Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

Prominent façade

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

New roads for Catania

The interior and its masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

A half-Baroque church

A miniature city

The Infiorata, a feast of colours and flowers

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

A majestic and luminous church

The city of museums

A hall for the feasts

The Staircase of Angels

A city in colour

An eagle-shaped city

The Benedictine Monastery, one of the largest in Europe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

The cathedral of Sant’Agata: a lengthy reconstruction

Limestone, the colour of harmony

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

A museum to save a tradition

The wall comes to life

The Barresi-Branciforte lords

The two churches

A prominent church

Wonderful quick decorations

The senses tell about Palazzo Nicolaci

A new palace for the La Rocca lords

The Burgos crucifix

A small room with a golden entrance

A square as the heart of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

Fontana della Ninfa Zizza, public water in the town

A colourful floor

The theatre of taste

Connections with other UNESCO sites

One city, two sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

A triumph of colour

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

One city, three sites

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The chocolate of Modica

Some prestigious works

The disastrous earthquake

Searching for colour

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

The senses tell the story of the Church of San Sebastiano

A new entrance for Santa Chiara (St. Claire)

A talking palace

The internal colours

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Badia di Sant’Agata

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

The colours of the cathedral

San Benedetto: a treasure reopened to the public

Between white and black

The façade used as a puppet theatre

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

Many owners, one palace

A symbol for the town

A design by Vincenzo Sinatra

A new site for a new church

Norman apses

The character of Badia Sant’Agata

Some masterpieces

A Nobel Prize in Modica

Feast days