Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

From International Gothic to present day

St. Agatha and the giant candelabras

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Sebastiano

Searching for colour

The senses tell about Palazzo La Rocca

The Staircase of Angels

The theatre of taste

Limestone, the colour of harmony

Some masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Napolino Tommasi Rosso

A prominent church

Many owners, one palace

A Nobel Prize in Modica

The two churches

The senses tell the story of the Church of the Annunciation

Feast days

Militello, the story of an enlightened fiefdom

A museum to save a tradition

St. Sebastian, so much work!

The chocolate of Modica

Norman apses

An eagle-shaped city

A small room with a golden entrance

A triumph of colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

A symbol for the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

One city, two sites

The wall comes to life

A long reconstruction

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

Two illustrious patron saints

A new palace for the La Rocca lords

A majestic and luminous church

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

San Nicolò l’Arena: an unfinished church

A square as the heart of the city

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

Feasting in Palazzolo

The character of Badia Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giuseppe

Between white and black

The city of museums

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

A miniature city

A city in colour

The church of Carmine

Prominent façade

The senses tell the story of the church of Santa Maria del Carmelo

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Benedetto

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giovanni Evangelista

A hall for the feasts

The disastrous earthquake

The Feast of San Giacomo (St. James)

Connections with other UNESCO sites

The senses tell about Palazzo Nicolaci

One city, three sites

The senses tell the story of the Badia di Sant’Agata

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

San Benedetto: a treasure reopened to the public

A colourful floor

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

New roads for Catania

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Modica, a city with ancient origins

Wonderful quick decorations

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

Corbels: a celebration of the Nicolaci family

The internal colours

The Maiolica of the staircase

Baroque and the loss of equilibrium in the 16th century

The Infiorata, a feast of colours and flowers

A talking palace

Some prestigious works