Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

A talking palace

The colours of the cathedral

Feast days

St. Agatha and the giant candelabras

A symbol for the town

Two illustrious patron saints

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library

The theatre of taste

The role of the religious orders in rebuilding the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giovanni Battista

Prominent façade

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Napolino Tommasi Rosso

The Maiolica of the staircase

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

San Nicolò l’Arena: an unfinished church

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

The Burgos crucifix

Some masterpieces

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Staircase of Angels

St. Sebastian, so much work!

A triumph of colour

One city, two sites

A prominent church

Between white and black

One city, three sites

A colourful floor

A new palace for the La Rocca lords

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

A city in colour

Wonderful quick decorations

Many owners, one palace

A long reconstruction

An eagle-shaped city

A majestic and luminous church

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

Modica, a city with ancient origins

A half-Baroque church

Baroque and the loss of equilibrium in the 16th century

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

The city of museums

A new site for a new city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo

San Benedetto: a treasure reopened to the public

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The internal colours

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

A miniature city

New roads for Catania

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Nicolaci

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

Norman apses

Limestone, the colour of harmony

Feasting in Palazzolo

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Benedetto

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

Connections with other UNESCO sites

The church of Carmine

A hall for the feasts

A feast only for Scicli

A new site for a new church

A square as the heart of the city

A small room with a golden entrance

A Nobel Prize in Modica

The chocolate of Modica

The two churches

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The interior and its masterpieces

The Baroque town by the sea