Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Militello, the story of an enlightened fiefdom

The chocolate of Modica

Some prestigious works

The senses tell the story of the Church of the Annunciation

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

A majestic and luminous church

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

A colourful floor

Norman apses

A small room with a golden entrance

The Staircase of Angels

The theatre of taste

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

New roads for Catania

Discovering the mother church

A miniature city

The internal colours

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

Two illustrious patron saints

A new site for a new church

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feast days

The character of Badia Sant’Agata

Searching for colour

The Barresi-Branciforte lords

One city, three sites

The senses tell the story of the church of Santa Maria del Carmelo

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A square as the heart of the city

One city, two sites

A talking palace

A museum to save a tradition

The senses tell about Palazzo La Rocca

A hall for the feasts

Wonderful quick decorations

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

The two churches

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the staircase of Santa Maria del Monte

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A half-Baroque church

St. Sebastian, so much work!

A long reconstruction

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

Garden of Novices and the restorations by Giancarlo De Carlo

The city of museums

Connections with other UNESCO sites

Prominent façade

The interior and its masterpieces

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

Some masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giuseppe

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

A prominent church

Many owners, one palace

A Nobel Prize in Modica

Feasting in Palazzolo

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The kitchen, a treasure chest of colours

The Burgos crucifix

A feast only for Scicli

The wall comes to life

The Maiolica of the staircase

A symbol for the town

A city in colour

The senses tell the story of the Church of San Benedetto

Between white and black

A new site for a new city

Rosario Gagliardi, the maestro of the Val di Noto

The Benedictine Monastery, one of the largest in Europe

The cathedral of Sant’Agata: a lengthy reconstruction

A new palace for the La Rocca lords

A triumph of colour

From International Gothic to present day

Modica, a city with ancient origins

An eagle-shaped city