Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The Barresi-Branciforte lords

St. Sebastian, so much work!

The disastrous earthquake

The wall comes to life

An eagle-shaped city

The Maiolica of the staircase

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

A colourful floor

The kitchen, a treasure chest of colours

A square as the heart of the city

Fontana della Ninfa Zizza, public water in the town

San Benedetto: a treasure reopened to the public

Feast days

The Feast of San Giacomo (St. James)

The façade used as a puppet theatre

The colours of the cathedral

The Infiorata, a feast of colours and flowers

One city, two sites

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

The chocolate of Modica

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

The senses tell the story of the church of San Giuseppe

A hall for the feasts

The city of museums

Feasting in Palazzolo

Garden of Novices and the restorations by Giancarlo De Carlo

The Benedictine Monastery, one of the largest in Europe

Palazzo Nicolaci di Villadorata, who is the architect?

Militello, the story of an enlightened fiefdom

The church of Carmine

One city, three sites

A new palace for the La Rocca lords

A symbol for the town

The senses tell the story of the Church of San Sebastiano

From the contrast of the exterior to the internal jubilation of colours

Limestone, the colour of harmony

The interior and its masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

A feast only for Scicli

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

Some masterpieces

The senses tell about Palazzo Nicolaci

The two churches

The senses tell the Cathedral of Sant’Agata

Baroque and the loss of equilibrium in the 16th century

Norman apses

Wonderful quick decorations

Connections with other UNESCO sites

A triumph of colour

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

A new site for a new church

A Nobel Prize in Modica

Modica, a city with ancient origins

Some prestigious works

St. Agatha and the giant candelabras

A half-Baroque church

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Searching for colour

Many owners, one palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Prominent façade

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

The Baroque town by the sea

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

A prominent church

A talking palace

The Staircase of Angels

The Burgos crucifix

The role of the religious orders in rebuilding the Val di Noto

A miniature city

The character of Badia Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

A new site for a new city

A city in colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Two illustrious patron saints

Rosario Gagliardi, the maestro of the Val di Noto

San Nicolò l’Arena: an unfinished church

The theatre of taste

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

Corbels: a celebration of the Nicolaci family

From St. Thomas to St. Joseph

A design by Vincenzo Sinatra

New roads for Catania

A museum to save a tradition

The senses tell the story of the church of San Giovanni Battista