Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A Nobel Prize in Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

A hall for the feasts

Militello, the story of an enlightened fiefdom

The Staircase of Angels

A long reconstruction

Searching for colour

Two illustrious patron saints

The Burgos crucifix

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

A symbol for the town

San Nicolò l’Arena: an unfinished church

The city of museums

A small room with a golden entrance

One city, two sites

The chocolate of Modica

A majestic and luminous church

Corbels: a celebration of the Nicolaci family

The interior and its masterpieces

Limestone, the colour of harmony

Some prestigious works

The internal colours

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

A half-Baroque church

The façade used as a puppet theatre

St. Sebastian, so much work!

From St. Thomas to St. Joseph

Fontana della Ninfa Zizza, public water in the town

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

A city in colour

A new site for a new city

The role of the religious orders in rebuilding the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A design by Vincenzo Sinatra

From International Gothic to present day

The two churches

Palazzo Nicolaci di Villadorata, who is the architect?

Feast days

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

New roads for Catania

Between white and black

The colours of the cathedral

A prominent church

The disastrous earthquake

A new site for a new church

The character of Badia Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

A new entrance for Santa Chiara (St. Claire)

An eagle-shaped city

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

The theatre of taste

Discovering the mother church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Nicolaci

St. Agatha and the giant candelabras

The Infiorata, a feast of colours and flowers

A miniature city

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

Some masterpieces

Norman apses

One city, three sites

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

A colourful floor

The kitchen, a treasure chest of colours

A feast only for Scicli

Prominent façade

The senses tell the story of the church of San Giovanni Battista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Maiolica of the staircase

A talking palace

The wall comes to life

The senses tell the story of the Church of the Annunciation

The Baroque town by the sea

A triumph of colour

The Feast of San Giacomo (St. James)

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feasting in Palazzolo