mutatio vestis, or changing of clothes.

The public and private rooms of the villa

The senses tell the Quadrangular Peristyle

Auspicious symbols and perhaps the initials of the commissioner’s name decorate the mosaic of the apsidal room

The senses tell the Tri-Apsed Triclinium

Solemn and majestic architecture to welcome a high-ranking commissioner

The late antiquity residence: locus amoenus and centre of administrative activities in the heart of Sicily

The senses tell the Sacellum of the Lares

A line of armed men for an important Dominus

The apotheosis of Hercules

An organic microcosm: the structure of the villa

The realistic depiction of a spa procession with a high-ranking female figure

The protagonists of the mosaic and the military themed frescoes

Semi-public rooms

The senses tell the monumental entrance

A small room embellished with marble

An individual who has attracted the attention of scholars

The senses tell the Bi-Apsed room

A day of hunting at the villa

An eloquent symbol: the signum

The marble from the regions of the empire to decorate the basilica

Form of greeting or ritual?

Banquets and panegyrics enlivened the vast hall, against the background of a floor mosaic celebrating the feats of Hercules

High-ranking characters depicted in the mosaics of the apsidal niches of the frigidarium

Outdoor breakfast

An official ceremony to welcome the Dominus

The senses tell the room in the private apartment known as “small hunt”

The senses tell the Basilica

The capture of wild animals for the roman amphitheatre games

The senses tell the Vestibule

Is the profile of the dominus hidden among the scenes depicted in the mosaics?

Worship of the Lares

The possible celebration of a solemn event

The main nuclei of the Domus

The mosaics of the late antiquity residence

The catalogue of animals

A chariot race, set in the circus Maximus of Rome, connects the villa to the city and centre of power

A large colonnaded portico, a place of connection between the rooms

The mansio of Philosophiana. A stopping place

A dialogue between mythological and realistic scenes

The astral interpretation of the mosaic

A small room used as a privileged entrance to the baths

The prestige of the dominus is revealed through the wall frescoes

The golden age: hypotheses about the villa’s period of construction and clues

A hidden meaning

The senses tell the frigidarium

The Latifundium

A royal room housed the Dominus during his audiences

The protagonists of the mosaics

The rural sacrifice

The senses tell the private entrance to the spa

A small room represents one of the activities of the thermal bath route

The senses tell the bi-apsed ambulatory – Corridor of the “Great Hunt”

The senses tell the massage room

The paths of virus, a reflection of the Dominus

A view of the race from the imperial gallery