Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Baroque town by the sea

One city, two sites

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of the Annunciation

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

The city of museums

A half-Baroque church

Connections with other UNESCO sites

A square as the heart of the city

The Supernatural dimension of the chapel of the Santissimo Sacramento

Palazzo Nicolaci di Villadorata, who is the architect?

The Staircase of Angels

The senses tell the story of the church of San Giuseppe

The wall comes to life

One city, three sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Maiolica of the staircase

The façade used as a puppet theatre

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

Baroque and the loss of equilibrium in the 16th century

A city in colour

From International Gothic to present day

The chocolate of Modica

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Nicolaci

The Barresi-Branciforte lords

Some prestigious works

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

Feasting in Palazzolo

A miniature city

The Feast of San Giacomo (St. James)

The character of Badia Sant’Agata

Modica, a city with ancient origins

The colours of the cathedral

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

Wonderful quick decorations

Searching for colour

Some masterpieces

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

A feast only for Scicli

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A triumph of colour

The senses tell the story of the Church of San Giuliano ai Crociferi

A hall for the feasts

The internal colours

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

Feast days

A long reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

The interior and its masterpieces

A museum to save a tradition

New roads for Catania

The two churches

The theatre of taste

San Nicolò l’Arena: an unfinished church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

Rosario Gagliardi, the maestro of the Val di Noto

Many owners, one palace

Prominent façade

A small room with a golden entrance

The disastrous earthquake

A talking palace

Discovering the mother church

A new site for a new city

Two illustrious patron saints

From St. Thomas to St. Joseph

An eagle-shaped city

A design by Vincenzo Sinatra

A symbol for the town

The senses tell the story of the Church of San Benedetto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

A prominent church

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

Fontana della Ninfa Zizza, public water in the town

Militello, the story of an enlightened fiefdom

A majestic and luminous church

Between white and black

A colourful floor

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction