Scicli

Madonna of the Militia: a singular warrior virgin

The Madonna of the Militia or Madonna on Horseback is celebrated in Scicli on the last Saturday of May. Madonna a Cavallo, Chiesa MadreThis feast has strong meaning for the Scicli community’s identity; it is intangible heritage of the highest value, due also to its uniqueness.
In fact, on that day, the Christians’ liberation from the Arab rule is celebrated. King Roger I of Sicily and his army freed Scicli from the Saracens in 1091 in the clash that took place in the plain of Donnalucata, near the sea and a few kilometres from the town centre. The Madonna on Horseback came to their aid and miraculously appeared before participating in the final battle.
This exceptional event is still commemorated today with the Feast of the Madonna of the Militia.
In her honour, the town is decorated with lights and all the citizens participate in long processions; it is the only feast in the world where a warrior virgin is celebrated.
A play is also put on that tells the story of the battle and the miraculous appearance.
Testa di Turco dolce To mark this day, dedicated to remembering the Virgin’s miraculous intervention, typical evocative desserts are prepared called Teste di Turco (“Testi Turcu” in dialect), meaning Turkish Heads.
These desserts are an ideological trophy. In fact, their shape is reminiscent of the turbans that covered the heads of the defeated invaders.
Despite their inspiration, they are delicious pastry puffs filled with ricotta cheese or custard.

The expansion of space and changing reality

A heritage of votive works

Art in the cathedral

The senses tell the Church of San Domenico

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

San Domenico and Gagliardi’s work

The senses tell the story of the Church of San Giovanni Evangelista

Virtuosity, decorations and altars

The Church of St. Julian on Via dei Crociferi

The palace, the town, the church

Expanded spaces, stucco and colourful lights

Militello: The story of an enlightened fiefdom

From the end of the world to rebirth from the rubble

The Church of St. Benedict

Altars, saints and sculptural works

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of the Badia di Sant’Agata

Religious architecture

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Benedetto

Scenography and devotion for St. Agatha

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the story of the Church of San Carlo and the former Jesuit college

The dynamics of the Church of San Michele

The art of maiolica

The senses tell about Palazzo Trigona

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The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A new site for the church of San Giorgio

The Church of St. Francis

The senses tell the Church of San Michele

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Zacco

A story of rebirth

Baroque creativity: recurring themes

Palazzo Trigona di Canicarao

A stone garden

The casket of austerity under the great dome

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Expansion, spatiality and light in the church of San Domenico

Akrai and Syracuse: an unbreakable bond

The smallest Greek theatre in the world

Reconstruction after the earthquake

The interiors: diffused light and Byzantine relics

The Benedictines’ library

The senses tell the Cathedral of San Giorgio

Luminous sacred spaces

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell about Palazzo Beneventano

Palazzo Zacco, a balance between sobriety and decoration

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

A compromise between Neoclassicism and Baroque

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The two churches

The new roads of the city

The Madonna dei Conadomini and the art of devotion

The interior and works of art

Verticality and dynamism of the façade of the Church of San Carlo

The Antonino Uccello Birthplace Museum

City and nature

The senses tell of the Cathedral of San Pietro

The city of Modica, a balance between nature and urbanism

The Infiorata of Noto, a modern tradition

The Church of St. John the Evangelist

The triumph of Baroque: expansion of spaces

The Franciscan convent

A casket of precious works

Unusual iconographies: the Burgos crucifix

Views denied, views conquered: the power of the devout Benedictines

The illusion of light and the decorative splendour

The Duomo di San Giorgio (Cathedral of St. George)

The Church of Madonna della Stella

The beginning of an authentic Baroque conception

Rebirth and urban planning of the city of Noto

The senses tell the Cathedral of Sant’Agata

The church and the college

The articulated interior spaces

The works in the church

The senses tell of Palazzo della Cancelleria

One city, three sites

The church and the monastery

St. Agatha and the candelore

The Monastery of the Benedictine nuns

The Palazzo dei due mori

Fountain of the Nymph Zizza: public water in the town

The city palace

Baroque and the loss of balance in the 16th century

The interior of the church: space and colour

Palazzo Trigona: a building with a complex shape

The Church of St. Paul

The Church of St. Mary of the Mountain

The Staircase of Angels

The city within the city

The neo-Gothic seminary chapel: symbols, light and space

Madonna of the Militia: a singular warrior virgin

Piazza Duomo, the elephant fountain, the heart of the city

A Nobel Prize in Modica

Scicli, the city of Baroque scenery

Majestic exteriors, grandiose interiors

The eagle-shaped city

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Paolo