Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The façade used as a puppet theatre

A half-Baroque church

Norman apses

A new site for a new city

Prominent façade

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

From St. Thomas to St. Joseph

Between white and black

An eagle-shaped city

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

The church of Carmine

Some prestigious works

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Giovanni Evangelista

Modica, a city with ancient origins

The role of the religious orders in rebuilding the Val di Noto

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

A museum to save a tradition

The senses tell about Palazzo Nicolaci

Many owners, one palace

One city, three sites

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

Limestone, the colour of harmony

The Baroque town by the sea

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Sebastian, so much work!

The wall comes to life

A feast only for Scicli

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

A prominent church

San Nicolò l’Arena: an unfinished church

The kitchen, a treasure chest of colours

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

Palazzo Nicolaci di Villadorata, who is the architect?

The Staircase of Angels

San Benedetto: a treasure reopened to the public

Discovering the mother church

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

New roads for Catania

A Nobel Prize in Modica

The two churches

A city in colour

A small room with a golden entrance

A colourful floor

The senses tell the Cathedral of Sant’Agata

The colours of the cathedral

A symbol for the town

The senses tell about Palazzo La Rocca

The senses tell the story of the staircase of Santa Maria del Monte

A new entrance for Santa Chiara (St. Claire)

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of Santa Maria del Carmelo

A triumph of colour

Feast days

A talking palace

Some masterpieces

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

A new palace for the La Rocca lords

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

St. Agatha and the giant candelabras

The city of museums

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

The internal colours

A new site for a new church

Two illustrious patron saints

The Infiorata, a feast of colours and flowers

A hall for the feasts

The Benedictine Monastery, one of the largest in Europe

Garden of Novices and the restorations by Giancarlo De Carlo

The chocolate of Modica

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

A long reconstruction

The interior and its masterpieces

Searching for colour