Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the staircase of Santa Maria del Monte

A half-Baroque church

Discovering the mother church

Modica, a city with ancient origins

The Staircase of Angels

The senses tell the Cathedral of Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of Santa Maria del Carmelo

A colourful floor

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

Some prestigious works

One city, three sites

Many owners, one palace

The chocolate of Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Nicolò l’Arena: an unfinished church

The character of Badia Sant’Agata

A new site for a new church

The kitchen, a treasure chest of colours

The church of Carmine

Searching for colour

A prominent church

A city in colour

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

From the contrast of the exterior to the internal jubilation of colours

Fontana della Ninfa Zizza, public water in the town

Places of knowledge: the Benedictines’ library

The Benedictine Monastery, one of the largest in Europe

One city, two sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

New roads for Catania

The Baroque town by the sea

A new palace for the La Rocca lords

The disastrous earthquake

Feasting in Palazzolo

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

St. Sebastian, so much work!

A symbol for the town

Two illustrious patron saints

A miniature city

The Infiorata, a feast of colours and flowers

The Maiolica of the staircase

Feast days

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

A square as the heart of the city

An eagle-shaped city

A talking palace

The senses tell the story of the Church of San Sebastiano

A new site for a new city

Limestone, the colour of harmony

The senses tell about Palazzo Napolino Tommasi Rosso

The façade used as a puppet theatre

Wonderful quick decorations

Some masterpieces

The senses tell the story of the Church of San Benedetto

A feast only for Scicli

The senses tell about Palazzo Nicolaci

Connections with other UNESCO sites

A museum to save a tradition

The two churches

The senses tell the story of the Church of San Giovanni Evangelista

The internal colours

The Burgos crucifix

The senses tell the story of the church of San Giovanni Battista

Corbels: a celebration of the Nicolaci family

A long reconstruction

A design by Vincenzo Sinatra

A hall for the feasts

The senses tell the story of the Badia di Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

St. Agatha and the giant candelabras

A majestic and luminous church

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Barresi-Branciforte lords

The interior and its masterpieces

The wall comes to life

From International Gothic to present day

A Nobel Prize in Modica

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

A new entrance for Santa Chiara (St. Claire)

Norman apses

The city of museums

The theatre of taste

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Prominent façade