Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The senses tell the story of the staircase of Santa Maria del Monte

Rosario Gagliardi, the maestro of the Val di Noto

One city, two sites

The senses tell the Cathedral of Sant’Agata

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

An eagle-shaped city

Fontana della Ninfa Zizza, public water in the town

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

The senses tell the story of the Church of the Annunciation

A long reconstruction

The senses tell the story of the Church of San Sebastiano

San Nicolò l’Arena: an unfinished church

Prominent façade

St. Sebastian, so much work!

New roads for Catania

The Supernatural dimension of the chapel of the Santissimo Sacramento

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Discovering the mother church

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

A talking palace

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

The two churches

The chocolate of Modica

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Benedetto

The theatre of taste

A symbol for the town

Some prestigious works

The senses tell the story of the Church of San Giuliano ai Crociferi

From International Gothic to present day

The Maiolica of the staircase

Baroque and the loss of equilibrium in the 16th century

Searching for colour

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

A museum to save a tradition

A majestic and luminous church

A new palace for the La Rocca lords

The Staircase of Angels

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers

From the contrast of the exterior to the internal jubilation of colours

A small room with a golden entrance

A new site for a new church

The interior and its masterpieces

A prominent church

Feast days

Garden of Novices and the restorations by Giancarlo De Carlo

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The internal colours

A hall for the feasts

Wonderful quick decorations

Places of knowledge: the Benedictines’ library

Limestone, the colour of harmony

San Benedetto: a treasure reopened to the public

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A feast only for Scicli

A colourful floor

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

The Burgos crucifix

A design by Vincenzo Sinatra

The Barresi-Branciforte lords

Connections with other UNESCO sites

Corbels: a celebration of the Nicolaci family

A new site for a new city

Norman apses

The city of museums

The church of Carmine

A square as the heart of the city

The senses tell about Palazzo La Rocca

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

One city, three sites

The senses tell the story of the church of Santa Maria del Carmelo

The Baroque town by the sea

A Nobel Prize in Modica

The disastrous earthquake

Two illustrious patron saints

The role of the religious orders in rebuilding the Val di Noto

A city in colour

Between white and black

A half-Baroque church

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life