Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Feast of San Giacomo (St. James)

A city in colour

The senses tell the story of the Badia di Sant’Agata

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

An eagle-shaped city

Places of knowledge: the Benedictines’ library

The Infiorata, a feast of colours and flowers

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

Norman apses

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

New roads for Catania

The colours of the cathedral

The Staircase of Angels

Prominent façade

The kitchen, a treasure chest of colours

The Burgos crucifix

The wall comes to life

A design by Vincenzo Sinatra

The Baroque town by the sea

Many owners, one palace

The senses tell the Cathedral of Sant’Agata

The city of museums

The senses tell the story of the Church of Santa Chiara

The two churches

Corbels: a celebration of the Nicolaci family

A half-Baroque church

The senses tell the story of the Church of San Giovanni Evangelista

A long reconstruction

A majestic and luminous church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

A miniature city

The internal colours

Palazzo Nicolaci di Villadorata, who is the architect?

Wonderful quick decorations

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

Fontana della Ninfa Zizza, public water in the town

The disastrous earthquake

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The role of the religious orders in rebuilding the Val di Noto

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Sebastiano

One city, two sites

Some prestigious works

A colourful floor

The senses tell about Palazzo Nicolaci

Militello, the story of an enlightened fiefdom

Discovering the mother church

The senses tell the story of the Church of the Annunciation

The Benedictine Monastery, one of the largest in Europe

The Maiolica of the staircase

St. Sebastian, so much work!

From the contrast of the exterior to the internal jubilation of colours

A prominent church

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

From St. Thomas to St. Joseph

A museum to save a tradition

The senses tell about Palazzo Napolino Tommasi Rosso

Baroque and the loss of equilibrium in the 16th century

A symbol for the town

A triumph of colour

Two illustrious patron saints

Feast days

One city, three sites

Connections with other UNESCO sites

A feast only for Scicli

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

Garden of Novices and the restorations by Giancarlo De Carlo

The cathedral of Sant’Agata: a lengthy reconstruction

Searching for colour

A talking palace

A square as the heart of the city

The Barresi-Branciforte lords

Feasting in Palazzolo

The church of Carmine

The character of Badia Sant’Agata

A Nobel Prize in Modica

The façade used as a puppet theatre

A new site for a new city

A hall for the feasts

San Nicolò l’Arena: an unfinished church

Modica, a city with ancient origins