Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the church of San Giuseppe

The senses tell the Cathedral of Sant’Agata

The character of Badia Sant’Agata

Feast days

A half-Baroque church

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Benedetto

Between white and black

Many owners, one palace

The internal colours

The disastrous earthquake

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

The chocolate of Modica

An eagle-shaped city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The city of museums

A long reconstruction

Wonderful quick decorations

A triumph of colour

The senses tell the story of the Church of San Sebastiano

One city, two sites

Two illustrious patron saints

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

Garden of Novices and the restorations by Giancarlo De Carlo

New roads for Catania

The senses tell the story of the staircase of Santa Maria del Monte

Norman apses

One city, three sites

San Nicolò l’Arena: an unfinished church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

The role of the religious orders in rebuilding the Val di Noto

A Nobel Prize in Modica

A feast only for Scicli

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

The two churches

A colourful floor

The senses tell the story of the Church of San Giovanni Evangelista

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giuliano ai Crociferi

A miniature city

Searching for colour

A square as the heart of the city

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

A new site for a new city

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

From the contrast of the exterior to the internal jubilation of colours

Modica, a city with ancient origins

The theatre of taste

From St. Thomas to St. Joseph

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

The colours of the cathedral

A symbol for the town

A city in colour

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

A new site for a new church

St. Sebastian, so much work!

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

A museum to save a tradition

A talking palace

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

A prominent church

Rosario Gagliardi, the maestro of the Val di Noto

The interior and its masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

Some masterpieces

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

The senses tell about Palazzo Nicolaci

The Staircase of Angels

The Burgos crucifix

The senses tell about Palazzo La Rocca

The Maiolica of the staircase

Discovering the mother church

Militello, the story of an enlightened fiefdom