Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Palazzo Nicolaci di Villadorata, who is the architect?

Limestone, the colour of harmony

The internal colours

Fontana della Ninfa Zizza, public water in the town

One city, three sites

Discovering the mother church

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

The Barresi-Branciforte lords

One city, two sites

A Nobel Prize in Modica

A talking palace

St. Agatha and the giant candelabras

Feasting in Palazzolo

The Supernatural dimension of the chapel of the Santissimo Sacramento

Searching for colour

The Staircase of Angels

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

A design by Vincenzo Sinatra

A museum to save a tradition

The senses tell the story of the Church of San Sebastiano

St. Sebastian, so much work!

The wall comes to life

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

An eagle-shaped city

A new entrance for Santa Chiara (St. Claire)

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

The interior and its masterpieces

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

A prominent church

The senses tell about Palazzo Napolino Tommasi Rosso

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

A long reconstruction

A new site for a new city

The chocolate of Modica

A triumph of colour

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

A square as the heart of the city

Norman apses

The senses tell about Palazzo Nicolaci

The Infiorata, a feast of colours and flowers

The Baroque town by the sea

The Burgos crucifix

A miniature city

The senses tell the story of the Badia di Sant’Agata

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

The senses tell the story of the staircase of Santa Maria del Monte

A majestic and luminous church

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

Between white and black

Wonderful quick decorations

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

The senses tell the story of the Church of San Benedetto

The church of Carmine

A symbol for the town

A new palace for the La Rocca lords

Prominent façade

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Two illustrious patron saints

The kitchen, a treasure chest of colours

Connections with other UNESCO sites

The senses tell the story of the Church of San Giuliano ai Crociferi

The two churches

The senses tell the story of the church of San Giuseppe

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new church

A colourful floor

Militello, the story of an enlightened fiefdom

A city in colour

Places of knowledge: the Benedictines’ library

New roads for Catania

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

The façade used as a puppet theatre

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

Feast days

Many owners, one palace

A feast only for Scicli

The senses tell about Palazzo La Rocca

A hall for the feasts

The Maiolica of the staircase

The city of museums

The cathedral of Sant’Agata: a lengthy reconstruction

A half-Baroque church

The colours of the cathedral