Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The church of Carmine

San Benedetto: a treasure reopened to the public

A museum to save a tradition

A colourful floor

The Benedictine Monastery, one of the largest in Europe

An eagle-shaped city

St. Sebastian, so much work!

The theatre of taste

The two churches

The senses tell about Palazzo Nicolaci

Discovering the mother church

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

Norman apses

A square as the heart of the city

The senses tell the story of the Church of San Benedetto

Prominent façade

The senses tell the story of the Church of San Giovanni Evangelista

San Nicolò l’Arena: an unfinished church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of the Annunciation

A city in colour

The internal colours

The senses tell about Palazzo La Rocca

Some prestigious works

The façade used as a puppet theatre

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

Wonderful quick decorations

St. Agatha and the giant candelabras

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

The wall comes to life

Baroque and the loss of equilibrium in the 16th century

A new palace for the La Rocca lords

Many owners, one palace

A new site for a new church

The character of Badia Sant’Agata

A new site for a new city

The senses tell the story of the Church of San Sebastiano

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

A symbol for the town

The senses tell the story of the Badia di Sant’Agata

Limestone, the colour of harmony

Connections with other UNESCO sites

A design by Vincenzo Sinatra

The kitchen, a treasure chest of colours

Two illustrious patron saints

A prominent church

Garden of Novices and the restorations by Giancarlo De Carlo

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From St. Thomas to St. Joseph

Corbels: a celebration of the Nicolaci family

A miniature city

The senses tell the story of the church of San Giuseppe

A long reconstruction

One city, three sites

The Burgos crucifix

A talking palace

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

One city, two sites

The Staircase of Angels

The Barresi-Branciforte lords

Feast days

The Feast of San Giacomo (St. James)

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

A majestic and luminous church

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

From International Gothic to present day

A hall for the feasts

A feast only for Scicli

A Nobel Prize in Modica

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Napolino Tommasi Rosso

The city of museums

New roads for Catania

The colours of the cathedral

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

Between white and black

Some masterpieces

The Maiolica of the staircase