Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Baroque and the loss of equilibrium in the 16th century

Feast days

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictine Monastery, one of the largest in Europe

Places of knowledge: the Benedictines’ library

Some prestigious works

The senses tell about Palazzo Napolino Tommasi Rosso

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

A museum to save a tradition

San Benedetto: a treasure reopened to the public

A majestic and luminous church

Militello, the story of an enlightened fiefdom

A long reconstruction

The senses tell the story of the Badia di Sant’Agata

One city, three sites

Searching for colour

A triumph of colour

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

A design by Vincenzo Sinatra

Connections with other UNESCO sites

The character of Badia Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Cathedral of Sant’Agata

From St. Thomas to St. Joseph

St. Agatha and the giant candelabras

Fontana della Ninfa Zizza, public water in the town

The disastrous earthquake

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

A symbol for the town

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

One city, two sites

Two illustrious patron saints

Some masterpieces

A hall for the feasts

A city in colour

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A miniature city

Norman apses

The interior and its masterpieces

The Maiolica of the staircase

The city of museums

A half-Baroque church

The church of Carmine

A new site for a new city

The colours of the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

The Barresi-Branciforte lords

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

Garden of Novices and the restorations by Giancarlo De Carlo

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

A prominent church

A feast only for Scicli

A new palace for the La Rocca lords

A talking palace

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

Modica, a city with ancient origins

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

Wonderful quick decorations

New roads for Catania

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

The chocolate of Modica

A Nobel Prize in Modica

The senses tell the story of the church of San Giovanni Battista

Prominent façade

The two churches

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Staircase of Angels

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

The role of the religious orders in rebuilding the Val di Noto

Many owners, one palace

Between white and black

A square as the heart of the city

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giuseppe

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The internal colours