Militello in Val di Catania

A new site for a new church

The chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is located on the corner of Via Umberto I and Via Matrice.
It is the result of a long and complex reconstruction following the earthquake of 1693.
Three years after the earthquake the Bishop of Syracuse, on a visit to Militello, ordered the construction of the new church and it was here that problems began. The citizens were divided between those who wanted to rebuild the church in the same place and those who wanted to rebuild it on a safer site; it took 28 years before a definitive location was found.
The foundation stone was laid on 6 December 1721 at the new site, where the present church is located today.
At this point, the reconstruction work was fairly quick: on 20 March 1740, when the church was blessed, the central and lateral naves were almost complete; around 1750, the façade designed by the architect Girolamo Palazzotto was finished; in 1765, the bell tower designed by the architect Francesco Battaglia , from Catania was added, which was joined by the bells and clock eleven years later.
The bell tower on the right was the only one built, thus breaking up the symmetry of the façade. The church was built with the help of many benefactors including the Marquis Nicolò Placido Branciforte and the Abbot Malacria.

The church of San Nicolò and the Most Holy Saviour
The church of San Nicolò and the Most Holy Saviour has an elevated entrance with respect to the road level and can be reached through two side staircases that have twenty-seven steps. The facade is divided horizontally into three levels: the first includes the large central portal, inserted between two pairs of columns and which is closed over by a broken arched tympanum; the two side doors, called “of the sun” and “of the moon”, are surmounted by a window; the second order has in the center a large window with a triangular tympanum on top; the third order, finally, closes the structure, has the shape of a broken arched tympanum and on the top there is a cross supported by a head of cherub. On the right side of the facade is the only bell tower, the left one was not built and the symmetry of the facade is broken.
The Infiorata, a feast of colours and flowers

A talking palace

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

Norman apses

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

A majestic and luminous church

The character of Badia Sant’Agata

Some masterpieces

The Staircase of Angels

A city in colour

A prominent church

The senses tell the story of the Badia di Sant’Agata

The city of museums

One city, three sites

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The church of Carmine

A triumph of colour

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Sebastiano

From International Gothic to present day

The theatre of taste

The senses tell about Palazzo Nicolaci

The internal colours

A hall for the feasts

One city, two sites

Many owners, one palace

The senses tell the story of the church of Santa Maria del Carmelo

Two illustrious patron saints

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo La Rocca

A Nobel Prize in Modica

The Burgos crucifix

Discovering the mother church

A long reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The disastrous earthquake

San Nicolò l’Arena: an unfinished church

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

Places of knowledge: the Benedictines’ library

A feast only for Scicli

The senses tell the story of the church of San Giovanni Battista

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

St. Sebastian, so much work!

Baroque and the loss of equilibrium in the 16th century

The cathedral of Sant’Agata: a lengthy reconstruction

A design by Vincenzo Sinatra

The senses tell the story of the staircase of Santa Maria del Monte

A square as the heart of the city

Fontana della Ninfa Zizza, public water in the town

Searching for colour

An eagle-shaped city

A new site for a new church

Limestone, the colour of harmony

The senses tell the story of the Church of San Benedetto

A symbol for the town

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

New roads for Catania

The two churches

The senses tell the story of the church of San Giuseppe

The colours of the cathedral

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

The Feast of San Giacomo (St. James)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

The wall comes to life

The chocolate of Modica

Between white and black

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giuliano ai Crociferi

San Benedetto: a treasure reopened to the public

St. Agatha and the giant candelabras

Feasting in Palazzolo

A miniature city

The façade used as a puppet theatre

The Baroque town by the sea

Some prestigious works

Feast days

Wonderful quick decorations

Modica, a city with ancient origins

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

The role of the religious orders in rebuilding the Val di Noto

The interior and its masterpieces

Connections with other UNESCO sites

A new site for a new city

A colourful floor

Prominent façade

The Benedictine Monastery, one of the largest in Europe