Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Feasting in Palazzolo

A small room with a golden entrance

The senses tell the story of the Church of the Annunciation

Norman apses

The Barresi-Branciforte lords

St. Sebastian, so much work!

The senses tell the story of the church of San Giovanni Battista

Militello, the story of an enlightened fiefdom

Discovering the mother church

Wonderful quick decorations

The two churches

The senses tell the story of the staircase of Santa Maria del Monte

The Staircase of Angels

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Nicolaci

New roads for Catania

The senses tell the story of the Church of San Benedetto

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

An eagle-shaped city

The Infiorata, a feast of colours and flowers

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Badia di Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giovanni Evangelista

A triumph of colour

Some prestigious works

A new palace for the La Rocca lords

The disastrous earthquake

A half-Baroque church

Prominent façade

Limestone, the colour of harmony

The senses tell the story of the church of Santa Maria del Carmelo

The theatre of taste

The senses tell the Cathedral of Sant’Agata

The kitchen, a treasure chest of colours

The wall comes to life

The senses tell about Palazzo La Rocca

The Baroque town by the sea

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Napolino Tommasi Rosso

The church of Carmine

A prominent church

The Maiolica of the staircase

Corbels: a celebration of the Nicolaci family

The Benedictine Monastery, one of the largest in Europe

Connections with other UNESCO sites

The interior and its masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A colourful floor

A design by Vincenzo Sinatra

Some masterpieces

St. Agatha and the giant candelabras

A new site for a new church

A hall for the feasts

A long reconstruction

San Nicolò l’Arena: an unfinished church

The façade used as a puppet theatre

From International Gothic to present day

One city, three sites

The senses tell the story of the Church of Santa Chiara

A talking palace

A miniature city

The city of museums

Feast days

The colours of the cathedral

The Burgos crucifix

A Nobel Prize in Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, two sites

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

A new site for a new city

Two illustrious patron saints

A symbol for the town

Modica, a city with ancient origins

The Feast of San Giacomo (St. James)

Between white and black

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

Many owners, one palace

Places of knowledge: the Benedictines’ library

A city in colour

The cathedral of Sant’Agata: a lengthy reconstruction

The internal colours

A museum to save a tradition

The chocolate of Modica

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

A new entrance for Santa Chiara (St. Claire)