Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Some masterpieces

Places of knowledge: the Benedictines’ library

The Staircase of Angels

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

Wonderful quick decorations

A square as the heart of the city

The character of Badia Sant’Agata

The colours of the cathedral

Limestone, the colour of harmony

Modica, a city with ancient origins

The senses tell the story of the staircase of Santa Maria del Monte

Palazzo Nicolaci di Villadorata, who is the architect?

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Napolino Tommasi Rosso

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

The Maiolica of the staircase

A design by Vincenzo Sinatra

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

St. Sebastian, so much work!

San Nicolò l’Arena: an unfinished church

The city of museums

Militello, the story of an enlightened fiefdom

A prominent church

A triumph of colour

The senses tell the story of the Church of the Annunciation

A city in colour

From St. Thomas to St. Joseph

The internal colours

A majestic and luminous church

The Feast of San Giacomo (St. James)

A museum to save a tradition

Feast days

The senses tell the story of the Church of Santa Chiara

A miniature city

A small room with a golden entrance

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

Two illustrious patron saints

The theatre of taste

The senses tell the story of the Church of San Benedetto

Many owners, one palace

The senses tell the story of the church of San Giovanni Battista

One city, two sites

The façade used as a puppet theatre

The interior and its masterpieces

The chocolate of Modica

A feast only for Scicli

A talking palace

The senses tell the story of the Church of Santa Chiara

New roads for Catania

A Nobel Prize in Modica

The senses tell the story of the Badia di Sant’Agata

The Benedictine Monastery, one of the largest in Europe

The cathedral of Sant’Agata: a lengthy reconstruction

The two churches

An eagle-shaped city

A new site for a new church

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

Some prestigious works

Searching for colour

From the contrast of the exterior to the internal jubilation of colours

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

A symbol for the town

The Baroque town by the sea

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A hall for the feasts

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

A new entrance for Santa Chiara (St. Claire)

From International Gothic to present day

The church of Carmine

Prominent façade

Between white and black

The Barresi-Branciforte lords

A long reconstruction

A colourful floor

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

The disastrous earthquake

A new palace for the La Rocca lords

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giuseppe

The wall comes to life

Rosario Gagliardi, the maestro of the Val di Noto

One city, three sites

Feasting in Palazzolo

A half-Baroque church