Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of San Sebastiano

The two churches

Prominent façade

Searching for colour

An eagle-shaped city

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Badia di Sant’Agata

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

Between white and black

The senses tell the story of the Church of the Annunciation

Garden of Novices and the restorations by Giancarlo De Carlo

Discovering the mother church

The chocolate of Modica

The senses tell the Cathedral of Sant’Agata

A prominent church

The colours of the cathedral

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

A museum to save a tradition

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

A Nobel Prize in Modica

Two illustrious patron saints

The Maiolica of the staircase

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

From International Gothic to present day

St. Agatha and the giant candelabras

The city of museums

From St. Thomas to St. Joseph

A talking palace

A symbol for the town

The senses tell the story of the Church of Santa Chiara

A new site for a new church

The senses tell about Palazzo Napolino Tommasi Rosso

Modica, a city with ancient origins

The senses tell the story of the church of San Giovanni Battista

Norman apses

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords

Some masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

One city, two sites

A half-Baroque church

The interior and its masterpieces

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feast days

The senses tell about Palazzo Nicolaci

A hall for the feasts

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

One city, three sites

Corbels: a celebration of the Nicolaci family

The kitchen, a treasure chest of colours

The Baroque town by the sea

A colourful floor

A small room with a golden entrance

The Burgos crucifix

Feasting in Palazzolo

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Giovanni Evangelista

Limestone, the colour of harmony

New roads for Catania

The theatre of taste

St. Sebastian, so much work!

Connections with other UNESCO sites

Some prestigious works

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

The character of Badia Sant’Agata

A square as the heart of the city

San Benedetto: a treasure reopened to the public

The wall comes to life

The façade used as a puppet theatre

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

A miniature city

Many owners, one palace

The church of Carmine

A city in colour

From the contrast of the exterior to the internal jubilation of colours

A feast only for Scicli

A new site for a new city

The internal colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

The disastrous earthquake

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giuliano ai Crociferi

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A long reconstruction