Caltagirone

A colourful floor

The interior of the church of Santa Chiara (St. Claire) is surprising for the brightness with which it welcomes us.
The delicate colour of the walls, a very light orange, combined with the white capitals is also found in the corbels that support the louvre galleries;
The white sandstone capitals support the wooden structures, which are lacquered with a gentle sky blue colour and embellished with gold-coloured silver leaves. But what is most striking is the splendid maiolica floor that covers the church.

foto tribunetta di legno  foto ampia porzione del pavimento

foto delle tribunette, gelosie

The floor that can be admired today in Caltagirone is not the original one.
The first floor was created in 1749 by the potter Francesco Branciforte from Caltagirone, funded by the Bonanno del Polino family.
The family coat of arms was inserted in the middle of the maiolica tile design.
In 1886, following the Italian Unification, the monastic orders lost their properties.
The church of Santa Chiara (St. Claire) remained open and was maintained thanks to the generosity of Gaetano Bonanno di Polino, then his daughter, the Marquise Bonanno.
In 1942, the family gave the church away. In 1952, the floor was replaced. It was rebuilt using the same technique and copying the old design, in memory of the Bonanno family.
Yellow, green and turquoise stand out from the white background, creating a floral motif on the floor with a two-headed eagle in the middle containing the family crest.

The church of Santa Chiara
The church of Santa Chiara is located in Via Giovanni Bosco and among the wonders that are located there is a beautiful pavement. In the center there is the coat of arms of the Bonanno family of Polino who financed the work. On a white background is drawn a large floral pattern with bright yellow, green and turquoise colors. At the center in honor of the family Bonanno del Polino was represented a two-headed eagle that contains the family crest. Given the perfect state of preservation it should be remembered that this is not the original flooring of 1749, but is a remake of 1952.
A Nobel Prize in Modica

The internal colours

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Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

Norman apses

The Benedictine Monastery, one of the largest in Europe

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the staircase of Santa Maria del Monte

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A triumph of colour

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The city of museums

The Feast of San Giacomo (St. James)

One city, three sites

A new entrance for Santa Chiara (St. Claire)

New roads for Catania

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The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

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Militello, the story of an enlightened fiefdom

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Prominent façade

The role of the religious orders in rebuilding the Val di Noto

St. Sebastian, so much work!

Discovering the mother church

The chocolate of Modica

A colourful floor

The Barresi-Branciforte lords

Some prestigious works

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

A talking palace

A long reconstruction

One city, two sites

A symbol for the town

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The senses tell the story of the church of Santa Maria del Carmelo

A new palace for the La Rocca lords

The senses tell about Palazzo La Rocca

The disastrous earthquake

Modica, a city with ancient origins

The Maiolica of the staircase

The Burgos crucifix

From International Gothic to present day

Between white and black

The theatre of taste

The colours of the cathedral

A new site for a new city

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

The two churches

Limestone, the colour of harmony

Places of knowledge: the Benedictines’ library

A square as the heart of the city

A hall for the feasts

From St. Thomas to St. Joseph

The Supernatural dimension of the chapel of the Santissimo Sacramento

Two illustrious patron saints

A city in colour

The wall comes to life

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Feasting in Palazzolo

Searching for colour

A prominent church

Wonderful quick decorations

Many owners, one palace

The Baroque town by the sea

A small room with a golden entrance

Some masterpieces

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

St. Agatha and the giant candelabras

Garden of Novices and the restorations by Giancarlo De Carlo

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

Connections with other UNESCO sites

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

The church of Carmine

The senses tell about Palazzo Nicolaci

The interior and its masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

A half-Baroque church

San Nicolò l’Arena: an unfinished church