Scicli

Expanded spaces, stucco and colourful lights

To access the interior of the church you have to take a curved staircase and pass through a narrow space, the endonarthex (or inner narthex). Once past this tight entrance area, you are embraced by an expansive, bright and highly decorated oval space.

The walls of the church are marked by twelve fluted half columns with Corinthian capitals between which paintings and plant decorations are inserted.
The capitals support a trabeation that follows the curved lines of the interior and stands out, with its deep blue and golden details, from the whiteness of the wall.
Near each column, above the trabeation and between the windows, are sculptures of angels.
The tension of the space and its expansion can also be felt in these details.
From the shutter of the large dome that towers above the church, six large stained glass windows open that introduce infinite shades into the sacred space.

The vault, executed by Giovanni Gianforma in 1776, is abundantly decorated with stuccoes that feature geometric shapes in shades of blue and gold, while large transversal bands branch out from the fresco in the centre.

The church ends with an apse that is more elongated than the oval plan. Behind it is a majestic aedicula where the statue of the saint is kept.
This space is richly decorated with stucco and geometric designs in blue and gold, and is illuminated by the two smaller openings on the vault, which is also decorated.

The Benedictines’ library

The church and the college

The Infiorata of Noto, a modern tradition

The smallest Greek theatre in the world

The Monte delle Prestanze in the new city layout

The interiors: diffused light and Byzantine relics

City and nature

The new roads of the city

The Church of Madonna della Stella

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of Modica, a balance between nature and urbanism

A casket of precious works

Altars, saints and sculptural works

The interior of the church: space and colour

Scenography and devotion for St. Agatha

Baroque creativity: recurring themes

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of Santa Maria del Monte

The illusion of light and the decorative splendour

The senses tell the Church of San Michele

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Duomo di San Giorgio (Cathedral of St. George)

The art of maiolica

The dynamics of the Church of San Michele

The neo-Gothic seminary chapel: symbols, light and space

Militello: The story of an enlightened fiefdom

Palazzo Zacco, a balance between sobriety and decoration

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

A story of rebirth

The Church of St. Julian on Via dei Crociferi

Unusual iconographies: the Burgos crucifix

The city within the city

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

The Franciscan convent

The senses tell about Palazzo Zacco

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Palazzo dei due mori

The Church of St. Paul

A stone garden

The Badia di Sant’Agata (St. Agatha’s Abbey)

The triumph of Baroque: expansion of spaces

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell about Palazzo Beneventano

The expansion of space and changing reality

Religious architecture

Madonna of the Militia: a singular warrior virgin

The senses tell about Palazzo Ducezio

A Nobel Prize in Modica

One city, three sites

Luminous sacred spaces

St. Agatha and the candelore

Palazzo Trigona di Canicarao

The Staircase of Angels

The palace, the town, the church

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The church and the monastery

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

A unifying project for the city of Catania

Expansion, spatiality and light in the church of San Domenico

The Antonino Uccello Birthplace Museum

Expanded spaces, stucco and colourful lights

The senses tell about Palazzo Trigona

The beginning of an authentic Baroque conception

The eagle-shaped city

The Church of St. Benedict

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Scenography, lights and colours of the cathedral

The senses tell of the Cathedral of San Pietro

The Church of St. Francis

Art in the cathedral

The senses tell the story of the Church of San Paolo

A compromise between Neoclassicism and Baroque

The city palace

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of San Benedetto

A new site for the church of San Giorgio

The Church of St. Mary of the Mountain

Fountain of the Nymph Zizza: public water in the town

The Madonna dei Conadomini and the art of devotion

The Monastery of the Benedictine nuns

The works in the church

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell of Palazzo della Cancelleria

From the end of the world to rebirth from the rubble

The casket of austerity under the great dome

Virtuosity, decorations and altars

The Church of St. John the Evangelist

The senses tell the Church of San Domenico

The two churches

Reconstruction after the earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

Majestic exteriors, grandiose interiors

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the Cathedral of San Giorgio

The articulated interior spaces

Akrai and Syracuse: an unbreakable bond

San Domenico and Gagliardi’s work

The interior and works of art

Scicli, the city of Baroque scenery

Rebirth and urban planning of the city of Noto

A heritage of votive works

Palazzo Trigona: a building with a complex shape