Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

The church of Carmine

The senses tell the story of the Church of San Sebastiano

Modica, a city with ancient origins

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo Napolino Tommasi Rosso

A small room with a golden entrance

Between white and black

St. Agatha and the giant candelabras

A talking palace

The character of Badia Sant’Agata

Limestone, the colour of harmony

New roads for Catania

The city of museums

Fontana della Ninfa Zizza, public water in the town

Searching for colour

The two churches

The senses tell the story of the staircase of Santa Maria del Monte

Corbels: a celebration of the Nicolaci family

The interior and its masterpieces

A square as the heart of the city

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

The senses tell the story of the Badia di Sant’Agata

A new site for a new church

The Infiorata, a feast of colours and flowers

Feasting in Palazzolo

One city, two sites

The theatre of taste

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

The internal colours

An eagle-shaped city

A colourful floor

The Maiolica of the staircase

A museum to save a tradition

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

From International Gothic to present day

The Feast of San Giacomo (St. James)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

Norman apses

A half-Baroque church

The disastrous earthquake

San Benedetto: a treasure reopened to the public

The Barresi-Branciforte lords

A new site for a new city

A new palace for the La Rocca lords

One city, three sites

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

Connections with other UNESCO sites

Some masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

Rosario Gagliardi, the maestro of the Val di Noto

Discovering the mother church

The colours of the cathedral

Prominent façade

A new entrance for Santa Chiara (St. Claire)

The kitchen, a treasure chest of colours

The chocolate of Modica

Two illustrious patron saints

The senses tell the story of the Church of San Giuliano ai Crociferi

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A feast only for Scicli

Many owners, one palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

From St. Thomas to St. Joseph

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe

Feast days

Some prestigious works

A prominent church

The senses tell the story of the church of San Giuseppe

The role of the religious orders in rebuilding the Val di Noto

A Nobel Prize in Modica

Wonderful quick decorations