Modica

A compromise between Neoclassicism and Baroque

Located at the top of a majestic staircase along Corso Umberto I, in the historic centre of Modica, the Cathedral of San Pietro seems to welcome the worshippers and invite them, at the same time, to partake in a journey of art and faith.

The Cathedral of San Pietro
The Cathedral of San Pietro is located on the top of an imposing staircase of three flights along Corso Umberto I in the historic center of Modica. The perimeter of the staircase is characterized by the presence of the statues of the twelve apostles raised on high pedestals that give it an even more severe appearance. The facade of the church, of a reddish color, is divided into two bands and has an unusually sober appearance for the baroque canons. The first band is divided by three portals surmounted by broken timpani, of which the central one has the coat of arms of Saint Peter; these portals are interspersed with ashlar pilasters. The second band has two small volutes and houses the statues of Saints Cataldo, Rosalia, Peter and the Madonna.

It is considered the city’s second out-of-scale work of architecture and comes second to the Cathedral of San Giorgio in terms of importance.
The majestic sacred building was built in 1308, though there are no records of the original structure. After being damaged by the earthquake of 1693, it was rebuilt in 1697 according to a design by Mario Spata and Rosario Boscarino, master builders linked to local artisan tradition.
What drove the immediate reconstruction of the cathedral was the desire to reaffirm that the church of San Pietro was the “Mother Church” of Modica.
The scenographic and severe staircase accompanies the visitor inside the church, who is followed by the gaze of statues of the twelve apostles called “I Santoni”. The sculptural decorations rest on pedestals marking the three flights of the staircase which was completed in 1876. The church façade is full and generally sober compared to the exuberant shapes of the cathedral of San Giorgio.
Two overlapping levels, marked by rusticated pilaster strips made more three-dimensional, stand out on the flat surface of the façade. The first level features three portals surmounted by broken tympanums , with the central one surmounted by the coat of arms of St. Peter.
The second level, characterised by two small volutes, houses the four statues representing St. Catald, St. Rosalia, St. Peter and the Virgin Mary. The façade ends with a sunburst in which a triumphant Christ is inserted.
dettaglio portale con stemma san pietro lesene sul prospetto

One city, three sites

City and nature

A Nobel Prize in Modica

The dynamics of the Church of San Michele

Scicli, the city of Baroque scenery

The senses tell the story of the Church of San Giovanni Evangelista

The Church of Madonna della Stella

A new site for the church of San Giorgio

Madonna of the Militia: a singular warrior virgin

Akrai and Syracuse: an unbreakable bond

The expansion of space and changing reality

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Infiorata of Noto, a modern tradition

The illusion of light and the decorative splendour

The senses tell the story of the Church of San Paolo

The Staircase of Angels

The senses tell of Palazzo della Cancelleria

The articulated interior spaces

The Church of St. Mary of the Mountain

The senses tell the story of the Church of San Benedetto

From the end of the world to rebirth from the rubble

The interior and works of art

A stone garden

Luminous sacred spaces

Art in the cathedral

The Monastery of the Benedictine nuns

The senses tell the Church of San Domenico

The senses tell the story of the Church of San Giuliano ai Crociferi

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Expansion, spatiality and light in the church of San Domenico

A heritage of votive works

Views denied, views conquered: the power of the devout Benedictines

The new roads of the city

The Madonna dei Conadomini and the art of devotion

The church and the monastery

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Reconstruction after the earthquake

Rebirth and urban planning of the city of Noto

The Church of St. Julian on Via dei Crociferi

The Church of St. John the Evangelist

The Duomo di San Giorgio (Cathedral of St. George)

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of the Badia di Sant’Agata

A compromise between Neoclassicism and Baroque

The city of Modica, a balance between nature and urbanism

The senses tell about Palazzo Zacco

Militello: The story of an enlightened fiefdom

The senses tell about Palazzo Ducezio

The works in the church

The Church of St. Paul

The Franciscan convent

The Monte delle Prestanze in the new city layout

The church and the college

Palazzo Trigona di Canicarao

The Benedictines’ library

The senses tell of the Cathedral of San Pietro

The senses tell the Cathedral of San Giorgio

The smallest Greek theatre in the world

St. Agatha and the candelore

The senses tell the story of the Church of Santa Maria del Monte

The interior of the church: space and colour

Expanded spaces, stucco and colourful lights

Religious architecture

The senses tell about Palazzo Beneventano

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Baroque and the loss of balance in the 16th century

Garden of Novices and the restorations by Giancarlo De Carlo

Altars, saints and sculptural works

The senses tell about Palazzo Trigona

The two churches

The Church of St. Francis

The art of maiolica

Palazzo della Cancelleria: from former stable to the Nicastro family

Baroque creativity: recurring themes

The palace, the town, the church

The city within the city

Verticality and dynamism of the façade of the Church of San Carlo

Virtuosity, decorations and altars

The Palazzo dei due mori

The senses tell the Cathedral of San Giorgio

The senses tell the Church of San Michele

The Church of St. Benedict

The casket of austerity under the great dome

The senses tell the Cathedral of Sant’Agata

Scenography and devotion for St. Agatha

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Carlo and the former Jesuit college

A unifying project for the city of Catania

Palazzo Trigona: a building with a complex shape

A story of rebirth

The eagle-shaped city

The Antonino Uccello Birthplace Museum

A casket of precious works

The Badia di Sant’Agata (St. Agatha’s Abbey)

Majestic exteriors, grandiose interiors

San Domenico and Gagliardi’s work

The beginning of an authentic Baroque conception

The neo-Gothic seminary chapel: symbols, light and space

Unusual iconographies: the Burgos crucifix

Scenography, lights and colours of the cathedral

The interiors: diffused light and Byzantine relics

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Palazzo Zacco, a balance between sobriety and decoration

Fountain of the Nymph Zizza: public water in the town

The city palace