Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell about Palazzo Napolino Tommasi Rosso

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A square as the heart of the city

A design by Vincenzo Sinatra

Feast days

A museum to save a tradition

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

The senses tell the story of the Church of San Sebastiano

A small room with a golden entrance

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

A new site for a new city

The character of Badia Sant’Agata

Between white and black

Prominent façade

A majestic and luminous church

A city in colour

A new palace for the La Rocca lords

From the contrast of the exterior to the internal jubilation of colours

The Maiolica of the staircase

The Burgos crucifix

A hall for the feasts

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

An eagle-shaped city

A triumph of colour

One city, three sites

The city of museums

The kitchen, a treasure chest of colours

Some prestigious works

A talking palace

Fontana della Ninfa Zizza, public water in the town

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

Places of knowledge: the Benedictines’ library

New roads for Catania

The senses tell about Palazzo La Rocca

The church of Carmine

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

The Feast of San Giacomo (St. James)

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

The Barresi-Branciforte lords

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

The senses tell the story of the Church of Santa Chiara

Norman apses

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Wonderful quick decorations

The senses tell the story of the church of San Giuseppe

The façade used as a puppet theatre

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

The wall comes to life

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

Limestone, the colour of harmony

Many owners, one palace

Some masterpieces

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

A feast only for Scicli

One city, two sites

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

From St. Thomas to St. Joseph

Connections with other UNESCO sites

The colours of the cathedral

The two churches

A half-Baroque church

The senses tell the story of the Church of the Annunciation

Two illustrious patron saints

Feasting in Palazzolo

The senses tell about Palazzo Nicolaci

San Nicolò l’Arena: an unfinished church

A symbol for the town

The Infiorata, a feast of colours and flowers

A Nobel Prize in Modica

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Benedetto

The Benedictine Monastery, one of the largest in Europe