Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A Nobel Prize in Modica

The senses tell the Cathedral of Sant’Agata

A triumph of colour

The Feast of San Giacomo (St. James)

The interior and its masterpieces

The façade used as a puppet theatre

A new site for a new church

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Maiolica of the staircase

A small room with a golden entrance

Some prestigious works

The senses tell about Palazzo La Rocca

Searching for colour

The wall comes to life

A museum to save a tradition

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Sebastiano

The colours of the cathedral

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

A miniature city

St. Sebastian, so much work!

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

Many owners, one palace

The city of museums

The senses tell the story of the Church of Santa Chiara

A colourful floor

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

Between white and black

The character of Badia Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

A design by Vincenzo Sinatra

The disastrous earthquake

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

The Barresi-Branciforte lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

The two churches

Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Benedetto: a treasure reopened to the public

A symbol for the town

Limestone, the colour of harmony

A prominent church

The senses tell the story of the Badia di Sant’Agata

The internal colours

St. Agatha and the giant candelabras

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

A hall for the feasts

The senses tell the story of the Church of San Benedetto

One city, two sites

The chocolate of Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

A feast only for Scicli

The theatre of taste

The Staircase of Angels

A half-Baroque church

One city, three sites

A talking palace

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

Norman apses

A city in colour

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo Nicolaci

Some masterpieces

New roads for Catania

From International Gothic to present day

A new site for a new city

A new entrance for Santa Chiara (St. Claire)

Discovering the mother church

A new palace for the La Rocca lords

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

Feast days

An eagle-shaped city

The senses tell the story of the Church of the Annunciation

From the contrast of the exterior to the internal jubilation of colours

Palazzo Nicolaci di Villadorata, who is the architect?

A long reconstruction

The Baroque town by the sea

The church of Carmine

The Burgos crucifix

Rosario Gagliardi, the maestro of the Val di Noto

The kitchen, a treasure chest of colours