Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

The wall comes to life

The city of museums

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

Searching for colour

The Baroque town by the sea

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

Rosario Gagliardi, the maestro of the Val di Noto

A new entrance for Santa Chiara (St. Claire)

San Nicolò l’Arena: an unfinished church

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Wonderful quick decorations

A prominent church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From St. Thomas to St. Joseph

A majestic and luminous church

Palazzo Nicolaci di Villadorata, who is the architect?

The colours of the cathedral

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

Some masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A small room with a golden entrance

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

A hall for the feasts

Discovering the mother church

The Burgos crucifix

St. Sebastian, so much work!

A miniature city

A triumph of colour

New roads for Catania

The Staircase of Angels

Connections with other UNESCO sites

A colourful floor

The theatre of taste

A museum to save a tradition

A new site for a new church

The internal colours

A talking palace

A new palace for the La Rocca lords

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

A Nobel Prize in Modica

From International Gothic to present day

Feast days

Norman apses

The Maiolica of the staircase

The senses tell the story of the Church of San Giovanni Evangelista

Some prestigious works

Many owners, one palace

A square as the heart of the city

Militello, the story of an enlightened fiefdom

The chocolate of Modica

The Feast of San Giacomo (St. James)

Limestone, the colour of harmony

An eagle-shaped city

Modica, a city with ancient origins

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

The Barresi-Branciforte lords

Places of knowledge: the Benedictines’ library

The church of Carmine

San Benedetto: a treasure reopened to the public

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

A half-Baroque church

One city, two sites

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

A feast only for Scicli

One city, three sites

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

Between white and black

Feasting in Palazzolo

The two churches

The character of Badia Sant’Agata

A new site for a new city

The senses tell about Palazzo La Rocca

Baroque and the loss of equilibrium in the 16th century

A city in colour

The senses tell the story of the Church of San Sebastiano

Prominent façade

St. Agatha and the giant candelabras

The senses tell the story of the church of Santa Maria del Carmelo