Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

zoom capitello
capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The senses tell the story of the staircase of Santa Maria del Monte

The interior and its masterpieces

The Benedictine Monastery, one of the largest in Europe

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Baroque town by the sea

The role of the religious orders in rebuilding the Val di Noto

The Maiolica of the staircase

A half-Baroque church

A long reconstruction

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

One city, two sites

Some masterpieces

The Feast of San Giacomo (St. James)

A talking palace

An eagle-shaped city

A hall for the feasts

A museum to save a tradition

The internal colours

The theatre of taste

Many owners, one palace

The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo La Rocca

The colours of the cathedral

A new site for a new church

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

One city, three sites

A miniature city

A new palace for the La Rocca lords

A colourful floor

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giovanni Evangelista

A prominent church

Places of knowledge: the Benedictines’ library

New roads for Catania

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

Some prestigious works

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giovanni Battista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From the contrast of the exterior to the internal jubilation of colours

Prominent façade

Discovering the mother church

The senses tell about Palazzo Nicolaci

The two churches

The wall comes to life

The church of Carmine

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

Norman apses

Limestone, the colour of harmony

Two illustrious patron saints

A triumph of colour

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

St. Agatha and the giant candelabras

The cathedral of Sant’Agata: a lengthy reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

The disastrous earthquake

A majestic and luminous church

The façade used as a puppet theatre

The Barresi-Branciforte lords

Modica, a city with ancient origins

Militello, the story of an enlightened fiefdom

A symbol for the town

Feast days

Searching for colour

A city in colour

The senses tell the story of the Church of the Annunciation

A design by Vincenzo Sinatra

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The city of museums

A Nobel Prize in Modica

A new entrance for Santa Chiara (St. Claire)

Between white and black

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

Wonderful quick decorations

From International Gothic to present day

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century