Modica

A compromise between Neoclassicism and Baroque

Located at the top of a majestic staircase along Corso Umberto I, in the historic centre of Modica, the Cathedral of San Pietro seems to welcome the worshippers and invite them, at the same time, to partake in a journey of art and faith.

The Cathedral of San Pietro
The Cathedral of San Pietro is located on the top of an imposing staircase of three flights along Corso Umberto I in the historic center of Modica. The perimeter of the staircase is characterized by the presence of the statues of the twelve apostles raised on high pedestals that give it an even more severe appearance. The facade of the church, of a reddish color, is divided into two bands and has an unusually sober appearance for the baroque canons. The first band is divided by three portals surmounted by broken timpani, of which the central one has the coat of arms of Saint Peter; these portals are interspersed with ashlar pilasters. The second band has two small volutes and houses the statues of Saints Cataldo, Rosalia, Peter and the Madonna.

It is considered the city’s second out-of-scale work of architecture and comes second to the Cathedral of San Giorgio in terms of importance.
The majestic sacred building was built in 1308, though there are no records of the original structure. After being damaged by the earthquake of 1693, it was rebuilt in 1697 according to a design by Mario Spata and Rosario Boscarino, master builders linked to local artisan tradition.
What drove the immediate reconstruction of the cathedral was the desire to reaffirm that the church of San Pietro was the “Mother Church” of Modica.
The scenographic and severe staircase accompanies the visitor inside the church, who is followed by the gaze of statues of the twelve apostles called “I Santoni”. The sculptural decorations rest on pedestals marking the three flights of the staircase which was completed in 1876. The church façade is full and generally sober compared to the exuberant shapes of the cathedral of San Giorgio.
Two overlapping levels, marked by rusticated pilaster strips made more three-dimensional, stand out on the flat surface of the façade. The first level features three portals surmounted by broken tympanums , with the central one surmounted by the coat of arms of St. Peter.
The second level, characterised by two small volutes, houses the four statues representing St. Catald, St. Rosalia, St. Peter and the Virgin Mary. The façade ends with a sunburst in which a triumphant Christ is inserted.
dettaglio portale con stemma san pietro lesene sul prospetto

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The Church of St. Francis

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City and nature

The palace, the town, the church

The city within the city

Luminous sacred spaces

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Scenography and devotion for St. Agatha

The beginning of an authentic Baroque conception

The senses tell of the Cathedral of San Pietro

St. Agatha and the candelore

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The Palazzo dei due mori

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Rebirth and urban planning of the city of Noto

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The Staircase of Angels

Baroque creativity: recurring themes

The casket of austerity under the great dome

The articulated interior spaces

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell about Palazzo Trigona

Scenography, lights and colours of the cathedral

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Verticality and dynamism of the façade of the Church of San Carlo

Unusual iconographies: the Burgos crucifix

Palazzo Trigona di Canicarao

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Baroque and the loss of balance in the 16th century

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The Benedictines’ library

The interior of the church: space and colour

The neo-Gothic seminary chapel: symbols, light and space

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The triumph of Baroque: expansion of spaces

Akrai and Syracuse: an unbreakable bond

The Monastery of the Benedictine nuns

San Domenico and Gagliardi’s work

The Badia di Sant’Agata (St. Agatha’s Abbey)

Virtuosity, decorations and altars

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The expansion of space and changing reality

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The interior and works of art

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The Franciscan convent

Religious architecture

A heritage of votive works

The illusion of light and the decorative splendour

Reconstruction after the earthquake

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Militello: The story of an enlightened fiefdom

The art of maiolica

The Monte delle Prestanze in the new city layout

A new site for the church of San Giorgio

The Antonino Uccello Birthplace Museum

Altars, saints and sculptural works

The Church of Madonna della Stella

Garden of Novices and the restorations by Giancarlo De Carlo

The city palace

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Fountain of the Nymph Zizza: public water in the town

A compromise between Neoclassicism and Baroque