Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of San Benedetto

The church of Carmine

A design by Vincenzo Sinatra

A small room with a golden entrance

Two illustrious patron saints

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

The chocolate of Modica

A new palace for the La Rocca lords

A city in colour

A prominent church

The senses tell the story of the church of San Giuseppe

A symbol for the town

A square as the heart of the city

A half-Baroque church

A new entrance for Santa Chiara (St. Claire)

Prominent façade

A miniature city

The kitchen, a treasure chest of colours

The Baroque town by the sea

The role of the religious orders in rebuilding the Val di Noto

A hall for the feasts

St. Agatha and the giant candelabras

The façade used as a puppet theatre

The senses tell the Cathedral of Sant’Agata

Some masterpieces

The disastrous earthquake

The interior and its masterpieces

Discovering the mother church

A triumph of colour

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giovanni Battista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Limestone, the colour of harmony

The senses tell the story of the church of Santa Maria del Carmelo

A colourful floor

San Nicolò l’Arena: an unfinished church

Modica, a city with ancient origins

One city, two sites

The cathedral of Sant’Agata: a lengthy reconstruction

Some prestigious works

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A Nobel Prize in Modica

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Napolino Tommasi Rosso

The character of Badia Sant’Agata

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

Between white and black

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

From St. Thomas to St. Joseph

The Barresi-Branciforte lords

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

The Maiolica of the staircase

A talking palace

The senses tell the story of the Church of the Annunciation

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feast days

A museum to save a tradition

Garden of Novices and the restorations by Giancarlo De Carlo

A majestic and luminous church

Connections with other UNESCO sites

The wall comes to life

A new site for a new city

Places of knowledge: the Benedictines’ library

The colours of the cathedral

The senses tell about Palazzo La Rocca

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

Corbels: a celebration of the Nicolaci family

The internal colours

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

Norman apses

The senses tell the story of the Badia di Sant’Agata

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

New roads for Catania

A feast only for Scicli

Searching for colour

A new site for a new church

One city, three sites

The two churches

The city of museums

From International Gothic to present day

Wonderful quick decorations

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Nicolaci

San Benedetto: a treasure reopened to the public