Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

A half-Baroque church

The Barresi-Branciforte lords

The theatre of taste

A talking palace

Palazzo Nicolaci di Villadorata, who is the architect?

New roads for Catania

Garden of Novices and the restorations by Giancarlo De Carlo

The Burgos crucifix

Discovering the mother church

The church of Carmine

Limestone, the colour of harmony

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

A long reconstruction

The senses tell the story of the Church of the Annunciation

St. Sebastian, so much work!

The cathedral of Sant’Agata: a lengthy reconstruction

The internal colours

The senses tell about Palazzo Napolino Tommasi Rosso

A feast only for Scicli

A design by Vincenzo Sinatra

A square as the heart of the city

Fontana della Ninfa Zizza, public water in the town

Some prestigious works

Wonderful quick decorations

Feast days

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

The two churches

Two illustrious patron saints

Many owners, one palace

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

A new site for a new church

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

The senses tell the story of the church of San Giovanni Battista

A colourful floor

Feasting in Palazzolo

A hall for the feasts

One city, two sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The role of the religious orders in rebuilding the Val di Noto

Between white and black

Connections with other UNESCO sites

The interior and its masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

Places of knowledge: the Benedictines’ library

The Staircase of Angels

The senses tell the story of the church of San Giuseppe

The city of museums

Norman apses

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

Searching for colour

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

A small room with a golden entrance

A prominent church

One city, three sites

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

A city in colour

A miniature city

The kitchen, a treasure chest of colours

The chocolate of Modica

A new palace for the La Rocca lords

The wall comes to life

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

The disastrous earthquake

A museum to save a tradition

The senses tell about Palazzo Nicolaci

Prominent façade

From St. Thomas to St. Joseph

A symbol for the town

The Maiolica of the staircase

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Feast of San Giacomo (St. James)

St. Agatha and the giant candelabras