Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The façade used as a puppet theatre

Searching for colour

An eagle-shaped city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From International Gothic to present day

The colours of the cathedral

A new palace for the La Rocca lords

Many owners, one palace

The kitchen, a treasure chest of colours

The senses tell the story of the Church of the Annunciation

The internal colours

Wonderful quick decorations

The senses tell the story of the Church of San Benedetto

A prominent church

The senses tell about Palazzo Napolino Tommasi Rosso

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The church of Carmine

The city of museums

Discovering the mother church

Limestone, the colour of harmony

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

New roads for Catania

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers

Between white and black

The disastrous earthquake

A small room with a golden entrance

The Maiolica of the staircase

A triumph of colour

San Nicolò l’Arena: an unfinished church

A miniature city

A Nobel Prize in Modica

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of Santa Maria del Carmelo

From St. Thomas to St. Joseph

A majestic and luminous church

The theatre of taste

One city, three sites

A new site for a new church

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

A design by Vincenzo Sinatra

The wall comes to life

The senses tell the Cathedral of Sant’Agata

Feast days

From the contrast of the exterior to the internal jubilation of colours

Some prestigious works

A colourful floor

A square as the heart of the city

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

The cathedral of Sant’Agata: a lengthy reconstruction

A symbol for the town

The character of Badia Sant’Agata

The interior and its masterpieces

Some masterpieces

A half-Baroque church

Places of knowledge: the Benedictines’ library

A city in colour

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

Rosario Gagliardi, the maestro of the Val di Noto

The chocolate of Modica

Garden of Novices and the restorations by Giancarlo De Carlo

A new entrance for Santa Chiara (St. Claire)

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

The two churches

The role of the religious orders in rebuilding the Val di Noto

One city, two sites

Feasting in Palazzolo

The Staircase of Angels

St. Sebastian, so much work!

Two illustrious patron saints

A hall for the feasts

The Barresi-Branciforte lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

The Burgos crucifix

A museum to save a tradition

St. Agatha and the giant candelabras

Norman apses

A long reconstruction

San Benedetto: a treasure reopened to the public

A new site for a new city

Modica, a city with ancient origins