Palazzolo Acreide

A majestic and luminous church

facciata da piazza del popolo al tramontoThe church of San Sebastiano (St. Sebastian) is above street level and accessed by a long flight of stairs. The façade, 35 metres tall and made of white limestone, was designed by the master architect Mario Diamanti of Syracuse.

The church of San Sebastiano
The church of San Sebastiano is located higher than the street level and is accessible through a good twenty-four steps. The facade is 35 meters high and was made of white limestone, was designed by the master architect Mario Diamanti of Syracuse. It consists of three levels: the first contains the three entrance portals; the largest in the center is framed between two pairs of columns resting on two lions; above it was built a niche with the statue of San Sebastiano; The second band contains the clock and is closed at the sides by two volutes, is less wide than the lower floor; the third level completes the structure of the facade, was built around the second half of the eighteenth century with an opening and space for a bell. Finally, at an altitude of 42 meters from the level of the square, above the top floor, stands “u palieddu”, the fan-shaped flag.

It is formed of three levels. The first contains the three entrance portals, the largest in the middle is framed by two pairs of columns resting on two lions and finished at the top by a niche housing the statue of St. Sebastian.

zoom statua di San Sebastiano
statua di San Sebastiano

portale centrale tutto il complesso decorativo che ha intorno dettaglio leone del portale dettaglio leone del portale
The second section contains the clock and is completed at the sides by two volute ; the third level was finally completed around 1768 with a bell tower.

zoom L’orologio
L’orologio

The monumental exterior is matched by an incredibly precious interior: it’s a veritable treasure! Divided into three naves , the interior is a triumph of colour.
campanile  navata centrale
A black and white chessboard floor follows worshippers throughout the church. White and yellow faux marble covers the columns and their base.
Dettaglio pavimento dettaglio colonne navata centrale dettaglio colonne navata centrale
The white walls are illuminated with golden decorations that elevate the interior.
The vault of the nave is enriched by three frescoes painted by Gioacchino Gianforma and large windows with colourful glass that flood the interior with light.dettaglio voluteThe same windows are also found above the altars in the side naves, illuminated further by brilliant Murano glass chandeliers.

zoom lampadario in vetro di murano
lampadario in vetro di murano
Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

One city, two sites

The senses tell the Cathedral of Sant’Agata

Limestone, the colour of harmony

New roads for Catania

The Infiorata, a feast of colours and flowers

A talking palace

The senses tell about Palazzo La Rocca

One city, three sites

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

Prominent façade

San Nicolò l’Arena: an unfinished church

The chocolate of Modica

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

The kitchen, a treasure chest of colours

Some prestigious works

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

Feast days

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Benedetto

St. Sebastian, so much work!

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

The Baroque town by the sea

Norman apses

A design by Vincenzo Sinatra

A colourful floor

The colours of the cathedral

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

Connections with other UNESCO sites

The senses tell the story of the Badia di Sant’Agata

A square as the heart of the city

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

Discovering the mother church

The senses tell the story of the Church of San Sebastiano

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The city of museums

From International Gothic to present day

A small room with a golden entrance

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some masterpieces

Searching for colour

The wall comes to life

Places of knowledge: the Benedictines’ library

Corbels: a celebration of the Nicolaci family

A Nobel Prize in Modica

A half-Baroque church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A symbol for the town

St. Agatha and the giant candelabras

A majestic and luminous church

The Barresi-Branciforte lords

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of Santa Maria del Carmelo

The character of Badia Sant’Agata

An eagle-shaped city

The church of Carmine

San Benedetto: a treasure reopened to the public

A new site for a new city

The senses tell the story of the Church of San Giuliano ai Crociferi

The internal colours

The two churches

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

A triumph of colour

A city in colour

The theatre of taste

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

Wonderful quick decorations

The Maiolica of the staircase

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Burgos crucifix

The senses tell the story of the church of San Giuseppe

A miniature city

Two illustrious patron saints

Between white and black

A prominent church

The interior and its masterpieces

A new site for a new church

Modica, a city with ancient origins

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

The senses tell about Palazzo Napolino Tommasi Rosso