Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the church of Santa Maria del Carmelo

The colours of the cathedral

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

A half-Baroque church

San Nicolò l’Arena: an unfinished church

Norman apses

The senses tell the story of the Church of the Annunciation

A miniature city

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

The church of Carmine

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the staircase of Santa Maria del Monte

Baroque and the loss of equilibrium in the 16th century

A Nobel Prize in Modica

Discovering the mother church

Two illustrious patron saints

The internal colours

Between white and black

From the contrast of the exterior to the internal jubilation of colours

The Benedictine Monastery, one of the largest in Europe

Prominent façade

Fontana della Ninfa Zizza, public water in the town

A talking palace

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new city

The interior and its masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The chocolate of Modica

A symbol for the town

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A new site for a new church

Limestone, the colour of harmony

A small room with a golden entrance

The Infiorata, a feast of colours and flowers

A design by Vincenzo Sinatra

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feasting in Palazzolo

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The wall comes to life

St. Agatha and the giant candelabras

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Benedetto

St. Sebastian, so much work!

A colourful floor

A prominent church

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

The Burgos crucifix

San Benedetto: a treasure reopened to the public

A hall for the feasts

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Napolino Tommasi Rosso

A long reconstruction

Some prestigious works

The Baroque town by the sea

The two churches

One city, three sites

One city, two sites

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

From St. Thomas to St. Joseph

Some masterpieces

The senses tell the story of the church of San Giuseppe

The Staircase of Angels

A triumph of colour

A square as the heart of the city

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

A museum to save a tradition

A majestic and luminous church

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

Many owners, one palace

The character of Badia Sant’Agata

Feast days

A city in colour

Modica, a city with ancient origins

An eagle-shaped city

From International Gothic to present day

The disastrous earthquake

A new palace for the La Rocca lords

A new entrance for Santa Chiara (St. Claire)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Wonderful quick decorations