Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The colours of the cathedral

A talking palace

One city, three sites

A museum to save a tradition

A prominent church

Between white and black

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

A new site for a new church

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giuseppe

The wall comes to life

A square as the heart of the city

A miniature city

The Maiolica of the staircase

A city in colour

Garden of Novices and the restorations by Giancarlo De Carlo

A new entrance for Santa Chiara (St. Claire)

The chocolate of Modica

New roads for Catania

Limestone, the colour of harmony

Feast days

San Nicolò l’Arena: an unfinished church

Norman apses

The Supernatural dimension of the chapel of the Santissimo Sacramento

From St. Thomas to St. Joseph

The senses tell about Palazzo La Rocca

The senses tell the story of the church of Santa Maria del Carmelo

A feast only for Scicli

Some prestigious works

The senses tell the story of the Church of Santa Chiara

The theatre of taste

Many owners, one palace

A design by Vincenzo Sinatra

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Connections with other UNESCO sites

The senses tell the story of the Church of San Benedetto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

The façade used as a puppet theatre

The Barresi-Branciforte lords

The senses tell the story of the staircase of Santa Maria del Monte

The Baroque town by the sea

The senses tell the story of the Church of the Annunciation

The Staircase of Angels

A small room with a golden entrance

A new palace for the La Rocca lords

Searching for colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The Infiorata, a feast of colours and flowers

An eagle-shaped city

San Benedetto: a treasure reopened to the public

The city of museums

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new city

A symbol for the town

Feasting in Palazzolo

The character of Badia Sant’Agata

The church of Carmine

A colourful floor

Prominent façade

From International Gothic to present day

St. Agatha and the giant candelabras

A hall for the feasts

The two churches

Wonderful quick decorations

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The internal colours

The senses tell about Palazzo Napolino Tommasi Rosso

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

Some masterpieces

A Nobel Prize in Modica

The cathedral of Sant’Agata: a lengthy reconstruction

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Badia di Sant’Agata

One city, two sites

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Cathedral of Sant’Agata

St. Sebastian, so much work!

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The Feast of San Giacomo (St. James)

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

A half-Baroque church

The interior and its masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

Places of knowledge: the Benedictines’ library