Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Discovering the mother church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

Prominent façade

From International Gothic to present day

The character of Badia Sant’Agata

One city, two sites

A design by Vincenzo Sinatra

A Nobel Prize in Modica

A half-Baroque church

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

A talking palace

A miniature city

The Infiorata, a feast of colours and flowers

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The theatre of taste

Two illustrious patron saints

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

The Barresi-Branciforte lords

New roads for Catania

Rosario Gagliardi, the maestro of the Val di Noto

A prominent church

The senses tell about Palazzo Napolino Tommasi Rosso

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

Feast days

The senses tell the story of the Church of the Annunciation

A hall for the feasts

The senses tell the story of the Church of San Sebastiano

Many owners, one palace

The senses tell about Palazzo La Rocca

The Staircase of Angels

San Benedetto: a treasure reopened to the public

Feasting in Palazzolo

Baroque and the loss of equilibrium in the 16th century

The interior and its masterpieces

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

The wall comes to life

The disastrous earthquake

A museum to save a tradition

From St. Thomas to St. Joseph

A city in colour

The two churches

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

Some prestigious works

The internal colours

Some masterpieces

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of Santa Chiara

A square as the heart of the city

A colourful floor

A small room with a golden entrance

A new entrance for Santa Chiara (St. Claire)

A triumph of colour

One city, three sites

A majestic and luminous church

St. Agatha and the giant candelabras

The Maiolica of the staircase

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista

The city of museums

A new palace for the La Rocca lords

An eagle-shaped city

Militello, the story of an enlightened fiefdom

The senses tell the story of the Badia di Sant’Agata

Searching for colour

Wonderful quick decorations

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

Between white and black

From the contrast of the exterior to the internal jubilation of colours

The chocolate of Modica

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

The church of Carmine

The Baroque town by the sea

The Burgos crucifix

San Nicolò l’Arena: an unfinished church

Modica, a city with ancient origins

The senses tell the Cathedral of Sant’Agata

St. Sebastian, so much work!

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A long reconstruction

A feast only for Scicli

The role of the religious orders in rebuilding the Val di Noto