Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Maiolica of the staircase

Fontana della Ninfa Zizza, public water in the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

Many owners, one palace

The two churches

A new entrance for Santa Chiara (St. Claire)

A city in colour

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giuseppe

A new site for a new city

A long reconstruction

The senses tell the story of the Church of Santa Chiara

The church of Carmine

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

A half-Baroque church

From International Gothic to present day

The kitchen, a treasure chest of colours

The Burgos crucifix

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

A feast only for Scicli

A miniature city

Baroque and the loss of equilibrium in the 16th century

A square as the heart of the city

Feast days

The senses tell the story of the Badia di Sant’Agata

A new palace for the La Rocca lords

A talking palace

Militello, the story of an enlightened fiefdom

The Barresi-Branciforte lords

Rosario Gagliardi, the maestro of the Val di Noto

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Nicolaci

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The interior and its masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

Between white and black

A symbol for the town

Prominent façade

A majestic and luminous church

A new site for a new church

Palazzo Nicolaci di Villadorata, who is the architect?

A museum to save a tradition

One city, three sites

The senses tell about Palazzo Napolino Tommasi Rosso

A triumph of colour

Searching for colour

Two illustrious patron saints

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The character of Badia Sant’Agata

An eagle-shaped city

A prominent church

From the contrast of the exterior to the internal jubilation of colours

From St. Thomas to St. Joseph

Some prestigious works

The senses tell about Palazzo La Rocca

The city of museums

The theatre of taste

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

Modica, a city with ancient origins

Feasting in Palazzolo

Norman apses

The Staircase of Angels

A small room with a golden entrance

The senses tell the Cathedral of Sant’Agata

Discovering the mother church

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

A colourful floor

Some masterpieces

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

New roads for Catania

The role of the religious orders in rebuilding the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A design by Vincenzo Sinatra

The wall comes to life

The Baroque town by the sea

The chocolate of Modica

One city, two sites

The internal colours

The Benedictine Monastery, one of the largest in Europe

Limestone, the colour of harmony

Wonderful quick decorations

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte