Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

Wonderful quick decorations

St. Agatha and the giant candelabras

One city, three sites

Militello, the story of an enlightened fiefdom

The Supernatural dimension of the chapel of the Santissimo Sacramento

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

The Barresi-Branciforte lords

A miniature city

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

Discovering the mother church

Connections with other UNESCO sites

A Nobel Prize in Modica

The Burgos crucifix

A long reconstruction

Norman apses

A museum to save a tradition

An eagle-shaped city

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

A small room with a golden entrance

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

The senses tell the story of the Church of San Benedetto

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

The Staircase of Angels

Palazzo Nicolaci di Villadorata, who is the architect?

The Maiolica of the staircase

The chocolate of Modica

A hall for the feasts

The two churches

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Nicolaci

A new site for a new church

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

The senses tell the story of the staircase of Santa Maria del Monte

A talking palace

The theatre of taste

The façade used as a puppet theatre

The Feast of San Giacomo (St. James)

Feast days

San Benedetto: a treasure reopened to the public

Modica, a city with ancient origins

A majestic and luminous church

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

San Nicolò l’Arena: an unfinished church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giovanni Battista

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

The wall comes to life

The disastrous earthquake

A new palace for the La Rocca lords

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

A triumph of colour

St. Sebastian, so much work!

The senses tell the Cathedral of Sant’Agata

Some masterpieces

Prominent façade

The senses tell the story of the church of San Giuseppe

The character of Badia Sant’Agata

A prominent church

A half-Baroque church

The senses tell about Palazzo La Rocca

Some prestigious works

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

Between white and black

The senses tell the story of the Church of San Sebastiano

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

Many owners, one palace

Two illustrious patron saints

Searching for colour

Limestone, the colour of harmony

The city of museums