Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A museum to save a tradition

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A square as the heart of the city

Two illustrious patron saints

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

The façade used as a puppet theatre

An eagle-shaped city

Some masterpieces

St. Agatha and the giant candelabras

Some prestigious works

The colours of the cathedral

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Rosario Gagliardi, the maestro of the Val di Noto

A symbol for the town

The cathedral of Sant’Agata: a lengthy reconstruction

Searching for colour

St. Sebastian, so much work!

The character of Badia Sant’Agata

The Baroque town by the sea

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

One city, two sites

A talking palace

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

The wall comes to life

From St. Thomas to St. Joseph

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

A Nobel Prize in Modica

Limestone, the colour of harmony

A triumph of colour

The senses tell the story of the Church of San Sebastiano

Between white and black

The Barresi-Branciforte lords

The senses tell about Palazzo Nicolaci

A majestic and luminous church

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

The disastrous earthquake

The senses tell about Palazzo La Rocca

The chocolate of Modica

The church of Carmine

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

Feast days

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

A new site for a new church

The Infiorata, a feast of colours and flowers

The Maiolica of the staircase

Prominent façade

The senses tell the story of the church of Santa Maria del Carmelo

The theatre of taste

A city in colour

One city, three sites

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giuseppe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

The Staircase of Angels

A miniature city

The senses tell the Cathedral of Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

A hall for the feasts

The Burgos crucifix

New roads for Catania

The city of museums

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

Militello, the story of an enlightened fiefdom

A colourful floor

A new site for a new city

From International Gothic to present day

A prominent church

The internal colours

A new palace for the La Rocca lords

Many owners, one palace

The two churches

The interior and its masterpieces

Connections with other UNESCO sites

San Benedetto: a treasure reopened to the public

A small room with a golden entrance