Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

One city, three sites

The wall comes to life

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo La Rocca

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Sebastiano

Discovering the mother church

The Infiorata, a feast of colours and flowers

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giuliano ai Crociferi

Many owners, one palace

An eagle-shaped city

A small room with a golden entrance

New roads for Catania

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

A majestic and luminous church

Prominent façade

The Maiolica of the staircase

A miniature city

A symbol for the town

The chocolate of Modica

Modica, a city with ancient origins

A city in colour

Rosario Gagliardi, the maestro of the Val di Noto

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of Santa Maria del Carmelo

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

St. Sebastian, so much work!

Some prestigious works

The interior and its masterpieces

Corbels: a celebration of the Nicolaci family

A long reconstruction

Feast days

St. Agatha and the giant candelabras

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Badia di Sant’Agata

Between white and black

A half-Baroque church

Limestone, the colour of harmony

San Benedetto: a treasure reopened to the public

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

The Baroque town by the sea

The senses tell the story of the Church of the Annunciation

The Supernatural dimension of the chapel of the Santissimo Sacramento

Connections with other UNESCO sites

A hall for the feasts

Feasting in Palazzolo

A talking palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The character of Badia Sant’Agata

Norman apses

The senses tell about Palazzo Nicolaci

The Staircase of Angels

Some masterpieces

Searching for colour

A new site for a new city

Militello, the story of an enlightened fiefdom

The Burgos crucifix

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

Two illustrious patron saints

The two churches

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

The Barresi-Branciforte lords

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

The church of Carmine

A new entrance for Santa Chiara (St. Claire)

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours

Fontana della Ninfa Zizza, public water in the town

A colourful floor

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

The internal colours

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

A triumph of colour

A feast only for Scicli

A design by Vincenzo Sinatra

One city, two sites

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

The city of museums

Baroque and the loss of equilibrium in the 16th century

Wonderful quick decorations

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Palazzo Nicolaci di Villadorata, who is the architect?