Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

Some masterpieces

Corbels: a celebration of the Nicolaci family

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

Many owners, one palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of museums

Baroque and the loss of equilibrium in the 16th century

A new site for a new city

The colours of the cathedral

The internal colours

Discovering the mother church

Connections with other UNESCO sites

Feast days

Fontana della Ninfa Zizza, public water in the town

A new palace for the La Rocca lords

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giovanni Evangelista

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A feast only for Scicli

A hall for the feasts

San Benedetto: a treasure reopened to the public

A city in colour

The senses tell about Palazzo La Rocca

A colourful floor

The senses tell the story of the Church of the Annunciation

A small room with a golden entrance

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The theatre of taste

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

A museum to save a tradition

Prominent façade

The interior and its masterpieces

From St. Thomas to St. Joseph

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

A prominent church

One city, two sites

The senses tell the Cathedral of Sant’Agata

Limestone, the colour of harmony

The senses tell the story of the Church of San Benedetto

St. Agatha and the giant candelabras

Two illustrious patron saints

The cathedral of Sant’Agata: a lengthy reconstruction

The Burgos crucifix

St. Sebastian, so much work!

A new site for a new church

The Staircase of Angels

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

The Benedictine Monastery, one of the largest in Europe

The church of Carmine

The Maiolica of the staircase

Modica, a city with ancient origins

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

Searching for colour

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

A miniature city

Norman apses

A Nobel Prize in Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Between white and black

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The kitchen, a treasure chest of colours

Some prestigious works

The senses tell the story of the church of Santa Maria del Carmelo

The disastrous earthquake

A half-Baroque church

The senses tell the story of the church of San Giuseppe

One city, three sites

Militello, the story of an enlightened fiefdom

A square as the heart of the city

Wonderful quick decorations

A talking palace

From International Gothic to present day

A long reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

A symbol for the town

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

The two churches

The chocolate of Modica

The façade used as a puppet theatre

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

Places of knowledge: the Benedictines’ library