Introduction to Val di Noto

From the end of the world to rebirth from the rubble

In a report about the earthquake of 11 January 1693 the Bishop of Syracuse described a dramatic sight: “The sun as obscured, the air, blackened and turbid, so for the dark and bleeding clouds, as well as the dense dust of the buildings that exhaled from the fall of the structures.”
According to the chroniclers, the atmosphere seemed suspended in a seemingly endless succession of earthquake tremors, though the catastrophe in fact took place in the early afternoon of 11th January and lasted as long as the prayer “De Profundis” (Out of the depths).
The inhabitants of the Val di Noto ran to different shelters according to their social class: the rich reached their properties outside the walls, the poor in other places, from the woods to makeshift shelters, haystacks, and the various plains located far from the borders of the cities.
The clergy fled to more distant monasteries, and let’s not forget the chronicle’s description of the wandering nuns with nowhere to go.
The interruption of the secular rules of a strictly disciplined life, such as seclusion, created the image of a society broken apart by dramatic circumstances.

Religious architecture

The casket of austerity under the great dome

Palazzo Trigona di Canicarao

The senses tell about Palazzo Zacco

One city, three sites

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

From the end of the world to rebirth from the rubble

The expansion of space and changing reality

The Church of St. Francis

Baroque creativity: recurring themes

The senses tell the Church of San Domenico

Unusual iconographies: the Burgos crucifix

The senses tell of the Cathedral of San Pietro

A unifying project for the city of Catania

The articulated interior spaces

The senses tell the story of the Church of the Badia di Sant’Agata

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the Church of San Michele

San Domenico and Gagliardi’s work

City and nature

Baroque and the loss of balance in the 16th century

The Monte delle Prestanze in the new city layout

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The triumph of Baroque: expansion of spaces

Akrai and Syracuse: an unbreakable bond

The dynamics of the Church of San Michele

St. Agatha and the candelore

The Madonna dei Conadomini and the art of devotion

Expansion, spatiality and light in the church of San Domenico

The two churches

The Duomo di San Giorgio (Cathedral of St. George)

The beginning of an authentic Baroque conception

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The works in the church

A new site for the church of San Giorgio

The Staircase of Angels

The church and the monastery

A casket of precious works

A story of rebirth

The eagle-shaped city

The Monastery of the Benedictine nuns

The Church of St. Mary of the Mountain

The Church of St. Paul

The smallest Greek theatre in the world

The senses tell the story of the Church of San Giovanni Evangelista

The city within the city

The interiors: diffused light and Byzantine relics

The senses tell the Cathedral of San Giorgio

Scenography, lights and colours of the cathedral

The Church of St. Benedict

The Church of Madonna della Stella

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The art of maiolica

The senses tell the Cathedral of San Giorgio

Militello: The story of an enlightened fiefdom

The senses tell the story of the Church of Santa Maria del Monte

Art in the cathedral

The Church of St. John the Evangelist

The new roads of the city

The Badia di Sant’Agata (St. Agatha’s Abbey)

A stone garden

The Infiorata of Noto, a modern tradition

Madonna of the Militia: a singular warrior virgin

The senses tell the Cathedral of Sant’Agata

Luminous sacred spaces

A Nobel Prize in Modica

The palace, the town, the church

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Beneventano

The neo-Gothic seminary chapel: symbols, light and space

The church and the college

Palazzo Zacco, a balance between sobriety and decoration

Fountain of the Nymph Zizza: public water in the town

The senses tell about Palazzo Trigona

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Verticality and dynamism of the façade of the Church of San Carlo

The interior of the church: space and colour

Rebirth and urban planning of the city of Noto

A heritage of votive works

The interior and works of art

Virtuosity, decorations and altars

Palazzo Trigona: a building with a complex shape

The city of Modica, a balance between nature and urbanism

Palazzo della Cancelleria: from former stable to the Nicastro family

The Franciscan convent

The illusion of light and the decorative splendour

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Church of St. Julian on Via dei Crociferi

The senses tell about Palazzo Ducezio

Majestic exteriors, grandiose interiors

Views denied, views conquered: the power of the devout Benedictines

The Antonino Uccello Birthplace Museum

The senses tell of Palazzo della Cancelleria

The Benedictines’ library

Scicli, the city of Baroque scenery

Scenography and devotion for St. Agatha

Reconstruction after the earthquake

The senses tell the story of the Church of San Paolo

Expanded spaces, stucco and colourful lights

Altars, saints and sculptural works

The city palace

A compromise between Neoclassicism and Baroque

The Palazzo dei due mori