Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

A symbol for the town

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

Corbels: a celebration of the Nicolaci family

A long reconstruction

The senses tell the story of the Church of San Benedetto

A talking palace

One city, three sites

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giovanni Battista

A museum to save a tradition

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

A new palace for the La Rocca lords

Modica, a city with ancient origins

A miniature city

A hall for the feasts

Two illustrious patron saints

Many owners, one palace

St. Agatha and the giant candelabras

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

A new site for a new church

A triumph of colour

Discovering the mother church

An eagle-shaped city

Searching for colour

One city, two sites

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

The façade used as a puppet theatre

San Benedetto: a treasure reopened to the public

The chocolate of Modica

A Nobel Prize in Modica

The Staircase of Angels

The senses tell the story of the church of San Giuseppe

From International Gothic to present day

Prominent façade

The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

New roads for Catania

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

Militello, the story of an enlightened fiefdom

A half-Baroque church

The senses tell about Palazzo La Rocca

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The internal colours

The two churches

A city in colour

The colours of the cathedral

The church of Carmine

Feast days

A colourful floor

From St. Thomas to St. Joseph

Places of knowledge: the Benedictines’ library

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

Limestone, the colour of harmony

A prominent church

Some masterpieces

The city of museums

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the staircase of Santa Maria del Monte

A square as the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

The theatre of taste

Between white and black

A new site for a new city

A majestic and luminous church

A small room with a golden entrance

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

Wonderful quick decorations

The wall comes to life

The Burgos crucifix

Some prestigious works