Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The role of the religious orders in rebuilding the Val di Noto

A small room with a golden entrance

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

Some prestigious works

An eagle-shaped city

The senses tell the story of the Church of San Sebastiano

Fontana della Ninfa Zizza, public water in the town

Discovering the mother church

Some masterpieces

The interior and its masterpieces

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of Santa Maria del Carmelo

A triumph of colour

A new site for a new city

The Barresi-Branciforte lords

One city, three sites

The Staircase of Angels

The senses tell about Palazzo Nicolaci

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

The chocolate of Modica

Limestone, the colour of harmony

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Chiara

The city of museums

The senses tell the story of the Church of the Annunciation

St. Sebastian, so much work!

Connections with other UNESCO sites

A feast only for Scicli

The internal colours

The senses tell about Palazzo La Rocca

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

Prominent façade

The Baroque town by the sea

A design by Vincenzo Sinatra

The disastrous earthquake

Places of knowledge: the Benedictines’ library

A half-Baroque church

The senses tell the story of the Badia di Sant’Agata

San Benedetto: a treasure reopened to the public

The cathedral of Sant’Agata: a lengthy reconstruction

The church of Carmine

The façade used as a puppet theatre

The senses tell the story of the church of San Giovanni Battista

The character of Badia Sant’Agata

A square as the heart of the city

Many owners, one palace

A colourful floor

The Burgos crucifix

Norman apses

New roads for Catania

The senses tell the story of the church of San Giuseppe

From International Gothic to present day

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Searching for colour

A long reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

Militello, the story of an enlightened fiefdom

A museum to save a tradition

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

The Maiolica of the staircase

Modica, a city with ancient origins

The Infiorata, a feast of colours and flowers

Feasting in Palazzolo

A majestic and luminous church

A new palace for the La Rocca lords

The Feast of San Giacomo (St. James)

The senses tell the Cathedral of Sant’Agata

A city in colour

The wall comes to life

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

The theatre of taste

A new site for a new church

Feast days

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

From the contrast of the exterior to the internal jubilation of colours

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Benedetto

A talking palace

A symbol for the town

Corbels: a celebration of the Nicolaci family

Between white and black

The senses tell the story of the Church of Santa Chiara

Two illustrious patron saints

A prominent church

The senses tell the story of the Church of San Giuliano ai Crociferi