Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of San Sebastiano

One city, three sites

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

Rosario Gagliardi, the maestro of the Val di Noto

Baroque and the loss of equilibrium in the 16th century

A Nobel Prize in Modica

From International Gothic to present day

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

St. Agatha and the giant candelabras

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The kitchen, a treasure chest of colours

A talking palace

The senses tell the story of the Church of San Benedetto

A long reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The Feast of San Giacomo (St. James)

A square as the heart of the city

A majestic and luminous church

Norman apses

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

The two churches

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

A design by Vincenzo Sinatra

Feasting in Palazzolo

Two illustrious patron saints

Limestone, the colour of harmony

The Infiorata, a feast of colours and flowers

Corbels: a celebration of the Nicolaci family

A colourful floor

The church of Carmine

Discovering the mother church

Searching for colour

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

The Maiolica of the staircase

A new site for a new church

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

The city of museums

A triumph of colour

A new palace for the La Rocca lords

The Staircase of Angels

The wall comes to life

Prominent façade

Wonderful quick decorations

The chocolate of Modica

A new site for a new city

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of the Annunciation

A prominent church

A museum to save a tradition

Feast days

Places of knowledge: the Benedictines’ library

Some masterpieces

The theatre of taste

Many owners, one palace

A symbol for the town

The disastrous earthquake

The interior and its masterpieces

An eagle-shaped city

From St. Thomas to St. Joseph

The senses tell the story of the church of Santa Maria del Carmelo

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giovanni Battista

A city in colour

Some prestigious works

Between white and black

A feast only for Scicli

A small room with a golden entrance

New roads for Catania

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

The colours of the cathedral

A hall for the feasts

A miniature city

Fontana della Ninfa Zizza, public water in the town

A half-Baroque church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Benedetto: a treasure reopened to the public

The façade used as a puppet theatre

Modica, a city with ancient origins

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, two sites

San Nicolò l’Arena: an unfinished church