Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the staircase of Santa Maria del Monte

A museum to save a tradition

Some masterpieces

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

Norman apses

Feast days

The character of Badia Sant’Agata

A talking palace

The senses tell the story of the Church of San Sebastiano

St. Sebastian, so much work!

A miniature city

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The theatre of taste

Discovering the mother church

A half-Baroque church

A small room with a golden entrance

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of Santa Chiara

A new site for a new city

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

Corbels: a celebration of the Nicolaci family

The city of museums

The colours of the cathedral

One city, two sites

St. Agatha and the giant candelabras

A city in colour

The façade used as a puppet theatre

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

Feasting in Palazzolo

A colourful floor

New roads for Catania

A prominent church

The Barresi-Branciforte lords

The chocolate of Modica

Wonderful quick decorations

Between white and black

Palazzo Nicolaci di Villadorata, who is the architect?

Some prestigious works

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

The interior and its masterpieces

Limestone, the colour of harmony

From St. Thomas to St. Joseph

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

Modica, a city with ancient origins

Militello, the story of an enlightened fiefdom

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Badia di Sant’Agata

A new site for a new church

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

Connections with other UNESCO sites

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Places of knowledge: the Benedictines’ library

One city, three sites

The senses tell about Palazzo Napolino Tommasi Rosso

The Feast of San Giacomo (St. James)

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

A square as the heart of the city

The role of the religious orders in rebuilding the Val di Noto

The internal colours

Many owners, one palace

The senses tell the Cathedral of Sant’Agata

The wall comes to life

The senses tell the story of the church of San Giuseppe

A long reconstruction

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix

The senses tell the story of the Church of San Giovanni Evangelista

A Nobel Prize in Modica

The church of Carmine

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

The two churches

A new palace for the La Rocca lords

The senses tell about Palazzo Nicolaci

A feast only for Scicli

An eagle-shaped city

The Staircase of Angels

The Maiolica of the staircase

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo La Rocca

A design by Vincenzo Sinatra

The Supernatural dimension of the chapel of the Santissimo Sacramento

A symbol for the town