Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

A design by Vincenzo Sinatra

The two churches

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Benedictine Monastery, one of the largest in Europe

A feast only for Scicli

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Cathedral of Sant’Agata

Connections with other UNESCO sites

A museum to save a tradition

A half-Baroque church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

A small room with a golden entrance

A colourful floor

A talking palace

The role of the religious orders in rebuilding the Val di Noto

San Nicolò l’Arena: an unfinished church

One city, two sites

A majestic and luminous church

From St. Thomas to St. Joseph

The disastrous earthquake

The Barresi-Branciforte lords

St. Sebastian, so much work!

Between white and black

Limestone, the colour of harmony

St. Agatha and the giant candelabras

The theatre of taste

A new entrance for Santa Chiara (St. Claire)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The façade used as a puppet theatre

Many owners, one palace

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

Searching for colour

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giuliano ai Crociferi

Prominent façade

The senses tell about Palazzo Napolino Tommasi Rosso

The city of museums

A miniature city

From International Gothic to present day

The Maiolica of the staircase

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

The chocolate of Modica

One city, three sites

The Burgos crucifix

The internal colours

A symbol for the town

A new site for a new church

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some masterpieces

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Infiorata, a feast of colours and flowers

A prominent church

The Feast of San Giacomo (St. James)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new palace for the La Rocca lords

New roads for Catania

A triumph of colour

A new site for a new city

A city in colour

Discovering the mother church

The Staircase of Angels

Wonderful quick decorations

The interior and its masterpieces

Norman apses

The wall comes to life

Feast days

A long reconstruction

An eagle-shaped city

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

The cathedral of Sant’Agata: a lengthy reconstruction

The character of Badia Sant’Agata

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

The colours of the cathedral

The church of Carmine

A square as the heart of the city

A Nobel Prize in Modica

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins