Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The Infiorata, a feast of colours and flowers

One city, three sites

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo La Rocca

One city, two sites

The chocolate of Modica

A Nobel Prize in Modica

The church of Carmine

Feast days

St. Sebastian, so much work!

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

The Staircase of Angels

A long reconstruction

Some prestigious works

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

San Benedetto: a treasure reopened to the public

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

A miniature city

The disastrous earthquake

The Baroque town by the sea

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A triumph of colour

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The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giuseppe

From International Gothic to present day

The Feast of San Giacomo (St. James)

A square as the heart of the city

A new site for a new city

An eagle-shaped city

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

A prominent church

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

Searching for colour

A city in colour

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The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

The senses tell the story of the church of Santa Maria del Carmelo

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A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

A half-Baroque church

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Prominent façade

Limestone, the colour of harmony

A small room with a golden entrance

Norman apses

A symbol for the town

The city of museums

St. Agatha and the giant candelabras

Places of knowledge: the Benedictines’ library

A colourful floor

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

The Burgos crucifix

A feast only for Scicli

The senses tell the Cathedral of Sant’Agata

A talking palace

The colours of the cathedral

Militello, the story of an enlightened fiefdom

Many owners, one palace

The internal colours

The senses tell the story of the Badia di Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

Rosario Gagliardi, the maestro of the Val di Noto

The Barresi-Branciforte lords

New roads for Catania

Fontana della Ninfa Zizza, public water in the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

A museum to save a tradition

Two illustrious patron saints

A hall for the feasts

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

Discovering the mother church

Wonderful quick decorations

The Maiolica of the staircase