Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A small room with a golden entrance

A square as the heart of the city

The senses tell the story of the Church of San Sebastiano

Many owners, one palace

From International Gothic to present day

St. Sebastian, so much work!

The two churches

Feasting in Palazzolo

A new site for a new church

New roads for Catania

Norman apses

Two illustrious patron saints

A hall for the feasts

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

A Nobel Prize in Modica

The kitchen, a treasure chest of colours

A triumph of colour

A prominent church

A half-Baroque church

The Maiolica of the staircase

A symbol for the town

One city, three sites

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

Limestone, the colour of harmony

From the contrast of the exterior to the internal jubilation of colours

Corbels: a celebration of the Nicolaci family

Some prestigious works

San Nicolò l’Arena: an unfinished church

One city, two sites

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Wonderful quick decorations

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo La Rocca

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

The wall comes to life

Modica, a city with ancient origins

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

The senses tell the story of the Church of San Benedetto

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

The Baroque town by the sea

The façade used as a puppet theatre

A new palace for the La Rocca lords

The senses tell the story of the staircase of Santa Maria del Monte

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Between white and black

Fontana della Ninfa Zizza, public water in the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

From St. Thomas to St. Joseph

A talking palace

The disastrous earthquake

The Barresi-Branciforte lords

The city of museums

A museum to save a tradition

The internal colours

A long reconstruction

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

Prominent façade

Searching for colour

Some masterpieces

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

The Burgos crucifix

The senses tell the story of the Church of the Annunciation

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

A new site for a new city

Discovering the mother church

The senses tell about Palazzo Nicolaci

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

The interior and its masterpieces

A feast only for Scicli

The colours of the cathedral

St. Agatha and the giant candelabras

The senses tell the story of the Badia di Sant’Agata