Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The city of museums

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Burgos crucifix

The Barresi-Branciforte lords

St. Sebastian, so much work!

A Nobel Prize in Modica

A museum to save a tradition

A long reconstruction

A new site for a new city

A square as the heart of the city

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

A small room with a golden entrance

The senses tell the story of the Church of San Benedetto

Norman apses

The role of the religious orders in rebuilding the Val di Noto

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites

An eagle-shaped city

Places of knowledge: the Benedictines’ library

Between white and black

The Staircase of Angels

Many owners, one palace

The senses tell the story of the Church of San Sebastiano

Some prestigious works

The character of Badia Sant’Agata

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

The church of Carmine

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

A majestic and luminous church

The façade used as a puppet theatre

A half-Baroque church

The theatre of taste

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

A triumph of colour

From International Gothic to present day

The interior and its masterpieces

The chocolate of Modica

Feast days

A feast only for Scicli

A talking palace

St. Agatha and the giant candelabras

A city in colour

The colours of the cathedral

The senses tell the story of the church of San Giovanni Battista

Baroque and the loss of equilibrium in the 16th century

The Baroque town by the sea

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

The two churches

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of Santa Maria del Carmelo

Rosario Gagliardi, the maestro of the Val di Noto

Feasting in Palazzolo

Wonderful quick decorations

The Benedictine Monastery, one of the largest in Europe

New roads for Catania

The senses tell about Palazzo La Rocca

The wall comes to life

The Maiolica of the staircase

Searching for colour

One city, three sites

From St. Thomas to St. Joseph

A symbol for the town

Fontana della Ninfa Zizza, public water in the town

A colourful floor

Discovering the mother church

Prominent façade

A design by Vincenzo Sinatra

A new site for a new church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Militello, the story of an enlightened fiefdom

Two illustrious patron saints

The internal colours

The senses tell the story of the Church of Santa Chiara

Some masterpieces

One city, two sites

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours