Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A new palace for the La Rocca lords

St. Agatha and the giant candelabras

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

From St. Thomas to St. Joseph

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

The city of museums

The Infiorata, a feast of colours and flowers

The colours of the cathedral

The Supernatural dimension of the chapel of the Santissimo Sacramento

From International Gothic to present day

Rosario Gagliardi, the maestro of the Val di Noto

Wonderful quick decorations

A talking palace

The internal colours

Between white and black

Norman apses

A miniature city

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

Searching for colour

One city, three sites

The role of the religious orders in rebuilding the Val di Noto

Places of knowledge: the Benedictines’ library

One city, two sites

The Barresi-Branciforte lords

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

A new site for a new city

A long reconstruction

The interior and its masterpieces

A Nobel Prize in Modica

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

A museum to save a tradition

A new site for a new church

Many owners, one palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A half-Baroque church

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

An eagle-shaped city

Corbels: a celebration of the Nicolaci family

Militello, the story of an enlightened fiefdom

A city in colour

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

A small room with a golden entrance

Feast days

A colourful floor

St. Sebastian, so much work!

Limestone, the colour of harmony

Some masterpieces

A hall for the feasts

The senses tell about Palazzo Napolino Tommasi Rosso

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

New roads for Catania

The Staircase of Angels

The Maiolica of the staircase

The kitchen, a treasure chest of colours

The Burgos crucifix

A square as the heart of the city

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

The Baroque town by the sea

Two illustrious patron saints

The theatre of taste

A feast only for Scicli

A triumph of colour

The senses tell the Cathedral of Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The church of Carmine

A design by Vincenzo Sinatra

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

A prominent church

A majestic and luminous church

The two churches