Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The interior and its masterpieces

Places of knowledge: the Benedictines’ library

Wonderful quick decorations

The façade used as a puppet theatre

Discovering the mother church

Feast days

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of Santa Maria del Carmelo

A new site for a new church

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

Fontana della Ninfa Zizza, public water in the town

Modica, a city with ancient origins

An eagle-shaped city

The Barresi-Branciforte lords

The kitchen, a treasure chest of colours

A symbol for the town

The wall comes to life

New roads for Catania

Two illustrious patron saints

A new entrance for Santa Chiara (St. Claire)

A half-Baroque church

St. Agatha and the giant candelabras

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo La Rocca

The internal colours

The two churches

A square as the heart of the city

One city, three sites

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

Limestone, the colour of harmony

Many owners, one palace

The senses tell the story of the Church of San Giovanni Evangelista

The character of Badia Sant’Agata

A design by Vincenzo Sinatra

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

The Burgos crucifix

Feasting in Palazzolo

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

The senses tell about Palazzo Nicolaci

Searching for colour

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Sebastian, so much work!

Prominent façade

The senses tell the story of the Church of the Annunciation

A new site for a new city

The Feast of San Giacomo (St. James)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

Between white and black

From the contrast of the exterior to the internal jubilation of colours

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From St. Thomas to St. Joseph

Norman apses

A miniature city

Some masterpieces

Some prestigious works

A museum to save a tradition

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

A talking palace

The theatre of taste

One city, two sites

The Staircase of Angels

Corbels: a celebration of the Nicolaci family

The Maiolica of the staircase

The colours of the cathedral

A new palace for the La Rocca lords

A prominent church

Palazzo Nicolaci di Villadorata, who is the architect?

Connections with other UNESCO sites

A hall for the feasts

Militello, the story of an enlightened fiefdom

A small room with a golden entrance

From International Gothic to present day

The role of the religious orders in rebuilding the Val di Noto

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The church of Carmine

A long reconstruction

A majestic and luminous church

A Nobel Prize in Modica

San Benedetto: a treasure reopened to the public

The cathedral of Sant’Agata: a lengthy reconstruction