Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Connections with other UNESCO sites

New roads for Catania

Wonderful quick decorations

A majestic and luminous church

Many owners, one palace

Modica, a city with ancient origins

Between white and black

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

Prominent façade

Places of knowledge: the Benedictines’ library

Norman apses

The Baroque town by the sea

The colours of the cathedral

A small room with a golden entrance

A city in colour

The Staircase of Angels

Some masterpieces

The senses tell about Palazzo Nicolaci

Discovering the mother church

The Infiorata, a feast of colours and flowers

St. Sebastian, so much work!

A miniature city

A talking palace

The senses tell the story of the Church of the Annunciation

Limestone, the colour of harmony

The Feast of San Giacomo (St. James)

The internal colours

A new entrance for Santa Chiara (St. Claire)

A prominent church

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

The character of Badia Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

The senses tell the story of the Church of San Sebastiano

Baroque and the loss of equilibrium in the 16th century

A triumph of colour

Some prestigious works

The theatre of taste

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new palace for the La Rocca lords

One city, two sites

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

A long reconstruction

A Nobel Prize in Modica

St. Agatha and the giant candelabras

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

Feast days

Palazzo Nicolaci di Villadorata, who is the architect?

The Maiolica of the staircase

A new site for a new church

The Burgos crucifix

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

The two churches

Searching for colour

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

A square as the heart of the city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giuseppe

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

Garden of Novices and the restorations by Giancarlo De Carlo

Feasting in Palazzolo

Militello, the story of an enlightened fiefdom

A museum to save a tradition

A colourful floor

The senses tell the story of the church of Santa Maria del Carmelo

From St. Thomas to St. Joseph

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictine Monastery, one of the largest in Europe

An eagle-shaped city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

Rosario Gagliardi, the maestro of the Val di Noto

San Nicolò l’Arena: an unfinished church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Benedetto

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

A feast only for Scicli

The senses tell the story of the Church of San Giovanni Evangelista

The disastrous earthquake

The wall comes to life

A new site for a new city

The senses tell about Palazzo Napolino Tommasi Rosso

The chocolate of Modica

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

The senses tell the Cathedral of Sant’Agata