Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A Nobel Prize in Modica

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

The internal colours

Discovering the mother church

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of Santa Maria del Carmelo

The Benedictine Monastery, one of the largest in Europe

Searching for colour

The city of museums

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo La Rocca

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

Two illustrious patron saints

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

Many owners, one palace

The senses tell the Cathedral of Sant’Agata

The kitchen, a treasure chest of colours

The chocolate of Modica

A colourful floor

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

St. Sebastian, so much work!

The Staircase of Angels

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

New roads for Catania

The Baroque town by the sea

One city, two sites

Feast days

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

The interior and its masterpieces

St. Agatha and the giant candelabras

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A triumph of colour

A miniature city

The disastrous earthquake

A new palace for the La Rocca lords

Connections with other UNESCO sites

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the staircase of Santa Maria del Monte

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

A new site for a new city

The wall comes to life

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

An eagle-shaped city

A small room with a golden entrance

A long reconstruction

The theatre of taste

The Burgos crucifix

Norman apses

One city, three sites

Modica, a city with ancient origins

Some prestigious works

Feasting in Palazzolo

The senses tell the story of the church of San Giovanni Battista

San Nicolò l’Arena: an unfinished church

From International Gothic to present day

A city in colour

A prominent church

A symbol for the town

The Barresi-Branciforte lords

Some masterpieces

The senses tell the story of the church of San Giuseppe

A feast only for Scicli

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Benedetto

A talking palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The character of Badia Sant’Agata

A half-Baroque church

A hall for the feasts

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

The Infiorata, a feast of colours and flowers

A new site for a new church

A square as the heart of the city

Limestone, the colour of harmony

A museum to save a tradition

The cathedral of Sant’Agata: a lengthy reconstruction

Prominent façade