Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the Church of San Benedetto

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The wall comes to life

Corbels: a celebration of the Nicolaci family

A majestic and luminous church

St. Sebastian, so much work!

A hall for the feasts

The senses tell about Palazzo Nicolaci

The façade used as a puppet theatre

The Maiolica of the staircase

Many owners, one palace

The theatre of taste

A city in colour

The city of museums

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

Feasting in Palazzolo

An eagle-shaped city

A small room with a golden entrance

The two churches

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

Feast days

Connections with other UNESCO sites

New roads for Catania

The senses tell about Palazzo La Rocca

The colours of the cathedral

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

A symbol for the town

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

Baroque and the loss of equilibrium in the 16th century

A colourful floor

The kitchen, a treasure chest of colours

San Nicolò l’Arena: an unfinished church

Prominent façade

A prominent church

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

A half-Baroque church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A Nobel Prize in Modica

From St. Thomas to St. Joseph

Two illustrious patron saints

One city, two sites

Palazzo Nicolaci di Villadorata, who is the architect?

A new palace for the La Rocca lords

Searching for colour

The senses tell the story of the church of San Giovanni Battista

A long reconstruction

The Burgos crucifix

Between white and black

One city, three sites

San Benedetto: a treasure reopened to the public

A design by Vincenzo Sinatra

The chocolate of Modica

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

Discovering the mother church

A feast only for Scicli

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Feast of San Giacomo (St. James)

The church of Carmine

Wonderful quick decorations

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

From International Gothic to present day

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Militello, the story of an enlightened fiefdom

The interior and its masterpieces

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From the contrast of the exterior to the internal jubilation of colours

The role of the religious orders in rebuilding the Val di Noto

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library

The Baroque town by the sea

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A talking palace

Modica, a city with ancient origins

The Staircase of Angels

Some prestigious works

A miniature city

St. Agatha and the giant candelabras

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

A new entrance for Santa Chiara (St. Claire)