Introduction to Val di Noto

From the end of the world to rebirth from the rubble

In a report about the earthquake of 11 January 1693 the Bishop of Syracuse described a dramatic sight: “The sun as obscured, the air, blackened and turbid, so for the dark and bleeding clouds, as well as the dense dust of the buildings that exhaled from the fall of the structures.”
According to the chroniclers, the atmosphere seemed suspended in a seemingly endless succession of earthquake tremors, though the catastrophe in fact took place in the early afternoon of 11th January and lasted as long as the prayer “De Profundis” (Out of the depths).
The inhabitants of the Val di Noto ran to different shelters according to their social class: the rich reached their properties outside the walls, the poor in other places, from the woods to makeshift shelters, haystacks, and the various plains located far from the borders of the cities.
The clergy fled to more distant monasteries, and let’s not forget the chronicle’s description of the wandering nuns with nowhere to go.
The interruption of the secular rules of a strictly disciplined life, such as seclusion, created the image of a society broken apart by dramatic circumstances.

A new site for the church of San Giorgio

A compromise between Neoclassicism and Baroque

The senses tell about Palazzo Trigona

The illusion of light and the decorative splendour

The church and the monastery

The Infiorata of Noto, a modern tradition

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

The Madonna dei Conadomini and the art of devotion

A Nobel Prize in Modica

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Duomo di San Giorgio (Cathedral of St. George)

Virtuosity, decorations and altars

The Church of St. Francis

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell of Palazzo della Cancelleria

The works in the church

A heritage of votive works

The senses tell the Church of San Michele

The Church of St. Paul

Art in the cathedral

Madonna of the Militia: a singular warrior virgin

Expansion, spatiality and light in the church of San Domenico

Unusual iconographies: the Burgos crucifix

Reconstruction after the earthquake

The casket of austerity under the great dome

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the Cathedral of Sant’Agata

Scicli, the city of Baroque scenery

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Cathedral of San Giorgio

Baroque creativity: recurring themes

The interiors: diffused light and Byzantine relics

The senses tell the Cathedral of San Giorgio

The new roads of the city

The senses tell the story of the Church of Santa Maria del Monte

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

The interior of the church: space and colour

The city within the city

Palazzo Trigona di Canicarao

Baroque and the loss of balance in the 16th century

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of the Badia di Sant’Agata

San Domenico and Gagliardi’s work

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the candelore

The dynamics of the Church of San Michele

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell about Palazzo Zacco

The senses tell the Church of San Domenico

The church and the college

Scenography and devotion for St. Agatha

The Monastery of the Benedictine nuns

The two churches

The Franciscan convent

A stone garden

The Church of Madonna della Stella

The Staircase of Angels

The neo-Gothic seminary chapel: symbols, light and space

The Palazzo dei due mori

The Antonino Uccello Birthplace Museum

Religious architecture

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Benedictines’ library

The palace, the town, the church

Piazza Duomo, the elephant fountain, the heart of the city

The city of Modica, a balance between nature and urbanism

The beginning of an authentic Baroque conception

Expanded spaces, stucco and colourful lights

A casket of precious works

Akrai and Syracuse: an unbreakable bond

Fountain of the Nymph Zizza: public water in the town

The expansion of space and changing reality

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A story of rebirth

The Church of St. Julian on Via dei Crociferi

Luminous sacred spaces

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Paolo

Militello: The story of an enlightened fiefdom

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The interior and works of art

The Church of St. John the Evangelist

Altars, saints and sculptural works

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The articulated interior spaces

Majestic exteriors, grandiose interiors

The smallest Greek theatre in the world

The eagle-shaped city

The Church of St. Benedict

A unifying project for the city of Catania

Scenography, lights and colours of the cathedral

The Church of St. Mary of the Mountain

City and nature

The art of maiolica

Rebirth and urban planning of the city of Noto

Palazzo Trigona: a building with a complex shape

The triumph of Baroque: expansion of spaces

From the end of the world to rebirth from the rubble

Views denied, views conquered: the power of the devout Benedictines

The city palace

The senses tell of the Cathedral of San Pietro