Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

One city, three sites

St. Sebastian, so much work!

The internal colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new entrance for Santa Chiara (St. Claire)

A talking palace

The city of museums

Corbels: a celebration of the Nicolaci family

Militello, the story of an enlightened fiefdom

Baroque and the loss of equilibrium in the 16th century

The Baroque town by the sea

Places of knowledge: the Benedictines’ library

The disastrous earthquake

A symbol for the town

Some prestigious works

The Staircase of Angels

New roads for Catania

An eagle-shaped city

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

A triumph of colour

The Benedictine Monastery, one of the largest in Europe

Searching for colour

The interior and its masterpieces

Discovering the mother church

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

The Maiolica of the staircase

A small room with a golden entrance

One city, two sites

Wonderful quick decorations

The church of Carmine

The senses tell the story of the Church of San Benedetto

A Nobel Prize in Modica

A feast only for Scicli

From International Gothic to present day

Fontana della Ninfa Zizza, public water in the town

Feast days

San Nicolò l’Arena: an unfinished church

A design by Vincenzo Sinatra

Between white and black

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A museum to save a tradition

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

The Barresi-Branciforte lords

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

A half-Baroque church

A square as the heart of the city

Some masterpieces

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

The kitchen, a treasure chest of colours

The Burgos crucifix

The colours of the cathedral

The façade used as a puppet theatre

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new palace for the La Rocca lords

St. Agatha and the giant candelabras

A majestic and luminous church

The senses tell about Palazzo Napolino Tommasi Rosso

Feasting in Palazzolo

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

Prominent façade

A colourful floor

The two churches

A city in colour

Modica, a city with ancient origins

A long reconstruction

The theatre of taste

The role of the religious orders in rebuilding the Val di Noto

Norman apses

A new site for a new city

Connections with other UNESCO sites

From St. Thomas to St. Joseph

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

A miniature city

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of the Annunciation