Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

A colourful floor

The interior and its masterpieces

A feast only for Scicli

The Baroque town by the sea

Feasting in Palazzolo

San Nicolò l’Arena: an unfinished church

A design by Vincenzo Sinatra

A prominent church

The senses tell the story of the Church of San Benedetto

The city of museums

The senses tell the Cathedral of Sant’Agata

From St. Thomas to St. Joseph

One city, two sites

Connections with other UNESCO sites

Discovering the mother church

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

The Benedictine Monastery, one of the largest in Europe

A triumph of colour

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

Searching for colour

Many owners, one palace

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

A symbol for the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

The Barresi-Branciforte lords

A new site for a new church

The façade used as a puppet theatre

A talking palace

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

The senses tell the story of the church of San Giuseppe

New roads for Catania

The senses tell the story of the Church of Santa Chiara

Some masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

A new site for a new city

Prominent façade

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of Santa Maria del Carmelo

A half-Baroque church

Corbels: a celebration of the Nicolaci family

Feast days

A hall for the feasts

The senses tell about Palazzo La Rocca

From International Gothic to present day

The senses tell the story of the Church of San Giuliano ai Crociferi

The two churches

Wonderful quick decorations

A Nobel Prize in Modica

Norman apses

A small room with a golden entrance

A new palace for the La Rocca lords

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of the Annunciation

A miniature city

From the contrast of the exterior to the internal jubilation of colours

The disastrous earthquake

The Burgos crucifix

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

The church of Carmine

A city in colour

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

A square as the heart of the city

The colours of the cathedral

The wall comes to life

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

The chocolate of Modica

A museum to save a tradition

Two illustrious patron saints

One city, three sites

The Infiorata, a feast of colours and flowers

Some prestigious works

A long reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Badia di Sant’Agata