Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

A colourful floor

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

One city, two sites

Between white and black

Searching for colour

The senses tell the story of the church of San Giuseppe

A half-Baroque church

A design by Vincenzo Sinatra

The senses tell the Cathedral of Sant’Agata

New roads for Catania

A majestic and luminous church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Sebastiano

The cathedral of Sant’Agata: a lengthy reconstruction

The Burgos crucifix

A miniature city

The Staircase of Angels

The kitchen, a treasure chest of colours

The Barresi-Branciforte lords

A prominent church

Discovering the mother church

Norman apses

One city, three sites

Garden of Novices and the restorations by Giancarlo De Carlo

The theatre of taste

Wonderful quick decorations

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Maiolica of the staircase

Some masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The interior and its masterpieces

The disastrous earthquake

Palazzo Nicolaci di Villadorata, who is the architect?

The Baroque town by the sea

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

A hall for the feasts

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

Feast days

From International Gothic to present day

A new site for a new city

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Nicolaci

St. Sebastian, so much work!

The Benedictine Monastery, one of the largest in Europe

The two churches

The senses tell the story of the staircase of Santa Maria del Monte

Feasting in Palazzolo

A small room with a golden entrance

Two illustrious patron saints

From St. Thomas to St. Joseph

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

The wall comes to life

A talking palace

The city of museums

A city in colour

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

Some prestigious works

A long reconstruction

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of the Annunciation

Many owners, one palace

The senses tell the story of the church of San Giovanni Battista

Prominent façade

The colours of the cathedral

A museum to save a tradition

The senses tell about Palazzo La Rocca

A feast only for Scicli

The internal colours

A new site for a new church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A triumph of colour

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

A symbol for the town

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras