Palazzolo Acreide

One city, three sites

Situated inland from Syracuse, Palazzolo Acreide is one of the oldest towns of the Val di Noto.
Palazzolo Acreide was also affected by the earthquake of 1693. It was reborn from its rubble, in its original place, where Baroque squares with their scenic architecture wind around the main street. Light enters the squares, animating the façades and creating chromatic contrasts.
The city features three different sites that describe its three historical periods. The medieval centre, rebuilt on top of where it stood near former Acre, was located on a rocky spur in a strategic position for controlling the territory.
There stood a “palatium”, or imperial palace, which is where the name “palatiolum” of the new town comes from. The oldest centre of the town was founded 70 years after the city of Syracuse, creating a lasting bond with it.

This new town on the plateau of the Hyblaean Mountains allowed trade between Syracuse and the other southern towns, promoting the spread of Hellenic culture in the centuries to come.
The 17th and 18th-century buildings and Baroque squares become prominent features of the main street, with their unique art and architecture. The main street leads to the ancient Greek site of Akrai which still houses the world’s smallest Greek theatre today.
The entire monumental archaeological area, which also includes the ancient theatre, is near to the fabric of the Baroque town and its great scenic importance is fundamental for discovering ancient Sicily.

foto fil di ferro Teatro Greco
Teatro Greco
A Nobel Prize in Modica

Religious architecture

The senses tell the Cathedral of San Giorgio

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Akrai and Syracuse: an unbreakable bond

The art of maiolica

The Monastery of the Benedictine nuns

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell about Palazzo Zacco

Scenography and devotion for St. Agatha

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Palazzo dei due mori

City and nature

The Badia di Sant’Agata (St. Agatha’s Abbey)

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Expansion, spatiality and light in the church of San Domenico

The casket of austerity under the great dome

Rebirth and urban planning of the city of Noto

St. Agatha and the candelore

The senses tell about Palazzo Trigona

The interior of the church: space and colour

The Church of St. Benedict

The Antonino Uccello Birthplace Museum

The Staircase of Angels

A stone garden

Fountain of the Nymph Zizza: public water in the town

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Julian on Via dei Crociferi

Scicli, the city of Baroque scenery

The Madonna dei Conadomini and the art of devotion

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Church of San Domenico

San Domenico and Gagliardi’s work

The interiors: diffused light and Byzantine relics

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell about Palazzo Beneventano

The Duomo di San Giorgio (Cathedral of St. George)

A compromise between Neoclassicism and Baroque

A story of rebirth

The senses tell the story of the Church of San Giovanni Evangelista

Scenography, lights and colours of the cathedral

Reconstruction after the earthquake

The triumph of Baroque: expansion of spaces

Madonna of the Militia: a singular warrior virgin

A casket of precious works

Unusual iconographies: the Burgos crucifix

The senses tell of Palazzo della Cancelleria

Baroque creativity: recurring themes

The city palace

The senses tell the Cathedral of Sant’Agata

Baroque and the loss of balance in the 16th century

The Church of St. Paul

The Monte delle Prestanze in the new city layout

Virtuosity, decorations and altars

The senses tell the Church of San Michele

The city of Modica, a balance between nature and urbanism

The Franciscan convent

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of St. John the Evangelist

From the end of the world to rebirth from the rubble

Luminous sacred spaces

The palace, the town, the church

The illusion of light and the decorative splendour

The eagle-shaped city

The Church of Madonna della Stella

The senses tell the story of the Church of the Badia di Sant’Agata

Art in the cathedral

The senses tell the story of the Church of San Benedetto

Palazzo Trigona: a building with a complex shape

The senses tell about Palazzo Ducezio

One city, three sites

The smallest Greek theatre in the world

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Trigona di Canicarao

The city within the city

Palazzo Zacco, a balance between sobriety and decoration

Militello: The story of an enlightened fiefdom

A new site for the church of San Giorgio

The beginning of an authentic Baroque conception

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Paolo

The Infiorata of Noto, a modern tradition

The two churches

The new roads of the city

Expanded spaces, stucco and colourful lights

The interior and works of art

The church and the college

A unifying project for the city of Catania

Verticality and dynamism of the façade of the Church of San Carlo

Altars, saints and sculptural works

The church and the monastery

The senses tell of the Cathedral of San Pietro

The senses tell the story of the Church of Santa Maria del Monte

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The works in the church

The Benedictines’ library

The expansion of space and changing reality

Majestic exteriors, grandiose interiors

The Church of St. Mary of the Mountain

The Church of St. Francis

Piazza Duomo, the elephant fountain, the heart of the city

A heritage of votive works

The dynamics of the Church of San Michele

The articulated interior spaces

The neo-Gothic seminary chapel: symbols, light and space