Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

Many owners, one palace

A symbol for the town

The internal colours

The city of museums

The Burgos crucifix

The façade used as a puppet theatre

Feasting in Palazzolo

Garden of Novices and the restorations by Giancarlo De Carlo

A talking palace

From St. Thomas to St. Joseph

A city in colour

San Benedetto: a treasure reopened to the public

A feast only for Scicli

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

Wonderful quick decorations

The role of the religious orders in rebuilding the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

An eagle-shaped city

Prominent façade

The senses tell the story of the Church of the Annunciation

A new site for a new church

The colours of the cathedral

St. Agatha and the giant candelabras

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The character of Badia Sant’Agata

The Staircase of Angels

The senses tell the story of the church of Santa Maria del Carmelo

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

A hall for the feasts

Places of knowledge: the Benedictines’ library

The Barresi-Branciforte lords

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The kitchen, a treasure chest of colours

The two churches

A miniature city

The Baroque town by the sea

A prominent church

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo La Rocca

A triumph of colour

The Infiorata, a feast of colours and flowers

The theatre of taste

The Maiolica of the staircase

Baroque and the loss of equilibrium in the 16th century

From the contrast of the exterior to the internal jubilation of colours

Modica, a city with ancient origins

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

Limestone, the colour of harmony

The Feast of San Giacomo (St. James)

Feast days

Some prestigious works

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

A new entrance for Santa Chiara (St. Claire)

Corbels: a celebration of the Nicolaci family

One city, three sites

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

Some masterpieces

Two illustrious patron saints

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

The senses tell the story of the Church of San Sebastiano

St. Sebastian, so much work!

The chocolate of Modica

A museum to save a tradition

Fontana della Ninfa Zizza, public water in the town

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

A Nobel Prize in Modica

A new site for a new city

One city, two sites

Norman apses

The interior and its masterpieces

Searching for colour

The senses tell the story of the Church of San Giovanni Evangelista

A long reconstruction

Between white and black

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

A half-Baroque church