Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

New roads for Catania

Feast days

The senses tell the story of the Church of the Annunciation

A hall for the feasts

The chocolate of Modica

A talking palace

The interior and its masterpieces

Militello, the story of an enlightened fiefdom

A city in colour

Two illustrious patron saints

A prominent church

A miniature city

The senses tell about Palazzo Napolino Tommasi Rosso

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

The wall comes to life

The Barresi-Branciforte lords

A small room with a golden entrance

St. Agatha and the giant candelabras

The senses tell the story of the staircase of Santa Maria del Monte

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

A new site for a new church

A colourful floor

Prominent façade

San Benedetto: a treasure reopened to the public

The Feast of San Giacomo (St. James)

Many owners, one palace

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

Corbels: a celebration of the Nicolaci family

The city of museums

Between white and black

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

The Baroque town by the sea

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

Searching for colour

The senses tell about Palazzo La Rocca

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giovanni Battista

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

Some prestigious works

A majestic and luminous church

A new palace for the La Rocca lords

A long reconstruction

St. Sebastian, so much work!

A Nobel Prize in Modica

One city, two sites

Discovering the mother church

From International Gothic to present day

One city, three sites

The Infiorata, a feast of colours and flowers

The internal colours

A half-Baroque church

The colours of the cathedral

A feast only for Scicli

An eagle-shaped city

San Nicolò l’Arena: an unfinished church

Some masterpieces

A design by Vincenzo Sinatra

The Maiolica of the staircase

The disastrous earthquake

Rosario Gagliardi, the maestro of the Val di Noto

The Burgos crucifix

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

Modica, a city with ancient origins

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of Santa Maria del Carmelo

Palazzo Nicolaci di Villadorata, who is the architect?

The theatre of taste

The church of Carmine