Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

San Nicolò l’Arena: an unfinished church

The character of Badia Sant’Agata

Between white and black

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

A square as the heart of the city

A new entrance for Santa Chiara (St. Claire)

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

From International Gothic to present day

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

The senses tell the story of the Church of San Giovanni Evangelista

The façade used as a puppet theatre

The senses tell the story of the Church of San Giuliano ai Crociferi

The Baroque town by the sea

The senses tell the Cathedral of Sant’Agata

Places of knowledge: the Benedictines’ library

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

A small room with a golden entrance

St. Sebastian, so much work!

A long reconstruction

The Burgos crucifix

One city, three sites

A symbol for the town

The senses tell the story of the church of Santa Maria del Carmelo

A colourful floor

Searching for colour

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

A majestic and luminous church

Feast days

The senses tell the story of the Badia di Sant’Agata

A Nobel Prize in Modica

Prominent façade

A triumph of colour

Discovering the mother church

The senses tell about Palazzo Napolino Tommasi Rosso

The chocolate of Modica

Militello, the story of an enlightened fiefdom

The wall comes to life

Norman apses

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

A miniature city

Many owners, one palace

One city, two sites

The senses tell the story of the Church of the Annunciation

From St. Thomas to St. Joseph

An eagle-shaped city

A new palace for the La Rocca lords

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

A design by Vincenzo Sinatra

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Sebastiano

The Barresi-Branciforte lords

The Infiorata, a feast of colours and flowers

A prominent church

A city in colour

A museum to save a tradition

The Staircase of Angels

New roads for Catania

The city of museums

The Maiolica of the staircase

The kitchen, a treasure chest of colours

The two churches

Limestone, the colour of harmony

Some prestigious works

A half-Baroque church

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo La Rocca

Two illustrious patron saints

A talking palace

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

A feast only for Scicli

A hall for the feasts

Connections with other UNESCO sites

Some masterpieces

St. Agatha and the giant candelabras

Wonderful quick decorations

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

The theatre of taste

The interior and its masterpieces

Feasting in Palazzolo

The senses tell the story of the Church of San Benedetto