Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Rosario Gagliardi, the maestro of the Val di Noto

Prominent façade

One city, two sites

A new site for a new city

The two churches

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

The Infiorata, a feast of colours and flowers

Garden of Novices and the restorations by Giancarlo De Carlo

Fontana della Ninfa Zizza, public water in the town

Searching for colour

Wonderful quick decorations

Between white and black

The interior and its masterpieces

The senses tell the story of the church of San Giovanni Battista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

Discovering the mother church

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

St. Sebastian, so much work!

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feasting in Palazzolo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

A Nobel Prize in Modica

San Benedetto: a treasure reopened to the public

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

A symbol for the town

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

The internal colours

A square as the heart of the city

The Feast of San Giacomo (St. James)

A triumph of colour

A museum to save a tradition

The senses tell the story of the Church of the Annunciation

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

A half-Baroque church

The chocolate of Modica

The Barresi-Branciforte lords

A prominent church

Militello, the story of an enlightened fiefdom

A feast only for Scicli

The senses tell the story of the Church of San Giovanni Evangelista

From the contrast of the exterior to the internal jubilation of colours

A talking palace

A majestic and luminous church

A long reconstruction

Connections with other UNESCO sites

An eagle-shaped city

The Staircase of Angels

The Burgos crucifix

The church of Carmine

The colours of the cathedral

The wall comes to life

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

A city in colour

From St. Thomas to St. Joseph

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of Santa Maria del Carmelo

New roads for Catania

Many owners, one palace

Modica, a city with ancient origins

A hall for the feasts

Norman apses

The character of Badia Sant’Agata

One city, three sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Nicolò l’Arena: an unfinished church

A small room with a golden entrance

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

The senses tell about Palazzo Nicolaci

The disastrous earthquake

Places of knowledge: the Benedictines’ library

Some prestigious works

A colourful floor

The Baroque town by the sea

The city of museums

Two illustrious patron saints

The theatre of taste

Some masterpieces

St. Agatha and the giant candelabras

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

A miniature city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore