Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The city of museums

The colours of the cathedral

Many owners, one palace

A symbol for the town

A talking palace

A hall for the feasts

Feast days

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

The Maiolica of the staircase

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

A new palace for the La Rocca lords

Prominent façade

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

Connections with other UNESCO sites

Two illustrious patron saints

A feast only for Scicli

The internal colours

An eagle-shaped city

From International Gothic to present day

Feasting in Palazzolo

The character of Badia Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Badia di Sant’Agata

The wall comes to life

A museum to save a tradition

The senses tell the story of the staircase of Santa Maria del Monte

A small room with a golden entrance

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

A miniature city

From the contrast of the exterior to the internal jubilation of colours

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

Searching for colour

St. Agatha and the giant candelabras

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

The disastrous earthquake

The Barresi-Branciforte lords

The theatre of taste

One city, two sites

A triumph of colour

The role of the religious orders in rebuilding the Val di Noto

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

Discovering the mother church

A design by Vincenzo Sinatra

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

The senses tell about Palazzo La Rocca

Some prestigious works

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

Garden of Novices and the restorations by Giancarlo De Carlo

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

A Nobel Prize in Modica

The façade used as a puppet theatre

Between white and black

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The kitchen, a treasure chest of colours

A colourful floor

A new site for a new city

The Staircase of Angels

The Baroque town by the sea

A half-Baroque church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

The senses tell the story of the Church of the Annunciation

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Sebastiano

A prominent church

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

One city, three sites

The two churches