Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

A new site for a new city

One city, three sites

From International Gothic to present day

The Baroque town by the sea

Between white and black

The role of the religious orders in rebuilding the Val di Noto

Modica, a city with ancient origins

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

A Nobel Prize in Modica

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

The kitchen, a treasure chest of colours

New roads for Catania

Palazzo Nicolaci di Villadorata, who is the architect?

Two illustrious patron saints

A city in colour

Corbels: a celebration of the Nicolaci family

An eagle-shaped city

The Burgos crucifix

A new palace for the La Rocca lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Barresi-Branciforte lords

The chocolate of Modica

A museum to save a tradition

A new site for a new church

The senses tell the story of the Badia di Sant’Agata

Baroque and the loss of equilibrium in the 16th century

Norman apses

Discovering the mother church

A hall for the feasts

A square as the heart of the city

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

One city, two sites

A colourful floor

The senses tell the story of the church of Santa Maria del Carmelo

A design by Vincenzo Sinatra

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giovanni Evangelista

The interior and its masterpieces

The colours of the cathedral

Searching for colour

Feasting in Palazzolo

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

The façade used as a puppet theatre

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

A majestic and luminous church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Places of knowledge: the Benedictines’ library

Feast days

The cathedral of Sant’Agata: a lengthy reconstruction

Limestone, the colour of harmony

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

A triumph of colour

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

Many owners, one palace

Some prestigious works

The character of Badia Sant’Agata

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

A symbol for the town

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

Some masterpieces

The Staircase of Angels

The theatre of taste

Wonderful quick decorations

The senses tell the story of the Church of San Giuliano ai Crociferi

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata

The internal colours

From the contrast of the exterior to the internal jubilation of colours

The church of Carmine

The Maiolica of the staircase

A half-Baroque church

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A prominent church

The senses tell the story of the Church of Santa Chiara

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Sebastiano

Fontana della Ninfa Zizza, public water in the town

The city of museums