Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell about Palazzo La Rocca

The Feast of San Giacomo (St. James)

The senses tell the story of the church of Santa Maria del Carmelo

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

Two illustrious patron saints

The Burgos crucifix

From International Gothic to present day

A design by Vincenzo Sinatra

A small room with a golden entrance

Some prestigious works

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

New roads for Catania

Modica, a city with ancient origins

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

A museum to save a tradition

The internal colours

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

Norman apses

Limestone, the colour of harmony

An eagle-shaped city

Many owners, one palace

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

The senses tell the story of the Church of the Annunciation

A miniature city

A colourful floor

The senses tell the story of the church of San Giuseppe

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

The colours of the cathedral

A prominent church

The façade used as a puppet theatre

One city, two sites

St. Agatha and the giant candelabras

A city in colour

Palazzo Nicolaci di Villadorata, who is the architect?

The wall comes to life

A hall for the feasts

A new entrance for Santa Chiara (St. Claire)

A triumph of colour

Corbels: a celebration of the Nicolaci family

Fontana della Ninfa Zizza, public water in the town

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the staircase of Santa Maria del Monte

A new palace for the La Rocca lords

Feast days

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

A feast only for Scicli

Militello, the story of an enlightened fiefdom

Connections with other UNESCO sites

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Sebastian, so much work!

A half-Baroque church

Garden of Novices and the restorations by Giancarlo De Carlo

A square as the heart of the city

The disastrous earthquake

The senses tell the story of the Church of San Benedetto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A long reconstruction

The theatre of taste

A new site for a new church

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Nicolaci

Wonderful quick decorations

The two churches

The Staircase of Angels

A majestic and luminous church

A new site for a new city

The character of Badia Sant’Agata

A symbol for the town

From the contrast of the exterior to the internal jubilation of colours

The Barresi-Branciforte lords

Prominent façade

Some masterpieces

The Maiolica of the staircase

A Nobel Prize in Modica

The Benedictine Monastery, one of the largest in Europe

A talking palace

The interior and its masterpieces