Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The two churches

Modica, a city with ancient origins

The wall comes to life

Some prestigious works

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

Militello, the story of an enlightened fiefdom

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

Garden of Novices and the restorations by Giancarlo De Carlo

From St. Thomas to St. Joseph

A miniature city

The senses tell about Palazzo Nicolaci

A city in colour

The Burgos crucifix

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

A triumph of colour

Limestone, the colour of harmony

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

The Staircase of Angels

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The interior and its masterpieces

Prominent façade

The Baroque town by the sea

The disastrous earthquake

One city, three sites

Norman apses

Corbels: a celebration of the Nicolaci family

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A prominent church

Many owners, one palace

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

St. Agatha and the giant candelabras

Some masterpieces

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

A square as the heart of the city

The character of Badia Sant’Agata

The theatre of taste

The Feast of San Giacomo (St. James)

From the contrast of the exterior to the internal jubilation of colours

San Benedetto: a treasure reopened to the public

The church of Carmine

A talking palace

Rosario Gagliardi, the maestro of the Val di Noto

From International Gothic to present day

Wonderful quick decorations

The colours of the cathedral

A design by Vincenzo Sinatra

Discovering the mother church

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giuseppe

A hall for the feasts

New roads for Catania

The kitchen, a treasure chest of colours

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

A new site for a new city

Between white and black

A colourful floor

One city, two sites

A half-Baroque church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Barresi-Branciforte lords

San Nicolò l’Arena: an unfinished church

The internal colours

The chocolate of Modica

An eagle-shaped city

A Nobel Prize in Modica

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A symbol for the town

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

A small room with a golden entrance

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

Feast days

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of Santa Maria del Carmelo

A new entrance for Santa Chiara (St. Claire)

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

Searching for colour