Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The church of Carmine

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

Between white and black

The senses tell the Cathedral of Sant’Agata

A majestic and luminous church

The Benedictine Monastery, one of the largest in Europe

A talking palace

A new entrance for Santa Chiara (St. Claire)

A new site for a new church

A feast only for Scicli

A Nobel Prize in Modica

One city, two sites

The Burgos crucifix

The city of museums

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

A hall for the feasts

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giuliano ai Crociferi

Discovering the mother church

The senses tell the story of the Church of San Benedetto

The Maiolica of the staircase

Some masterpieces

An eagle-shaped city

St. Agatha and the giant candelabras

A symbol for the town

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

The senses tell the story of the staircase of Santa Maria del Monte

The Staircase of Angels

A museum to save a tradition

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Wonderful quick decorations

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Nicolaci

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

A half-Baroque church

The disastrous earthquake

The character of Badia Sant’Agata

St. Sebastian, so much work!

A small room with a golden entrance

Connections with other UNESCO sites

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of the Annunciation

A prominent church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

A miniature city

New roads for Catania

A long reconstruction

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

The façade used as a puppet theatre

The theatre of taste

Searching for colour

The senses tell about Palazzo Napolino Tommasi Rosso

The two churches

Feasting in Palazzolo

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

Feast days

A city in colour

A new site for a new city

Places of knowledge: the Benedictines’ library

One city, three sites

Garden of Novices and the restorations by Giancarlo De Carlo

A design by Vincenzo Sinatra

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea

The wall comes to life

Some prestigious works

Prominent façade

Two illustrious patron saints

A colourful floor

A triumph of colour

Baroque and the loss of equilibrium in the 16th century

The internal colours

Militello, the story of an enlightened fiefdom

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Many owners, one palace