Introduction to Val di Noto

Baroque creativity: recurring themes

Baroque creativity develops in the central part of the elevation.
The long balconies of the piano nobile (main floor) are embellished by elegant wrought iron railings with a classic round-bottomed shape; the cornices of the large windows are enriched by sculptures and allegories that recall abundance and wealth.
The recurring themes taken from Baroque iconography and widely documented in still life paintings include cornucopias, grapes and garlands. The latter differ from their previous depictions due to their dynamics that enhance the creative spirit of the period.
The most emblematic elements are the large corbels that support the protrusions. It is here that the engravers gave free rein to their imagination, drawing from the vast graphic repertoire of Baroque imagery.
In this way, masks and grotesques were created, modelled using local stone to depict animals and anthropomorphic elements with curious expressions that attract the eye of passers-by, rousing “wonder and amazement”.

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Giuliano ai Crociferi

Scenography and devotion for St. Agatha

The church and the college

The interior of the church: space and colour

San Domenico and Gagliardi’s work

Religious architecture

The dynamics of the Church of San Michele

The eagle-shaped city

A unifying project for the city of Catania

The senses tell about Palazzo Trigona

Baroque creativity: recurring themes

Baroque and the loss of balance in the 16th century

The senses tell the Cathedral of Sant’Agata

A new site for the church of San Giorgio

The Church of St. Mary of the Mountain

The senses tell the story of the Church of San Giovanni Evangelista

The expansion of space and changing reality

City and nature

The Infiorata of Noto, a modern tradition

Altars, saints and sculptural works

The Franciscan convent

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of Santa Maria del Monte

The beginning of an authentic Baroque conception

Palazzo della Cancelleria: from former stable to the Nicastro family

Palazzo Zacco, a balance between sobriety and decoration

From the end of the world to rebirth from the rubble

A Nobel Prize in Modica

Reconstruction after the earthquake

Scenography, lights and colours of the cathedral

The new roads of the city

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Fountain of the Nymph Zizza: public water in the town

The senses tell the Church of San Domenico

Palazzo Trigona di Canicarao

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A compromise between Neoclassicism and Baroque

The senses tell the Church of San Michele

The Church of St. Francis

The church and the monastery

The senses tell about Palazzo Beneventano

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Madonna dei Conadomini and the art of devotion

St. Agatha and the candelore

The Church of Madonna della Stella

The city palace

The senses tell the story of the Church of the Badia di Sant’Agata

The Staircase of Angels

One city, three sites

The neo-Gothic seminary chapel: symbols, light and space

The Church of St. Julian on Via dei Crociferi

The city of Modica, a balance between nature and urbanism

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Madonna of the Militia: a singular warrior virgin

Virtuosity, decorations and altars

The interior and works of art

The Church of St. Benedict

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Carlo and the former Jesuit college

A stone garden

The city within the city

The senses tell the Cathedral of San Giorgio

Scicli, the city of Baroque scenery

The works in the church

Rebirth and urban planning of the city of Noto

The senses tell the story of the Church of San Paolo

Art in the cathedral

The senses tell the story of the Church of San Benedetto

The two churches

The Church of St. John the Evangelist

The smallest Greek theatre in the world

The Monastery of the Benedictine nuns

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of St. Paul

The triumph of Baroque: expansion of spaces

Unusual iconographies: the Burgos crucifix

The art of maiolica

Verticality and dynamism of the façade of the Church of San Carlo

Militello: The story of an enlightened fiefdom

The senses tell about Palazzo Zacco

Luminous sacred spaces

The casket of austerity under the great dome

The Monte delle Prestanze in the new city layout

The Benedictines’ library

The interiors: diffused light and Byzantine relics

Majestic exteriors, grandiose interiors

Garden of Novices and the restorations by Giancarlo De Carlo

A heritage of votive works

The articulated interior spaces

The senses tell of the Cathedral of San Pietro

Views denied, views conquered: the power of the devout Benedictines

Palazzo Trigona: a building with a complex shape

Expansion, spatiality and light in the church of San Domenico

The Antonino Uccello Birthplace Museum

The palace, the town, the church

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A story of rebirth

The Duomo di San Giorgio (Cathedral of St. George)

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Palazzo dei due mori

The illusion of light and the decorative splendour

The senses tell of Palazzo della Cancelleria

A casket of precious works

Akrai and Syracuse: an unbreakable bond

Expanded spaces, stucco and colourful lights