Vestibule

Form of greeting or ritual?

The salutatio ceremony indicates the act of greeting and, by extension, visiting or offering a gift.
In its simplest meaning, it represents the morning greeting that the dominus or pater familias received from the clientes. The latter generally represented all people of lower rank who exercised a form of reverence towards their patron. The salutatio, uttered with the simple phrase Ave or Ave dominus, was often exercised by the clientes to obtain the benevolence of the master, with a small gift of money or food, the sportula.
The clientes went early in the morning to the domus or the villa of the dominus to pay their salutatio, a token of their respect and act of obedience and submission.
There were also other more solemn forms of greeting and homage, also accompanied by the use of laurel branches, which were addressed to famous figures like our commissioner, for whom the scene is intended.
But the allusion to another occasion has attracted the attention of scholars, who do not rule out the reference to a votorum nuncupatio pro salute imperatoris, still in use in the 4th century AD, an annual and solemn votive offering with prayers for the health of the emperor celebrated in the first three days of the year and included in the New Year celebrations.
The connection with the entrance to the late antiquity residence, which is metaphorically linked to the beginning of the new year, the laurel branches distributed for the occasion as a gift of good wishes and the custom of giving diptychs, are definitely part of this rite, forming the busy calendar of imperial anniversaries.

A large colonnaded portico, a place of connection between the rooms

A small room embellished with marble

Form of greeting or ritual?

The prestige of the dominus is revealed through the wall frescoes

A line of armed men for an important Dominus

A view of the race from the imperial gallery

An individual who has attracted the attention of scholars

The main nuclei of the Domus

A royal room housed the Dominus during his audiences

The mosaics of the late antiquity residence

The capture of wild animals for the roman amphitheatre games

An official ceremony to welcome the Dominus

The rural sacrifice

The golden age: hypotheses about the villa’s period of construction and clues

Banquets and panegyrics enlivened the vast hall, against the background of a floor mosaic celebrating the feats of Hercules

The senses tell the Basilica

The protagonists of the mosaic and the military themed frescoes

A dialogue between mythological and realistic scenes

High-ranking characters depicted in the mosaics of the apsidal niches of the frigidarium

The apotheosis of Hercules

The Latifundium

The senses tell the massage room

Solemn and majestic architecture to welcome a high-ranking commissioner

The astral interpretation of the mosaic

The marble from the regions of the empire to decorate the basilica

The late antiquity residence: locus amoenus and centre of administrative activities in the heart of Sicily

The mansio of Philosophiana. A stopping place

The senses tell the monumental entrance

The senses tell the frigidarium

Semi-public rooms

Is the profile of the dominus hidden among the scenes depicted in the mosaics?

A chariot race, set in the circus Maximus of Rome, connects the villa to the city and centre of power

The senses tell the bi-apsed ambulatory – Corridor of the “Great Hunt”

The senses tell the room in the private apartment known as “small hunt”

A small room used as a privileged entrance to the baths

The senses tell the Bi-Apsed room

An eloquent symbol: the signum

The paths of virus, a reflection of the Dominus

A small room represents one of the activities of the thermal bath route

Outdoor breakfast

The catalogue of animals

An organic microcosm: the structure of the villa

A day of hunting at the villa

The senses tell the Sacellum of the Lares

The possible celebration of a solemn event

A hidden meaning

Worship of the Lares

The senses tell the Tri-Apsed Triclinium

The senses tell the Quadrangular Peristyle

The public and private rooms of the villa

The realistic depiction of a spa procession with a high-ranking female figure

The senses tell the Vestibule

The protagonists of the mosaics

Auspicious symbols and perhaps the initials of the commissioner’s name decorate the mosaic of the apsidal room

The senses tell the private entrance to the spa