Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The kitchen, a treasure chest of colours

The senses tell the Cathedral of Sant’Agata

A new site for a new city

Connections with other UNESCO sites

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

Corbels: a celebration of the Nicolaci family

The two churches

A miniature city

The interior and its masterpieces

Some masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

The character of Badia Sant’Agata

The wall comes to life

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new entrance for Santa Chiara (St. Claire)

A city in colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

The disastrous earthquake

The Baroque town by the sea

Palazzo Nicolaci di Villadorata, who is the architect?

The Infiorata, a feast of colours and flowers

A talking palace

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

A symbol for the town

Feasting in Palazzolo

A triumph of colour

A Nobel Prize in Modica

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of the Annunciation

The theatre of taste

A prominent church

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

Modica, a city with ancient origins

Limestone, the colour of harmony

A majestic and luminous church

The senses tell about Palazzo Nicolaci

Two illustrious patron saints

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some prestigious works

The senses tell the story of the Church of San Sebastiano

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

A feast only for Scicli

One city, two sites

Between white and black

The church of Carmine

The senses tell about Palazzo Napolino Tommasi Rosso

A hall for the feasts

The senses tell about Palazzo La Rocca

The Feast of San Giacomo (St. James)

The chocolate of Modica

The city of museums

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

New roads for Catania

Norman apses

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

Wonderful quick decorations

A museum to save a tradition

The Burgos crucifix

Feast days

A colourful floor

From the contrast of the exterior to the internal jubilation of colours

San Nicolò l’Arena: an unfinished church

The internal colours

St. Agatha and the giant candelabras

The Maiolica of the staircase

The Barresi-Branciforte lords

A new palace for the La Rocca lords

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

Searching for colour

A small room with a golden entrance

From International Gothic to present day

The Benedictine Monastery, one of the largest in Europe

San Benedetto: a treasure reopened to the public

Fontana della Ninfa Zizza, public water in the town

An eagle-shaped city

A long reconstruction

Many owners, one palace

The senses tell the story of the Church of San Giuliano ai Crociferi

Militello, the story of an enlightened fiefdom

A new site for a new church

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

One city, three sites

The façade used as a puppet theatre

Garden of Novices and the restorations by Giancarlo De Carlo

Prominent façade

The Staircase of Angels

The senses tell the story of the Badia di Sant’Agata