Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell about Palazzo La Rocca

A majestic and luminous church

A hall for the feasts

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

The theatre of taste

Prominent façade

A new site for a new city

A colourful floor

One city, two sites

The Baroque town by the sea

The chocolate of Modica

Modica, a city with ancient origins

St. Agatha and the giant candelabras

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The colours of the cathedral

A museum to save a tradition

The kitchen, a treasure chest of colours

Searching for colour

The Benedictine Monastery, one of the largest in Europe

The character of Badia Sant’Agata

A feast only for Scicli

From International Gothic to present day

The interior and its masterpieces

Many owners, one palace

A new site for a new church

The senses tell the story of the Badia di Sant’Agata

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

Some masterpieces

New roads for Catania

The senses tell the story of the church of San Giuseppe

Two illustrious patron saints

San Nicolò l’Arena: an unfinished church

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

Garden of Novices and the restorations by Giancarlo De Carlo

An eagle-shaped city

A symbol for the town

Corbels: a celebration of the Nicolaci family

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

The Staircase of Angels

A city in colour

A long reconstruction

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

The Barresi-Branciforte lords

The wall comes to life

San Benedetto: a treasure reopened to the public

The internal colours

Limestone, the colour of harmony

A half-Baroque church

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

Norman apses

The senses tell the story of the church of San Giovanni Battista

A new palace for the La Rocca lords

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of Santa Maria del Carmelo

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Nicolaci

Discovering the mother church

The Maiolica of the staircase

Some prestigious works

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The façade used as a puppet theatre

A prominent church

From St. Thomas to St. Joseph

Between white and black

The city of museums

A miniature city

A talking palace

A small room with a golden entrance

The two churches

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

Feast days