Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

San Benedetto: a treasure reopened to the public

A square as the heart of the city

Feasting in Palazzolo

From International Gothic to present day

A colourful floor

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

A new palace for the La Rocca lords

Between white and black

The two churches

The senses tell the story of the Church of San Giovanni Evangelista

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

The senses tell the story of the Church of San Benedetto

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of the Annunciation

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Cathedral of Sant’Agata

A design by Vincenzo Sinatra

Limestone, the colour of harmony

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

The Maiolica of the staircase

A feast only for Scicli

The senses tell about Palazzo Nicolaci

The Barresi-Branciforte lords

Baroque and the loss of equilibrium in the 16th century

San Nicolò l’Arena: an unfinished church

A museum to save a tradition

A hall for the feasts

St. Agatha and the giant candelabras

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

A new site for a new church

From the contrast of the exterior to the internal jubilation of colours

Wonderful quick decorations

A small room with a golden entrance

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea

The façade used as a puppet theatre

The church of Carmine

Fontana della Ninfa Zizza, public water in the town

The Infiorata, a feast of colours and flowers

A long reconstruction

A majestic and luminous church

A new site for a new city

A Nobel Prize in Modica

The theatre of taste

The disastrous earthquake

Searching for colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

From St. Thomas to St. Joseph

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

The wall comes to life

Discovering the mother church

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

Norman apses

Modica, a city with ancient origins

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

The interior and its masterpieces

Feast days

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giuseppe

Some masterpieces

A half-Baroque church

The kitchen, a treasure chest of colours

St. Sebastian, so much work!

Many owners, one palace

An eagle-shaped city

Prominent façade

The city of museums

One city, two sites

Some prestigious works

A symbol for the town

The Feast of San Giacomo (St. James)

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

A talking palace

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

A city in colour

The Supernatural dimension of the chapel of the Santissimo Sacramento