Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

A half-Baroque church

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The colours of the cathedral

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Wonderful quick decorations

A hall for the feasts

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

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The city of museums

The disastrous earthquake

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

San Nicolò l’Arena: an unfinished church

Militello, the story of an enlightened fiefdom

A symbol for the town

A prominent church

The senses tell about Palazzo Napolino Tommasi Rosso

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

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The Maiolica of the staircase

A talking palace

The senses tell about Palazzo Nicolaci

Places of knowledge: the Benedictines’ library

Norman apses

The Supernatural dimension of the chapel of the Santissimo Sacramento

A majestic and luminous church

The interior and its masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new church

The Infiorata, a feast of colours and flowers

A small room with a golden entrance

Discovering the mother church

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A feast only for Scicli

Feasting in Palazzolo

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Baroque and the loss of equilibrium in the 16th century

The church of Carmine

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The chocolate of Modica

A design by Vincenzo Sinatra

New roads for Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

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Two illustrious patron saints

A square as the heart of the city

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

One city, three sites

Between white and black

The senses tell the Cathedral of Sant’Agata

A city in colour

A museum to save a tradition

A Nobel Prize in Modica

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The wall comes to life

Searching for colour

The senses tell about Palazzo La Rocca

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

The internal colours

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

St. Sebastian, so much work!

Limestone, the colour of harmony

Prominent façade

Feast days

An eagle-shaped city

Fontana della Ninfa Zizza, public water in the town

Connections with other UNESCO sites

A new palace for the La Rocca lords

The Baroque town by the sea

A long reconstruction

The theatre of taste

A colourful floor

The Barresi-Branciforte lords

Some masterpieces

Many owners, one palace

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From International Gothic to present day

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe

San Benedetto: a treasure reopened to the public

One city, two sites

The two churches

The character of Badia Sant’Agata

The Staircase of Angels