Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Connections with other UNESCO sites

Feast days

The disastrous earthquake

A Nobel Prize in Modica

San Nicolò l’Arena: an unfinished church

Discovering the mother church

Corbels: a celebration of the Nicolaci family

The cathedral of Sant’Agata: a lengthy reconstruction

A museum to save a tradition

Modica, a city with ancient origins

Two illustrious patron saints

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some prestigious works

St. Sebastian, so much work!

A colourful floor

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

From International Gothic to present day

A square as the heart of the city

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giuseppe

The internal colours

The church of Carmine

A hall for the feasts

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

A miniature city

One city, three sites

One city, two sites

A city in colour

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

Many owners, one palace

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

A symbol for the town

The senses tell about Palazzo La Rocca

The role of the religious orders in rebuilding the Val di Noto

The wall comes to life

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Prominent façade

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

New roads for Catania

The senses tell the story of the church of San Giovanni Battista

St. Agatha and the giant candelabras

A feast only for Scicli

Places of knowledge: the Benedictines’ library

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

Some masterpieces

The Baroque town by the sea

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

The Burgos crucifix

A prominent church

The city of museums

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

A new site for a new city

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

The kitchen, a treasure chest of colours

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Cathedral of Sant’Agata

The two churches

The senses tell about Palazzo Nicolaci

A new site for a new church

San Benedetto: a treasure reopened to the public

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Sebastiano

The Supernatural dimension of the chapel of the Santissimo Sacramento

The colours of the cathedral

A small room with a golden entrance

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Benedetto

Norman apses

A talking palace

The chocolate of Modica

Searching for colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

An eagle-shaped city

The Maiolica of the staircase

A new palace for the La Rocca lords

The Staircase of Angels

The theatre of taste

Fontana della Ninfa Zizza, public water in the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

A triumph of colour

Between white and black

Garden of Novices and the restorations by Giancarlo De Carlo