Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The Burgos crucifix

The senses tell the story of the Church of the Annunciation

A square as the heart of the city

A symbol for the town

The senses tell the story of the staircase of Santa Maria del Monte

A small room with a golden entrance

A hall for the feasts

A museum to save a tradition

The senses tell the story of the Church of San Giuliano ai Crociferi

Discovering the mother church

Militello, the story of an enlightened fiefdom

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Places of knowledge: the Benedictines’ library

A city in colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giuseppe

The colours of the cathedral

Prominent façade

St. Agatha and the giant candelabras

The cathedral of Sant’Agata: a lengthy reconstruction

The chocolate of Modica

Baroque and the loss of equilibrium in the 16th century

A miniature city

Searching for colour

The character of Badia Sant’Agata

From St. Thomas to St. Joseph

Norman apses

Two illustrious patron saints

Modica, a city with ancient origins

Wonderful quick decorations

From International Gothic to present day

A new site for a new church

The interior and its masterpieces

The two churches

One city, two sites

The Feast of San Giacomo (St. James)

A talking palace

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

The city of museums

The Baroque town by the sea

The wall comes to life

Feast days

Many owners, one palace

Limestone, the colour of harmony

The Barresi-Branciforte lords

The internal colours

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Napolino Tommasi Rosso

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

A majestic and luminous church

A design by Vincenzo Sinatra

Some masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The church of Carmine

Some prestigious works

Between white and black

The Staircase of Angels

A colourful floor

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giovanni Evangelista

The disastrous earthquake

Feasting in Palazzolo

A Nobel Prize in Modica

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

San Nicolò l’Arena: an unfinished church

A new entrance for Santa Chiara (St. Claire)

A prominent church

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Cathedral of Sant’Agata

A new site for a new city

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

A long reconstruction

The façade used as a puppet theatre

The Supernatural dimension of the chapel of the Santissimo Sacramento

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo La Rocca

One city, three sites

A new palace for the La Rocca lords

An eagle-shaped city

The Maiolica of the staircase

A half-Baroque church

The theatre of taste

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

St. Sebastian, so much work!

New roads for Catania

A feast only for Scicli