Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Searching for colour

Some masterpieces

The city of museums

A hall for the feasts

The senses tell the story of the Church of the Annunciation

A symbol for the town

A new site for a new city

Wonderful quick decorations

From St. Thomas to St. Joseph

An eagle-shaped city

Baroque and the loss of equilibrium in the 16th century

A Nobel Prize in Modica

A museum to save a tradition

The chocolate of Modica

One city, three sites

A new palace for the La Rocca lords

The senses tell the story of the church of Santa Maria del Carmelo

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

A prominent church

The Baroque town by the sea

A small room with a golden entrance

The disastrous earthquake

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Nicolaci

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

The role of the religious orders in rebuilding the Val di Noto

The Benedictine Monastery, one of the largest in Europe

Feast days

Norman apses

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giovanni Battista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

Many owners, one palace

A city in colour

Discovering the mother church

Between white and black

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The wall comes to life

The façade used as a puppet theatre

A talking palace

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo La Rocca

Militello, the story of an enlightened fiefdom

San Nicolò l’Arena: an unfinished church

A half-Baroque church

The Barresi-Branciforte lords

Connections with other UNESCO sites

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

The Burgos crucifix

A long reconstruction

A new site for a new church

A design by Vincenzo Sinatra

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

A miniature city

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

Two illustrious patron saints

A triumph of colour

The senses tell the story of the staircase of Santa Maria del Monte

The theatre of taste

From International Gothic to present day

The colours of the cathedral

A colourful floor

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

New roads for Catania

Some prestigious works

The Feast of San Giacomo (St. James)

Limestone, the colour of harmony

One city, two sites

The interior and its masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

The internal colours

A square as the heart of the city

Feasting in Palazzolo

St. Agatha and the giant candelabras

The Maiolica of the staircase