Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

New roads for Catania

A square as the heart of the city

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

A city in colour

The character of Badia Sant’Agata

Two illustrious patron saints

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

A hall for the feasts

The façade used as a puppet theatre

The theatre of taste

Searching for colour

The colours of the cathedral

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Napolino Tommasi Rosso

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Benedetto

One city, two sites

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

From International Gothic to present day

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

One city, three sites

The senses tell the story of the church of San Giuseppe

The two churches

Wonderful quick decorations

Limestone, the colour of harmony

The internal colours

A triumph of colour

Norman apses

Places of knowledge: the Benedictines’ library

Between white and black

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the staircase of Santa Maria del Monte

The Staircase of Angels

A half-Baroque church

The Barresi-Branciforte lords

A new palace for the La Rocca lords

Feasting in Palazzolo

A feast only for Scicli

The Baroque town by the sea

The disastrous earthquake

The senses tell the story of the church of Santa Maria del Carmelo

Corbels: a celebration of the Nicolaci family

The kitchen, a treasure chest of colours

A new entrance for Santa Chiara (St. Claire)

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giovanni Battista

Some prestigious works

Many owners, one palace

A miniature city

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Sebastiano

A long reconstruction

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

A new site for a new church

A museum to save a tradition

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The chocolate of Modica

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

A prominent church

Prominent façade

Discovering the mother church

The city of museums

The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of the Annunciation

Fontana della Ninfa Zizza, public water in the town

Some masterpieces

A colourful floor

Feast days

A Nobel Prize in Modica

A new site for a new city

An eagle-shaped city

The Infiorata, a feast of colours and flowers

The church of Carmine

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

A symbol for the town

A talking palace

The Maiolica of the staircase