Biapsidal Hall

A view of the race from the imperial gallery

The depiction of circus races was quite frequent in the iconography of the time, but a singular clue suggests that the arena, shown in the mosaic floor of the biapsidal hall, was seen from the imperial gallery. In no mosaic ornament, known to date, does the statue depicting the Magna Mater, Cybele , appear with her back to the viewer.

This was only possible from a specific observation point, the pulvinar, reserved for the court and the most important political offices of the Empire. This detail reveals the intention of the dominus of the late antiquity residence to allude, in the iconographic project commissioned for his residence, to the position he held in Rome.
Some suggest that he wanted to evoke the great circus events in which he had taken part or which he had organised in his role as praefectus urbi . A further theory suggests an intent to place his domus, located in the countryside, on the same level as the Imperial Palace of Rome.

The realistic depiction of a spa procession with a high-ranking female figure

Semi-public rooms

Outdoor breakfast

Form of greeting or ritual?

A chariot race, set in the circus Maximus of Rome, connects the villa to the city and centre of power

A line of armed men for an important Dominus

The possible celebration of a solemn event

A royal room housed the Dominus during his audiences

The senses tell the frigidarium

The catalogue of animals

The senses tell the Tri-Apsed Triclinium

The main nuclei of the Domus

The astral interpretation of the mosaic

Worship of the Lares

A small room used as a privileged entrance to the baths

The senses tell the room in the private apartment known as “small hunt”

The protagonists of the mosaics

The capture of wild animals for the roman amphitheatre games

High-ranking characters depicted in the mosaics of the apsidal niches of the frigidarium

The senses tell the Sacellum of the Lares

The senses tell the Vestibule

An organic microcosm: the structure of the villa

The marble from the regions of the empire to decorate the basilica

A day of hunting at the villa

The senses tell the Bi-Apsed room

A view of the race from the imperial gallery

The apotheosis of Hercules

A small room represents one of the activities of the thermal bath route

A large colonnaded portico, a place of connection between the rooms

The senses tell the massage room

An eloquent symbol: the signum

The senses tell the monumental entrance

The protagonists of the mosaic and the military themed frescoes

The senses tell the bi-apsed ambulatory – Corridor of the “Great Hunt”

The paths of virus, a reflection of the Dominus

An official ceremony to welcome the Dominus

The golden age: hypotheses about the villa’s period of construction and clues

The Latifundium

Banquets and panegyrics enlivened the vast hall, against the background of a floor mosaic celebrating the feats of Hercules

Solemn and majestic architecture to welcome a high-ranking commissioner

The prestige of the dominus is revealed through the wall frescoes

The senses tell the private entrance to the spa

The public and private rooms of the villa

The senses tell the Quadrangular Peristyle

The senses tell the Basilica

A small room embellished with marble

A dialogue between mythological and realistic scenes

An individual who has attracted the attention of scholars

The late antiquity residence: locus amoenus and centre of administrative activities in the heart of Sicily

The mosaics of the late antiquity residence

Is the profile of the dominus hidden among the scenes depicted in the mosaics?

The rural sacrifice

Auspicious symbols and perhaps the initials of the commissioner’s name decorate the mosaic of the apsidal room

A hidden meaning

The mansio of Philosophiana. A stopping place