Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The chocolate of Modica

The church of Carmine

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

The wall comes to life

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giuseppe

Wonderful quick decorations

Palazzo Nicolaci di Villadorata, who is the architect?

Feast days

The senses tell the story of the staircase of Santa Maria del Monte

A prominent church

A long reconstruction

A new site for a new church

Garden of Novices and the restorations by Giancarlo De Carlo

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

A new palace for the La Rocca lords

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

St. Sebastian, so much work!

Searching for colour

The colours of the cathedral

Between white and black

Fontana della Ninfa Zizza, public water in the town

A colourful floor

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Benedetto

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

A Nobel Prize in Modica

Prominent façade

A triumph of colour

A museum to save a tradition

The theatre of taste

The senses tell about Palazzo Napolino Tommasi Rosso

The Baroque town by the sea

A symbol for the town

A half-Baroque church

Norman apses

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A talking palace

The internal colours

A city in colour

The Feast of San Giacomo (St. James)

Limestone, the colour of harmony

A majestic and luminous church

The senses tell the story of the church of San Giovanni Battista

Connections with other UNESCO sites

The Benedictine Monastery, one of the largest in Europe

Modica, a city with ancient origins

The city of museums

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Staircase of Angels

The Burgos crucifix

One city, two sites

The cathedral of Sant’Agata: a lengthy reconstruction

San Benedetto: a treasure reopened to the public

The façade used as a puppet theatre

A feast only for Scicli

The senses tell about Palazzo Nicolaci

From International Gothic to present day

Some masterpieces

The interior and its masterpieces

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

A square as the heart of the city

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

Two illustrious patron saints

From St. Thomas to St. Joseph

New roads for Catania

St. Agatha and the giant candelabras

Some prestigious works

A miniature city

From the contrast of the exterior to the internal jubilation of colours

The two churches

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo La Rocca

Many owners, one palace

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, three sites

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

An eagle-shaped city

The senses tell the story of the Church of San Sebastiano