Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A miniature city

A prominent church

The senses tell the story of the staircase of Santa Maria del Monte

Two illustrious patron saints

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

A feast only for Scicli

Rosario Gagliardi, the maestro of the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A talking palace

The colours of the cathedral

A symbol for the town

A new site for a new church

The Maiolica of the staircase

A city in colour

A hall for the feasts

A square as the heart of the city

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

The role of the religious orders in rebuilding the Val di Noto

Modica, a city with ancient origins

A new site for a new city

The internal colours

The Infiorata, a feast of colours and flowers

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The chocolate of Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

The Baroque town by the sea

Militello, the story of an enlightened fiefdom

From International Gothic to present day

The senses tell the story of the church of San Giovanni Battista

Fontana della Ninfa Zizza, public water in the town

The Feast of San Giacomo (St. James)

Feast days

San Nicolò l’Arena: an unfinished church

St. Agatha and the giant candelabras

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell about Palazzo Nicolaci

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

The façade used as a puppet theatre

St. Sebastian, so much work!

An eagle-shaped city

One city, two sites

The senses tell the story of the Church of San Benedetto

Norman apses

The senses tell the story of the Church of Santa Chiara

One city, three sites

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The wall comes to life

Feasting in Palazzolo

A design by Vincenzo Sinatra

A museum to save a tradition

The Burgos crucifix

Prominent façade

A majestic and luminous church

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giuseppe

The Benedictine Monastery, one of the largest in Europe

Garden of Novices and the restorations by Giancarlo De Carlo

Limestone, the colour of harmony

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The two churches

The senses tell the Cathedral of Sant’Agata

The theatre of taste

Corbels: a celebration of the Nicolaci family

A colourful floor

The interior and its masterpieces

Many owners, one palace

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

A new palace for the La Rocca lords

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Connections with other UNESCO sites

Palazzo Nicolaci di Villadorata, who is the architect?

The Barresi-Branciforte lords

A small room with a golden entrance

The city of museums

Searching for colour

A half-Baroque church

Wonderful quick decorations

Some masterpieces

San Benedetto: a treasure reopened to the public

A long reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

Some prestigious works

The senses tell about Palazzo La Rocca

The character of Badia Sant’Agata

Between white and black

From St. Thomas to St. Joseph

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The disastrous earthquake