Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

The cathedral of Sant’Agata: a lengthy reconstruction

The disastrous earthquake

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

A majestic and luminous church

Limestone, the colour of harmony

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

A design by Vincenzo Sinatra

The city of museums

The senses tell the Cathedral of Sant’Agata

A new palace for the La Rocca lords

The interior and its masterpieces

The senses tell about Palazzo La Rocca

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new entrance for Santa Chiara (St. Claire)

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Nicolaci

A new site for a new city

Feast days

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

A city in colour

Some masterpieces

The two churches

Norman apses

The church of Carmine

San Benedetto: a treasure reopened to the public

Wonderful quick decorations

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A symbol for the town

A small room with a golden entrance

Modica, a city with ancient origins

The internal colours

The senses tell the story of the church of San Giuseppe

One city, two sites

A new site for a new church

The Maiolica of the staircase

The role of the religious orders in rebuilding the Val di Noto

Many owners, one palace

From International Gothic to present day

The theatre of taste

A museum to save a tradition

From St. Thomas to St. Joseph

A long reconstruction

Fontana della Ninfa Zizza, public water in the town

Discovering the mother church

A prominent church

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

The senses tell the story of the Badia di Sant’Agata

A miniature city

A feast only for Scicli

Prominent façade

An eagle-shaped city

Searching for colour

The senses tell the story of the Church of Santa Chiara

Some prestigious works

The Burgos crucifix

The chocolate of Modica

The senses tell the story of the Church of the Annunciation

The Barresi-Branciforte lords

Rosario Gagliardi, the maestro of the Val di Noto

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

New roads for Catania

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

The Staircase of Angels

A colourful floor

The kitchen, a treasure chest of colours

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

St. Sebastian, so much work!

The wall comes to life

A Nobel Prize in Modica

Corbels: a celebration of the Nicolaci family

Palazzo Nicolaci di Villadorata, who is the architect?

The façade used as a puppet theatre

The colours of the cathedral

A talking palace

A triumph of colour

A square as the heart of the city

One city, three sites