Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

A square as the heart of the city

A city in colour

The chocolate of Modica

The church of Carmine

A design by Vincenzo Sinatra

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

The theatre of taste

Wonderful quick decorations

The Burgos crucifix

The cathedral of Sant’Agata: a lengthy reconstruction

One city, three sites

The Maiolica of the staircase

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, two sites

A colourful floor

St. Sebastian, so much work!

The Barresi-Branciforte lords

Norman apses

The two churches

Feasting in Palazzolo

The senses tell the Cathedral of Sant’Agata

Between white and black

A new entrance for Santa Chiara (St. Claire)

Two illustrious patron saints

New roads for Catania

Feast days

San Nicolò l’Arena: an unfinished church

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Benedetto

The Baroque town by the sea

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A miniature city

The kitchen, a treasure chest of colours

A museum to save a tradition

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

A triumph of colour

A hall for the feasts

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

A half-Baroque church

The senses tell the story of the staircase of Santa Maria del Monte

Searching for colour

Modica, a city with ancient origins

The internal colours

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

Prominent façade

The wall comes to life

The Staircase of Angels

The senses tell about Palazzo Napolino Tommasi Rosso

An eagle-shaped city

The Infiorata, a feast of colours and flowers

A feast only for Scicli

A new site for a new church

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

Some prestigious works

Militello, the story of an enlightened fiefdom

A small room with a golden entrance

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

A Nobel Prize in Modica

The city of museums

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of Santa Maria del Carmelo

A prominent church

Fontana della Ninfa Zizza, public water in the town

Some masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo La Rocca

A symbol for the town

The Benedictine Monastery, one of the largest in Europe

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

St. Agatha and the giant candelabras

Limestone, the colour of harmony

The senses tell the story of the Badia di Sant’Agata

A new palace for the La Rocca lords

San Benedetto: a treasure reopened to the public

The character of Badia Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

Corbels: a celebration of the Nicolaci family