Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

New roads for Catania

Some masterpieces

Two illustrious patron saints

The character of Badia Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

The wall comes to life

A feast only for Scicli

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A talking palace

The senses tell about Palazzo Napolino Tommasi Rosso

The city of museums

The colours of the cathedral

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

Modica, a city with ancient origins

A design by Vincenzo Sinatra

St. Sebastian, so much work!

One city, two sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A symbol for the town

Wonderful quick decorations

The façade used as a puppet theatre

An eagle-shaped city

Limestone, the colour of harmony

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

The Infiorata, a feast of colours and flowers

From International Gothic to present day

A long reconstruction

Many owners, one palace

The senses tell the story of the Church of San Sebastiano

Garden of Novices and the restorations by Giancarlo De Carlo

A city in colour

Norman apses

The theatre of taste

The church of Carmine

Searching for colour

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of the Annunciation

The Feast of San Giacomo (St. James)

A small room with a golden entrance

A new palace for the La Rocca lords

Palazzo Nicolaci di Villadorata, who is the architect?

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town

Some prestigious works

The kitchen, a treasure chest of colours

Discovering the mother church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

A new site for a new church

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

The Maiolica of the staircase

Baroque and the loss of equilibrium in the 16th century

The disastrous earthquake

A square as the heart of the city

A hall for the feasts

A majestic and luminous church

Connections with other UNESCO sites

A Nobel Prize in Modica

A triumph of colour

The senses tell the story of the Church of San Giovanni Evangelista

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

A colourful floor

Feasting in Palazzolo

A prominent church

St. Agatha and the giant candelabras

One city, three sites

The Staircase of Angels

A museum to save a tradition

Prominent façade

A half-Baroque church

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

The chocolate of Modica

Between white and black

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

From the contrast of the exterior to the internal jubilation of colours

Feast days

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

The internal colours