Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The Burgos crucifix

The city of museums

A city in colour

New roads for Catania

The chocolate of Modica

A half-Baroque church

The senses tell the story of the Badia di Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

The disastrous earthquake

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

A long reconstruction

A miniature city

The senses tell the Cathedral of Sant’Agata

A triumph of colour

A square as the heart of the city

The Barresi-Branciforte lords

St. Sebastian, so much work!

Modica, a city with ancient origins

Militello, the story of an enlightened fiefdom

The Supernatural dimension of the chapel of the Santissimo Sacramento

The interior and its masterpieces

The kitchen, a treasure chest of colours

A talking palace

Prominent façade

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

Between white and black

Some masterpieces

Discovering the mother church

The theatre of taste

A new site for a new city

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

One city, two sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Staircase of Angels

A Nobel Prize in Modica

San Benedetto: a treasure reopened to the public

Many owners, one palace

One city, three sites

From International Gothic to present day

Feast days

The senses tell about Palazzo Nicolaci

The Benedictine Monastery, one of the largest in Europe

The Maiolica of the staircase

Corbels: a celebration of the Nicolaci family

The church of Carmine

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

Two illustrious patron saints

The wall comes to life

The Baroque town by the sea

Some prestigious works

The senses tell the story of the Church of the Annunciation

Places of knowledge: the Benedictines’ library

A colourful floor

The senses tell the story of the church of Santa Maria del Carmelo

A museum to save a tradition

An eagle-shaped city

A symbol for the town

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

A hall for the feasts

A feast only for Scicli

Norman apses

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new palace for the La Rocca lords

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

A new site for a new church

A prominent church

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

A majestic and luminous church

The senses tell the story of the church of San Giuseppe

A design by Vincenzo Sinatra

The colours of the cathedral

Wonderful quick decorations

Feasting in Palazzolo

The two churches

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara