Palazzolo Acreide

One city, three sites

Palazzolo Acreide is located further inland in Syracuse and is one of the oldest towns in the Val di Noto.Also struck by the 1693 earthquake, it was reborn from its rubble in the same location. Here the Baroque style fits in perfectly with the narrow, dense medieval streets.
Light enters the squares, making the façades and the contrasts between the colours stand out.
The town has three different construction phases that illustrate three different historical periods.
The medieval centre, which stood near former Acre, was located on a rocky spur in a strategic position for controlling the territory.
There stood a “palatium”, or imperial palace, which is probably where the name “palatiolum” of the new town came from. The oldest centre of the town was founded seventy years after the city of Syracuse, with which a lasting bond was built.
This new town on the plateau of the Hyblaean Mountains allowed trade between Syracuse and the other southern towns, promoting the spread of Hellenic culture in the centuries to come. After the tragic earthquake, the most important Baroque buildings and squares were built around the main street dedicated to Vittorio Emanuele. Palazzolo Acreide still retains some evidence of the ancient Greek city of Akrai: if you walk along Corso Vittorio Emanuele you’ll reach the Greek theatre .

Connections with other UNESCO sites

A new entrance for Santa Chiara (St. Claire)

Two illustrious patron saints

The façade used as a puppet theatre

Limestone, the colour of harmony

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

One city, three sites

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

The Feast of San Giacomo (St. James)

A small room with a golden entrance

Discovering the mother church

Some masterpieces

Norman apses

Modica, a city with ancient origins

A museum to save a tradition

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library

San Nicolò l’Arena: an unfinished church

A half-Baroque church

The Baroque town by the sea

The theatre of taste

The senses tell the story of the Church of San Giuliano ai Crociferi

A majestic and luminous church

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

An eagle-shaped city

A design by Vincenzo Sinatra

The two churches

A hall for the feasts

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

From International Gothic to present day

St. Agatha and the giant candelabras

The senses tell about Palazzo La Rocca

From St. Thomas to St. Joseph

Feasting in Palazzolo

A city in colour

Searching for colour

The chocolate of Modica

The church of Carmine

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

A prominent church

The Maiolica of the staircase

The senses tell about Palazzo Nicolaci

New roads for Catania

The senses tell about Palazzo Napolino Tommasi Rosso

Prominent façade

A new site for a new city

San Benedetto: a treasure reopened to the public

Many owners, one palace

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

A square as the heart of the city

A new palace for the La Rocca lords

The Staircase of Angels

The Burgos crucifix

Corbels: a celebration of the Nicolaci family

Militello, the story of an enlightened fiefdom

Between white and black

The senses tell the story of the Church of San Sebastiano

One city, two sites

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Sebastian, so much work!

The senses tell the story of the church of San Giuseppe

A triumph of colour

The disastrous earthquake

Feast days

The city of museums

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

A talking palace

The internal colours

The kitchen, a treasure chest of colours

A symbol for the town

A miniature city

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of the Annunciation

A long reconstruction

The colours of the cathedral

The senses tell the story of the church of Santa Maria del Carmelo