Palazzolo Acreide

A half-Baroque church

The church of the Annunziata is located on Via dell’Annunziata, not far from Via Roma.foto della chiesa dalla strada
It is one of the oldest churches in Palazzolo, probably built between the 12th and 14th centuries.
It was not spared by the tragic earthquake of 1693 and was partially destroyed.
The confraternity of the Annunziata wasted no time in overseeing the reconstruction. The Baroque façade was redesigned according to a design by Giuseppe Ferrara.
The entrance is preceded by a particular triangular-shaped parvis enclosed by a small wall and surmounted by small pillars. Unfortunately the façade remained unfinished. Only the main portal and the decorations around it were completed; four Solomonic columns ,two on each side, and the trabeation stand out.

zoom chiesa dell'Annunziata
chiesa dell'Annunziata

Le colonne tortili foto del portale
The richness and attention paid to the masterful decorations is striking. Quince, grapes, figs, pomegranates, cherub , faces, festoons, abstract elements and plant elements were all carved with extreme precision.

Zoom le decorazioni delle colonne
le decorazioni delle colonne

The church was redesigned with three naves with large arches to divide the main nave from the smaller one; the white walls were elevated with gilded stucco decoration; the white and dark grey floor, which reproduces an abstract design on the ground characterised by the strong contrast of the two stones, adds personality.

particolari delle Colonne tortili  particolari delle colonne tortili

interno dall’ingresso all’altare il pavimento bianco e grigio scuro Dettaglio pavimentazione

The Barresi-Branciforte lords

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Wonderful quick decorations

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The disastrous earthquake

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The wall comes to life

St. Sebastian, so much work!

The internal colours

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Feasting in Palazzolo

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The Burgos crucifix

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Connections with other UNESCO sites

Limestone, the colour of harmony

A long reconstruction

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From International Gothic to present day

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Corbels: a celebration of the Nicolaci family

A triumph of colour

A city in colour

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From the contrast of the exterior to the internal jubilation of colours

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Some prestigious works

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The Staircase of Angels

Feast days

Between white and black

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Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

Rosario Gagliardi, the maestro of the Val di Noto

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A design by Vincenzo Sinatra

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Some masterpieces

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A colourful floor

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One city, three sites

Two illustrious patron saints

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The kitchen, a treasure chest of colours

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The two churches

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

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Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

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Many owners, one palace

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

The colours of the cathedral

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The Benedictine Monastery, one of the largest in Europe

Searching for colour

A feast only for Scicli

Modica, a city with ancient origins

A hall for the feasts

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

A miniature city

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The character of Badia Sant’Agata

A Nobel Prize in Modica

Norman apses

One city, two sites

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

The chocolate of Modica

The Maiolica of the staircase

New roads for Catania