Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the Cathedral of Sant’Agata

A square as the heart of the city

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giovanni Evangelista

Limestone, the colour of harmony

Garden of Novices and the restorations by Giancarlo De Carlo

Baroque and the loss of equilibrium in the 16th century

St. Sebastian, so much work!

From the contrast of the exterior to the internal jubilation of colours

The theatre of taste

Militello, the story of an enlightened fiefdom

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

A feast only for Scicli

A hall for the feasts

A design by Vincenzo Sinatra

The Baroque town by the sea

The Supernatural dimension of the chapel of the Santissimo Sacramento

Many owners, one palace

A colourful floor

One city, three sites

The façade used as a puppet theatre

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

Some prestigious works

The Barresi-Branciforte lords

The two churches

The Maiolica of the staircase

The interior and its masterpieces

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The Feast of San Giacomo (St. James)

A city in colour

The senses tell the story of the church of San Giuseppe

A triumph of colour

The senses tell the story of the Church of the Annunciation

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giovanni Battista

One city, two sites

From International Gothic to present day

A symbol for the town

Searching for colour

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

The cathedral of Sant’Agata: a lengthy reconstruction

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

Between white and black

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

A long reconstruction

Some masterpieces

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giuliano ai Crociferi

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

A new site for a new church

Modica, a city with ancient origins

A small room with a golden entrance

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Sebastiano

Wonderful quick decorations

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

Feast days

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A prominent church

Corbels: a celebration of the Nicolaci family

The chocolate of Modica

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

A miniature city

Feasting in Palazzolo

San Benedetto: a treasure reopened to the public

The Staircase of Angels

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

The wall comes to life

New roads for Catania

A museum to save a tradition

The colours of the cathedral

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

The senses tell the story of the Church of San Benedetto

A half-Baroque church

A majestic and luminous church