Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

A new palace for the La Rocca lords

The façade used as a puppet theatre

Militello, the story of an enlightened fiefdom

The Barresi-Branciforte lords

A talking palace

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

Places of knowledge: the Benedictines’ library

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Fontana della Ninfa Zizza, public water in the town

A long reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

Discovering the mother church

A museum to save a tradition

The senses tell about Palazzo Nicolaci

The theatre of taste

A half-Baroque church

The interior and its masterpieces

Some prestigious works

Some masterpieces

One city, two sites

The Baroque town by the sea

A small room with a golden entrance

The city of museums

A miniature city

Limestone, the colour of harmony

Wonderful quick decorations

A new site for a new city

A square as the heart of the city

The internal colours

Two illustrious patron saints

The senses tell the story of the Church of San Giuliano ai Crociferi

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

A Nobel Prize in Modica

A feast only for Scicli

A new entrance for Santa Chiara (St. Claire)

From the contrast of the exterior to the internal jubilation of colours

The Infiorata, a feast of colours and flowers

An eagle-shaped city

A majestic and luminous church

The Maiolica of the staircase

The colours of the cathedral

The church of Carmine

Modica, a city with ancient origins

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

Between white and black

The two churches

Searching for colour

A symbol for the town

The Burgos crucifix

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

San Nicolò l’Arena: an unfinished church

A new site for a new church

Corbels: a celebration of the Nicolaci family

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

A triumph of colour

A hall for the feasts

Many owners, one palace

The senses tell about Palazzo La Rocca

Feast days

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

Garden of Novices and the restorations by Giancarlo De Carlo

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

One city, three sites

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

The Staircase of Angels

The disastrous earthquake

Feasting in Palazzolo

The senses tell the Cathedral of Sant’Agata

A prominent church

The wall comes to life

The senses tell the Benedictine Monastery and San NicoIò l’Arena