Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

St. Sebastian, so much work!

The Burgos crucifix

One city, three sites

The senses tell the story of the Church of San Benedetto

The Baroque town by the sea

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Badia di Sant’Agata

The two churches

One city, two sites

Militello, the story of an enlightened fiefdom

A city in colour

The Infiorata, a feast of colours and flowers

The internal colours

The chocolate of Modica

The senses tell the story of the Church of San Giovanni Evangelista

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

From International Gothic to present day

The Feast of San Giacomo (St. James)

The Staircase of Angels

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Sebastiano

Feast days

The Supernatural dimension of the chapel of the Santissimo Sacramento

The church of Carmine

The city of museums

The senses tell the Cathedral of Sant’Agata

Norman apses

A majestic and luminous church

The theatre of taste

An eagle-shaped city

St. Agatha and the giant candelabras

A square as the heart of the city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

Two illustrious patron saints

The façade used as a puppet theatre

The Benedictine Monastery, one of the largest in Europe

A museum to save a tradition

Modica, a city with ancient origins

Some prestigious works

The character of Badia Sant’Agata

New roads for Catania

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci

Connections with other UNESCO sites

A new palace for the La Rocca lords

A talking palace

The disastrous earthquake

Feasting in Palazzolo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The colours of the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Many owners, one palace

A colourful floor

A prominent church

A symbol for the town

Places of knowledge: the Benedictines’ library

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

A small room with a golden entrance

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

From the contrast of the exterior to the internal jubilation of colours

San Nicolò l’Arena: an unfinished church

A triumph of colour

A half-Baroque church

From St. Thomas to St. Joseph

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A miniature city

A new site for a new church

The kitchen, a treasure chest of colours

A long reconstruction

The Maiolica of the staircase

Between white and black

A new site for a new city

A hall for the feasts

Prominent façade

Some masterpieces

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

Wonderful quick decorations

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

Searching for colour