Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The colours of the cathedral

Feasting in Palazzolo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The disastrous earthquake

A city in colour

The façade used as a puppet theatre

The senses tell the story of the Church of San Benedetto

Between white and black

Modica, a city with ancient origins

A museum to save a tradition

The interior and its masterpieces

A majestic and luminous church

Prominent façade

The senses tell the story of the staircase of Santa Maria del Monte

The Staircase of Angels

The character of Badia Sant’Agata

A small room with a golden entrance

One city, three sites

Two illustrious patron saints

A long reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of the Annunciation

A talking palace

The internal colours

The senses tell about Palazzo La Rocca

Norman apses

Feast days

Fontana della Ninfa Zizza, public water in the town

One city, two sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Baroque town by the sea

A hall for the feasts

Discovering the mother church

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

The Maiolica of the staircase

A symbol for the town

A prominent church

Some prestigious works

The senses tell about Palazzo Napolino Tommasi Rosso

An eagle-shaped city

The senses tell the story of the Church of San Sebastiano

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new entrance for Santa Chiara (St. Claire)

A new site for a new church

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

The two churches

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

Baroque and the loss of equilibrium in the 16th century

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

New roads for Catania

The kitchen, a treasure chest of colours

Searching for colour

A Nobel Prize in Modica

A new palace for the La Rocca lords

The Feast of San Giacomo (St. James)

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

A triumph of colour

The Barresi-Branciforte lords

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

The church of Carmine

The chocolate of Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

A new site for a new city

A colourful floor

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

The city of museums

A miniature city

A half-Baroque church

Garden of Novices and the restorations by Giancarlo De Carlo

The Burgos crucifix

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

San Nicolò l’Arena: an unfinished church

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Nicolaci

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

From International Gothic to present day

The Infiorata, a feast of colours and flowers