Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of San Benedetto

A hall for the feasts

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

New roads for Catania

A majestic and luminous church

A city in colour

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

A miniature city

One city, two sites

The Maiolica of the staircase

The senses tell the story of the Church of the Annunciation

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Benedictine Monastery, one of the largest in Europe

The Burgos crucifix

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

A feast only for Scicli

From International Gothic to present day

One city, three sites

The façade used as a puppet theatre

San Nicolò l’Arena: an unfinished church

A triumph of colour

An eagle-shaped city

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giovanni Evangelista

Many owners, one palace

A Nobel Prize in Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Barresi-Branciforte lords

Discovering the mother church

Corbels: a celebration of the Nicolaci family

Two illustrious patron saints

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

The interior and its masterpieces

A new site for a new church

A design by Vincenzo Sinatra

The disastrous earthquake

A museum to save a tradition

A long reconstruction

From St. Thomas to St. Joseph

Feast days

Between white and black

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

A prominent church

The two churches

The senses tell the story of the Badia di Sant’Agata

Norman apses

A talking palace

Limestone, the colour of harmony

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

The colours of the cathedral

The kitchen, a treasure chest of colours

A square as the heart of the city

San Benedetto: a treasure reopened to the public

The Infiorata, a feast of colours and flowers

Some masterpieces

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

The chocolate of Modica

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo La Rocca

The theatre of taste

The senses tell about Palazzo Nicolaci

Prominent façade

A new site for a new city

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

A symbol for the town

Some prestigious works

The city of museums

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

Searching for colour

A small room with a golden entrance

A new entrance for Santa Chiara (St. Claire)

The Staircase of Angels

The character of Badia Sant’Agata

The internal colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The church of Carmine

Baroque and the loss of equilibrium in the 16th century

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library