Introduction to Val di Noto

Baroque creativity: recurring themes

Baroque creativity develops in the central part of the elevation.
The long balconies of the piano nobile (main floor) are embellished by elegant wrought iron railings with a classic round-bottomed shape; the cornices of the large windows are enriched by sculptures and allegories that recall abundance and wealth.
The recurring themes taken from Baroque iconography and widely documented in still life paintings include cornucopias, grapes and garlands. The latter differ from their previous depictions due to their dynamics that enhance the creative spirit of the period.
The most emblematic elements are the large corbels that support the protrusions. It is here that the engravers gave free rein to their imagination, drawing from the vast graphic repertoire of Baroque imagery.
In this way, masks and grotesques were created, modelled using local stone to depict animals and anthropomorphic elements with curious expressions that attract the eye of passers-by, rousing “wonder and amazement”.

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell about Palazzo Ducezio

The senses tell the Church of San Domenico

The senses tell about Palazzo Trigona

Militello: The story of an enlightened fiefdom

The city of Modica, a balance between nature and urbanism

Rebirth and urban planning of the city of Noto

The senses tell about Palazzo Zacco

The works in the church

A unifying project for the city of Catania

Virtuosity, decorations and altars

The senses tell the Cathedral of San Giorgio

The Church of St. Mary of the Mountain

The Church of St. John the Evangelist

The palace, the town, the church

The Monastery of the Benedictine nuns

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The church and the college

A story of rebirth

The senses tell the Church of San Michele

Altars, saints and sculptural works

A Nobel Prize in Modica

Piazza Duomo, the elephant fountain, the heart of the city

The Duomo di San Giorgio (Cathedral of St. George)

Unusual iconographies: the Burgos crucifix

City and nature

Garden of Novices and the restorations by Giancarlo De Carlo

A casket of precious works

The new roads of the city

The senses tell the Cathedral of Sant’Agata

Religious architecture

The senses tell of the Cathedral of San Pietro

Majestic exteriors, grandiose interiors

Expansion, spatiality and light in the church of San Domenico

The city within the city

The casket of austerity under the great dome

The illusion of light and the decorative splendour

The church and the monastery

The beginning of an authentic Baroque conception

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The city palace

Scenography and devotion for St. Agatha

Palazzo Trigona: a building with a complex shape

The smallest Greek theatre in the world

Views denied, views conquered: the power of the devout Benedictines

Palazzo della Cancelleria: from former stable to the Nicastro family

The Church of St. Julian on Via dei Crociferi

San Domenico and Gagliardi’s work

The senses tell of Palazzo della Cancelleria

The Church of St. Benedict

The senses tell the story of the Church of Santa Maria del Monte

The dynamics of the Church of San Michele

The Church of St. Paul

One city, three sites

The Church of Madonna della Stella

Akrai and Syracuse: an unbreakable bond

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of the Badia di Sant’Agata

Palazzo Trigona di Canicarao

Luminous sacred spaces

The senses tell the story of the Church of San Benedetto

The art of maiolica

The Madonna dei Conadomini and the art of devotion

The triumph of Baroque: expansion of spaces

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of San Giuliano ai Crociferi

Madonna of the Militia: a singular warrior virgin

Scicli, the city of Baroque scenery

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the Cathedral of San Giorgio

The Palazzo dei due mori

Baroque creativity: recurring themes

The neo-Gothic seminary chapel: symbols, light and space

A heritage of votive works

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of San Paolo

The interior and works of art

Scenography, lights and colours of the cathedral

Fountain of the Nymph Zizza: public water in the town

The articulated interior spaces

The interiors: diffused light and Byzantine relics

The expansion of space and changing reality

The Monte delle Prestanze in the new city layout

St. Agatha and the candelore

The Church of St. Francis

A compromise between Neoclassicism and Baroque

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Verticality and dynamism of the façade of the Church of San Carlo

From the end of the world to rebirth from the rubble

The Franciscan convent

The interior of the church: space and colour

The Antonino Uccello Birthplace Museum

The Infiorata of Noto, a modern tradition

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The eagle-shaped city

Expanded spaces, stucco and colourful lights

A new site for the church of San Giorgio

Art in the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

The Staircase of Angels

The Benedictines’ library

The senses tell about Palazzo Beneventano

Reconstruction after the earthquake

A stone garden