Catania

A unifying project for the city of Catania

Catania is one of the cities located in eastern Sicily that overlooks the Ionian Sea and extends to the slopes of Mount Etna.
Etna Catania
The volcano is the symbol of the Etnean capital, though over the centuries its constant activity has been the cause of ruinous events such as the catastrophic eruption of 1669, traces of which are still visible along the streets, and more clearly in the Benedictine monastery.
In 1693 the city was struck by a disastrous earthquake and razed to the ground.
Reconstruction took place on the same site given the strategic position for trade between the coast and further inland. Where possible, the pre-existing buildings were restored, including the fortifications, apses and transept of the Norman Cathedral and some ancient buildings.
The city’s reaction to the earthquake was characterised by the great commitment of the Spanish ruling class, the state and religious authorities who demonstrated a remarkable capacity for organisation and foresight.
Giuseppe Lanza, Duke of Camastra was appointed by the Viceroy Duke of Uzeda as vicar general and quickly implemented the plan to rebuild Catania as soon as 1694. This “plan” was conceived in a unitary fashion, set on a system of roads that were orthogonal and no longer exclusively rigid. Within the system were a series of wide streets and squares that were geometrically different from one another.

The casket of austerity under the great dome

Luminous sacred spaces

The works in the church

Rebirth and urban planning of the city of Noto

The city within the city

Baroque creativity: recurring themes

Akrai and Syracuse: an unbreakable bond

The Infiorata of Noto, a modern tradition

Verticality and dynamism of the façade of the Church of San Carlo

A compromise between Neoclassicism and Baroque

Palazzo della Cancelleria: from former stable to the Nicastro family

Majestic exteriors, grandiose interiors

Religious architecture

The Church of St. Julian on Via dei Crociferi

The Antonino Uccello Birthplace Museum

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Maria del Monte

Fountain of the Nymph Zizza: public water in the town

San Domenico and Gagliardi’s work

The city palace

The Church of Madonna della Stella

A unifying project for the city of Catania

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Giovanni Evangelista

Madonna of the Militia: a singular warrior virgin

Baroque and the loss of balance in the 16th century

The new roads of the city

Virtuosity, decorations and altars

Piazza Duomo, the elephant fountain, the heart of the city

The expansion of space and changing reality

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of San Giuliano ai Crociferi

The Monastery of the Benedictine nuns

The Madonna dei Conadomini and the art of devotion

The triumph of Baroque: expansion of spaces

St. Agatha and the candelore

City and nature

The church and the college

The senses tell about Palazzo Zacco

The senses tell of Palazzo della Cancelleria

The interior and works of art

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Church of St. Benedict

Scicli, the city of Baroque scenery

The senses tell the Church of San Domenico

The dynamics of the Church of San Michele

A stone garden

The senses tell the Cathedral of Sant’Agata

The Church of St. John the Evangelist

Palazzo Trigona di Canicarao

The Staircase of Angels

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The neo-Gothic seminary chapel: symbols, light and space

The beginning of an authentic Baroque conception

One city, three sites

The senses tell the Cathedral of San Giorgio

A story of rebirth

The two churches

The Franciscan convent

The interiors: diffused light and Byzantine relics

The senses tell about Palazzo Trigona

The eagle-shaped city

Expansion, spatiality and light in the church of San Domenico

A new site for the church of San Giorgio

A heritage of votive works

A Nobel Prize in Modica

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Benedictines’ library

The art of maiolica

The Church of St. Mary of the Mountain

The palace, the town, the church

The senses tell of the Cathedral of San Pietro

Reconstruction after the earthquake

The church and the monastery

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of St. Paul

The interior of the church: space and colour

Scenography, lights and colours of the cathedral

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of San Benedetto

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Palazzo dei due mori

The senses tell the Cathedral of San Giorgio

Altars, saints and sculptural works

Views denied, views conquered: the power of the devout Benedictines

The smallest Greek theatre in the world

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the story of the Church of San Paolo

The illusion of light and the decorative splendour

Expanded spaces, stucco and colourful lights

A casket of precious works

The articulated interior spaces

Palazzo Trigona: a building with a complex shape

Militello: The story of an enlightened fiefdom

The city of Modica, a balance between nature and urbanism

The senses tell about Palazzo Ducezio

Scenography and devotion for St. Agatha

The senses tell about Palazzo Beneventano

The senses tell the Church of San Michele

The Church of St. Francis

Art in the cathedral

The senses tell the story of the Church of the Badia di Sant’Agata

Unusual iconographies: the Burgos crucifix

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Badia di Sant’Agata (St. Agatha’s Abbey)