Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

The façade used as a puppet theatre

The city of museums

The interior and its masterpieces

The role of the religious orders in rebuilding the Val di Noto

A miniature city

The senses tell the story of the Church of San Giuliano ai Crociferi

The Maiolica of the staircase

A talking palace

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Sebastian, so much work!

One city, two sites

A design by Vincenzo Sinatra

The senses tell the story of the Badia di Sant’Agata

One city, three sites

The colours of the cathedral

A small room with a golden entrance

A half-Baroque church

A new entrance for Santa Chiara (St. Claire)

Feast days

Modica, a city with ancient origins

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

Fontana della Ninfa Zizza, public water in the town

Some masterpieces

St. Agatha and the giant candelabras

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

A museum to save a tradition

Limestone, the colour of harmony

The Staircase of Angels

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

Prominent façade

New roads for Catania

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

A colourful floor

The senses tell the story of the Church of Santa Chiara

A symbol for the town

A hall for the feasts

The kitchen, a treasure chest of colours

A city in colour

From International Gothic to present day

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Benedetto

Many owners, one palace

A triumph of colour

A feast only for Scicli

A new site for a new city

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

Some prestigious works

The internal colours

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The theatre of taste

San Benedetto: a treasure reopened to the public

An eagle-shaped city

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

Corbels: a celebration of the Nicolaci family

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

The Benedictine Monastery, one of the largest in Europe

The chocolate of Modica

A Nobel Prize in Modica

A prominent church

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giovanni Battista

A new site for a new church

Militello, the story of an enlightened fiefdom

The disastrous earthquake

Palazzo Nicolaci di Villadorata, who is the architect?

San Nicolò l’Arena: an unfinished church

Norman apses

The Baroque town by the sea

The character of Badia Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Discovering the mother church

Searching for colour

The Barresi-Branciforte lords

A majestic and luminous church

A long reconstruction

Baroque and the loss of equilibrium in the 16th century

The Burgos crucifix

Wonderful quick decorations