Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo

A small room with a golden entrance

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

One city, three sites

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Cathedral of Sant’Agata

The colours of the cathedral

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

A triumph of colour

The internal colours

Places of knowledge: the Benedictines’ library

Discovering the mother church

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

Some masterpieces

A symbol for the town

A long reconstruction

A miniature city

San Nicolò l’Arena: an unfinished church

Militello, the story of an enlightened fiefdom

The kitchen, a treasure chest of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the staircase of Santa Maria del Monte

A colourful floor

A new palace for the La Rocca lords

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of the Annunciation

Searching for colour

The Feast of San Giacomo (St. James)

Two illustrious patron saints

One city, two sites

The Benedictine Monastery, one of the largest in Europe

Modica, a city with ancient origins

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new entrance for Santa Chiara (St. Claire)

The disastrous earthquake

Connections with other UNESCO sites

A majestic and luminous church

A half-Baroque church

Between white and black

Prominent façade

An eagle-shaped city

A museum to save a tradition

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Badia di Sant’Agata

The two churches

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A talking palace

St. Sebastian, so much work!

Feast days

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

Many owners, one palace

Some prestigious works

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

From International Gothic to present day

The senses tell the story of the church of San Giovanni Battista

Palazzo Nicolaci di Villadorata, who is the architect?

Fontana della Ninfa Zizza, public water in the town

The Staircase of Angels

A design by Vincenzo Sinatra

A prominent church

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

The senses tell about Palazzo La Rocca

A feast only for Scicli

Feasting in Palazzolo

A city in colour

The façade used as a puppet theatre

The Maiolica of the staircase

A new site for a new church

Wonderful quick decorations

The city of museums

The wall comes to life

San Benedetto: a treasure reopened to the public

The Barresi-Branciforte lords

The Burgos crucifix

The church of Carmine

The senses tell the story of the Church of San Sebastiano

A hall for the feasts

A square as the heart of the city