Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The wall comes to life

The façade used as a puppet theatre

Many owners, one palace

The Barresi-Branciforte lords

An eagle-shaped city

A symbol for the town

The role of the religious orders in rebuilding the Val di Noto

A hall for the feasts

Two illustrious patron saints

Fontana della Ninfa Zizza, public water in the town

St. Sebastian, so much work!

Feast days

The city of museums

The senses tell the story of the church of San Giuseppe

A majestic and luminous church

A triumph of colour

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

The Infiorata, a feast of colours and flowers

The Baroque town by the sea

The senses tell the story of the staircase of Santa Maria del Monte

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A square as the heart of the city

Militello, the story of an enlightened fiefdom

Modica, a city with ancient origins

A prominent church

The disastrous earthquake

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

The senses tell the Cathedral of Sant’Agata

The Burgos crucifix

Norman apses

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

The senses tell about Palazzo La Rocca

A long reconstruction

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

One city, two sites

A half-Baroque church

Between white and black

New roads for Catania

The colours of the cathedral

The two churches

One city, three sites

Discovering the mother church

Limestone, the colour of harmony

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

A new site for a new church

Searching for colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A miniature city

From International Gothic to present day

Feasting in Palazzolo

St. Agatha and the giant candelabras

The internal colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

Some prestigious works

A new palace for the La Rocca lords

A feast only for Scicli

The Feast of San Giacomo (St. James)

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

Prominent façade

The senses tell the story of the church of Santa Maria del Carmelo

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

A city in colour

The theatre of taste

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giovanni Battista

San Nicolò l’Arena: an unfinished church

A colourful floor

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

A talking palace

A museum to save a tradition

Connections with other UNESCO sites

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of the Annunciation

The Staircase of Angels