Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Baroque and the loss of equilibrium in the 16th century

Feasting in Palazzolo

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Nicolaci

A square as the heart of the city

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

New roads for Catania

A new site for a new church

The Barresi-Branciforte lords

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

A design by Vincenzo Sinatra

The interior and its masterpieces

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

The chocolate of Modica

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

The internal colours

The colours of the cathedral

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A hall for the feasts

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

A talking palace

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

The senses tell the Cathedral of Sant’Agata

The wall comes to life

An eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

A new site for a new city

Some masterpieces

One city, three sites

Limestone, the colour of harmony

Feast days

The senses tell the story of the church of Santa Maria del Carmelo

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

The façade used as a puppet theatre

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

A museum to save a tradition

Modica, a city with ancient origins

St. Sebastian, so much work!

The church of Carmine

A city in colour

A half-Baroque church

A colourful floor

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

The senses tell the story of the church of San Giuseppe

The kitchen, a treasure chest of colours

A miniature city

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

The Baroque town by the sea

Places of knowledge: the Benedictines’ library

The theatre of taste

Garden of Novices and the restorations by Giancarlo De Carlo

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of the Annunciation

Many owners, one palace

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

A Nobel Prize in Modica

A small room with a golden entrance

A symbol for the town

Militello, the story of an enlightened fiefdom

Prominent façade

The senses tell the story of the Church of San Sebastiano

Searching for colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A prominent church

The city of museums

The Burgos crucifix

The disastrous earthquake

One city, two sites

The character of Badia Sant’Agata

Norman apses

A majestic and luminous church

Some prestigious works

The senses tell the story of the Church of San Benedetto

From the contrast of the exterior to the internal jubilation of colours

A long reconstruction

From St. Thomas to St. Joseph

Connections with other UNESCO sites