Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

A new site for a new city

A half-Baroque church

The senses tell the story of the Church of the Annunciation

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Sebastiano

The internal colours

Places of knowledge: the Benedictines’ library

The Barresi-Branciforte lords

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

A new entrance for Santa Chiara (St. Claire)

Norman apses

The interior and its masterpieces

The Maiolica of the staircase

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

A triumph of colour

The theatre of taste

From the contrast of the exterior to the internal jubilation of colours

A feast only for Scicli

The wall comes to life

The Burgos crucifix

One city, two sites

St. Sebastian, so much work!

The senses tell the story of the Church of San Benedetto

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giovanni Battista

A miniature city

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some masterpieces

A Nobel Prize in Modica

Rosario Gagliardi, the maestro of the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Badia di Sant’Agata

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo La Rocca

One city, three sites

The disastrous earthquake

The kitchen, a treasure chest of colours

A hall for the feasts

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Napolino Tommasi Rosso

The Infiorata, a feast of colours and flowers

An eagle-shaped city

The Feast of San Giacomo (St. James)

Discovering the mother church

Connections with other UNESCO sites

Palazzo Nicolaci di Villadorata, who is the architect?

A design by Vincenzo Sinatra

A square as the heart of the city

A museum to save a tradition

St. Agatha and the giant candelabras

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Many owners, one palace

The colours of the cathedral

Feasting in Palazzolo

Between white and black

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

The two churches

Some prestigious works

A majestic and luminous church

Searching for colour

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

The church of Carmine

The chocolate of Modica

From St. Thomas to St. Joseph

The senses tell the story of the church of Santa Maria del Carmelo

Limestone, the colour of harmony

From International Gothic to present day

New roads for Catania

A symbol for the town

Prominent façade

Militello, the story of an enlightened fiefdom

A talking palace

Feast days

The Benedictine Monastery, one of the largest in Europe

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

A colourful floor

A prominent church

Corbels: a celebration of the Nicolaci family

A new site for a new church

The character of Badia Sant’Agata

The senses tell about Palazzo Nicolaci

A new palace for the La Rocca lords

Modica, a city with ancient origins

Two illustrious patron saints

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

A city in colour