Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

Norman apses

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giovanni Battista

A majestic and luminous church

A symbol for the town

The Maiolica of the staircase

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

A Nobel Prize in Modica

The Barresi-Branciforte lords

The senses tell the story of the Church of San Benedetto

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The Supernatural dimension of the chapel of the Santissimo Sacramento

Corbels: a celebration of the Nicolaci family

The theatre of taste

The character of Badia Sant’Agata

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

A colourful floor

A new site for a new city

The kitchen, a treasure chest of colours

The Feast of San Giacomo (St. James)

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

The role of the religious orders in rebuilding the Val di Noto

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The church of Carmine

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

Palazzo Nicolaci di Villadorata, who is the architect?

The cathedral of Sant’Agata: a lengthy reconstruction

The Baroque town by the sea

An eagle-shaped city

Wonderful quick decorations

The interior and its masterpieces

A hall for the feasts

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

A new palace for the La Rocca lords

Rosario Gagliardi, the maestro of the Val di Noto

A new entrance for Santa Chiara (St. Claire)

Searching for colour

A small room with a golden entrance

Militello, the story of an enlightened fiefdom

Discovering the mother church

The Staircase of Angels

A prominent church

From International Gothic to present day

A new site for a new church

The senses tell the story of the Church of San Giovanni Evangelista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A city in colour

One city, two sites

The city of museums

A feast only for Scicli

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

A triumph of colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The two churches

The internal colours

A talking palace

The senses tell the story of the Church of San Sebastiano

The chocolate of Modica

Feast days

A museum to save a tradition

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A half-Baroque church

The senses tell the story of the Badia di Sant’Agata

San Nicolò l’Arena: an unfinished church

The façade used as a puppet theatre

The wall comes to life

Many owners, one palace

The colours of the cathedral

One city, three sites

St. Agatha and the giant candelabras

A square as the heart of the city

The senses tell about Palazzo La Rocca

From St. Thomas to St. Joseph

St. Sebastian, so much work!

Some masterpieces

Modica, a city with ancient origins

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

A miniature city

The senses tell the story of the Church of the Annunciation