Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Prominent façade

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

The internal colours

The Burgos crucifix

A colourful floor

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

From St. Thomas to St. Joseph

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

A miniature city

From the contrast of the exterior to the internal jubilation of colours

New roads for Catania

The theatre of taste

Wonderful quick decorations

The Staircase of Angels

Many owners, one palace

Modica, a city with ancient origins

Some masterpieces

Discovering the mother church

A design by Vincenzo Sinatra

Between white and black

One city, two sites

A feast only for Scicli

An eagle-shaped city

The senses tell the story of the Church of the Annunciation

St. Sebastian, so much work!

One city, three sites

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the staircase of Santa Maria del Monte

The city of museums

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

The Baroque town by the sea

A hall for the feasts

A new palace for the La Rocca lords

Searching for colour

A small room with a golden entrance

The kitchen, a treasure chest of colours

A new site for a new city

Palazzo Nicolaci di Villadorata, who is the architect?

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca

A symbol for the town

A triumph of colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Infiorata, a feast of colours and flowers

The Maiolica of the staircase

Feast days

The senses tell the story of the church of San Giovanni Battista

A prominent church

A majestic and luminous church

Limestone, the colour of harmony

The interior and its masterpieces

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

The colours of the cathedral

San Nicolò l’Arena: an unfinished church

A city in colour

A museum to save a tradition

The disastrous earthquake

Rosario Gagliardi, the maestro of the Val di Noto

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

St. Agatha and the giant candelabras

Connections with other UNESCO sites

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

The church of Carmine

The wall comes to life

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The two churches

A long reconstruction

From International Gothic to present day

A new site for a new church

The Barresi-Branciforte lords

A half-Baroque church

Some prestigious works

A talking palace