Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Maiolica of the staircase

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

One city, three sites

A colourful floor

Feast days

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

The chocolate of Modica

A new site for a new city

New roads for Catania

A symbol for the town

Some prestigious works

The senses tell about Palazzo La Rocca

Some masterpieces

Two illustrious patron saints

A half-Baroque church

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

The character of Badia Sant’Agata

One city, two sites

From International Gothic to present day

A museum to save a tradition

The internal colours

Discovering the mother church

The city of museums

An eagle-shaped city

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

The senses tell the story of the Badia di Sant’Agata

A small room with a golden entrance

Prominent façade

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The colours of the cathedral

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

The Feast of San Giacomo (St. James)

A city in colour

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new entrance for Santa Chiara (St. Claire)

A square as the heart of the city

Norman apses

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A hall for the feasts

The Staircase of Angels

The wall comes to life

A new palace for the La Rocca lords

A feast only for Scicli

From St. Thomas to St. Joseph

Feasting in Palazzolo

The senses tell the story of the Church of the Annunciation

The Barresi-Branciforte lords

St. Agatha and the giant candelabras

A majestic and luminous church

Many owners, one palace

San Benedetto: a treasure reopened to the public

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Between white and black

A triumph of colour

A design by Vincenzo Sinatra

The interior and its masterpieces

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

The church of Carmine

The senses tell the story of the church of Santa Maria del Carmelo

A prominent church

The senses tell about Palazzo Nicolaci

The two churches

Connections with other UNESCO sites

A miniature city

The disastrous earthquake

The senses tell the story of the Church of San Giovanni Evangelista

St. Sebastian, so much work!

Searching for colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

Places of knowledge: the Benedictines’ library

Corbels: a celebration of the Nicolaci family

Wonderful quick decorations

A Nobel Prize in Modica