Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giuseppe

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

The internal colours

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

Feast days

A colourful floor

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

From International Gothic to present day

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

One city, three sites

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

From the contrast of the exterior to the internal jubilation of colours

Connections with other UNESCO sites

The Infiorata, a feast of colours and flowers

The Benedictine Monastery, one of the largest in Europe

An eagle-shaped city

A miniature city

A hall for the feasts

The theatre of taste

Wonderful quick decorations

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giovanni Evangelista

The Burgos crucifix

The church of Carmine

Modica, a city with ancient origins

A new site for a new church

A Nobel Prize in Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

Discovering the mother church

Between white and black

Palazzo Nicolaci di Villadorata, who is the architect?

A square as the heart of the city

St. Agatha and the giant candelabras

Two illustrious patron saints

A talking palace

Militello, the story of an enlightened fiefdom

One city, two sites

Prominent façade

The disastrous earthquake

The wall comes to life

The Maiolica of the staircase

A new site for a new city

Places of knowledge: the Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

Feasting in Palazzolo

The Barresi-Branciforte lords

The character of Badia Sant’Agata

A long reconstruction

The colours of the cathedral

San Nicolò l’Arena: an unfinished church

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The role of the religious orders in rebuilding the Val di Noto

The Staircase of Angels

The chocolate of Modica

A small room with a golden entrance

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

Many owners, one palace

A prominent church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the staircase of Santa Maria del Monte

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

A triumph of colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

A city in colour

St. Sebastian, so much work!

The senses tell the Cathedral of Sant’Agata

A feast only for Scicli

A design by Vincenzo Sinatra

Norman apses

Some prestigious works

The senses tell the story of the Church of the Annunciation

Some masterpieces

A symbol for the town

The two churches