Introduction to Val di Noto

Baroque creativity: recurring themes

Baroque creativity develops in the central part of the elevation.
The long balconies of the piano nobile (main floor) are embellished by elegant wrought iron railings with a classic round-bottomed shape; the cornices of the large windows are enriched by sculptures and allegories that recall abundance and wealth.
The recurring themes taken from Baroque iconography and widely documented in still life paintings include cornucopias, grapes and garlands. The latter differ from their previous depictions due to their dynamics that enhance the creative spirit of the period.
The most emblematic elements are the large corbels that support the protrusions. It is here that the engravers gave free rein to their imagination, drawing from the vast graphic repertoire of Baroque imagery.
In this way, masks and grotesques were created, modelled using local stone to depict animals and anthropomorphic elements with curious expressions that attract the eye of passers-by, rousing “wonder and amazement”.

The senses tell about Palazzo Zacco

A stone garden

Scenography and devotion for St. Agatha

The two churches

The expansion of space and changing reality

Rebirth and urban planning of the city of Noto

Baroque creativity: recurring themes

A story of rebirth

The Franciscan convent

The Monastery of the Benedictine nuns

The senses tell of Palazzo della Cancelleria

Verticality and dynamism of the façade of the Church of San Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The interior and works of art

The Antonino Uccello Birthplace Museum

The art of maiolica

The senses tell the story of the Church of San Carlo and the former Jesuit college

The church and the college

A unifying project for the city of Catania

The Monte delle Prestanze in the new city layout

The Madonna dei Conadomini and the art of devotion

The senses tell about Palazzo Trigona

Luminous sacred spaces

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A compromise between Neoclassicism and Baroque

Madonna of the Militia: a singular warrior virgin

The Staircase of Angels

The palace, the town, the church

The new roads of the city

The senses tell the story of the Church of the Badia di Sant’Agata

Majestic exteriors, grandiose interiors

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The smallest Greek theatre in the world

The Benedictines’ library

Palazzo Trigona di Canicarao

The works in the church

Fountain of the Nymph Zizza: public water in the town

The interiors: diffused light and Byzantine relics

The neo-Gothic seminary chapel: symbols, light and space

Militello: The story of an enlightened fiefdom

The dynamics of the Church of San Michele

The Duomo di San Giorgio (Cathedral of St. George)

The Church of St. John the Evangelist

The church and the monastery

Reconstruction after the earthquake

Palazzo della Cancelleria: from former stable to the Nicastro family

The Palazzo dei due mori

The interior of the church: space and colour

Altars, saints and sculptural works

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Giovanni Evangelista

Palazzo Trigona: a building with a complex shape

The senses tell the Cathedral of San Giorgio

The senses tell of the Cathedral of San Pietro

The Church of St. Paul

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Scicli, the city of Baroque scenery

The casket of austerity under the great dome

The city within the city

Religious architecture

Baroque and the loss of balance in the 16th century

The senses tell the Church of San Domenico

The city of Modica, a balance between nature and urbanism

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of Santa Maria del Monte

Scenography, lights and colours of the cathedral

The Church of St. Julian on Via dei Crociferi

Palazzo Zacco, a balance between sobriety and decoration

The Church of Madonna della Stella

The beginning of an authentic Baroque conception

The senses tell the story of the Church of San Benedetto

The Church of St. Benedict

A casket of precious works

Akrai and Syracuse: an unbreakable bond

The senses tell the Cathedral of San Giorgio

A heritage of votive works

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Virtuosity, decorations and altars

San Domenico and Gagliardi’s work

A new site for the church of San Giorgio

The eagle-shaped city

The senses tell the Cathedral of Sant’Agata

The Church of St. Francis

One city, three sites

The senses tell the Church of San Michele

The city palace

Expanded spaces, stucco and colourful lights

From the end of the world to rebirth from the rubble

The senses tell about Palazzo Beneventano

The Badia di Sant’Agata (St. Agatha’s Abbey)

A Nobel Prize in Modica

Expansion, spatiality and light in the church of San Domenico

City and nature

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

The Church of St. Mary of the Mountain

The senses tell about Palazzo Ducezio

Unusual iconographies: the Burgos crucifix

The Infiorata of Noto, a modern tradition

Art in the cathedral

St. Agatha and the candelore

The articulated interior spaces

The illusion of light and the decorative splendour