Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Many owners, one palace

Limestone, the colour of harmony

The Baroque town by the sea

The church of Carmine

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

From the contrast of the exterior to the internal jubilation of colours

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giuseppe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

Discovering the mother church

Prominent façade

The senses tell the story of the Church of San Benedetto

One city, two sites

Two illustrious patron saints

The character of Badia Sant’Agata

Connections with other UNESCO sites

The Burgos crucifix

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A prominent church

A square as the heart of the city

A Nobel Prize in Modica

A triumph of colour

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

The wall comes to life

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

The Barresi-Branciforte lords

The two churches

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Nicolaci

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, three sites

The Infiorata, a feast of colours and flowers

St. Sebastian, so much work!

A small room with a golden entrance

Militello, the story of an enlightened fiefdom

St. Agatha and the giant candelabras

The city of museums

A city in colour

The Maiolica of the staircase

New roads for Catania

Searching for colour

A miniature city

The interior and its masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

Places of knowledge: the Benedictines’ library

A half-Baroque church

A new site for a new church

Between white and black

Wonderful quick decorations

The senses tell the story of the Church of the Annunciation

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

A majestic and luminous church

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

Corbels: a celebration of the Nicolaci family

The Benedictine Monastery, one of the largest in Europe

A feast only for Scicli

The chocolate of Modica

A talking palace

A long reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

From International Gothic to present day

Feast days

Modica, a city with ancient origins

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

A new site for a new city

Some prestigious works

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Staircase of Angels

A colourful floor

A symbol for the town

Rosario Gagliardi, the maestro of the Val di Noto

The colours of the cathedral

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

The theatre of taste

San Benedetto: a treasure reopened to the public