Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

San Nicolò l’Arena: an unfinished church

A new site for a new church

The character of Badia Sant’Agata

A colourful floor

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

An eagle-shaped city

A majestic and luminous church

The theatre of taste

The Burgos crucifix

A miniature city

Modica, a city with ancient origins

Some prestigious works

The colours of the cathedral

A symbol for the town

The Infiorata, a feast of colours and flowers

From International Gothic to present day

The Staircase of Angels

Two illustrious patron saints

The chocolate of Modica

Fontana della Ninfa Zizza, public water in the town

The Benedictine Monastery, one of the largest in Europe

A prominent church

A design by Vincenzo Sinatra

A new site for a new city

The interior and its masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

Connections with other UNESCO sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Barresi-Branciforte lords

A triumph of colour

Garden of Novices and the restorations by Giancarlo De Carlo

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

Some masterpieces

From St. Thomas to St. Joseph

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

The wall comes to life

One city, three sites

The city of museums

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

From the contrast of the exterior to the internal jubilation of colours

The Maiolica of the staircase

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

A museum to save a tradition

A talking palace

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

A small room with a golden entrance

A hall for the feasts

Limestone, the colour of harmony

A Nobel Prize in Modica

The church of Carmine

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

Between white and black

The senses tell the story of the church of San Giovanni Battista

The façade used as a puppet theatre

A new palace for the La Rocca lords

The Baroque town by the sea

A feast only for Scicli

The internal colours

The senses tell about Palazzo Nicolaci

The Feast of San Giacomo (St. James)

One city, two sites

A city in colour

The two churches

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

The senses tell the story of the Church of San Sebastiano

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Norman apses

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

Feast days

Feasting in Palazzolo

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

Prominent façade

The disastrous earthquake

Palazzo Nicolaci di Villadorata, who is the architect?

A long reconstruction

The senses tell the story of the Badia di Sant’Agata

A half-Baroque church

The kitchen, a treasure chest of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento