Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

San Nicolò l’Arena: an unfinished church

A miniature city

Discovering the mother church

Feast days

A half-Baroque church

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giuseppe

A symbol for the town

An eagle-shaped city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Napolino Tommasi Rosso

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

A museum to save a tradition

Rosario Gagliardi, the maestro of the Val di Noto

The interior and its masterpieces

The two churches

St. Agatha and the giant candelabras

The colours of the cathedral

A colourful floor

Wonderful quick decorations

The kitchen, a treasure chest of colours

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

The façade used as a puppet theatre

The city of museums

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

The Baroque town by the sea

One city, two sites

A prominent church

A hall for the feasts

A square as the heart of the city

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The disastrous earthquake

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo Nicolaci

Some masterpieces

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Benedetto

The Supernatural dimension of the chapel of the Santissimo Sacramento

From International Gothic to present day

The chocolate of Modica

A new site for a new city

The theatre of taste

Connections with other UNESCO sites

A triumph of colour

Searching for colour

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

The Barresi-Branciforte lords

Modica, a city with ancient origins

The wall comes to life

A new entrance for Santa Chiara (St. Claire)

A design by Vincenzo Sinatra

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

The internal colours

A long reconstruction

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

Between white and black

The senses tell about Palazzo La Rocca

St. Sebastian, so much work!

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

San Benedetto: a treasure reopened to the public

Some prestigious works

The Maiolica of the staircase

Many owners, one palace

The Feast of San Giacomo (St. James)

A majestic and luminous church

Places of knowledge: the Benedictines’ library

Norman apses

A talking palace

Feasting in Palazzolo

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

A feast only for Scicli

A Nobel Prize in Modica

One city, three sites

Limestone, the colour of harmony

New roads for Catania

Prominent façade

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation