Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

The Staircase of Angels

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

A new site for a new church

New roads for Catania

The colours of the cathedral

A new site for a new city

The senses tell about Palazzo Napolino Tommasi Rosso

Militello, the story of an enlightened fiefdom

The Barresi-Branciforte lords

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

Limestone, the colour of harmony

One city, three sites

Corbels: a celebration of the Nicolaci family

The theatre of taste

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

The interior and its masterpieces

Fontana della Ninfa Zizza, public water in the town

Connections with other UNESCO sites

A Nobel Prize in Modica

Searching for colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo La Rocca

Prominent façade

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

The character of Badia Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giovanni Battista

Between white and black

Feasting in Palazzolo

Many owners, one palace

The city of museums

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

An eagle-shaped city

A hall for the feasts

A triumph of colour

Discovering the mother church

A colourful floor

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Sebastiano

The internal colours

Some masterpieces

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

From the contrast of the exterior to the internal jubilation of colours

A miniature city

St. Sebastian, so much work!

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

A majestic and luminous church

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

The Maiolica of the staircase

A museum to save a tradition

The chocolate of Modica

One city, two sites

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Nicolaci

The church of Carmine

The façade used as a puppet theatre

Places of knowledge: the Benedictines’ library

A small room with a golden entrance

San Benedetto: a treasure reopened to the public

Some prestigious works

A prominent church

Wonderful quick decorations

A square as the heart of the city

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

Two illustrious patron saints

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

A talking palace

The senses tell the story of the Church of the Annunciation

The Baroque town by the sea

Palazzo Nicolaci di Villadorata, who is the architect?

A symbol for the town

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento