Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A city in colour

The senses tell the story of the Church of San Giuliano ai Crociferi

A miniature city

Two illustrious patron saints

The colours of the cathedral

The senses tell the story of the Badia di Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Discovering the mother church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The role of the religious orders in rebuilding the Val di Noto

Some prestigious works

The disastrous earthquake

The senses tell about Palazzo La Rocca

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

The senses tell the story of the Church of San Benedetto

A majestic and luminous church

A design by Vincenzo Sinatra

The Burgos crucifix

Militello, the story of an enlightened fiefdom

One city, three sites

A Nobel Prize in Modica

One city, two sites

Many owners, one palace

From International Gothic to present day

A new entrance for Santa Chiara (St. Claire)

From the contrast of the exterior to the internal jubilation of colours

Between white and black

Prominent façade

The character of Badia Sant’Agata

The wall comes to life

A hall for the feasts

The Infiorata, a feast of colours and flowers

A feast only for Scicli

Corbels: a celebration of the Nicolaci family

The senses tell the Cathedral of Sant’Agata

A talking palace

The senses tell the story of the church of San Giuseppe

An eagle-shaped city

Palazzo Nicolaci di Villadorata, who is the architect?

The Staircase of Angels

The Barresi-Branciforte lords

San Benedetto: a treasure reopened to the public

New roads for Catania

The senses tell the story of the Church of Santa Chiara

A prominent church

The two churches

The church of Carmine

The façade used as a puppet theatre

Limestone, the colour of harmony

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

San Nicolò l’Arena: an unfinished church

The Maiolica of the staircase

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

A new site for a new city

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

The senses tell the story of the staircase of Santa Maria del Monte

The chocolate of Modica

The senses tell the story of the church of San Giovanni Battista

The cathedral of Sant’Agata: a lengthy reconstruction

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

A half-Baroque church

The interior and its masterpieces

A colourful floor

A new palace for the La Rocca lords

Feast days

Searching for colour

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

A museum to save a tradition

The internal colours

A symbol for the town

The senses tell about Palazzo Nicolaci

The kitchen, a treasure chest of colours

A long reconstruction

A square as the heart of the city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Agatha and the giant candelabras

The city of museums

Feasting in Palazzolo

Some masterpieces

Wonderful quick decorations

The Baroque town by the sea

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Places of knowledge: the Benedictines’ library

From St. Thomas to St. Joseph

The theatre of taste

A triumph of colour