Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century

St. Sebastian, so much work!

St. Agatha and the giant candelabras

The senses tell the story of the Badia di Sant’Agata

A city in colour

The Staircase of Angels

One city, three sites

Garden of Novices and the restorations by Giancarlo De Carlo

The Barresi-Branciforte lords

A new site for a new city

The city of museums

The senses tell about Palazzo Napolino Tommasi Rosso

Two illustrious patron saints

A new palace for the La Rocca lords

Connections with other UNESCO sites

The wall comes to life

Many owners, one palace

Militello, the story of an enlightened fiefdom

A triumph of colour

Prominent façade

An eagle-shaped city

The theatre of taste

A new entrance for Santa Chiara (St. Claire)

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

A miniature city

The senses tell the story of the Church of San Sebastiano

Feasting in Palazzolo

The façade used as a puppet theatre

The chocolate of Modica

The Infiorata, a feast of colours and flowers

The Burgos crucifix

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

The internal colours

A long reconstruction

Some masterpieces

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

San Benedetto: a treasure reopened to the public

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The two churches

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

Discovering the mother church

The disastrous earthquake

Feast days

The senses tell about Palazzo Nicolaci

Norman apses

A prominent church

The Supernatural dimension of the chapel of the Santissimo Sacramento

A half-Baroque church

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of the Annunciation

Between white and black

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giuseppe

The Maiolica of the staircase

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

Searching for colour

Limestone, the colour of harmony

A design by Vincenzo Sinatra

A museum to save a tradition

New roads for Catania

A symbol for the town

The interior and its masterpieces

The church of Carmine

A Nobel Prize in Modica

Wonderful quick decorations

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The character of Badia Sant’Agata

A majestic and luminous church

The cathedral of Sant’Agata: a lengthy reconstruction

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

The senses tell the Cathedral of Sant’Agata

Some prestigious works

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giovanni Battista

From St. Thomas to St. Joseph

A square as the heart of the city

One city, two sites