Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Rosario Gagliardi, the maestro of the Val di Noto

Discovering the mother church

Corbels: a celebration of the Nicolaci family

A square as the heart of the city

An eagle-shaped city

Baroque and the loss of equilibrium in the 16th century

Prominent façade

A Nobel Prize in Modica

A feast only for Scicli

St. Sebastian, so much work!

The interior and its masterpieces

The internal colours

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

San Nicolò l’Arena: an unfinished church

A symbol for the town

Some prestigious works

A talking palace

The cathedral of Sant’Agata: a lengthy reconstruction

The chocolate of Modica

A small room with a golden entrance

Feast days

Norman apses

The senses tell the story of the church of San Giovanni Battista

The two churches

The senses tell the story of the Church of San Giuliano ai Crociferi

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

The façade used as a puppet theatre

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giovanni Evangelista

A museum to save a tradition

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

The wall comes to life

Modica, a city with ancient origins

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

Wonderful quick decorations

The role of the religious orders in rebuilding the Val di Noto

One city, three sites

The Benedictine Monastery, one of the largest in Europe

Between white and black

The Barresi-Branciforte lords

Some masterpieces

The senses tell the Cathedral of Sant’Agata

A city in colour

One city, two sites

Limestone, the colour of harmony

Searching for colour

The theatre of taste

St. Agatha and the giant candelabras

The Staircase of Angels

The Feast of San Giacomo (St. James)

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

Two illustrious patron saints

A design by Vincenzo Sinatra

A majestic and luminous church

The senses tell the story of the staircase of Santa Maria del Monte

A miniature city

A new site for a new city

The colours of the cathedral

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Sebastiano

Feasting in Palazzolo

The kitchen, a treasure chest of colours

A half-Baroque church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

A triumph of colour

The disastrous earthquake

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

A long reconstruction

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

Many owners, one palace

A prominent church

A colourful floor

The senses tell about Palazzo La Rocca

The church of Carmine

New roads for Catania

Places of knowledge: the Benedictines’ library

The Burgos crucifix

The Baroque town by the sea

The city of museums

A new site for a new church

The senses tell the Benedictine Monastery and San NicoIò l’Arena