Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The character of Badia Sant’Agata

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

Modica, a city with ancient origins

From International Gothic to present day

The Infiorata, a feast of colours and flowers

The façade used as a puppet theatre

A triumph of colour

One city, three sites

The senses tell about Palazzo Nicolaci

A museum to save a tradition

A city in colour

Some masterpieces

One city, two sites

Searching for colour

The two churches

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

San Benedetto: a treasure reopened to the public

A feast only for Scicli

From St. Thomas to St. Joseph

Wonderful quick decorations

A symbol for the town

St. Sebastian, so much work!

A new entrance for Santa Chiara (St. Claire)

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

The interior and its masterpieces

The senses tell the Cathedral of Sant’Agata

Feasting in Palazzolo

A new site for a new church

The senses tell the story of the church of San Giuseppe

A design by Vincenzo Sinatra

Prominent façade

A prominent church

A talking palace

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

New roads for Catania

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

Many owners, one palace

The kitchen, a treasure chest of colours

A hall for the feasts

The city of museums

Between white and black

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo La Rocca

A square as the heart of the city

Fontana della Ninfa Zizza, public water in the town

A new site for a new city

A majestic and luminous church

The senses tell the story of the Church of San Sebastiano

The colours of the cathedral

The senses tell about Palazzo Napolino Tommasi Rosso

The Benedictine Monastery, one of the largest in Europe

The internal colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

The senses tell the story of the Church of San Giovanni Evangelista

A long reconstruction

Feast days

Garden of Novices and the restorations by Giancarlo De Carlo

A small room with a golden entrance

The Staircase of Angels

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

A miniature city

The theatre of taste

A Nobel Prize in Modica

A colourful floor

A half-Baroque church

Two illustrious patron saints

The Maiolica of the staircase

The disastrous earthquake

The chocolate of Modica

The church of Carmine

The Barresi-Branciforte lords

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

The role of the religious orders in rebuilding the Val di Noto

The Baroque town by the sea

Militello, the story of an enlightened fiefdom

Discovering the mother church

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

The senses tell the story of the staircase of Santa Maria del Monte

Places of knowledge: the Benedictines’ library