Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

New roads for Catania

Wonderful quick decorations

Norman apses

A symbol for the town

Some masterpieces

A long reconstruction

From St. Thomas to St. Joseph

From International Gothic to present day

One city, two sites

St. Agatha and the giant candelabras

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

An eagle-shaped city

The cathedral of Sant’Agata: a lengthy reconstruction

A feast only for Scicli

St. Sebastian, so much work!

The senses tell about Palazzo Napolino Tommasi Rosso

Some prestigious works

The senses tell about Palazzo La Rocca

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

A new site for a new city

A triumph of colour

The Burgos crucifix

The chocolate of Modica

San Nicolò l’Arena: an unfinished church

A new site for a new church

Limestone, the colour of harmony

Many owners, one palace

Feasting in Palazzolo

The interior and its masterpieces

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

The Benedictine Monastery, one of the largest in Europe

The theatre of taste

The Maiolica of the staircase

The façade used as a puppet theatre

The senses tell the story of the Church of San Benedetto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

Places of knowledge: the Benedictines’ library

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

Searching for colour

The Baroque town by the sea

Palazzo Nicolaci di Villadorata, who is the architect?

A Nobel Prize in Modica

One city, three sites

The senses tell the story of the Church of the Annunciation

A new palace for the La Rocca lords

A half-Baroque church

The character of Badia Sant’Agata

Corbels: a celebration of the Nicolaci family

The wall comes to life

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

Feast days

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Cathedral of Sant’Agata

Discovering the mother church

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Sebastiano

Between white and black

The disastrous earthquake

A small room with a golden entrance

The Barresi-Branciforte lords

The senses tell the story of the staircase of Santa Maria del Monte

A hall for the feasts

The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

A colourful floor

The internal colours

The senses tell the story of the Badia di Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Two illustrious patron saints

The colours of the cathedral

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

A city in colour

The kitchen, a treasure chest of colours

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The two churches

Baroque and the loss of equilibrium in the 16th century

A museum to save a tradition

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

Prominent façade

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

A majestic and luminous church

The city of museums