Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

A design by Vincenzo Sinatra

Discovering the mother church

Many owners, one palace

The Maiolica of the staircase

Militello, the story of an enlightened fiefdom

A majestic and luminous church

The interior and its masterpieces

A long reconstruction

The colours of the cathedral

The theatre of taste

A new entrance for Santa Chiara (St. Claire)

Feast days

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Benedetto

A symbol for the town

The wall comes to life

The senses tell the story of the staircase of Santa Maria del Monte

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

A new palace for the La Rocca lords

Connections with other UNESCO sites

A half-Baroque church

A city in colour

Prominent façade

A talking palace

Some prestigious works

The Staircase of Angels

The senses tell the story of the Church of the Annunciation

The kitchen, a treasure chest of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

Norman apses

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

A feast only for Scicli

The senses tell about Palazzo Nicolaci

The Barresi-Branciforte lords

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

The disastrous earthquake

Some masterpieces

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

A square as the heart of the city

The senses tell the story of the Badia di Sant’Agata

San Nicolò l’Arena: an unfinished church

New roads for Catania

The city of museums

A miniature city

St. Sebastian, so much work!

From International Gothic to present day

The cathedral of Sant’Agata: a lengthy reconstruction

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

An eagle-shaped city

One city, three sites

A new site for a new city

Places of knowledge: the Benedictines’ library

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

The senses tell the story of the church of San Giuseppe

Searching for colour

The senses tell about Palazzo Napolino Tommasi Rosso

A prominent church

The two churches

A Nobel Prize in Modica

The Baroque town by the sea

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

The church of Carmine

A new site for a new church

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

The character of Badia Sant’Agata

Baroque and the loss of equilibrium in the 16th century

A colourful floor

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

The Infiorata, a feast of colours and flowers

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giovanni Battista

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

Between white and black

Feasting in Palazzolo

One city, two sites

A triumph of colour

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations