Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

A new site for a new church

A symbol for the town

A museum to save a tradition

The senses tell about Palazzo Napolino Tommasi Rosso

The Maiolica of the staircase

San Nicolò l’Arena: an unfinished church

From International Gothic to present day

One city, three sites

Some masterpieces

A colourful floor

The church of Carmine

The Baroque town by the sea

The senses tell the story of the Church of San Benedetto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A talking palace

The city of museums

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Wonderful quick decorations

The Feast of San Giacomo (St. James)

A majestic and luminous church

Places of knowledge: the Benedictines’ library

Many owners, one palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

The Barresi-Branciforte lords

The senses tell the story of the church of San Giovanni Battista

Discovering the mother church

A feast only for Scicli

A hall for the feasts

A half-Baroque church

Feast days

Prominent façade

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the staircase of Santa Maria del Monte

The interior and its masterpieces

A new site for a new city

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo La Rocca

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

A city in colour

A Nobel Prize in Modica

Two illustrious patron saints

A miniature city

Rosario Gagliardi, the maestro of the Val di Noto

The character of Badia Sant’Agata

Norman apses

Between white and black

San Benedetto: a treasure reopened to the public

Some prestigious works

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giovanni Evangelista

From the contrast of the exterior to the internal jubilation of colours

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

One city, two sites

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Nicolaci

A square as the heart of the city

An eagle-shaped city

The façade used as a puppet theatre

The chocolate of Modica

The colours of the cathedral

Limestone, the colour of harmony

The kitchen, a treasure chest of colours

The two churches

A long reconstruction

The theatre of taste

A new entrance for Santa Chiara (St. Claire)

The Staircase of Angels

St. Sebastian, so much work!

A prominent church

Searching for colour

Militello, the story of an enlightened fiefdom

Feasting in Palazzolo

St. Agatha and the giant candelabras

Modica, a city with ancient origins

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Palazzo Nicolaci di Villadorata, who is the architect?

A triumph of colour

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Cathedral of Sant’Agata

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

A new palace for the La Rocca lords

Garden of Novices and the restorations by Giancarlo De Carlo

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

New roads for Catania

The wall comes to life

The disastrous earthquake