Modica

A Nobel Prize in Modica

Among period buildings, cathedrals and churches, Modica offers its citizens and tourists a place of memory. The idea comes from the bond that exists between the Hyblaean city and an illustrious Italian poet. On 20 August 1901, Salvatore Quasimodo was born in Modica.
Palazzo QuasimodoHe was one of the most important poets and translators of Italian literature.
Quasimodo wrote works of enormous value that led him to win the Nobel Prize for Literature in 1959. Hence the idea to restore the house where the poet was born and turn it into a birthplace museum dedicated to him.
The Museo Casa Natale Salvatore Quasimodo (Salvatore Quasimodo Birthplace Museum) offers the chance to see the room where the Italian poet saw the first light of day, and much more!
In fact, there are also collections of many of the objects that belonged to Salvatore Quasimodo, including some photographs and the furniture from his Milan studio.
This is an opportunity to get to know Quasimodo and enter into contact with the reality of a bygone era that is increasingly distant from us.

A Nobel Prize in Modica

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The expansion of space and changing reality

Baroque creativity: recurring themes

Reconstruction after the earthquake

The senses tell about Palazzo Trigona

The senses tell the story of the Church of Santa Maria del Monte

A casket of precious works

The works in the church

The Church of St. Benedict

The Church of St. Paul

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites

Rebirth and urban planning of the city of Noto

A unifying project for the city of Catania

The senses tell the Church of San Domenico

The Church of St. Francis

Scenography and devotion for St. Agatha

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Cathedral of San Giorgio

From the end of the world to rebirth from the rubble

Madonna of the Militia: a singular warrior virgin

The senses tell of the Cathedral of San Pietro

Scicli, the city of Baroque scenery

The senses tell the story of the Church of San Benedetto

The dynamics of the Church of San Michele

Religious architecture

The interior of the church: space and colour

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the Cathedral of Sant’Agata

The Antonino Uccello Birthplace Museum

Akrai and Syracuse: an unbreakable bond

St. Agatha and the candelore

The two churches

The senses tell about Palazzo Ducezio

The Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

The Franciscan convent

City and nature

Luminous sacred spaces

The church and the monastery

The senses tell about Palazzo Zacco

The Monte delle Prestanze in the new city layout

Palazzo Zacco, a balance between sobriety and decoration

Art in the cathedral

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Giuliano ai Crociferi

The beginning of an authentic Baroque conception

The Duomo di San Giorgio (Cathedral of St. George)

The Infiorata of Noto, a modern tradition

The Badia di Sant’Agata (St. Agatha’s Abbey)

A new site for the church of San Giorgio

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Church of St. Julian on Via dei Crociferi

A stone garden

The city of Modica, a balance between nature and urbanism

A compromise between Neoclassicism and Baroque

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The smallest Greek theatre in the world

The new roads of the city

The Church of St. John the Evangelist

The Church of Madonna della Stella

The eagle-shaped city

The senses tell the story of the Church of the Badia di Sant’Agata

San Domenico and Gagliardi’s work

The palace, the town, the church

Scenography, lights and colours of the cathedral

Virtuosity, decorations and altars

The senses tell the Cathedral of San Giorgio

The art of maiolica

Palazzo Trigona di Canicarao

The church and the college

Militello: The story of an enlightened fiefdom

Expanded spaces, stucco and colourful lights

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Paolo

The casket of austerity under the great dome

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Palazzo dei due mori

The interiors: diffused light and Byzantine relics

The illusion of light and the decorative splendour

The triumph of Baroque: expansion of spaces

The Church of St. Mary of the Mountain

Verticality and dynamism of the façade of the Church of San Carlo

The Madonna dei Conadomini and the art of devotion

Unusual iconographies: the Burgos crucifix

The senses tell of Palazzo della Cancelleria

The interior and works of art

Altars, saints and sculptural works

The articulated interior spaces

Majestic exteriors, grandiose interiors

The senses tell about Palazzo Beneventano

The senses tell the Church of San Michele

The Staircase of Angels

Fountain of the Nymph Zizza: public water in the town

Palazzo della Cancelleria: from former stable to the Nicastro family

The neo-Gothic seminary chapel: symbols, light and space

The city within the city

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Monastery of the Benedictine nuns

Expansion, spatiality and light in the church of San Domenico

The city palace

Baroque and the loss of balance in the 16th century

A heritage of votive works

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A story of rebirth