Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A majestic and luminous church

A prominent church

A new site for a new church

Wonderful quick decorations

The colours of the cathedral

Some prestigious works

The Infiorata, a feast of colours and flowers

A miniature city

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Badia di Sant’Agata

San Benedetto: a treasure reopened to the public

Two illustrious patron saints

From International Gothic to present day

The façade used as a puppet theatre

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Palazzo Nicolaci di Villadorata, who is the architect?

A symbol for the town

The senses tell the story of the staircase of Santa Maria del Monte

An eagle-shaped city

From the contrast of the exterior to the internal jubilation of colours

A city in colour

A long reconstruction

The kitchen, a treasure chest of colours

The Feast of San Giacomo (St. James)

Corbels: a celebration of the Nicolaci family

The theatre of taste

A new site for a new city

Norman apses

The role of the religious orders in rebuilding the Val di Noto

A museum to save a tradition

One city, two sites

Garden of Novices and the restorations by Giancarlo De Carlo

San Nicolò l’Arena: an unfinished church

From St. Thomas to St. Joseph

The Baroque town by the sea

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

A talking palace

The internal colours

The senses tell the story of the church of San Giuseppe

Searching for colour

Connections with other UNESCO sites

A small room with a golden entrance

The Staircase of Angels

The chocolate of Modica

The wall comes to life

The senses tell the story of the Church of San Benedetto

Discovering the mother church

Fontana della Ninfa Zizza, public water in the town

The Barresi-Branciforte lords

Feasting in Palazzolo

Feast days

The senses tell the Cathedral of Sant’Agata

A new palace for the La Rocca lords

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

One city, three sites

The senses tell about Palazzo Nicolaci

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

The senses tell the story of the Church of the Annunciation

A half-Baroque church

The city of museums

The Burgos crucifix

Militello, the story of an enlightened fiefdom

The Maiolica of the staircase

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Limestone, the colour of harmony

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Between white and black

A colourful floor

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictine Monastery, one of the largest in Europe

Rosario Gagliardi, the maestro of the Val di Noto

St. Sebastian, so much work!

A Nobel Prize in Modica

A hall for the feasts

Some masterpieces

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The cathedral of Sant’Agata: a lengthy reconstruction

Modica, a city with ancient origins

Prominent façade

The two churches

The senses tell the story of the Church of San Sebastiano

A new entrance for Santa Chiara (St. Claire)

The church of Carmine

New roads for Catania

The Supernatural dimension of the chapel of the Santissimo Sacramento

Many owners, one palace

The interior and its masterpieces

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

A triumph of colour