Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Wonderful quick decorations

A city in colour

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

St. Sebastian, so much work!

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of the Annunciation

A half-Baroque church

A small room with a golden entrance

Modica, a city with ancient origins

Discovering the mother church

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

A new palace for the La Rocca lords

A feast only for Scicli

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

Limestone, the colour of harmony

San Benedetto: a treasure reopened to the public

Prominent façade

Some prestigious works

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

The city of museums

A new entrance for Santa Chiara (St. Claire)

The Maiolica of the staircase

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

Many owners, one palace

The cathedral of Sant’Agata: a lengthy reconstruction

One city, two sites

A new site for a new city

The chocolate of Modica

The Infiorata, a feast of colours and flowers

Between white and black

Two illustrious patron saints

The Feast of San Giacomo (St. James)

A miniature city

The senses tell the story of the Church of San Giuliano ai Crociferi

A new site for a new church

The senses tell the story of the Church of San Sebastiano

The Burgos crucifix

A symbol for the town

An eagle-shaped city

The senses tell the Cathedral of Sant’Agata

Feasting in Palazzolo

The wall comes to life

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

Baroque and the loss of equilibrium in the 16th century

A prominent church

Militello, the story of an enlightened fiefdom

A square as the heart of the city

Connections with other UNESCO sites

St. Agatha and the giant candelabras

Norman apses

The senses tell the story of the church of San Giuseppe

The Supernatural dimension of the chapel of the Santissimo Sacramento

Corbels: a celebration of the Nicolaci family

Some masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

The Baroque town by the sea

A hall for the feasts

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giovanni Battista

A museum to save a tradition

The senses tell about Palazzo Nicolaci

New roads for Catania

A long reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

The kitchen, a treasure chest of colours

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

A majestic and luminous church

The church of Carmine

A triumph of colour

Places of knowledge: the Benedictines’ library

A Nobel Prize in Modica

Feast days

From St. Thomas to St. Joseph

The façade used as a puppet theatre

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

The theatre of taste

A colourful floor

The two churches

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

The colours of the cathedral

The Barresi-Branciforte lords

San Nicolò l’Arena: an unfinished church