Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

St. Sebastian, so much work!

From St. Thomas to St. Joseph

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

Some masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of the Annunciation

The senses tell the Cathedral of Sant’Agata

A hall for the feasts

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Benedetto

Discovering the mother church

The senses tell the story of the Church of San Giuliano ai Crociferi

A new palace for the La Rocca lords

Baroque and the loss of equilibrium in the 16th century

The Barresi-Branciforte lords

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

The role of the religious orders in rebuilding the Val di Noto

A design by Vincenzo Sinatra

Limestone, the colour of harmony

A colourful floor

An eagle-shaped city

Modica, a city with ancient origins

Corbels: a celebration of the Nicolaci family

The Infiorata, a feast of colours and flowers

A symbol for the town

A square as the heart of the city

Palazzo Nicolaci di Villadorata, who is the architect?

The colours of the cathedral

A new site for a new city

Norman apses

A half-Baroque church

The disastrous earthquake

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo La Rocca

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

From International Gothic to present day

The senses tell the story of the church of San Giovanni Battista

The internal colours

Feast days

Some prestigious works

A majestic and luminous church

The city of museums

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feasting in Palazzolo

Wonderful quick decorations

A long reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

New roads for Catania

St. Agatha and the giant candelabras

The theatre of taste

The senses tell the story of the Badia di Sant’Agata

Many owners, one palace

One city, three sites

Between white and black

The Staircase of Angels

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new church

A city in colour

Connections with other UNESCO sites

One city, two sites

A new entrance for Santa Chiara (St. Claire)

The kitchen, a treasure chest of colours

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A small room with a golden entrance

Prominent façade

The Feast of San Giacomo (St. James)

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe

The church of Carmine

Places of knowledge: the Benedictines’ library

A triumph of colour

A museum to save a tradition

A miniature city

A prominent church

Searching for colour

The wall comes to life

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

The two churches

The chocolate of Modica

A Nobel Prize in Modica

Two illustrious patron saints

The Maiolica of the staircase