Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A square as the heart of the city

Militello, the story of an enlightened fiefdom

A small room with a golden entrance

A new palace for the La Rocca lords

The senses tell about Palazzo Nicolaci

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

St. Sebastian, so much work!

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

The senses tell the story of the church of Santa Maria del Carmelo

Rosario Gagliardi, the maestro of the Val di Noto

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A Nobel Prize in Modica

One city, three sites

The Feast of San Giacomo (St. James)

Between white and black

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A triumph of colour

The Barresi-Branciforte lords

The cathedral of Sant’Agata: a lengthy reconstruction

The wall comes to life

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A hall for the feasts

An eagle-shaped city

St. Agatha and the giant candelabras

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

One city, two sites

Modica, a city with ancient origins

The senses tell the story of the Church of San Giuliano ai Crociferi

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

A museum to save a tradition

A miniature city

The façade used as a puppet theatre

The interior and its masterpieces

A long reconstruction

A majestic and luminous church

The two churches

The theatre of taste

Discovering the mother church

From the contrast of the exterior to the internal jubilation of colours

Prominent façade

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

Places of knowledge: the Benedictines’ library

A colourful floor

A talking palace

Wonderful quick decorations

Two illustrious patron saints

A city in colour

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

The city of museums

The disastrous earthquake

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

The Staircase of Angels

Some prestigious works

The internal colours

A new site for a new church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new entrance for Santa Chiara (St. Claire)

The chocolate of Modica

The Burgos crucifix

The character of Badia Sant’Agata

From St. Thomas to St. Joseph

A feast only for Scicli

Some masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Sebastiano

Limestone, the colour of harmony

Norman apses

The senses tell the story of the Badia di Sant’Agata

Many owners, one palace

A prominent church

Feasting in Palazzolo

A new site for a new city

Baroque and the loss of equilibrium in the 16th century

The Infiorata, a feast of colours and flowers

A symbol for the town

A half-Baroque church

The kitchen, a treasure chest of colours

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

Corbels: a celebration of the Nicolaci family

The senses tell the Cathedral of Sant’Agata

Feast days

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

From International Gothic to present day

The colours of the cathedral