Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The colours of the cathedral

Some prestigious works

Some masterpieces

The chocolate of Modica

The city of museums

Searching for colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Corbels: a celebration of the Nicolaci family

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

Feast days

Places of knowledge: the Benedictines’ library

The theatre of taste

The Maiolica of the staircase

Wonderful quick decorations

St. Agatha and the giant candelabras

A feast only for Scicli

A Nobel Prize in Modica

The internal colours

The façade used as a puppet theatre

Two illustrious patron saints

Limestone, the colour of harmony

Norman apses

The character of Badia Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From St. Thomas to St. Joseph

Palazzo Nicolaci di Villadorata, who is the architect?

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

A triumph of colour

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo La Rocca

The role of the religious orders in rebuilding the Val di Noto

The kitchen, a treasure chest of colours

A miniature city

The senses tell the story of the Badia di Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

A long reconstruction

The Baroque town by the sea

The senses tell the story of the Church of San Benedetto

San Nicolò l’Arena: an unfinished church

A new palace for the La Rocca lords

A new site for a new church

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

A new entrance for Santa Chiara (St. Claire)

A museum to save a tradition

A new site for a new city

San Benedetto: a treasure reopened to the public

Garden of Novices and the restorations by Giancarlo De Carlo

One city, two sites

A colourful floor

A design by Vincenzo Sinatra

One city, three sites

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

A half-Baroque church

Many owners, one palace

An eagle-shaped city

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

The senses tell the story of the Church of San Giovanni Evangelista

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

The church of Carmine

A prominent church

A symbol for the town

New roads for Catania

The two churches

A square as the heart of the city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

The wall comes to life

From International Gothic to present day

A city in colour

Militello, the story of an enlightened fiefdom

The disastrous earthquake

Between white and black

A hall for the feasts

Modica, a city with ancient origins

The Benedictine Monastery, one of the largest in Europe

The Staircase of Angels

A talking palace

Prominent façade

A small room with a golden entrance

The Barresi-Branciforte lords

St. Sebastian, so much work!

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara