Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

San Benedetto: a treasure reopened to the public

The role of the religious orders in rebuilding the Val di Noto

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

Some masterpieces

The senses tell the story of the church of San Giuseppe

A new palace for the La Rocca lords

The chocolate of Modica

A new site for a new city

A Nobel Prize in Modica

A triumph of colour

A hall for the feasts

The city of museums

From St. Thomas to St. Joseph

Baroque and the loss of equilibrium in the 16th century

A majestic and luminous church

The colours of the cathedral

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The church of Carmine

The wall comes to life

One city, two sites

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

A feast only for Scicli

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

Militello, the story of an enlightened fiefdom

Between white and black

The senses tell the story of the Badia di Sant’Agata

St. Sebastian, so much work!

The cathedral of Sant’Agata: a lengthy reconstruction

The Barresi-Branciforte lords

Wonderful quick decorations

The senses tell the story of the Church of San Giovanni Evangelista

A talking palace

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

Feast days

The Infiorata, a feast of colours and flowers

The Feast of San Giacomo (St. James)

The kitchen, a treasure chest of colours

Norman apses

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

The senses tell the story of the church of Santa Maria del Carmelo

Modica, a city with ancient origins

The Staircase of Angels

A half-Baroque church

From International Gothic to present day

Two illustrious patron saints

A colourful floor

The senses tell about Palazzo La Rocca

Connections with other UNESCO sites

Discovering the mother church

Some prestigious works

The Supernatural dimension of the chapel of the Santissimo Sacramento

A long reconstruction

The interior and its masterpieces

A small room with a golden entrance

A museum to save a tradition

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Benedetto

The senses tell the story of the staircase of Santa Maria del Monte

Searching for colour

Fontana della Ninfa Zizza, public water in the town

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

Many owners, one palace

Palazzo Nicolaci di Villadorata, who is the architect?

A miniature city

A design by Vincenzo Sinatra

The senses tell about Palazzo Nicolaci

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A city in colour

San Nicolò l’Arena: an unfinished church

Limestone, the colour of harmony

Feasting in Palazzolo

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

New roads for Catania

Prominent façade

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Cathedral of Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

The theatre of taste

One city, three sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The internal colours

A prominent church

The senses tell the story of the Church of San Giuliano ai Crociferi

A symbol for the town

The character of Badia Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A square as the heart of the city