Ragusa

Palazzo della Cancelleria: from former stable to the Nicastro family

The exquisite late Baroque building located in Ragusa Ibla overlooks Via del Commendatore in the “degli archi” district and was purchased by the Municipality in the mid-19th century to become the seat of the Municipal Chancellery, hence its name, Palazzo della Cancelleria.
Construction work on the palace, which was owned by the Nicastro family began in the first half of the 18th century, followed by subsequent modifications, seen clearly in the tympanum which is not in line with the façade. There are also clear stylistic differences between its constituent elements.prospetto con timpano fuori asseIt was completed in 1760, as an extension to another building still visible thanks to the presence of the old stable. The main façade overlooks a small square in which two branches of the long staircase, once the only link between the upper and lower districts of the city, are connected.
The façade is embellished by a portal that seems to be guarded by the faces of two cherubs carved to decorate the lateral pilaster strips . cherubino portaleThe articulated entrance to the Baroque complex, perhaps built later, is dominated by an arch supported by carved pillars and a central tribune with a balustrade with curved balusters, which rests on five corbels formed of large 17th-century volutes.
The side elevation has two large windows connected by a mixtilinear cornice, but the most theatrical element is the entrance portal leading to the former stable connected to the upper floor by a natural pietra pece ramp.

The casket of austerity under the great dome

The Church of St. Francis

Expansion, spatiality and light in the church of San Domenico

Piazza Duomo, the elephant fountain, the heart of the city

A heritage of votive works

Rebirth and urban planning of the city of Noto

The Monastery of the Benedictine nuns

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Madonna of the Militia: a singular warrior virgin

A Nobel Prize in Modica

Altars, saints and sculptural works

The neo-Gothic seminary chapel: symbols, light and space

The senses tell about Palazzo Trigona

Unusual iconographies: the Burgos crucifix

Majestic exteriors, grandiose interiors

The interior of the church: space and colour

The Church of St. Julian on Via dei Crociferi

The church and the college

The Monte delle Prestanze in the new city layout

The senses tell the Church of San Michele

The church and the monastery

Baroque creativity: recurring themes

The senses tell the Cathedral of Sant’Agata

The interior and works of art

Expanded spaces, stucco and colourful lights

The Church of St. Mary of the Mountain

Views denied, views conquered: the power of the devout Benedictines

Reconstruction after the earthquake

The triumph of Baroque: expansion of spaces

One city, three sites

Scenography and devotion for St. Agatha

The dynamics of the Church of San Michele

The senses tell about Palazzo Zacco

The palace, the town, the church

The illusion of light and the decorative splendour

A story of rebirth

The Church of Madonna della Stella

A compromise between Neoclassicism and Baroque

A stone garden

The eagle-shaped city

The Church of St. Paul

The Palazzo dei due mori

Art in the cathedral

A unifying project for the city of Catania

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Church of San Domenico

Akrai and Syracuse: an unbreakable bond

Palazzo Trigona: a building with a complex shape

The two churches

A casket of precious works

Palazzo Trigona di Canicarao

The senses tell the story of the Church of San Giuliano ai Crociferi

The art of maiolica

The city within the city

The new roads of the city

City and nature

Palazzo Zacco, a balance between sobriety and decoration

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The interiors: diffused light and Byzantine relics

The Staircase of Angels

Palazzo della Cancelleria: from former stable to the Nicastro family

The Madonna dei Conadomini and the art of devotion

The senses tell the Cathedral of San Giorgio

The expansion of space and changing reality

The Infiorata of Noto, a modern tradition

The senses tell the story of the Church of San Carlo and the former Jesuit college

Militello: The story of an enlightened fiefdom

The senses tell of Palazzo della Cancelleria

The articulated interior spaces

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Virtuosity, decorations and altars

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The works in the church

Garden of Novices and the restorations by Giancarlo De Carlo

The Church of St. John the Evangelist

From the end of the world to rebirth from the rubble

Scicli, the city of Baroque scenery

The Antonino Uccello Birthplace Museum

The smallest Greek theatre in the world

A new site for the church of San Giorgio

St. Agatha and the candelore

The senses tell the story of the Church of Santa Maria del Monte

The senses tell about Palazzo Beneventano

Religious architecture

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Ducezio

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of San Paolo

The Franciscan convent

The senses tell the story of the Church of the Badia di Sant’Agata

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Luminous sacred spaces

The senses tell the story of the Church of San Benedetto

The city palace

The Benedictines’ library

The beginning of an authentic Baroque conception

The Badia di Sant’Agata (St. Agatha’s Abbey)

San Domenico and Gagliardi’s work

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell of the Cathedral of San Pietro

The Church of St. Benedict

Scenography, lights and colours of the cathedral