Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A hall for the feasts

The colours of the cathedral

Wonderful quick decorations

Feast days

A symbol for the town

Baroque and the loss of equilibrium in the 16th century

A city in colour

A new site for a new city

The senses tell the story of the church of Santa Maria del Carmelo

Searching for colour

The kitchen, a treasure chest of colours

The chocolate of Modica

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo La Rocca

A colourful floor

Discovering the mother church

From the contrast of the exterior to the internal jubilation of colours

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of the Annunciation

A prominent church

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

The wall comes to life

A new site for a new church

The senses tell the story of the Church of Santa Chiara

Between white and black

San Nicolò l’Arena: an unfinished church

A long reconstruction

The church of Carmine

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

The character of Badia Sant’Agata

A new palace for the La Rocca lords

Prominent façade

A Nobel Prize in Modica

The two churches

A small room with a golden entrance

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A design by Vincenzo Sinatra

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A half-Baroque church

The Barresi-Branciforte lords

A museum to save a tradition

Feasting in Palazzolo

The senses tell the story of the Church of San Sebastiano

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

The senses tell the story of the staircase of Santa Maria del Monte

Militello, the story of an enlightened fiefdom

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Benedetto

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giuseppe

One city, three sites

The internal colours

From International Gothic to present day

A majestic and luminous church

Two illustrious patron saints

An eagle-shaped city

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Badia di Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

Places of knowledge: the Benedictines’ library

A feast only for Scicli

The Supernatural dimension of the chapel of the Santissimo Sacramento

New roads for Catania

The Burgos crucifix

A triumph of colour

A square as the heart of the city

St. Agatha and the giant candelabras

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

One city, two sites

Many owners, one palace

The Maiolica of the staircase

The disastrous earthquake

A miniature city

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

The cathedral of Sant’Agata: a lengthy reconstruction

From St. Thomas to St. Joseph

The theatre of taste

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

The façade used as a puppet theatre

Some prestigious works

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public