Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Baroque and the loss of equilibrium in the 16th century

The church of Carmine

A museum to save a tradition

Rosario Gagliardi, the maestro of the Val di Noto

A small room with a golden entrance

Some masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

The theatre of taste

Feast days

A long reconstruction

A city in colour

The senses tell about Palazzo La Rocca

From St. Thomas to St. Joseph

The senses tell about Palazzo Nicolaci

One city, two sites

Some prestigious works

Wonderful quick decorations

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Sebastian, so much work!

The Baroque town by the sea

A majestic and luminous church

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

Searching for colour

Modica, a city with ancient origins

The senses tell the story of the Church of the Annunciation

A new site for a new church

A half-Baroque church

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

From International Gothic to present day

A new palace for the La Rocca lords

Between white and black

San Benedetto: a treasure reopened to the public

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feasting in Palazzolo

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

A new site for a new city

A prominent church

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

The disastrous earthquake

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

The Maiolica of the staircase

An eagle-shaped city

A Nobel Prize in Modica

The character of Badia Sant’Agata

Many owners, one palace

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giovanni Battista

The city of museums

New roads for Catania

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

The role of the religious orders in rebuilding the Val di Noto

A triumph of colour

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony

A hall for the feasts

The chocolate of Modica

One city, three sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Fontana della Ninfa Zizza, public water in the town

San Nicolò l’Arena: an unfinished church

A colourful floor

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

A talking palace

The Staircase of Angels

The colours of the cathedral

The façade used as a puppet theatre

Prominent façade

A square as the heart of the city

Two illustrious patron saints

A symbol for the town

Norman apses

The senses tell the Cathedral of Sant’Agata

Discovering the mother church

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites