Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The chocolate of Modica

The internal colours

Some masterpieces

A new site for a new city

Militello, the story of an enlightened fiefdom

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

The Baroque town by the sea

Norman apses

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

San Benedetto: a treasure reopened to the public

A museum to save a tradition

A colourful floor

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

The interior and its masterpieces

Modica, a city with ancient origins

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

Feast days

A prominent church

The Burgos crucifix

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

St. Agatha and the giant candelabras

Places of knowledge: the Benedictines’ library

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

One city, two sites

A hall for the feasts

A long reconstruction

The kitchen, a treasure chest of colours

A talking palace

A design by Vincenzo Sinatra

The church of Carmine

The senses tell about Palazzo La Rocca

Between white and black

A Nobel Prize in Modica

A miniature city

The façade used as a puppet theatre

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

Discovering the mother church

Feasting in Palazzolo

The Staircase of Angels

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

The two churches

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

The senses tell the story of the Church of San Giovanni Evangelista

A majestic and luminous church

A city in colour

The theatre of taste

A square as the heart of the city

An eagle-shaped city

One city, three sites

The role of the religious orders in rebuilding the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some prestigious works

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

Many owners, one palace

From International Gothic to present day

Connections with other UNESCO sites

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Napolino Tommasi Rosso

The Feast of San Giacomo (St. James)

A small room with a golden entrance

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

The character of Badia Sant’Agata

Searching for colour

The senses tell the story of the Badia di Sant’Agata

The city of museums

A half-Baroque church

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

A new entrance for Santa Chiara (St. Claire)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

Two illustrious patron saints

A symbol for the town