Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

An eagle-shaped city

The internal colours

The two churches

From the contrast of the exterior to the internal jubilation of colours

Palazzo Nicolaci di Villadorata, who is the architect?

Fontana della Ninfa Zizza, public water in the town

A majestic and luminous church

The Maiolica of the staircase

Militello, the story of an enlightened fiefdom

A long reconstruction

The senses tell the story of the Church of San Sebastiano

Feast days

Many owners, one palace

The colours of the cathedral

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The façade used as a puppet theatre

Some prestigious works

A Nobel Prize in Modica

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

A hall for the feasts

The Baroque town by the sea

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

The chocolate of Modica

A half-Baroque church

A triumph of colour

The senses tell the Cathedral of Sant’Agata

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

A prominent church

Connections with other UNESCO sites

A small room with a golden entrance

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints

A new site for a new church

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

The kitchen, a treasure chest of colours

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

A symbol for the town

The wall comes to life

The role of the religious orders in rebuilding the Val di Noto

San Benedetto: a treasure reopened to the public

Feasting in Palazzolo

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Agatha and the giant candelabras

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

Modica, a city with ancient origins

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Benedetto

Prominent façade

The senses tell the story of the Badia di Sant’Agata

Norman apses

A new palace for the La Rocca lords

Between white and black

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

Wonderful quick decorations

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

The Barresi-Branciforte lords

A miniature city

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Nicolaci

The Burgos crucifix

A museum to save a tradition

Limestone, the colour of harmony

A city in colour

The interior and its masterpieces

The city of museums

Some masterpieces

The church of Carmine

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of the Annunciation

A feast only for Scicli

A new site for a new city

Searching for colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictine Monastery, one of the largest in Europe

A colourful floor

One city, two sites

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction