Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Places of knowledge: the Benedictines’ library

The church of Carmine

The interior and its masterpieces

The Staircase of Angels

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

The senses tell about Palazzo Nicolaci

The senses tell the Cathedral of Sant’Agata

A design by Vincenzo Sinatra

St. Sebastian, so much work!

Connections with other UNESCO sites

A long reconstruction

A new site for a new church

Norman apses

The role of the religious orders in rebuilding the Val di Noto

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

One city, two sites

Some prestigious works

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A city in colour

A feast only for Scicli

A hall for the feasts

The Maiolica of the staircase

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

Prominent façade

Baroque and the loss of equilibrium in the 16th century

The Baroque town by the sea

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

The Burgos crucifix

The wall comes to life

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

The senses tell about Palazzo La Rocca

St. Agatha and the giant candelabras

An eagle-shaped city

The senses tell the story of the Church of the Annunciation

A small room with a golden entrance

A colourful floor

Discovering the mother church

Two illustrious patron saints

The theatre of taste

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new city

Searching for colour

From International Gothic to present day

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The city of museums

The two churches

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

The chocolate of Modica

From the contrast of the exterior to the internal jubilation of colours

Modica, a city with ancient origins

A miniature city

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Napolino Tommasi Rosso

Many owners, one palace

Corbels: a celebration of the Nicolaci family

Some masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Supernatural dimension of the chapel of the Santissimo Sacramento

A triumph of colour

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

One city, three sites

Feasting in Palazzolo

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

The internal colours

A symbol for the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

A museum to save a tradition

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

The Barresi-Branciforte lords

A prominent church

New roads for Catania

Feast days

Wonderful quick decorations