Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A feast only for Scicli

The senses tell the story of the Church of the Annunciation

A new site for a new church

Wonderful quick decorations

From the contrast of the exterior to the internal jubilation of colours

A prominent church

A museum to save a tradition

The Burgos crucifix

The chocolate of Modica

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

An eagle-shaped city

A majestic and luminous church

The theatre of taste

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

New roads for Catania

The senses tell the story of the church of San Giuseppe

The senses tell the Cathedral of Sant’Agata

The church of Carmine

Modica, a city with ancient origins

The Benedictine Monastery, one of the largest in Europe

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A design by Vincenzo Sinatra

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

The two churches

Discovering the mother church

A Nobel Prize in Modica

The city of museums

A triumph of colour

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

The character of Badia Sant’Agata

A city in colour

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Napolino Tommasi Rosso

From International Gothic to present day

A talking palace

The façade used as a puppet theatre

Militello, the story of an enlightened fiefdom

The disastrous earthquake

Norman apses

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo La Rocca

The internal colours

San Nicolò l’Arena: an unfinished church

Feast days

The Infiorata, a feast of colours and flowers

Many owners, one palace

The Barresi-Branciforte lords

Between white and black

The wall comes to life

From St. Thomas to St. Joseph

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

Rosario Gagliardi, the maestro of the Val di Noto

A colourful floor

St. Agatha and the giant candelabras

The senses tell the story of the staircase of Santa Maria del Monte

Feasting in Palazzolo

Limestone, the colour of harmony

A long reconstruction

A small room with a golden entrance

St. Sebastian, so much work!

Palazzo Nicolaci di Villadorata, who is the architect?

Two illustrious patron saints

The senses tell the story of the Church of San Benedetto

Places of knowledge: the Benedictines’ library

The Staircase of Angels

A half-Baroque church

A symbol for the town

Some masterpieces

A new palace for the La Rocca lords

The Baroque town by the sea

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, two sites

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

Connections with other UNESCO sites

Searching for colour

Prominent façade