Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Discovering the mother church

One city, two sites

The senses tell about Palazzo Nicolaci

A feast only for Scicli

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

A talking palace

The Staircase of Angels

St. Sebastian, so much work!

A new site for a new city

The senses tell the story of the Church of San Giovanni Evangelista

The colours of the cathedral

The internal colours

A square as the heart of the city

Wonderful quick decorations

The interior and its masterpieces

The Maiolica of the staircase

The senses tell the story of the Church of San Giuliano ai Crociferi

The church of Carmine

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

Between white and black

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

A half-Baroque church

Some prestigious works

The character of Badia Sant’Agata

A long reconstruction

A colourful floor

Two illustrious patron saints

Norman apses

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

The senses tell the Cathedral of Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

A Nobel Prize in Modica

A new entrance for Santa Chiara (St. Claire)

Searching for colour

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

The façade used as a puppet theatre

Baroque and the loss of equilibrium in the 16th century

Feast days

A small room with a golden entrance

The wall comes to life

The chocolate of Modica

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Burgos crucifix

The senses tell about Palazzo Napolino Tommasi Rosso

Modica, a city with ancient origins

A miniature city

St. Agatha and the giant candelabras

A symbol for the town

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

A hall for the feasts

Prominent façade

The disastrous earthquake

A prominent church

One city, three sites

The senses tell the story of the Badia di Sant’Agata

The two churches

The senses tell the story of the Church of the Annunciation

Rosario Gagliardi, the maestro of the Val di Noto

The role of the religious orders in rebuilding the Val di Noto

San Benedetto: a treasure reopened to the public

A city in colour

Places of knowledge: the Benedictines’ library

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Sebastiano

Many owners, one palace

A design by Vincenzo Sinatra

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some masterpieces

Feasting in Palazzolo

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of Santa Maria del Carmelo

Limestone, the colour of harmony

The theatre of taste

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

Corbels: a celebration of the Nicolaci family

A triumph of colour

A majestic and luminous church