Catania

A story of rebirth

Piazza Duomo is one of the most important squares in Catania. In a few dozen metres, this location houses priceless artistic and architectural heritage.
The Cathedral of Sant'Agata is one of the buildings on the square, an area that has always been brimming with life. After the 18th-century reconstruction, the cathedral played the role of a scenic backdrop, without neglecting its important function as backdrop to the modern Via Ferdinandea (now Via Garibaldi) located in line with the church.
foto d'insieme facciata dalla piazza con elefante
The Cathedral’s history began with the Norman King Roger I of Sicily, who built it using the foundations of the Achilliane Roman baths, where the saint was martyred in 251 AD.
Completed in 1094, the Norman cathedral had a Latin cross plan with three naves and three apses and elements that led to a fortified church with two watchtowers.
The sovereigns who ascended to the throne over the centuries changed the appearance of the church, where the remains of St. Agatha were moved in 1376. Between the end of the 1500s and 1693, the bishops had the vaults decorated and raised the floor level to insert a large wooden choir.
The apses were then modified and the Roman painter Giovanni Battista Corradini painted the upper part of the semi-dome with “Il trionfo di Sant’Agata, incoronata da Cristo e Maria” (The Triumph of St. Agatha, Crowned by Christ and Mary), while the decorations of the Saint’s chapel were carried out in 1684 by the Catanese painter Paolo Mignemi.
zoom cupola abside chiesa di sant'Agata

San Domenico and Gagliardi’s work

City and nature

The senses tell about Palazzo Trigona

The Benedictines’ library

Luminous sacred spaces

The senses tell the Cathedral of San Giorgio

Palazzo Trigona: a building with a complex shape

The smallest Greek theatre in the world

Expanded spaces, stucco and colourful lights

The Badia di Sant’Agata (St. Agatha’s Abbey)

The expansion of space and changing reality

The Church of St. Paul

From the end of the world to rebirth from the rubble

The art of maiolica

The beginning of an authentic Baroque conception

Art in the cathedral

The neo-Gothic seminary chapel: symbols, light and space

The senses tell of the Cathedral of San Pietro

The Franciscan convent

Reconstruction after the earthquake

Rebirth and urban planning of the city of Noto

Majestic exteriors, grandiose interiors

The casket of austerity under the great dome

The Monte delle Prestanze in the new city layout

The Madonna dei Conadomini and the art of devotion

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of San Paolo

The senses tell of Palazzo della Cancelleria

Scenography, lights and colours of the cathedral

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Baroque creativity: recurring themes

Views denied, views conquered: the power of the devout Benedictines

Garden of Novices and the restorations by Giancarlo De Carlo

A casket of precious works

A compromise between Neoclassicism and Baroque

One city, three sites

Scicli, the city of Baroque scenery

The new roads of the city

The senses tell about Palazzo Zacco

The church and the college

The church and the monastery

A Nobel Prize in Modica

Altars, saints and sculptural works

The interiors: diffused light and Byzantine relics

The Church of Madonna della Stella

Akrai and Syracuse: an unbreakable bond

The interior of the church: space and colour

Palazzo della Cancelleria: from former stable to the Nicastro family

Scenography and devotion for St. Agatha

The dynamics of the Church of San Michele

A heritage of votive works

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of Santa Maria del Monte

A story of rebirth

The city palace

The senses tell the story of the Church of San Giuliano ai Crociferi

Fountain of the Nymph Zizza: public water in the town

Virtuosity, decorations and altars

The Church of St. John the Evangelist

The Duomo di San Giorgio (Cathedral of St. George)

The city of Modica, a balance between nature and urbanism

The Staircase of Angels

Militello: The story of an enlightened fiefdom

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Palazzo dei due mori

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell about Palazzo Beneventano

A unifying project for the city of Catania

The two churches

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the Cathedral of San Giorgio

The works in the church

A stone garden

Madonna of the Militia: a singular warrior virgin

The illusion of light and the decorative splendour

The senses tell the Cathedral of Sant’Agata

The Church of St. Francis

Baroque and the loss of balance in the 16th century

Piazza Duomo, the elephant fountain, the heart of the city

The articulated interior spaces

The city within the city

The Infiorata of Noto, a modern tradition

The Church of St. Benedict

The senses tell about Palazzo Ducezio

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Church of San Michele

The palace, the town, the church

The eagle-shaped city

The Antonino Uccello Birthplace Museum

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Palazzo Trigona di Canicarao

The Church of St. Julian on Via dei Crociferi

St. Agatha and the candelore

Unusual iconographies: the Burgos crucifix

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Church of San Domenico

The Church of St. Mary of the Mountain

Religious architecture

The interior and works of art

A new site for the church of San Giorgio

The senses tell the story of the Church of the Badia di Sant’Agata

The Monastery of the Benedictine nuns