Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

The Benedictine Monastery, one of the largest in Europe

A triumph of colour

A half-Baroque church

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

Feasting in Palazzolo

A prominent church

The senses tell the Cathedral of Sant’Agata

The internal colours

Fontana della Ninfa Zizza, public water in the town

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

The disastrous earthquake

Wonderful quick decorations

From International Gothic to present day

A museum to save a tradition

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

St. Agatha and the giant candelabras

A small room with a golden entrance

The Barresi-Branciforte lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

A miniature city

The colours of the cathedral

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

Searching for colour

The two churches

The senses tell the story of the Church of the Annunciation

Norman apses

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

The senses tell the story of the church of San Giovanni Battista

New roads for Catania

One city, three sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Nicolaci

A square as the heart of the city

A new palace for the La Rocca lords

The senses tell the story of the Church of San Benedetto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Discovering the mother church

St. Sebastian, so much work!

The senses tell about Palazzo Napolino Tommasi Rosso

One city, two sites

From the contrast of the exterior to the internal jubilation of colours

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

The chocolate of Modica

The role of the religious orders in rebuilding the Val di Noto

A design by Vincenzo Sinatra

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

The theatre of taste

A city in colour

A talking palace

The church of Carmine

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of Santa Maria del Carmelo

The interior and its masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

The character of Badia Sant’Agata

A new site for a new church

The wall comes to life

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

A majestic and luminous church

A new site for a new city

A feast only for Scicli

The Maiolica of the staircase

The city of museums

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giuliano ai Crociferi

Many owners, one palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feast days

Some prestigious works

Two illustrious patron saints

A symbol for the town

Between white and black

A hall for the feasts

A colourful floor

Prominent façade

Some masterpieces

Baroque and the loss of equilibrium in the 16th century