Ragusa

Palazzo della Cancelleria: from former stable to the Nicastro family

The exquisite late Baroque building located in Ragusa Ibla overlooks Via del Commendatore in the “degli archi” district and was purchased by the Municipality in the mid-19th century to become the seat of the Municipal Chancellery, hence its name, Palazzo della Cancelleria.
Construction work on the palace, which was owned by the Nicastro family began in the first half of the 18th century, followed by subsequent modifications, seen clearly in the tympanum which is not in line with the façade. There are also clear stylistic differences between its constituent elements.prospetto con timpano fuori asseIt was completed in 1760, as an extension to another building still visible thanks to the presence of the old stable. The main façade overlooks a small square in which two branches of the long staircase, once the only link between the upper and lower districts of the city, are connected.
The façade is embellished by a portal that seems to be guarded by the faces of two cherubs carved to decorate the lateral pilaster strips . cherubino portaleThe articulated entrance to the Baroque complex, perhaps built later, is dominated by an arch supported by carved pillars and a central tribune with a balustrade with curved balusters, which rests on five corbels formed of large 17th-century volutes.
The side elevation has two large windows connected by a mixtilinear cornice, but the most theatrical element is the entrance portal leading to the former stable connected to the upper floor by a natural pietra pece ramp.

One city, three sites

A stone garden

Art in the cathedral

Religious architecture

Expanded spaces, stucco and colourful lights

A new site for the church of San Giorgio

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell about Palazzo Trigona

Militello: The story of an enlightened fiefdom

The Antonino Uccello Birthplace Museum

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell about Palazzo Beneventano

The senses tell about Palazzo Zacco

The two churches

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Views denied, views conquered: the power of the devout Benedictines

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A casket of precious works

From the end of the world to rebirth from the rubble

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

Rebirth and urban planning of the city of Noto

The Franciscan convent

The Staircase of Angels

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the Cathedral of San Giorgio

The works in the church

The Church of St. Paul

The Badia di Sant’Agata (St. Agatha’s Abbey)

Expansion, spatiality and light in the church of San Domenico

The interiors: diffused light and Byzantine relics

Palazzo Zacco, a balance between sobriety and decoration

The Infiorata of Noto, a modern tradition

The smallest Greek theatre in the world

The Monte delle Prestanze in the new city layout

The dynamics of the Church of San Michele

Verticality and dynamism of the façade of the Church of San Carlo

The expansion of space and changing reality

Virtuosity, decorations and altars

A unifying project for the city of Catania

The eagle-shaped city

The city of Modica, a balance between nature and urbanism

Palazzo Trigona di Canicarao

The casket of austerity under the great dome

The senses tell of the Cathedral of San Pietro

A heritage of votive works

St. Agatha and the candelore

The triumph of Baroque: expansion of spaces

Akrai and Syracuse: an unbreakable bond

Baroque and the loss of balance in the 16th century

The Church of St. John the Evangelist

The neo-Gothic seminary chapel: symbols, light and space

The palace, the town, the church

The senses tell the story of the Church of San Benedetto

The beginning of an authentic Baroque conception

Unusual iconographies: the Burgos crucifix

The Palazzo dei due mori

City and nature

Piazza Duomo, the elephant fountain, the heart of the city

The Church of Madonna della Stella

Reconstruction after the earthquake

The articulated interior spaces

The senses tell the Cathedral of Sant’Agata

A compromise between Neoclassicism and Baroque

San Domenico and Gagliardi’s work

The interior of the church: space and colour

Scicli, the city of Baroque scenery

The church and the college

The senses tell about Palazzo Ducezio

The Church of St. Julian on Via dei Crociferi

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of St. Francis

Garden of Novices and the restorations by Giancarlo De Carlo

A story of rebirth

Luminous sacred spaces

The Monastery of the Benedictine nuns

Scenography, lights and colours of the cathedral

The Church of St. Benedict

The senses tell of Palazzo della Cancelleria

A Nobel Prize in Modica

Baroque creativity: recurring themes

The senses tell the Church of San Michele

Scenography and devotion for St. Agatha

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Benedictines’ library

The illusion of light and the decorative splendour

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of San Paolo

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the story of the Church of San Giovanni Evangelista

The art of maiolica

The city within the city

The interior and works of art

The city palace

The senses tell the Church of San Domenico

The new roads of the city

The senses tell the story of the Church of Santa Maria del Monte

The Church of St. Mary of the Mountain

Altars, saints and sculptural works

The Madonna dei Conadomini and the art of devotion

Madonna of the Militia: a singular warrior virgin

The church and the monastery