Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

The wall comes to life

San Nicolò l’Arena: an unfinished church

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte

The Infiorata, a feast of colours and flowers

The Barresi-Branciforte lords

One city, three sites

A hall for the feasts

A design by Vincenzo Sinatra

The kitchen, a treasure chest of colours

One city, two sites

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

The Baroque town by the sea

A square as the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Annunciation

The Burgos crucifix

A symbol for the town

A city in colour

From International Gothic to present day

A new palace for the La Rocca lords

A miniature city

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

An eagle-shaped city

The senses tell the story of the church of San Giovanni Battista

Connections with other UNESCO sites

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

From St. Thomas to St. Joseph

A museum to save a tradition

Corbels: a celebration of the Nicolaci family

A talking palace

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

A prominent church

A majestic and luminous church

The senses tell the story of the Church of San Giuliano ai Crociferi

A small room with a golden entrance

The Benedictine Monastery, one of the largest in Europe

Norman apses

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

Wonderful quick decorations

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Limestone, the colour of harmony

The church of Carmine

St. Sebastian, so much work!

A new site for a new church

Some masterpieces

The colours of the cathedral

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

The Feast of San Giacomo (St. James)

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

Feast days

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

Discovering the mother church

The Staircase of Angels

A Nobel Prize in Modica

A feast only for Scicli

Modica, a city with ancient origins

Palazzo Nicolaci di Villadorata, who is the architect?

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town

A half-Baroque church

Some prestigious works

The senses tell the story of the Church of San Giovanni Evangelista

St. Agatha and the giant candelabras

A long reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

The role of the religious orders in rebuilding the Val di Noto

The city of museums

Prominent façade

The two churches

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

The Maiolica of the staircase

The internal colours

A new site for a new city

The senses tell the story of the Church of San Sebastiano

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

Searching for colour

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

Between white and black

The senses tell about Palazzo Napolino Tommasi Rosso