Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The city of museums

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

A small room with a golden entrance

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

The chocolate of Modica

San Nicolò l’Arena: an unfinished church

One city, three sites

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

Between white and black

The interior and its masterpieces

The senses tell the story of the Church of San Benedetto

Militello, the story of an enlightened fiefdom

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Napolino Tommasi Rosso

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

New roads for Catania

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new site for a new church

The senses tell the story of the Church of Santa Chiara

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

The church of Carmine

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

A triumph of colour

A hall for the feasts

The senses tell about Palazzo Nicolaci

Many owners, one palace

Two illustrious patron saints

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The two churches

The Baroque town by the sea

A prominent church

Corbels: a celebration of the Nicolaci family

A new site for a new city

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giovanni Battista

The senses tell the Cathedral of Sant’Agata

The theatre of taste

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

The colours of the cathedral

Connections with other UNESCO sites

A long reconstruction

The kitchen, a treasure chest of colours

Baroque and the loss of equilibrium in the 16th century

An eagle-shaped city

A new entrance for Santa Chiara (St. Claire)

Wonderful quick decorations

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

The Staircase of Angels

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

A majestic and luminous church

The Burgos crucifix

Feast days

The wall comes to life

The senses tell the story of the Church of San Sebastiano

A feast only for Scicli

A museum to save a tradition

The disastrous earthquake

From International Gothic to present day

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

One city, two sites

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

Limestone, the colour of harmony

A symbol for the town

Some masterpieces

Searching for colour

A talking palace

The internal colours

The Feast of San Giacomo (St. James)

A city in colour

Some prestigious works

Discovering the mother church

The Barresi-Branciforte lords

A half-Baroque church

Feasting in Palazzolo

Prominent façade