Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giuliano ai Crociferi

An eagle-shaped city

Discovering the mother church

The wall comes to life

New roads for Catania

The Feast of San Giacomo (St. James)

Corbels: a celebration of the Nicolaci family

Norman apses

The senses tell the story of the church of Santa Maria del Carmelo

The Benedictine Monastery, one of the largest in Europe

From St. Thomas to St. Joseph

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Barresi-Branciforte lords

A new site for a new city

Searching for colour

The Maiolica of the staircase

A miniature city

The role of the religious orders in rebuilding the Val di Noto

A half-Baroque church

A long reconstruction

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

The colours of the cathedral

A square as the heart of the city

A hall for the feasts

Some masterpieces

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of the Annunciation

Feast days

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The two churches

The city of museums

The Baroque town by the sea

The Infiorata, a feast of colours and flowers

A majestic and luminous church

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The internal colours

A prominent church

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A museum to save a tradition

Wonderful quick decorations

A talking palace

A Nobel Prize in Modica

Many owners, one palace

Garden of Novices and the restorations by Giancarlo De Carlo

From International Gothic to present day

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

One city, three sites

The Staircase of Angels

Places of knowledge: the Benedictines’ library

A feast only for Scicli

A colourful floor

Prominent façade

The kitchen, a treasure chest of colours

The theatre of taste

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The chocolate of Modica

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

Connections with other UNESCO sites

A new palace for the La Rocca lords

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Sebastiano

The church of Carmine

San Benedetto: a treasure reopened to the public

One city, two sites

The Burgos crucifix

Between white and black

The senses tell about Palazzo Napolino Tommasi Rosso

A city in colour

A new site for a new church

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

A symbol for the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Supernatural dimension of the chapel of the Santissimo Sacramento

Militello, the story of an enlightened fiefdom

St. Sebastian, so much work!