Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

Fontana della Ninfa Zizza, public water in the town

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

Some prestigious works

Two illustrious patron saints

One city, three sites

A design by Vincenzo Sinatra

Connections with other UNESCO sites

The role of the religious orders in rebuilding the Val di Noto

A museum to save a tradition

The city of museums

The senses tell the story of the church of Santa Maria del Carmelo

Searching for colour

Prominent façade

A triumph of colour

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Wonderful quick decorations

From St. Thomas to St. Joseph

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giuseppe

A small room with a golden entrance

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The wall comes to life

A prominent church

Discovering the mother church

The interior and its masterpieces

New roads for Catania

The chocolate of Modica

A new site for a new church

The Burgos crucifix

The Barresi-Branciforte lords

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

Feasting in Palazzolo

The senses tell the story of the Church of San Giuliano ai Crociferi

Feast days

A long reconstruction

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

The senses tell about Palazzo La Rocca

Many owners, one palace

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Norman apses

An eagle-shaped city

A majestic and luminous church

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

A colourful floor

The colours of the cathedral

San Benedetto: a treasure reopened to the public

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new city

Between white and black

St. Agatha and the giant candelabras

One city, two sites

A city in colour

Limestone, the colour of harmony

The two churches

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Staircase of Angels

A square as the heart of the city

The Baroque town by the sea

The Feast of San Giacomo (St. James)

A symbol for the town

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

The cathedral of Sant’Agata: a lengthy reconstruction

A talking palace

A miniature city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

A hall for the feasts

The theatre of taste

The internal colours