Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A feast only for Scicli

Places of knowledge: the Benedictines’ library

The Supernatural dimension of the chapel of the Santissimo Sacramento

A majestic and luminous church

The two churches

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

The theatre of taste

The senses tell the Cathedral of Sant’Agata

The wall comes to life

Modica, a city with ancient origins

Some prestigious works

A triumph of colour

The Feast of San Giacomo (St. James)

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

A miniature city

A colourful floor

The senses tell the story of the Church of San Sebastiano

A talking palace

Prominent façade

Wonderful quick decorations

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A Nobel Prize in Modica

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

The city of museums

The senses tell the story of the Badia di Sant’Agata

Discovering the mother church

The role of the religious orders in rebuilding the Val di Noto

Between white and black

One city, two sites

The senses tell the story of the Church of San Benedetto

Many owners, one palace

Palazzo Nicolaci di Villadorata, who is the architect?

The church of Carmine

The disastrous earthquake

St. Sebastian, so much work!

The senses tell about Palazzo Napolino Tommasi Rosso

A long reconstruction

Two illustrious patron saints

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giuseppe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giovanni Battista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The kitchen, a treasure chest of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

An eagle-shaped city

The colours of the cathedral

A symbol for the town

Garden of Novices and the restorations by Giancarlo De Carlo

A museum to save a tradition

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

Some masterpieces

Militello, the story of an enlightened fiefdom

A half-Baroque church

Limestone, the colour of harmony

Feast days

The Baroque town by the sea

Norman apses

Connections with other UNESCO sites

The façade used as a puppet theatre

A square as the heart of the city

A new palace for the La Rocca lords

St. Agatha and the giant candelabras

The senses tell about Palazzo Nicolaci

The internal colours

The chocolate of Modica

A design by Vincenzo Sinatra

A small room with a golden entrance

From International Gothic to present day

Searching for colour

The interior and its masterpieces

A city in colour

The Barresi-Branciforte lords

A prominent church

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

Feasting in Palazzolo

One city, three sites